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Hyman Bloom papers, 1936-1980

Creator:
Bloom, Hyman, 1913-  Search this
Subject:
Askew, R. Kirk (Ralph Kirk)  Search this
Moe, Henry Allen  Search this
Miller, Dorothy Canning  Search this
Story, Ala  Search this
Type:
Sketches
Topic:
Painters  Search this
Painting, Modern  Search this
Art students  Search this
Record number:
(DSI-AAA_CollID)6745
(DSI-AAA_SIRISBib)208870
AAA_collcode_bloohyma2
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208870

Hyman Bloom drawings, 1927-1931

Creator:
Bloom, Hyman, 1913-  Search this
Type:
Sketches
Record number:
(DSI-AAA_CollID)6644
(DSI-AAA_SIRISBib)215958
AAA_collcode_bloohyma
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215958

Terry Dintenfass, Inc. records

Creator:
Terry Dintenfass, Inc.  Search this
Names:
Art Dealers Association of America  Search this
Grace Borgenicht Gallery  Search this
Bloom, Hyman, 1913-  Search this
Cober, Alan E.  Search this
Dintenfass, Terry, 1920-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Evergood, Philip, 1901-1973  Search this
Fleischner, Richard, 1944-  Search this
Frasconi, Antonio  Search this
Goodman, Sidney  Search this
King, William, 1925-2015  Search this
Lawrence, Jacob, 1917-2000  Search this
Merkin, Richard  Search this
Pippin, Horace, 1888-1946  Search this
Suttman, Paul, 1933-1993  Search this
Tovish, Harold, 1921-2008  Search this
Extent:
22.1 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Date:
1947-1987
bulk 1961-1983
Summary:
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records are comprised of administrative files, correspondence, exhibition files, artists' files, and financial records.
Scope and Contents:
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records include administrative files, correspondence, exhibition files, artists' files, and financial records.

Administrative files include advertising and membership records, insurance documents, a guest book, resumes, and agreements with other corporations. Correspondence is with artists, galleries, museums, and arts organizations. There is a significant amount of correspondence regarding the Art Dealers Association of America. Exhibition files are found for numerous exhibitions to which Dintenfass either loaned art or helped to organize. There is extensive documentation of the 20 Galleries/20 Years exhibition held at the Grace Borgenicht Gallery and the Terry Dintenfass Gallery in 1982 and the "Machine Themed Shows" in 1974-1975.

Artists' files comprise the largest group of materials within the collection. Files for Hyman Bloom, Alan Cober, Arthur Dove, Philip Evergood, Richard Fleischner, Antonio Frasconi, Sidney Goodman, William King, Jacob Lawrence, Richard Merkin, Horace Pippin, Paul Suttman, and Harold Tovish bulk the largest.

Financial records contain artist expense and sales ledgers, consignment papers, invoices and receipts, as well as records for D Contemporary Paintings.
Arrangement:
The collection is arranged as 5 series.

Series 1: Administrative Files, 1961-1983 (1.0 linear feet; Box 1)

Series 2: Correspondence, 1961-1981 (1.0 linear feet; Boxes 1-2)

Series 3: Exhibition Files, 1962-1983 (4.5 linear feet; Boxes 2-7, OV 23)

Series 4: Artists' Files, 1947-1987 (8.5 linear feet; Boxes 7-15, OV 23)

Series 5: Financial Records, 1959-1981 (7.0 linear feet; Boxes 16-22, OV 23)
Biographical / Historical:
Terry Dintenfass, Inc. is a New York City art gallery founded in 1959 by Terry Dintenfass (1920-2004).

In 1954, Theresa "Terry" Dintenfass opened D Contemporary Paintings in Atlantic City, New Jersey. With financial backing from Armand Erpf, she moved the gallery to New York City in 1959 and changed the name to Terry Dintenfass Gallery. There, she became a protégé of Downtown Gallery owner Edith Halpert. Dintenfass was one of several notable female art dealers in the city during the 1940s-1980s among Edith Halpert, Betty Parsons, Grace Borgenicht, Antoinette Kraushaar, and others. She showed work on consignment from other dealers, and when Edith Halpert retired, Terry Dintenfass, Inc. began to represent the estate of Arthur Dove. Other notable artists represented by the gallery included social realists Philip Evergood and Robert Gwathmey, and African American painters Horace Pippin and Jacob Lawrence, whom she represented for 25 years. The gallery's stable also included William King, Sidney Goodman, Hyman Bloom, Antonio Frasconi, and others.

