Jon and Jennifer Hanson Watch and Clock Collection
Extent:
27 Cubic feet (35 boxes, 1 map folder)
Type:
Collection descriptions
Archival materials
Account books
Annual reports
Advertising
Blueprints
Business records
Photographs
Picture postcards
Price lists
Date:
circa 1826-2009
Summary:
Photos and photo negatives, correspondence, newspaper and magazine articles, and other printed material documenting the interior operations, products, and horological research relating to watch companies and watchmaking in the 19th and 20th centuries.
Scope and Contents:
The initial collection consists of approximately 760 photographs and negatives created by the Hamilton Watch Company and documenting its employees, equipment, materials, and factory in Lancaster, Pennsylvania. Many photographs depict the company's research and development efforts. There are also images of the Hamilton Watch Company's work in fuse assembly for bombs during WWII. The photographs are mainly organized by factory department or location. A number of these photographs were created by the advertising department and include identification numbers, location of the image, name of the photographer, and the identification of people in the photograph, as well as release forms for those pictured. If not located with the photographs, these items, as well as additional information, can be found in the corresponding folders. Negatives in poor condition were scanned. There are also five glass plate negatives.
Following addenda consist primarily of advertising material related to material catalogs and newspaper and magazine articles published by watch companies in the 19th and 20th centuries. Included in the addenda are photographs, correspondence, articles, and other material documenting the interior operations, products, and horological research relating to the Hamilton Watch Company, Bowman Technical School, Keystone Watch Case Company, Elgin National Watch Company, United States Watch Company, Waltham Watch Company, and other prominent watch manufacturers primarily in the 20th century.
Arrangement:
The collection is arranged into seven series.
Series 1: Photographic Prints and Negatives, 1931-1954, undated
Series 2: 2009 Addenda, 1930-1969
Series 3: 2010 Addenda, circa 1826-1985
Series 4: 2016.3007 Addenda, circa 1885-2009
Series 5: 2016.3197 Addenda, circa 1870s-1970s
Series 6: 2014 Addenda, circa 1866-1981
Series 7: 2017 Addenda, circa 1850s-1998
Biographical / Historical:
Hamilton Watch Company, established in Lancaster, Pennsylvania, in 1892, was known for its manufacture of high quality wrist and pocket watches. Broadway Limited, its first series of pocket watches, was nicknamed "the watch of railroad accuracy," and Hamilton soon became associated with the railroad industry. The company also supplied wristwatches to the United States Armed Forces in the 1910s. Hamilton continued its association with the military during World War II when it stopped production of watches for consumers in order to provide the armed forces with one million timepieces. The company was responsible for the Ventura, the world's first electric (battery-powered) watch, and in 1970, the world's first digital watch.
In 1969, Hamilton closed its factory in Lancaster, Pennsylvania, signaling the end of its American manufacturing operations. All production moved to the facilities of the Buren Watch Company in Switzerland, a company that Hamilton had acquired three years before. The Hamilton brand is currently owned by the Swatch Group and carries two product lines, American Classic and Khaki.
Related Materials:
Materials in the Archives Center
E. Howard Clock Company Records (NMAH.AC.0776)
Seth Thomas Clock Company Records (NMAH.AC.0627)
James Arthur Clock and Watch Collection (NMAH.AC.0130)
National Company (NATCO) Atomic Clocks Records (NMAH.AC.0547)
Harold Lyons Atomic Clocks Collection (NMAH.AC.0701)
Warshaw Collection of Business Americana Series: Watchworks and Clockworks (NMAH.AC.0060)
Josephus Gill Ledger (NMAH.AC.1573)
Andrew Chi Atomic Clocks Collection (NMAH.AC.1264)
Richard Bond Clock Escapement Video Documentation: Videotapes (NMAH.AC.0682)
Illinois Springfield Watch Company Record Book (NMAH.AC.1145)
Harold Lyons Atomic Clocks Collection (NMAH.AC.0701)
Sam DeVincent Collection of Illustrated American Sheet Music, Series 14: Calendar, Time and Weather (NMAH.AC.0300.S14)
James Knight Co. Records (NMAH.AC.0847)
Jacob Rabinow Papers (NMAH.AC.0403)
Materials in the Division of Work & Industry
See accessions: 2010.0243.03; 2012.0266; 2014.0023; 2015.0030.011; 2016.0026; 2016.0381; 2017.0337.
