Large collection of photographs, picture postcards, printed ephemera, and music related to the brass band movement in the United States: includes 8 ambrotypes, 36 tintypes, 59 stereographs, 66 cabinet prints, 90 cartes-de-visite, 150 large photoprints, and 874 picture postcards; also posters, concert programs, instrument manufacturers' advertisemements and ephemera, periodicals, sheet music, etc.
Arrangement:
3 series: (1) photographs; (2) ephemera; and (3) resources in American band history. Series 1 has 7 sub-series: (1) ambrotypes; (2) tintypes; (3) stereographs; (4) cabinet prints; (5) cartes-de-visite; (6) large mounted photoprints; and (7) postcards. Series 2 has 7 sub-series: (1) company ephemera; (2) band ephemera; (3) music; (4) periodicals; (5) oversized paper ephemera; (6) artifacts (3-dimensional); and (7) folio-size broadsides. Geographical arrangement within postcard and stereograph sub-series.
Biographical / Historical:
Dr. and Mrs. Robert M. Hazen formed this collection in conjunction with their research on the American brass band movement.
Provenance:
Collection purchased from Dr. Robert Hazen, May 23, 1985 (1988.3028).
Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.
Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Digitization of Series 1: Photographic Negatives, Photographs, and Slides was made possible by Andrew and Anya Shiva.
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.
Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Digitization of Series 1: Photographic Negatives, Photographs, and Slides was made possible by Andrew and Anya Shiva.
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.
Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Digitization of Series 1: Photographic Negatives, Photographs, and Slides was made possible by Andrew and Anya Shiva.
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.
Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Digitization of Series 1: Photographic Negatives, Photographs, and Slides was made possible by Andrew and Anya Shiva.
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.
Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Digitization of Series 1: Photographic Negatives, Photographs, and Slides was made possible by Andrew and Anya Shiva.
Consists of color and black and white prints of primarily jazz musicians and bands but also includes other genres of music. The portraits of musicians are typically headshots or feature the artists holding instruments. Some of the photographs of the musicians and bands are duplicates of the materials in the historical series but not all. This group of material also includes Schiedt's photographic work with more well-known artists and some lesser known groups such as Deacon Hampton's Pickaninny Band, "Dixie" Davis and His Boys, Firehouse Five, Forester's Foot Warmers, Gin Bottle Seven with Carl Halen, Hitch's Happy Harmonists, Holler's Hoosier Harmonists, Indianapolis Newsboys Band, Ink Spots, Joe Liggins and his Honeydrippers, McFarland Twins, McKinney's Cotton Pickers, Pickaninny Brass Band, Pied Pipers with Frank Sinatra, Royal Peacock Orchestra, Salty Dogs, Six Jumping Jack, Syncopating Five and Poor Joe. The materials are arranged first by size and then in alphabetical order by the name of the musician or band.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Sponsor:
Processing and encoding funded by a grant from the Council on Library and Information Resources.
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Sponsor:
Processing and encoding funded by a grant from the Council on Library and Information Resources.
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Sponsor:
Processing and encoding funded by a grant from the Council on Library and Information Resources.
8. RESTRICTED. Petrona and her baby, Juan Pablo; Petrona works at Rivero house and is niece of Horacio Semani. San Ignacio de Moxos. 1979 February 20.
9. Doña Angela with daughter Luesa; the former the cook at Rivero house, the latter the niñera. San Ignacio de Moxos. 1979 February 20.
10. "Mama Felicia,"" (I interviewed her) desgraundo maÃz. San Ignacio de Moxos. 1979 February 21.
11. "Mama Felicia,"" desgraundo maÃz. San Ignacio de Moxos. 1979 February 21.
12. The "custodia": (of Jesuit era) formerly used every Sunday, now only for carnavales and certain dÃas de fiesta. Large ostia cake put inside disc to be addressed through rezos and adoracÃon. The ostia represents the Señor, and the disc with ostia (or sometimes without ostia) referred to by Indian as el SantÃsimo. Metal seems to be alloy of silver and gold. San Ignacio de Moxos. 1979 February 21.
13. Closer view of disc of cutordia (see #11) where ostia kept. The "custodia" from the Jesuit era. San Ignacio de Moxos. 1979 February 21.
14. Base of #11. 1979 February 21.
15. Depósito del Sacramento. Used on Jueves Santo to guardar la ostia; se coloca al altar mayor. Es de plata. San Ignacio de Moxos. 1979 February 21.