After Dintenfass retired in 1999, her son Andrew took over the business and continues to run the gallery today. Terry Dintenfass died in 2004 in Manhattan.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Terry Dintenfass conducted by Paul Cummings on December 2, 1974-January 13, 1975 for the Archives of American Art.
Provenance:
The collection was donated in 1995 by Terry Dintenfass.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Terry Dintenfass, Inc. records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Visitors' books
Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.terrdint
See more items in:
Terry Dintenfass, Inc. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-terrdint
Additional Online Media:

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Jack Levine papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijack
Additional Online Media:

R. Kirk Askew papers

Creator:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Names:
Berman, Leonid, 1896-1976  Search this
Bloom, Hyman, 1913-  Search this
Blume, Peter, 1906-1992  Search this
Brown, Carlyle, 1919-1964  Search this
Durlacher Bros. (New York, N.Y.)  Search this
Fosburgh, James Whitney, 1910-1978  Search this
Greene, Stephen, 1918-1999  Search this
Melcarth, Edward, 1914-1973  Search this
Quirt, Walter, 1902-  Search this
Seligmann, Kurt, 1900-1962  Search this
Stein, Walter, 1924-1981  Search this
Stuempfig, Walter, 1914-1970  Search this
Wells, Cady, 1904-1954  Search this
Extent:
0.6 Linear feet
Type:
Archival materials
Collection descriptions
Date:
1942-1958
Summary:
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
Scope and Contents:
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
R. Kirk Askew (1903-1974) was an art dealer and manager of the Durlacher Bros. New York location from from 1927 to circa 1969.
Separated Materials:
Exhibition catalogs, 1928-1967, also donated by R. Kirk Askew, were tranferred to Smithsonian Institution Libraries in 1975. Catalogs are available on microfilm reel 148 at Archives of American Art offices and through interlibrary loan.
Provenance:
Donated 1969-1971 by R. Kirk Askew.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Citation:
R. Kirk Askew papers, 1942-1958. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.asker
See more items in:
R. Kirk Askew papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-asker
Additional Online Media:

Boris Mirski Gallery records

Creator:
Boris Mirski Gallery (Boston, Mass.)  Search this
Names:
Aronson, David, 1923-  Search this
Baskin, Leonard, 1922-2000  Search this
Bloom, Hyman, 1913-  Search this
Geller, Esther  Search this
Lebrun, Rico, 1900-1964  Search this
Mazur, Michael, 1935-2009  Search this
Mirski, Boris, 1898-1974  Search this
Polonsky, Arthur  Search this
Shahn, Ben, 1898-1969  Search this
Siporin, Mitchell, 1910-1976  Search this
Swan, Barbara, 1922-  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
6.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1936-2000
bulk 1945-1972
Summary:
The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.
Scope and Contents:
The records of the Boris Mirski Gallery, which showed the avant-garde art of the Boston Expressionist school, as well as New York and international modern art styles and non-western art, measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

The administrative files cover a number of topics including documents related to various properties, mortgages, and insurance, copyrights, legal cases, administrative events, and select group exhibitions at the gallery.

The artist files document each gallery artist's exhibition history in the gallery and include correspondence with the artist as well as files documenting significant outside exhibitions, projects and the placement of artworks. While exhibiting artists showed a range of sculpture, painting, and drawing at the gallery, there was a tendency towards highly expressive figurative artwork sometimes referred to as Boston Expressionism, often associated with the first generation Jewish American experience.

The gallery correspondence, primarily with patrons and institutions, is arranged alphabetically with select regular correspondents of the gallery having their own file, in addition to a folder of holiday cards.

The financial files include both outgoing and incoming transactions as invoices and sales records, organized by patron or vendor.

The printed materials are a records of the printing activities of the gallery as well as a press archive, with select printed materials from outside the gallery reflecting the activities of the gallery and gallery artists.

The photographic materials include both images that include the gallerist as well as images that document artworks.
Arrangement:
The collection is arranged as 6 series.

Series 1: Administrative Files, circa 1948-1995 (0.5 Linear feet; Box 1)

Series 2: Artist Files, circa 1945-2000 (2.7 Linear feet; Boxes 1-4, OV 7)

Series 3: Gallery Correspondence, circa 1936-1976 (1 Linear feet; Boxes 4-5)

Series 4: Financial Files, circa 1958-1974 (1.2 Linear feet; Boxes 5-6)

Series 5: Printed Material, circa 1944-1981 (0.7 Linear feet; Box 6, OV 8)

Series 6: Photographic Material, circa 1945-1976 (0.1 Linear feet; Box 6)
Biographical / Historical:
The Boris Mirski Gallery (est.1944; closed 1979) was a gallery in Boston, Massachusetts owned and operated by Boris Mirski (1898-1974). The gallery evolved out of various businesses owned by Mirski from the late 1910s, including his first formal gallery established alongside a framing shop on Charles Street in Beacon Hill in 1927. The gallery moved to its final incarnation on the lower level of 166 Newbury in 1972, and closed in 1979 following the gallerist's death in 1974.