Provenance:
The donor, Jon Hanson, purchased the photographs and negatives from Hamilton Watch Company (Series 1) in 1969 when Hamilton closed its Lancaster plant; they were later sold by his estate. Hanson donated these materials to the Archives Center in 2008.
Restrictions:
The collection is open for research use.
Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A collection of greeting cards, pictorial maps, and travel diaries by artist Ernest Dudley Chase. Chase created greeting cards for Clara Holland during their courtship and later marriage. The cards were hand painted by Chase in water color with cut- paper details. Many of the cards include romantic letters or poems composed by Chase.
Scope and Contents:
A collection of greeting cards given by artist Ernest Dudley Chase to Clara Holland in the years during their courtship and marriage, pictorial maps drwan by Chase, and nine travel diaries. The cards were hand-painted by Chase in water color with cut-paper details. Many of the cards include romantic letters or poems composed by Chase.
Series 1, Greeting Cards, circa 1937-1966, consists of hand crafted, personally designed cards that Chase created for his wife Clara Holland. The cards generally include a very affectionate sentiment or on occasion a poem. The cards were done in water color and embellished with cut-paper details and calligraphy. Also included are Monday Morning Letters that Chase wrote to his wife Clara whom he called his "Lovely Little Lady" or "L.L.L."
Series 2, Maps (pictorial), 1935-1947 and undated, consists of maps designed and signed by Chase featuring meticulous illustrations of famous landmarks, flora, fauna and other features.
Series 3, Travel Diaries, 1924-1937, consists of nine volumes of bound, typescript travel diaries maintained by Chase from his travels, to Alaska, the Mediterranean, Carribean, Germany, Holland, Central Europe, Sicily, France, England, Scotland, and Ireland. The diaries are arranged chronologically.
Arrangement:
The collection is divided into three series.
Series 1, Greeting Cards, circa 1937-1966
Series 2, Maps (pictorial), 1935-1947 and undated
Series 3, Travel Diaries, 1924-1938
Biographical / Historical:
Ernest Dudley Chase was born in Lowell, Massachusetts in 1878 but is most associated with the town of Winchester, Massachusetts where he was a well known artist. Chase created a unique body of work, an array of views of various Winchester homes and buildings and whimsically illustrated maps. After attending the Lowell Textile School and the Vesper George Art School in Boston, Chase joined the Butterfield Printing Company in 1900. In 1906, he joined the printing firm of W.T. Sheehan in Boston. He began his own greeting card company in 1908, Des Arts Publishers which eventually became Ernest Dudley Chase Publishers. In 1921, Chase Publishers was purchased by Rust Craft. Chase worked at Rust Craft until 1958 in the position of vice president of creative design. His other duties at Rust Craft included advertising manager and editing the company's newsletter The Rustler and the greeting card industry periodicalThe Greeting Card.
Chase married three times. His first marriage was to Idelle Clark and his second marriage was to Wilhelmina Graham. In 1937, Chase married for a third time to Clara Holland. On all holidays and special occasions, he gave his wife, Clara elaborately crafted, personally designed cards in which he generally included a very affectionate sentiment or on occasion a poem. One of Chase's hobbies was creating enormous greeting cards, gathering thousands of signatures on them and sending them to United States presidents or other famous persons around the world. Chase also enjoyed traveling and documenting his travel experiences in diaries.
According to the book Winchester Artists by Ellen E. Knight, Chase produced more greeting cards than anyone in the United States. He authored the first definitive history of the greeting card business,The Romance of Greeting Cards, which was published in 1926. Chase retired from Rust Craft in 1958 and died in 1966.
Related Materials:
Materials in the Archives Center
Norcross Greeting Card Collection (AC0058)
Olive Leavister 19th Century Handmade Valentine Collection (AC0396)
Warshaw Collection of Business Americana, Greeting Cards (AC0060)
Provenance:
The greeting cards were donated to the Archives Center in 2005 by Ernest Dudley Chase's stepson, Fred, and Frances Holland. Fred Holland donated pictorial maps in July, 2010 and travel diaries in September, 2010.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Doc Cheatham Papers, 1939-1998, Archives Center, National Museum of American History
Collection documents the work of African-American midwife Leona Sanders of Kilmichael, Mississippi from 1942-1948.
