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Braque, Georges, 1882-1963

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
12 photographs
Container:
Binder 7
Type:
Archival materials
Photos
photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref82

No Title Given: Still Life with Fruit, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Still Life--Fruit  Search this
Still Life--Other--Vase  Search this
Image number:
ROS R0003657
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133104

Interior Scene with Female Figure, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Grace Borgenicht Gallery  Search this
Architecture interior--Domestic  Search this
Figure female--Full length  Search this
Image number:
ROS R0003880
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133326

No Title Given: Still Life with Pitcher, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Still Life--Other--Dish  Search this
Still Life--Fruit  Search this
Image number:
ROS R0004129
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133575

No Title Given: Still Life, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Still Life  Search this
Image number:
ROS R0004288
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133734

No Title Given: Still Life with Lemons and Fish, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Still Life--Other--Vase  Search this
Still Life--Game--Fish  Search this
Still Life--Fruit--Lemon  Search this
Image number:
ROS R0004811
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134247

No Title Given: Guitars and Sheet Music, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
E. V. Thaw & Co., Inc  Search this
Object--Written Matter--Sheet Music  Search this
Object--Musical Instrument--Guitar  Search this
Image number:
ROS R0004885
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134321

No Title Given: Abstract, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
E. V. Thaw & Co., Inc  Search this
Abstract  Search this
Image number:
ROS R0005080
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134516

No Title Given: Bouquet, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
E. V. Thaw & Co., Inc  Search this
Object--Flower  Search this
Image number:
ROS R0005242
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134676

No Title Given: Still Life with Teapot and Lemon, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Still Life--Other--Dish  Search this
Still Life--Fruit--Lemon  Search this
Image number:
ROS R0006208
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_135610

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0007395
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_136615

Fruit, Jug and Pipe, [painting] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1924
Topic:
E. V. Thaw & Co., Inc  Search this
Still Life--Fruit--Lemon  Search this
Still Life--Fruit--Grape  Search this
Still Life--Other--Smoking Material  Search this
Still Life--Other--Dish  Search this
Image number:
ROS R0005156
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134590

No Title Given: Still Life with Guitar and Fruit, [art work] / (photographed by Walter Rosenblum)

Artist:
Braque, Georges 1882-1963  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
E. V. Thaw & Co., Inc  Search this
Still Life--Fruit  Search this
Still Life--Musical Instrument--Guitar  Search this
Still Life--Other--Glass  Search this
Image number:
ROS R0005299
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134733

Conversation with Georges Braque

Creator:
Braque, Georges, 1882-1963  Search this
Mangravite, Peppino Gino, 1896-1978  Search this
Type:
Sound Recording
Date:
1955 June 19
Record number:
(DSI-AAA)10993
See more items in:
Peppino Mangravite papers, 1918-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10993

Kootz Gallery records

Creator:
Kootz Gallery  Search this
Names:
Baziotes, William, 1912-1963 -- Photographs  Search this
Braque, Georges, 1882-1963  Search this
Hare, David, 1917-1992  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Kootz, Samuel M., 1898-1982  Search this
Marca-Relli, Conrad, 1913-2000 -- Photographs  Search this
Mathieu, Georges, 1921 -- Photographs  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Pierre Soulages, 1919- -- Photographs  Search this
Ronald, William, 1926 -- Photographs  Search this
Sugai, Kumi, 1919 -- Photographs  Search this
Extent:
7.1 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
Signatures (names)
Notes
Date:
1923-1966
Summary:
The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks; photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.
Scope and Contents note:
The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks, photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.

There are two folders of scattered routine incoming letters. Three folders of exhibition files contain limited documentation of the 1952 Kootz Gallery exhibition "To South America," and printed material related to the 1951 exhibition "Art for a Synagogue" held at the Synagogue of Congregation B'nai Israel in Millburn, New Jersey.

Artists' Photograph Files contain mostly photographs of 52 artists, their artwork, and their exhibitions. In addition to photographs, there is one folder of artists' autographs. Pablo Picasso and Hans Hofmann's close friendship with Kootz is reflected in this series, as numerous informal personal photos are found in their respective files. A few folders also contain documents, such as transcript notes for a lecture and other writings by Hans Hofmann and a brief review of the work of Georges Braque and David Hare.

Printed Material consists of exhibition announcements and catalogs, advertisements, and newspaper and magazine clippings on the gallery and artists associated with the gallery. There are catalogs for Kootz Gallery exhibitions, including "The Intrasubjectives" show of 1949.

