Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2112 documents - page 1 of 106

Spring exhibition / Mark Hopkins Institute of Art, San Francisco Art Association

Title:
San Francisco Art Association
Author:
Mark Hopkins Institute of Art  Search this
San Francisco Art Association  Search this
Subject:
Mark Hopkins Institute of Art  Search this
Physical description:
[54] p. : ill. ; 23 cm
Type:
Exhibitions
Place:
California
San Francisco
Date:
1895
1895?]
Topic:
Art  Search this
Call number:
N740 .A577 1895
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_691834

San Francisco Art Institute

Author:
San Francisco Art Institute  Search this
Subject:
San Francisco Art Institute  Search this
Physical description:
20 p. : ill. (some col.) ; 20 cm
Type:
Books
Place:
California
San Francisco
Date:
1983
C1983
Topic:
Art schools  Search this
Call number:
N330.S42 S264 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_691833

SHARE Meeting #4, February 6-10, 1956, San Francisco, California

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref15

SHARE Meeting# 11, September 10- 12, 1958, San Francisco, California

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref22

SHARE Meeting, #22, March 2-6, 1964, San Francisco, California

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 2, Folder 2-3
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref28

SHARE Meeting #28, February 13-17, 1967, San Francisco, California

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 4, Folder 1
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref34

SHARE Meeting #60, February 20-25, 1983, San Francisco, California

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 25, Folder 5
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref71

Ethnography in the San Francisco Bay Area

Author:
San Francisco State University  Search this
Treganza Anthropology Museum  Search this
Physical description:
v. : ill. ; 28 cm
Type:
Periodicals
Place:
California
San Francisco Bay Area
San Francisco Bay Area (Calif.)
Date:
1994
1994-
Topic:
Ethnology  Search this
Social life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_784883

California classics : highlights from the collection of the San Francisco Museum of Modern Art

Author:
San Francisco Museum of Modern Art  Search this
Subject:
San Francisco Museum of Modern Art  Search this
Physical description:
125 p. : ill. (some col.) ; 29 cm
Type:
Catalogs
Exhibitions
Place:
California
San Francisco
Date:
1999
Topic:
Art  Search this
Call number:
N740.5 .A56 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_777342

SHARE Meeting #28 February 13-17, 1967, San Francisco, California (Addendum)

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref33

SHARE Meeting #38, March 6-10, 1972, San Francisco, California (Vols.1-2)

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 10, Folder 1-2
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref45

SHARE Meeting #46, February 22-27, 1976, San Francisco, California (Vols. 1-2)

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 16, Folder 2-3
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref58

SHARE Meeting #46, February 22-27, 1976, San Francisco, California (Vol. 3)

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 17, Folder 1
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref59

Alfred Victor Frankenstein papers

Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Names:
American Arts Alliance  Search this
California Palace of the Legion of Honor  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
San Francisco Chronicle (Firm)  Search this
Copley, John Singleton, 1738-1815  Search this
Decker, Joseph, 1853-1924  Search this
Haberle, John, 1856-1933  Search this
Harnett, William Michael, 1848-1892  Search this
Ives, Charles, 1874-1954  Search this
Jenkins, Paul, 1923-2012  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mount, William Sidney, 1807-1868  Search this
Murdock, Roland P.  Search this
Peto, John Frederick, 1854-1907  Search this
Extent:
19.1 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Sound recordings
Sketches
Scrapbooks
Date:
1875-1985
Summary:
The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.
Scope and Contents:
The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.

Biographical materials include awards, museum passes from the 1970s, school records, and a scrapbook documenting Frankenstein's career at the San Francisco Chronicle. Also found is his father's medical school diploma.

Largely professional in nature, Frankenstein's correspondence is with galleries, museums and institutions, colleges and universities, as well as art historians and museum colleagues including Paul Jenkins, Stanton MacDonald-Wright, and Thomas E. Ripley.

General writings are on subjects such as music, art, California, and the Ronald P. Murdock art collection. It is likely that some writings may be drafts for articles that later appeared in the San Francisco Chronicle. Also found are three notebooks, a recorded interview, recorded lectures by Frankenstein and by others.