Content Description:
Four by seven-inch Birth Record Note Book, belonging to African-American midwife Leona Sanders of Kilmichael, Mississippi. The book records births from 1942-1948.
Arrangement:
Collection is unarranged.
Provenance:
Item donated by Sarah J. Davidson to the Archives Center in 2023.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans in medicine -- 1940-1950 Search this
United States of America -- Virginia -- Surry County -- Claremont
Scope and Contents:
The folder includes worksheets and photocopies of articles about the property.
General:
The land on which Claremont Manor was built came into the possession of the Allen family in 1681. The property was passed down to the Allen family descendents for 205 years, and became prosperous with 12,000 acres for growing tobacco, and hundreds of slaves to work the fields, until the Civil War. Portions of the property were sold by several owners following the Civil War, becoming the town of Claremont, Virginia or smaller farms.
The Georgian style brick manor, which includes several outbuildings, was built in ca.1740, was expanded and altered over time. The manor is sited at the top of a terraced lawn about 100 feet above the James River at its confluence with Upper Chippokes Creek. Old trees, including magnolias, frame the garden, which is itself bordered in boxwood. The extensive grounds were divided into garden area by grass walkways, later paved or bricked, and a variety of brick walls. The ornamental plantings were organized in garden rooms, with boxwood borders, and fruit arbors. There are two lanes of linden trees leading to the James River, one to a wooded dell that fronts the boat landing.
The garden was restored in the 1930s under the ownership of General William H. and Ann Cocke and again in the 1950s during James Walter Carter's ownership. Major changes during the 1930s included the addition of mature trees and shrubs and the public road was moved away from the house. A swimming pool and tennis court, designed by William Lawrence Bottomley, was added during the ownership of Millicent Rogers, 1940-1950.
During the Carter ownership (1950-1964), landscape architect Alden Hopkins of Williamsburg redesigned the gardens, changing and paving walkways and adding mature trees. The Ardibel Carpet at the Victoria and Albert Museum in London was the source of the design of the kitchen garden, using herbs and vegetables. Other trees planted in the 1950s included crepe myrtles and starlight magnolias. The home was occupied by the Felician Sisters and used as a convent during the mid-1960s and 1970s. In 1982, Lewis and Ann Kirby bought and added back 68 acres that were once part of the original property.
Persons associated with the property include Arthur Allen II (former owner 1681-1710); John Allen (former owner, 1710-1741); William Allen (former owner, 1741-1793); William Allen II (former owner, 1793 - 1831); William Orgain Allen (former owner 1831-1875); William Allen IV (former owner 1875-1886); J. Franklin Mancha (former owner, 1886-1887); A.B and Edward Randall (former owner, 1887-1888); A. B. Randall (former owner, 1888-1894); Benjamin F. Hilt (former owner, 1894-1900); Elizabeth G. Winter (former owner, 1900-1909); Harry C. Burdick (former owner, 1909-1919); Eleanor C. Johnston (former owner, 1919-1928); General William H. and Ann O. Cocke (former owner, 1928-1940); Millicent Rogers (former owner, 1940-1950); James Walter Carter (former owner, 1950-1964); Felician Sisters Convent (former owner, 1964-1976); Lewis and Ann Kirby (current owner, 1976- ); Alden Hopkins (landscape architect, 1950s-1960s) and Donald H. Parker (landscape architect).
Related Materials:
Claremont Manor related holdings consist of 1 folder (16 glass lantern slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
National Museum of American History (U.S.). Division of Armed Forces Search this
Extent:
1 Cubic foot (3 boxes and 1 oversized folder)
Type:
Collection descriptions
Archival materials
Typescripts
Passports
Albums
Books
Cartoons (humorous images)
Christmas cards
Comic books
Newsletters
Panoramas
Personal papers
Photograph albums
Photographs
Posters
Ration books
Scrapbooks
Telegrams
Place:
Minidoka
Manzanar
Idaho
Amache (Calif.)