Boris Chaim Mirski, born 1898, immigrated to the United States at the age of fourteen, leaving behind his troubled youth as a Lithuanian Jew in a harsh political climate that included frequent pogroms. At the advice of his mother, an activist in the resistance, Boris acquired a number of marketable skills including metalwork and framing, which allowed him to establish a lucrative business while he developed opportunities to show art that interested him. Early in his career this included a home for non-western and "primitive" art styles from around the globe, as well as the work of emerging local artists. Mirski's gallery created opportunities for artists working against the generally conservative tradition of the Boston School, and helped establish an identity for the local avant-garde. The gallery program had strong ties with the Museum of Fine Arts, Boston alumni and faculty, and frequently hosted exchange shows with New York City's Downtown Gallery, whose director Edith Halpert acted as a mentor. While exhibiting artists showed a range of sculpture, painting, and drawing at the gallery, there was a tendency towards highly expressive figurative artwork sometimes referred to as Boston Expressionism, often associated with the first generation Jewish American experience. Gallery artists included David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.
Related Materials:
Related materials include Archives of American Art's Oral history interview with Boris Mirski, 1973 June 19.
Provenance:
The Boris Mirski Gallery records were donated by Deborah Mirski Brown, Boris Mirski's daughter from 1989-1996, with additions in 2007 and 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Boris Mirski Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art dealers  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Expressionism (Art) -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Modernism (Art)  Search this
New York school of art  Search this
Painters  Search this
Sculptors  Search this
Genre/Form:
Photographs
Citation:
Boris Mirski Gallery records, 1936-2000, bulk 1945-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mirsbori
See more items in:
Boris Mirski Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mirsbori

Hyman Bloom: artist file, [photographs]

Artist:
Bloom, Hyman 1913-2009  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF000320
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_137114

Reclining Nude [art work] / (photographed by Peter A. Juley & Son)

Artist:
Bloom, Hyman 1913-2009  Search this
Type:
Photograph
Topic:
Figure female--Nude  Search this
Figure female--Full length  Search this
Image number:
JUL J0091812
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_91813

Color & ecstasy : the art of Hyman Bloom / Isabelle Dervaux ; with contributions by John Updike ... [et al.]

Title:
Color and ecstasy
Author:
Dervaux, Isabelle  Search this
Bloom, Hyman 1913-  Search this
Updike, John  Search this
National Academy of Design (U.S.)  Search this
Subject:
Bloom, Hyman 1913-  Search this
Physical description:
92 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Date:
2002
Topic:
Spirituality in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_725285

Francis Bacon, Hyman Bloom : [exhibition] October 30 to December 11, 1960

Author:
Bacon, Francis 1909-1992  Search this
UCLA Art Galleries  Search this
Subject:
Bacon, Francis 1909-1992  Search this
Bloom, Hyman 1913-  Search this
Physical description:
1 folded sheet (3 p.) ; 23 cm
Type:
Books
Exhibitions
Date:
1960
Call number:
ND497.B16 A4 1960a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_634666

Boston Expressionism : Hyman Bloom, Jack Levine, Karl Zerbe : [exhibition] Institute of Contemporary Art, Boston, January 9 - February 25, 1979

Author:
Bloom, Hyman 1913-  Search this
Levine, Jack 1915-2010  Search this
Zerbe, Karl 1903-1972  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Subject:
Bloom, Hyman 1913-  Search this
Levine, Jack 1915- Exhibitions  Search this
Zerbe, Karl 1903-1972 Exhibitions  Search this
Physical description:
24 p. : ill. (some col.), port. ; 24 cm
Type:
Exhibitions
Date:
1979
C1979
Topic:
Expressionism (Art)  Search this
Call number:
ND235.B6 B675
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_640009

Hyman Bloom : recent paintings : [exhibition] April 1-April 26, 1975

Author:
Bloom, Hyman 1913-  Search this
Werner, Alfred 1911-1979  Search this
Terry Dintenfass, inc  Search this
Subject:
Bloom, Hyman 1913-  Search this
Physical description:
[20] p. : ill. ; 14 x 21 cm
Type:
Books
Date:
1975
[1975?]
Call number:
ND237.B644 W47
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644486

Drawings by Hyman Bloom : [exhibition] The Currier Gallery of Art Manchester, November 2-December 15 [1957], Museum of Art, Rhode Island School of Design, Providence, January 10-February 9 [1958], Wadsworth Atheneum, Hartford, February 25-March 30 [1958]

