Biographical material (1931-1982), correspondence (1920-1983), business records (1958-1973), subject files concerning the WPA's Federal Art Project (1934-1976) and printed material (1918-1981) reflect the activities and careers of Clement Haupers and Clara Mairs.
Biographical material concerning Clement Haupers consists of 2 portrait drawings, an autobiographical account, a biographical account written by Les Grunwald, 6 clippings (1974-1982), an essay "Clement Haupers: Art Appreciation, Arlington Library" by Romeo Gutsche, a transcript of an interview conducted by Peter Lewson, and a resume (1943). Biographical material for Clara Mairs includes 2 biographical accounts, 2 exhibition catalogs (undated and 1976), and a clipping of her obituary (1963).
Correspondence (1920-1983) consists of letters exchanged between Haupers, Mairs, their family members, and colleagues. Letters exchanged between Haupers and Mairs primarily concern the annual Minnesota State Fair exhibitions (1933-1936) and Haupers' involvement in the Federal Art Project in Washington, D.C. (1943). Other letters concern the couple's art-related activities and Haupers' teaching and art restoration work, and include magazine illustrations by Haupers and Mairs. Correspondents include artists Cameron Booth, Andre Boratko, Floyd E. Brewer, Alida Flexer, Frances Cranmer Greenman, Patsy Reed High, LeRoy Neiman, Alexander Oja, James E. Rea, and Erik Smith.
Business records (1958-1973), primarily Mairs' estate documents, include her will (1958), correspondence relating to her death, probate court documents and inheritance tax documents. Financial material consists of sales receipts for the sale of art work (1969-1973). Printed material consists of clippings (1918-1981) and exhibition catalogs (1929-1979).
A subject file on the St. Paul Arts and Crafts Center (1934-1935), which was supported by the State Emergency Relief Administration, contains a description of the Art Center, a list of classes, clippings, and photographs of classes and students' work. A second subject file on the Haupers' work for the Work Projects Administration's Federal Art Project (1937-1976) includes reports, an essay "Minnesota Artist" (1938), exhibition catalogs, brochures, and photographs.
Biographical / Historical:
Artists; St. Paul, Minn. Clement Bernard Haupers was born in St. Paul and was employed as a secretary by the Chicago, Milwaukee and St. Paul Railroad from 1917-1920. In 1918 he studied art and joined Clara Mairs' Art League of St. Paul. Clara Gardner Mairs was born in Hastings, Minn. and received art training at the Pennsylvania Academy of the Fine Arts. During the late 1920s, Haupers and Mairs traveled to Europe and studied in Paris and Northern Africa. In 1929, they returned to St. Paul and established studios. Between 1931-1943, Haupers was involved in many of the federal government's art programs, including teaching at the St. Paul Arts and Crafts Center. In 1935, he was appointed the Minnesota state director of the WPA-FAP. Haupers later returned to teaching and art restoration.
Provenance:
Microfilm purchased from the Minnesota Historical Society, 1988.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Division of Library and Archives, Minnesota Historical Society. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The bulk of the correspondence (approximately 75 percent) is written to Frederic Newlin Price, W. Frank Purdy and Ferargil Galleries by artists, dealers, and museums and other art and educational institutions. Artist correspondence is well represented with a significant number of letters from, or relating to, artists represented by the gallery including Bartlett Arkell, Randall Davey, Hunt Diedrich, Ernest Lawson, Agnes Potter Lowrie, Barse Miller, Maxfield Parrish, John Pike, Paul Sample, Wells M. Sawyer, and many others. Some correspondence relating to Price's involvement with Swarthmore College can also be found here.
Found at the end of the incoming correspondence is a folder relating to an exhibition "The Circus Comes to Ferargil Galleries," and a folder of circa 19 letters regarding the authentication and disposition of Gilbert Stuart's Lansdowne portrait of George Washington.
Outgoing correspondence consists primarily of copies of letters and memoranda written in response to the incoming material. The bulk of the outgoing correspondence ends in 1956 with one letter each from 1958 and 1963.
See Appendix for a partial list of correspondents in Series 1, noting illustrated letters.
Arrangement note:
Incoming correspondence is arranged alphabetically by correspondent; outgoing correspondence follows, and is arranged chronologically.
Appendix: Partial List of Correspondents in Series 1:
Addision Gallery of American Art
Addison, Walter
Aiken, Charles Avery
American Artists Group, Inc.
Anderson, Karl
Anderson, C. W.
Andrews, Charles Sperry (includes illustrated letter)
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ferargil Galleries records, 1900-1963. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