Twenty-three scrapbooks date from 1931 through 1966 and include exhibition announcements, catalogs, photographs, clippings, and miscellaneous printed material. Scrapbook 1, 1947-1948, focuses on Pablo Picasso. Scrapbooks 2-21 document approximately one year of Kootz Gallery events and press coverage from 1945 to 1966, and Scrapbooks 22-23, 1950-1958, focus on architectural models and exhibitions.

Photographic material includes photographs, transparencies, and slides of Kootz Gallery New York and Kootz Gallery Provincetown; interior design photographs showcasing Kootz Gallery artwork hanging in office and residential spaces; group and unidentified exhibitions; group and unidentified artists/artwork; and informal photographs of Samuel Kootz and of his wife, Jane.

Samuel Kootz Personal Papers consist of a cocktail party invitation and a copy of the 1923 Phi Epsilon Pi Quarterly, Vol. 6, No. 1.
Arrangement note:
The collection is arranged as 7 series:

Series 1: Correspondence, 1950-1962 (Box 1; 2 folders)

Series 2: Exhibition Files, circa 1944-1966 (Box 1; 3 folders)

Series 3: Artists Photographs Files, 1936-1966 (Boxes 1-2, 5; 1.5 linear feet)

Series 4: Printed Material, circa 1944-1966 (Boxes 2, 5; 0.5 linear feet)

Series 5: Scrapbooks, 1931-1966 (Box 3, BV 6-23; 4 linear feet)

Series 6: Photographic Material, circa 1944-1966 (Boxes 4-5; 11 folders)

Series 7: Samuel Kootz Personal Papers, circa 1923-1957 (Box 4; 2 folders)
Biographical/Historical note:
Samuel M. Kootz officially opened the Kootz Gallery in 1945 in New York City. In 1953, he opened a satellite gallery in Provincetown, Massachusetts that closed one year later.

Samuel M. Kootz (1898-1982) received his law degree from the University of Virginia in 1921 and practiced law briefly before moving to New York City to accept a job as an advertising account executive. While still in law school, he began visiting New York art galleries and was particularly drawn to works by modern artists that were showing at the Stieglitz Gallery and the Charles Daniel Gallery. In 1930, he independently published his first book, Modern American Painters and began to regularly contribute articles on painting and photography to various periodicals, including The Times. In 1942, he curated an abstract expressionist showcase for Macy's and published New Frontiers in American Painting one year later. Kootz's second book was one of the first to examine the emerging abstract expressionist movement and marked the beginning of his full transition into the art world.

In 1944, Kootz resigned from his advertising job to represent Robert Motherwell and William Baziotes as a professional art dealer. He officially opened the Kootz Gallery opened in 1945 and showcased the work of both American and European abstract expressionists, including Hans Hofmann and Adolph Gottlieb. In 1946, during the Kootz Gallery's preparation for Pablo Picasso's first one man exhibition in America, Picasso became quite friendly with Kootz and his wife Jane. Upon the artist's suggestion, Kootz agreed to close his gallery and represent Picasso and his other artists as a private dealer. Although this was a successful venture, Kootz missed the structure of an office and decided to reopen his gallery on Madison Avenue in 1949. The gallery's first show at the new location was "The Intrasubjectives," a term Kootz had coined for abstract expressionists. The exhibition included four artists from his stable, William Baziotes, Robert Motherwell, Adolph Gottlieb, and Hans Hofmann, along with Jackson Pollock, Arshile Gorky, Willem de Kooning, Mark Rothko, Ad Reinhardt, Morris Graves, Mark Tobey, and Bradley Walker Tomlin.

In 1953, Kootz opened a satellite gallery in Provincetown, Massachusetts that was managed and operated by gallerist Nathan Halper. In 1954, they mutually agreed to dissolve their partnership and Kootz focused his energies on his New York gallery, which grew to include Herbert Ferber, David Hare, Philippe Hosiasson, Ibram Lassaw, Conrad Marca-Relli, Georges Mathieu, Raymond Parker, William Ronald, Gerard Schneider, Emil Schumacher, and Pierre Soulages.