Author:
Bloom, Hyman 1913-  Search this
Currier Gallery of Art  Search this
Rhode Island School of Design Museum of Art  Search this
Wadsworth Atheneum  Search this
Subject:
Bloom, Hyman 1913-  Search this
Physical description:
[14] p. : ill. ; 23 cm
Type:
Books
Exhibitions
Date:
1957
1957]
Call number:
NC139.B55 A4 1957
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_697796

Figurative expressionism in Boston and its Germanic cultural affinities : an alternative modernist discourse on art and identity / by Judith A. Bookbinder

Author:
Bookbinder, Judith Arlene  Search this
Subject:
Zerbe, Karl 1903-1972 Influence  Search this
Bloom, Hyman 1913-  Search this
Levine, Jack 1915-2010-  Search this
Physical description:
2 v. : ill. ; 28 cm
Type:
Manuscripts
Place:
Massachusetts
Boston
Germany
Date:
1998
20th century
Topic:
Art, American--German influences  Search this
Figurative expressionism  Search this
Expressionism (Art)  Search this
Art, German--Influence  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_554920

Hyman Bloom : the spirits of Hyman Bloom, the sources of his imagery / by Dorothy Abbott Thompson ; preface by Leonard Baskin ; introduction by Holland Cotter

Author:
Bloom, Hyman 1913-  Search this
Thompson, Dorothy Abbott  Search this
Fuller Museum of Art  Search this
Subject:
Bloom, Hyman 1913- Catalogs  Search this
Physical description:
127 p. : ill. (some col.), port. ; 24 cm
Type:
Books
Date:
1996
Call number:
N40.1.B645 T4 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_564602

Hyman Bloom / with an essay by Frederick S. Wight and a postscript by Lloyd Goodrich ; [exhibition] Albright Art Gallery, Buffalo ... [et al.]

Author:
Bloom, Hyman 1913-  Search this
Wight, Frederick Stallknecht 1902-1986  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Albright Art Gallery (Buffalo, N.Y.)  Search this
Subject:
Bloom, Hyman 1913-  Search this
Physical description:
15 p. : ill. (some col.) ; 32 cm
Type:
Books
Exhibitions
Date:
1954
Call number:
N40.1.B645 W6 1954
N40.1.B645W6 1954
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_412894

Hyman Bloom : paintings and drawings : [exhibition] January 29 - April 19, 1992 the Art Gallery, University of New Hampshire / essays by Holland Cotter and Dorothy Abbott Thompson

Author:
Bloom, Hyman 1913-  Search this
Cotter, Holland 1947-  Search this
Thompson, Dorothy Abbott  Search this
University of New Hampshire Art Gallery  Search this
University of New Hampshire University of Continuing Education  Search this
Subject:
Bloom, Hyman 1913-  Search this
Physical description:
ii, 54 p. : ill. (some col.) ; 19 x 22 cm
Type:
Books
Exhibitions
Date:
1992
C1992
Call number:
N40.1.B645 U5 1992
N40.1.B645U5 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_436994

Hyman Bloom, paintings and drawings : Leonard Baskin, wood carvings and monotypes : [exhibition] October 11-November 12, 1986

Author:
Bloom, Hyman 1913-  Search this
Baskin, Leonard 1922-2000  Search this
Kennedy Galleries  Search this
Subject:
Bloom, Hyman 1913-  Search this
Baskin, Leonard 1922-2000  Search this
Physical description:
[36] p. : ill. (some col.) ; 22 x 24 cm
Type:
Books
Exhibitions
Date:
1986
C1986
Call number:
N40.1.B645 K3 1986
N40.1.B645K3 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_450197

Boston expressionism : Hyman Bloom, Jack Levine, Karl Zerbe : [exhibition] January 9-February 25, 1979 / Institute of Contemporary Art

Author:
Institute of Contemporary Art (Boston, Mass.)  Search this
Subject:
Bloom, Hyman 1913-  Search this
Levine, Jack 1915-2010  Search this
Zerbe, Karl 1903-1972  Search this
Physical description:
24 p. : ill. (some col.) ; 25 cm
Type:
Books
Place:
Massachusetts
Boston
Date:
1979
C1979
Topic:
Expressionism (Art)--Exhibitions  Search this
Call number:
N40.1.B645 B7
N40.1.B645B7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_127944

The drawings of Hyman Bloom; an exhibition organized by the University of Connecticut Museum of Art, 1968

Author:
Bloom, Hyman 1913-  Search this
University of Connecticut Museum of Art  Search this
Physical description:
1 v. (chiefly illus.) 28 cm
Type:
Books
Date:
1968
1968]
Call number:
N40.1.B645x C7
N40.1.B645xC7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_21306

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