16. Top of depósito of #14; the angel is poised atop a large bird. San Ignacio de Moxos. 1979 February 21.
17. Another angel figure of #14. 1979 February 21.
18. Yet another angel figure of #14. 1979 February 21.
19. Church bells of San Ignacio, forged in Jesuit times in Beni. San Ignacio de Moxos. 1979 February 21.
20. Church bells of San Ignacio, forged in Jesuit times in Beni. San Ignacio de Moxos. 1979 February 21.
21. Church bells of San Ignacio, forged in Jesuit times in Beni. San Ignacio de Moxos. 1979 February 21.
22. Church bells of San Ignacio, forged in Jesuit times in Beni. San Ignacio de Moxos. 1979 February 21.
23. Church bells of San Ignacio, forged in Jesuit times in Beni. San Ignacio de Moxos. 1979 February 21.
24. Cross on plaza of San Ignacio, taken through bell niches. San Ignacio de Moxos. 1979 February 21.
25. Cross on plaza of San Ignacio, taken through bell niches. San Ignacio de Moxos. 1979 February 21.
26. New capilla at cemetary in San Ignacio on morning of dedication. San Ignacio de Moxos. 1979 February 22.
27. New capilla at cemetary in San Ignacio on morning of dedication. San Ignacio de Moxos. 1979 February 22.
28. New capilla at cemetary in San Ignacio on morning of dedication. San Ignacio de Moxos. 1979 February 22.
29. Mural of new capilla in San Ignacio; pintor: Ona Muñoz from Trinidad. San Ignacio de Moxos. 1979 February 22.
32. A carretón passes along road in distance. San Ignacio de Moxos. 1979 February 22.
33. Padre Alfonso with Mariano Yaca, sacristán mayor, as they prepare for dedication ceremony at new capilla. San Ignacio de Moxos. 1979 February 22.
34. Padre Alfonso commences the dedication ceremony at new capilla with sign of the cross. San Ignacio de Moxos. 1979 February 22.
35. Ignacito Rivero gives dedication speech at new capilla of San Ignacio. San Ignacio de Moxos. 1979 February 22.
36. Ignacito Rivero, Padre Alfonso with sacristanes, as Ignacito ends his dedication speech. San Ignacio de Moxos. 1979 February 22.
37. Caraitana brass band of San Ignacio plays at conclusion of ceremony to dedicate the new capilla. To right stands the local comandante de la PolicÃa montada here. San Ignacio de Moxos. 1979 February 22.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Postcard with reproduction of group photograph of children in Orphan's Home, Seattle, Wash., with instruments. Caption includes children's names and nationalities. Postmarked 1906, with message on verso addressed to Clara Eckert, Peshtigo, Wis. Nationalities are: French, Norwegian, Finnish, Irish, Italian, Canadian, and U.S.
Local Numbers:
AC0253-0000011 (AC scan no.)
Collection Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Brass bands -- 1900-1910 -- Washington Search this
Photograph taken during trip to Long Branch, N.J. ("Casino / Ocean Park, / Long Branch / Cottrell, Photo" in negative, upper left. Signed "Lillian", lower right, verso addressed to Mrs. J. Thompson, Fair Haven, N.J., postmarked 1906.
Local Numbers:
AC0253-0000007 (AC Scan)
Collection Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Reproduction of photograph of band riding in motorized bandwagon with instruments. Vehicle has "The Overland" name on front. Postmarked 1909, with message, addressed to Arthur Rice, Forest City, Iowa.
Local Numbers:
AC0253-0000008 (AC scan no.)
Collection Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
1 Item (Silver gelatin on paper,, 3-1/2" x 5-5/8".)
Container:
Box 10, Item 1.7.730
Type:
Archival materials
Photographs
Postcards
Picture postcards
Date:
Circa 1910
Scope and Contents:
Image 3" x 4-5/8". Photographic postcard showing a brass band in formation (marching?), playing at the Six Counties Firemen Convention, in an unidentified American city. No message or maker identification on verso.
Local Numbers:
AC0253-0000002 (AC Scan)
87-14075 (OIPP Neg. No.)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
1 Item (mounted on black paper, Silver gelatin on paper., 10.9" x 11.6")
Container:
Box 7, Item 121
Type:
Archival materials
Photomechanical prints
Photographs
Postcards
Picture postcards
Date:
1905
Scope and Contents:
Band posed outside white clapboard building.
Local Numbers:
AC0253-0000001 (AC scan no.)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