The bulk of the collection consists of Frankenstein's extensive research files on American sill-life painting in the nineteenth-century. Research topics focus primarily on artists John Haberle (including sketches by Haberle), William Michael Harnett, William Sidney Mount, and John Frederick Peto; however, some files are found for collectors, dealers, and subjects. Files are found both for the research and writing of Frankenstein's books, After the Hunt (1953) and The World of Copley: 1738-1815 (1970). Contents of the research files vary but many contain correspondence, photographs, notes and writings, provenance research, printed materials, and photocopied and original primary documents. Additional research files are also found in Series 5, Exhibition Files.

Files concerning exhibitions curated or organized by Frankenstein include Artist Self-Portraits (1974) at the National Gallery of Art, an exhibition at the California Palace of the Legion of Honor, and the World's Fair Exposition exhibition, Our Land, Our Sky Our Water: an Exhibition of American and Canadian Art (1974). Files contain loan agreements, gallery plans, photographs, writings, correspondence, and printed materials.

Frankenstein's professional activities files include material about his job as a music critic at the San Francisco Chronicle, and records documenting his participation in the American Arts Alliance and the San Francisco Arts Commission. Also found are scattered student writings, lecture notes, and some correspondence from his teaching position at the University of California, Berkeley.

An appraisal for a Joseph Decker work, the estate records of Sylvia Frankenstein, general receipts for purchases and shipping records, and vehicle ownership records comprise Frankenstein's personal business records.

Printed materials include clippings, exhibition announcements and catalogs, magazines, and blank postcards. Also found are eight commercial audio recordings, including a musical piece by Charles Ives on cassette, and six phonograph records that are likely of music. A cassette entitled "Heritage of American Art" may be from an exhibition of the same title held at the Metropolitan Museum of Art in New York City in 1975. Personal photographs include snapshots of Frankenstein with his family and portraits of him, as well as a photocopy of a family photo album. The bulk of the photographs are of artwork.

There are six unidentified sound recordings.
Biographical / Historical:
Alfred Victor Frankenstein (1906-1981) was an art historian, writer, art and music critic, and educator active in San Francisco, California.

Frankenstein was born in 1906 in Chicago, Illinois. He studied at the University of Chicago but moved to San Francisco to take a job as a music critic for the San Francisco Chronicle . Later, the position expanded to include critiques of visual art and art exhibitions. He remained at the San Francisco Chronicle until 1979, concentrating only on art from 1965.

He was an expert on 19th century American still-life and his notable book, After The Hunt (1953), examined the American trompe-l'œil movement in late 19th century and early 20th-century through the work of painters William Harnett and John Frederick Peto. He also authored The World of Copley: 1738-1815 in 1970. Frankenstein curated several major exhibitions, including American Self-Portraits (1974) at the National Portrait Gallery and the 1974 World's Fair Exposition exhibition, Our Land, Our Sky Our Water: an Exhibition of American and Canadian Art..

An educator, Frankenstein was a professor of Art History at the University of California at Berkeley (1940-1974), Stanford University (1973-1981), and at Mills College (1945-1974), where he also taught American music.
Related Materials:
Also found among the holdings of the Archives of American Art are two oral histories with Alfred Frankenstein, one conducted by Mary McChesney on November 9th, 1965 and the other conducted by Paul Karlstrom from 1978 to 1979. Additionally, Frankenstein donated one sketchbook and twelve loose sketches that are cataloged as a separate collection: the William Harnett sketches, 1870.
Provenance:
Alfred Frankenstein donated some of his papers in 1972, and lent materials for microfilming in 1978. His estate, handled by his son John Frankenstein, donated the materials original loaned as well as additional records in 1981.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Alfred Victor Frankenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Art -- Collectors and collecting  Search this
Art criticism -- United States  Search this
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Genre/Form:
Interviews
Photographs
Sound recordings
Sketches
Scrapbooks
Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franalfr
See more items in:
Alfred Victor Frankenstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franalfr
Additional Online Media:

SHARE Meeting #52, March 18-23, 1979, San Francisco, California (Vol.1, Vol. 2 (book 1), Vol. 2 (book 2)