A number of factors, including competition from new galleries, commoditization of art by investment collectors, and the public's interest in emerging pop art, influenced Kootz's decision to close his gallery in 1966.
Related Archival Materials note:
Also found among the holdings of the Archives of American Art are oral history interviews with Samuel M. Kootz by John Morse on March 2, 1960 and by Dorothy Seckler on April 13, 1964. Records of Kootz Gallery are also interspersed among the records of Nathan Halper's galleries.
Separated Materials note:
Records loaned for microfilming in 1965 included eight articles from the publication Modern Artists in America (1951), that were not included in the later donation and are now available on microfilm reel NY65-1.
Provenance:
Samuel M. Kootz donated the gallery records in two increments in 1971. Nearly all of the same records had been loaned in 1965 for microfilming.
Restrictions:
Use of original papers requires an appointment. All scrapbooks are CLOSED due to their fragile condition; #1-#5 have been digitized and are available on the Archives of American Art's website, and #6-#23 are only available for use on microfilm reels 1318-1320 and 1322-1323.
Rights:
The Kootz Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Artists -- United States -- Exhibitions  Search this
Genre/Form:
Scrapbooks
Photographs
Signatures (names)
Notes
Citation:
Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kootgall
See more items in:
Kootz Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kootgall
Additional Online Media:

Peppino Mangravite papers

Creator:
Mangravite, Peppino, 1896-  Search this
Names:
Dudensing Galleries  Search this
Frank K. M. Rehn Galleries  Search this
Braque, Georges, 1882-1963  Search this
Chagall, Marc, 1887-  Search this
De Chirico, Giorgio, 1888-  Search this
Marini, Marino, 1901-  Search this
Moore, Henry, 1898-  Search this
Morandi, Giorgio, 1890-1964  Search this
Rouault, Georges, 1871-1958  Search this
Sutherland, Graham Vivian, 1903-  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
6.2 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Interviews
Date:
1918-1982
Summary:
The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, recorded interviews with significant artists and transcripts, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.
Scope and Content Note:
The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, interviews with artists, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.

Series 1: Correspondence includes chronological correspondence documenting Mangravite's career as a painter and educator. Correspondence is with employers, dealers, museums, galleries, collectors, clients, arts and educational organizations, publishers, and other artists. Much of the correspondence is between Mangravite and his dealers, the Dudensing Gallery and the Rehn Galleries, and with other galleries and museums where his paintings were exhibited. Mangravite's mural commissions are also discussed. Additional events documented include Mangravite's two Guggenheim Fellowships and his trip to Europe in 1955 to interview famous artists.

Mangravite's long teaching career is also documented in correspondence with Columbia University, Sarah Lawrence College, Avon School, Fieldston School of the Ethical Culture Schools, Potomac School, Dana Hall School, and the Colorado Springs Fine Art Center. Other topics covered in the correspondence concern Mangravite's published or proposed writings, particularly articles and books reviews, most notably for the Saturday Review of Literature and American Magazine of Art. Mangravite's membership activities in a variety of artists' organizations, such as the College Art Association, the American Society of Painters, Sculptors and Gravers; the American Artists' Congress, and the American Federation of Arts is well-represented in the correspondence.

A list of major correspondents can be found in the series description for Series 1: Correspondence.

Series 3: Interviews with Artists includes audio recordings, transcripts, photographs, notes and reports. During the summer of 1955, Mangravite traveled to England, France, and Italy where he conducted interviews with eight artists - Georges Braque, Marc Chagall, Giorgio De Chirico, Marino Marini, Henry Moore, Giorgio Morandi, Georges Rouault, and Graham Southerland - recording their ideas about art, life, and education. In 1972, Mangravite recorded an interview with Rufino Tamayo in Mexico City, and the two artists were photographed together on that occasion.

Series 4: Writings, Notes, and Lectures consists of articles, papers, talks, lectures, miscellaneous writings, and notes by Mangravite, and a small number of items by other writers. Series 5: Miscellaneous Records includes art work by Mangravite and others, audiovisual records, biographical information, and financial records. Among the printed matter in Series 6 are articles, exhibition announcements, invitations, catalogs, and miscellaneous printed items by and about Mangravite, art-related topics, and other subjects. In Series 7: Photographs, photos of people include Mangravite, students, and other artists. Photos of works of art are of murals and paintings by Mangravite and sculpture by Edgar Britton.
Arrangement:
The collection is arranged into 7 series:

Series 1: Correspondence, 1918-1977 (Boxes 1-2; 1.75 linear ft.; Reels 5878-5880)

Series 2: Subject Files, 1940-1960 (Box 2; 0.25 linear ft.; Reel 5880-5881)

Series 3: Interviews with Artists, 1955, 1972 (Boxes 3, 8; 0.65 linear ft.; Reel 5881)

