Features a man on a motorcycle, series of blurry jumpcuts, and male bodybuilders.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bob & Bob and The Dark Bob papers, 1974-2021. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Body-build, body-function, and personality : medical anthropological investigations on 320 Swedish 20-year-old healthy army men / edited by Bengt Lindegård
Collection consists primarily of educational, promotional and publicity materials created by Charles Atlas and others for his bodybuilding business.
Scope and Contents:
This collection consists primarily of educational, promotional and publicity materials created by Charles Atlas and others for his bodybuilding business. There is some information about Atlas's personal life including a biography, newspaper clippings and photographs of him throughout his life and of his family. The materials are useful in understanding health, physical culture, body training and self-esteem issues for males in American society during the first half of the twentieth century.
Arrangement:
The collection is divided into four series.
Series 1, Educational Materials, circa 1920s-1998, undated
Series 2, Publicity Materials, 1936-1998, undated
Series 3, Promotional Materials, 1936-1998, undated
Series 4, Photographs, circa 1909-1998, undated
Biographical / Historical:
Charles Atlas was born Angelo Siciliano in 1893 in Italy and immigrated to New York as a young boy with his family. After failing to build up his body using weight-training equipment, he stumbled upon the concept of resistance exercise – pitting one muscle against another to build strength – during a visit to the Prospect Park Zoo in Brooklyn, and soon turned himself into a muscular beauty. He got his start in physical culture demonstrating exercise equipment and working as a circus strongman, ripping telephone books in half and performing other feats of strength. He later found work as an artists' model, becoming one of the most sought after models in the country, and was chosen as "The World's Most Perfectly Developed Man" in 1922 by Physical Culture magazine.
For the next several years, Atlas tried to capitalize on his title by composing a multi-lesson, mail-order bodybuilding course that emphasized both exercise and clean living, physically and mentally. However, he turned out to be a poor businessperson and did not find much success. It was not until Atlas met advertising man Charles P. Roman in 1928, who named the system "Dynamic-Tension" and came up with the "97-pound weakling" marketing concept for which Atlas remains famous, that the correspondence course began to take off. With Roman as his business partner, Atlas became a ubiquitous presence on the backs of comic books and in the minds of scrawny boys everywhere, promising strength and manliness to all who successfully completed his program. The pair sold the course to millions of students worldwide, many of whom wrote Atlas to thank him for changing their lives. They sold several other products, including vitamins and a ten-volume encyclopedia called the Sexual Education Series. Roman bought out Atlas's half of the business in 1970 and sold Charles Atlas, Ltd., to Jeffrey C. Hogue in 1997. The company continues to operate, selling the Dynamic-Tension course, licensed apparel and other items, and nutritional supplements.
Provenance:
Charles Atlas, Ltd. president Jeffrey C. Hogue donated the collection to the National Museum of American History, Archives Center on April 23, 1998.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The correspondence is divided into two subseries, Subseries 2.1: Alphabetical and Subseries 2.2: Chronological. The correspondence is primarily between Ernest Coffin and other strongmen/bodybuilders and collectors and admirers of Eugen Sandow. Many correspondents wrote to Coffin seeking information about Sandow or to purchase Sandow memorabilia.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ernest Edwin Coffin Collection, Archives Center, National Museum of American History.
The collection documents Eugen Sandow and other bodybuilders through correspondence and photographs.
Scope and Contents:
The collection contains original and copy photographs of Eugen Sandow and other bodybuilders and actors, by well known photographers Warwick Brooks, Napoleon Sarony, Benjamin J. Falk, George Steckel, and others; correspondence with well-known bodybuilders such as Joe Weider and Katie Sandwina; and periodicals and books about Sandow.
Arrangement:
The collection is divided into four series.
Series 1: Background Materials, 1894-1958
Series 2: Correspondence, 1902-1954
Series 3: Publications, 1926-03-1955-01
Series 4: Photographs, 1889-1952
Biographical:
Ernest Edwin Coffin (1898-1954) was a California amateur bodybuilder, and weightlifter and collector of bodybuilding memorabilia, especially on the subject of Eugen Sandow. Coffin considered himself the world's expert on "Sandowania" and spent over 40 years writing and collecting memorabilia about Sandow as well as other strongmen such as Joe Weider, Milo Steinborn, and Katie Sandwina.
Born Frederich Muller (1867-1925) in Konigsberg, Prussia, Muller emigrated to England in 1889 and become a citizen in 1906. Muller adopted the stage name of Eugen Sandow and ran several schools of physical culture, performed, lectured, and wrote about strength amd mental and physical health. Sandow toured the United States in 1893 with his manager, Florenz Ziegfeld, the "Follies" showman. Sandow's first American appearance was at the World's Fair in Chicago where he was an instant success. Ziegfeld marketed Sandow as "the perfect man," and "the modern Hercules." Sandow used his popularity to market books, a magazine (Physical Culture), and exercise equipment.
Separated Materials:
Materials in the Division of Culture and the Arts (now Division of Cultural and Community Life).
The Division of Culture and the Arts holds hand weights, a cut-out, and a dumbbell belonging to Eugen Sandow. See accession #2001.0179.
Provenance:
The collection was donated to the Archives Center by Dan Manhart in 2009.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
An early version of Atlas's training manual. The cover image depicts the author, nude.
Arrangement:
Located in box 5.
Local Numbers:
00065401.tif (AC Scan No.: cover of booklet)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Festival Recordings: Asian Martial Arts in America: San Francisco Bay (Steve Brown, Sifu Tony Chen, Christopher Cheung, Patrick Chen, Laura Copengaver, Janet Gee, Bernard Beno Hwang Kaela Kang, Jia Tao Zhang) (Doug Cheug), Iranian Spiritual Bodybuildin...
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2002 July 4
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.