Collection Creator:
Bernstein, Maurine  Search this
Oswald, Alison  Search this
Bernstein, Morton I.  Search this
Strong, Jack  Search this
Wagner, Frank  Search this
Armer, Paul, 1924- (computer technician)  Search this
Collection Author:
SHARE (Association)  Search this
Container:
Box 22, Folder 1-3
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Conditions Governing Reproduction and Use: Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
SHARE Records, Archives Center, National Museum of American History
See more items in:
SHARE Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0567-ref65

Rudolph Schaeffer papers

Creator:
Schaeffer, Rudolph  Search this
Names:
East & West Gallery (San Francisco, Calif.)  Search this
Rudolph Schaeffer School of Design  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Frey, Caroline  Search this
Frey, Fred  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959 -- Photographs  Search this
Extent:
13.3 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Place:
Japan -- Description and Travel
Date:
1880s-1997
Summary:
The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.
Scope and Content Note:
The collection measures 13.3 linear feet, dates from the 1880s-1997, and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

Correspondence documents Schaeffer's personal and professional activities as well as the Rudolph Schaeffer School of Design. Subject files contain various combinations of correspondence, photographs, printed material, and drawings reflecting Schaeffer's activities, projects, and interests. Within the subject files is correspondence with artists, including Mark Tobey. Extensive writings include manuscripts for published and unpublished articles and drafts, notes, and manuscripts of several unpublished books including Collected Lectures of Rudolph Schaeffer on Color and Design, Color and Design, Prismatic Color Theory, and Rhythmo-Chromatics, all undated. Diaries include a volume recording Schaeffer's 1936 trip to Japan. 42 volumes of journals, compiled between 1954 and 1987, contain entries on a wide range of subjects including lists of errands, invitation lists, class notes, drafts of letters, notes including staff assignments and staff meetings, autobiographical notes and reminiscences, and musings on religion and philosophy.

The Artwork series houses artwork by Schaeffer and his students. Found are hand-made Christmas cards, designs, sketches, and sketchbooks. Seven scrapbooks document Rudolph Schaeffer's career, his school and former students, and the San Francisco art scene. They contain printed material, photographs, letters, and a small amount of artwork. Volume 3 is devoted to East West Gallery, and volume 7 documents Rudolph Schaeffer's 90th Birthday and the 50th Anniversary of the Rudolph Schaeffer School of Design.

Most untranscribed sound recordings (audio cassettes and reels) are of lectures by Schaeffer and others delivered at the Rudolph Schaeffer School of Design.

Miscellaneous records includes a series of hand-baticked fabric samples from the Wiener Werkstatte, as well as transcripts of an oral history with Schaeffer and other interviews.

Printed material concerns the career of Rudolph Schaeffer, his school and former students, the San Francisco art scene, and general art topics. Included are articles and a book by Schaeffer, catalogs and other items produced by the Rudolph Schaeffer School of Design, and miscellaneous items about or mentioning Schaeffer and his school. Items of note are announcements of courses taught by Schaeffer in Piedmont and San Francisco prior to the opening of his school, and theatre programs from productions with sets and some costumes designed by Schaeffer in the early 1920s.

Photographs are of artwork, people, places, events, stage designs, and miscellaneous subjects. Artwork includes some designs by Rudolph Schaeffer; people include Schaeffer, his family, friends, and students. Of particular note are a photograph of Frank Lloyd Wright's visit to the Rudolph Schaeffer School of Design, and one of Rudolph Schaeffer and Imogen Cunningham. Places include interior and exterior views of the Rudolph Schaeffer School of Design at its St. Anne Street and Mariposa Street locations. Also included are photographs by Ansel Adams of the home of Ed and Caroline Fey.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Information, 1900-1988 (Box 1; 0.1 linear ft.)

Series 2: Correspondence, 1906-1989 (Box 1, 19; 0.5 linear ft.)

Series 3: Subject Files, 1907-1988 (Boxes 1-2, OV 16; 1.3 linear ft.)

Series 4: Writings, circa 1910-1987 (Boxes 2-6, 15, 19, 21; 4.2 linear ft.)

Series 5: Artwork, 1911-1957 (Boxes 6-15, 19, 21 OV 17; 0.6 linear ft.)

Series 6: Scrapbooks, 1933-1976 (Boxes 6, 14, 19; 0.6 linear ft.)

Series 7: Sound Recordings, 1949-1986 (Boxes 11-13; 1.2 linear ft.)