Series 4: Writings, Notes and Lectures, 1928-1965 (Box 3; 0.35 linear ft.; Reel 5881)

Series 5: Miscellaneous Records, 1926-1974 (Boxes 4, 8, FC9; 10 folders; Reel 5881)

Series 6: Printed Matter, 1918-1982 (Boxes 4-6; 2.65 linear ft.; Reels 5881-5882)

Series 7: Photographs, circa 1926-circa 1970 (Boxes 7-8; 0.4 linear ft.; Reel 5882)
Biographical Note:
In 1914, at the age of eighteen, Peppino Gino Mangravite (1896-1978) settled in New York City with his father. The young man had already completed six years of study at the Scuole Techiniche Belle Arti in his native Italy, where coursework included the study of anatomy and Renaissance fresco techniques. Upon arrival in New York, he enrolled at Cooper Union, and by 1917 was studying under Robert Henri at the Art Students League.

Mangravite began his teaching career - one that lasted half a century - as assistant to Hans Peter Hansen at the Hansen School of Fine Arts in New York during the academic year 1918/19. He was an involved and committed teacher who worked equally well with young children and college students. For several summers in the 1920s, he ran summer art camps in the Adirondacks for children and adults. From 1926-1928 Mangravite lived in Washington D.C., where he taught at the Potomac School. The majority of his life was spent in New York where he served on the faculties of Sarah Lawrence College, Cooper Union, the Art Students League, and, most notably, Columbia University. In addition, he spent 1937-38 as head of the art department of Colorado Springs Fine Arts Center, and from 1940-1942 taught at the Art Institute of Chicago. Mangravite was active in professional arts and education organizations. He wrote a number of articles about art education and served as chairman of the College Art Association's Committee for the Study of the Practice of Art Courses, 1943-1944.

In addition to teaching studio courses, Mangravite was a working artist. Represented by Dudensing Gallery, and later Rehn Galleries, he exhibited widely throughout the United States, and, occasionally, abroad. He won a number of awards, including a gold medal for mural painting at the Philadelphia Sesquicentennial Exhibition, 1926; the American Gold Medal Purchase Prize, Golden Gate Exposition, San Francisco, 1939; Alice McFadden Eyre Medal for best print, Pennsylvania Academy of the Fine Arts, 1946; and a silver medal for mosaic design, Architectural League of New York, 1955. Mangravite was awarded Guggenheim Fellowships in 1932 and 1935, and during that same period was commissioned by the U.S. Treasury Department to paint murals for post offices in Hempstead, N.Y. and Atlantic City, N.J. Other commissions of note include a mural for the Governor's Mansion in the Virgin Islands, and a mosaic mural for the main altar of the Workers' Chapel, St. Anthony's Shrine, Boston, Mass.

Sponsored by Columbia University and with the assistance of the United States Information Agency, Mangravite met with art department heads of several European universities in 1955 to discuss Columbia University's plans for a new arts center. He also interviewed eight artists - Georges Braque, Marc Chagall, Giorgio De Chirico, Marino Marini, Henry Moore, Giorgio Morandi, Georges Rouault, and Graham Southerland -recording their ideas about art, life, and education.

Peppino Mangravite died in 1978.
Provenance:
Most of the collection was donated by Peppino Mangravite in 1977. Additional papers were donated in 2003 by his daughter Denise Mangravite Scheinberg that include records documenting Mangravite's 1955 interviews with European artists, a sound recording and photographs of his meeting with Rufino Tamayo in 1972, a motion picture film of Mangravite's painting class at the Potomac School, and a small number of printed items.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Peppino Mangravite papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Art -- Economic aspects  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mangpepp
See more items in:
Peppino Mangravite papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mangpepp

The Goldfish Bowl [art work] / (photographed by Peter A. Juley & Son)

Artist:
Braque, Georges 1882-1963  Search this
Type:
Photograph
Image number:
JUL J0024918
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_24919

Theogonie, Hesiode [art work] / (photographed by Peter A. Juley & Son)

Artist:
Braque, Georges 1882-1963  Search this
Type:
Photograph
Image number:
JUL J0046641
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46642

Blue Jug [art work] / (photographed by Peter A. Juley & Son)

Artist:
Braque, Georges 1882-1963  Search this
Type:
Photograph
Image number:
JUL J0061525
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_61526

Nude Reclining [art work] / (photographed by Peter A. Juley & Son)

Artist:
Braque, Georges 1882-1963  Search this
Type:
Photograph
Image number:
JUL J0120691
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_120692

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