California -- 1940-1950
Date:
1900s-1993
Scope and Contents:
The collection is an assortment of souvenirs and memorabilia, which have survived the years since World War II. Many of them, Christmas cards, high school graduation programs, notes to friends, snapshots, and photographic prints in the form of dance programs reflect the interests and concerns of all teenagers. There are camp newsletters and Japanese passports, identification cards, ration books, meal passes, posters; a photograph album contains both family photographs and a record of achievements of members of the Kamikawa family. There is a transcript of a taped interview with Mrs. Kamikawa, who was nearly 90 in February 1982, the time of the interview. A book, Lone Heart Mountain by Estelle Ishigo, portrays in text and sketches life in the relocation centers.
The collection has been filed under the name of each donor rather than by subject such as passports, newsletters, photographs. With very few exceptions the material is in good condition. The historical sketch of the Matsumoto family tree in the photograph album is badly damaged.
Arrangement:
1 series, arranged alphabetically by donor.
Biographical / Historical:
On December 7, 1941, the Japanese bombed Pearl Harbor and the United States went to war. On February 19, 1942, President Franklin Delano Roosevelt issued Executive Order 9066 authorizing the military to exclude "any and all persons" from designated areas of the United States to protect the national defense. Thus, without the imposition of martial law, the military were given authority over the civilian population.
Under this order, nearly 120,000 men, women and children of Japanese ancestry, nearly two thirds of who were United States citizens, were forced out of their homes and into detention camps in isolated areas of the west. Many of them spent the years of the war living under armed guards, and behind barbed wire. Children spent their school days in the camps, young men left to volunteer or be drafted for military service. The War Relocation Authority administered the camps.
This collection of documentary materials relates to the involuntary relocation of Japanese Americans was collected by the Division of Armed Forces History in connection with the exhibit
A More Perfect Union: Japanese Americans and the United States Constitution at the National Museum of American History in 1988. The donors either were members of the Japanese American Citizens League or reached through the League. Interesting and revealing information is available about a few of the donors. They were primarily teenagers or young adults at the time of the relocation and the materials in the collection reflect their interests and concerns. Juichi Kamikawa, who had completed a year of college in Fresno, California, graduated from the Corcoran School of Art in Washington, D.C. after the war and became a respected artist. His family record is one of distinction in both Japan and the United States for several generations. Masuichi Kamikawa, his father, received the Order of the Sacred Treasure from the Japanese Emperor for outstanding contributions to the cultural heritage of Japan. Among achievements cited were his work in merchandizing and banking in Fresno, California. Mary Tsukamoto is one of the contributors to the video conversations in the exhibit. She is a retired teacher who was 27 years old in 1942 and a long time resident of Florin, California. Along with her entire family, she was sent to the center at Jerome, Arkansas. Mabel Rose Vogel taught high school at one of the camps, Rowher Center, Arkansas.
Related Materials:
The Division of Armed Forces History (now Division of Political and Military History) will have additional documents collected for the exhibit, A More Perfect Union, described above, that may be useful. Another collection on this topic in the Archives Center is collection #450, the Gerald Lampoley Collection of Japanese American Letters, 1942 1943, a collection of six letters written by Japanese Americans to their former teacher. Researchers may also refer to the records of the War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, in the National Archives. Further, the National Headquarters of the Japanese American Citizens League in San Francisco, California, and the Japanese American National Museum in Los Angeles, California, maintain related collections.
Provenance:
Donated by a number of Japanese Americans, many of whom are members of the Japanese American Citizens League, headquartered in San Francisco. This material was acquired for inclusion in the exhibition, A More Perfect Union, described above, but was not placed on display for one reason or another. In certain instances, items in this collection were omitted from the exhibit if they were considered too fragile or too sensitive to prolonged exposure to light. It is possible that related items, currently on display, ultimately will be transferred to the Archives Center; if this occurs, it would be useful to distinguish between the two groups of exhibited and undisplayed materials. Transferred from the Division of Armed Forces History, June 1988.
Restrictions:
The collection is open for research use.
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.
Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