Series 8: Miscellaneous Records, 1905-1986 (Box 7, 19, 22; 0.8 linear ft.)

Series 9: Printed Material, 1906-1994 (Boxes 7-8, 15, 19, 22; 1.2 linear ft.)

Series 10: Photographs, 1880s-circa 1988 (Boxes 8-10,15, 20, 22, OV 18; 1.8 linear ft.)
Biographical Note:
Rudolph Schaeffer (1886-1988), a proponent of the Arts and Crafts movement, aspired to unite technology, science, and lifestyle in order to live in harmony with nature. An individual with many talents and interests, he was best known for his work in the field of color study and as a teacher and the founder of the Rudolph Schaeffer School of Design in San Francisco.

Born on a farm in Clare, Michigan in 1886, Rudolph Schaeffer displayed musical and artistic talent from a young age. Although he initially wanted to become a professional musician, he began focusing more on art when his musical abilities were compromised by an improperly set broken wrist. Schaeffer received his first formal art training as a high school student and then attended the Thomas Normal Training School in Detroit, where he studied music, art, and design. He continued studying independently, developing interests in calligraphy and metal craft.

In 1907, Schaeffer taught manual training courses in the Columbus, Ohio, public schools. The following summer he traveled to Paris and London. While in London he saw an exhibition of Josef Hoffman's modern interiors that had a great impact on his own design ideas. He then returned to Michigan and taught in schools close to home. In 1909, Schaeffer attended a design course in Minneapolis taught by A. E. Batchelder, director of Throop Polytechnic Institute in Pasadena. Both Batchelder and his course were strong influences on Schaeffer, as was Ralph Johnot, a proponent of Arthur Wesley Dow's design principles. In 1910 Schaeffer joined the faculty of Throop Polytechnic Institute, where he remained for five years.

The U. S. Commission on Education selected Schaeffer to be part of a delegation of twenty-five American teachers sent to Munich for several months in 1914 to investigate the exemplary industrial design curriculum offered in their secondary schools. Schaeffer subsequently expected to begin teaching at the Manual Arts High School in Los Angeles at the start of the 1914 school year, but World War I erupted while he was in Germany and his return to the United States was delayed so long that another teacher had to be hired to fill his place.

In 1915 Schaeffer was a manual training instructor at the California College of Arts and Crafts (formerly the Hopkins School), and taught design and metal crafts at the University of California Berkeley. For a number of years afterwards, he did free lance design work, taught private classes, and ran a small summer school in his Piedmont studio. Schaeffer was a visiting professor at Stanford University in 1918 when he was drafted and sent to drafting and surveying courses by the Army. Between 1917 and 1924 Schaeffer was on the faculty of the California College of Arts and Crafts where he taught design, color, handicrafts, and interior design. During this period he developed a new approach to teaching color and design based on the prismatic color wheel.

During the early 1920s Schaeffer worked as a set designer and as Art Director of Greek Theatre at the University of California at Berkeley, Schaeffer began applying prismatic color theory to set and costume design. He also designed sets for productions in Detroit. In 1925, Schaeffer saw the Paris Exposition and researched interior and stage design while in France.

The Rudolph Schaeffer School of Design which, in its early days was called the Rudolph Schaeffer School of Rhythmo-Chromatic Design, opened on St. Anne Street in San Francisco's Chinatown in 1926. In 1951 the school then moved to Union Street on Telegraph Hill where it remained for nearly a decade. In 1960, the school purchased a former boys' school on Mariposa Street, Portero Hill. Rudolph Schaeffer lived in a small cottage built for him at the rear of the property where he designed and tended a remarkable "Peace Garden."

The Rudolph Schaeffer School of Design was best known for its courses in color and interior design. Schaeffer was the first person in the United States to teach prismatic color theory, is credited with being the first to use the term "interior design" rather than "interior decoration" and the first to incorporate the use of models into interior design coursework. In 1959 the school's courses were expanded from 2 to 3-year programs and a diploma was awarded. Former students include many successful interior designers, textile designers, furniture designers, industrial designers, commercial artists, color consultants, teachers, and master flower arrangers.

In addition to the interior design and color diploma courses, the school offered a summer session, classes for children, a brief lecture series for the general public, and a wide variety of classes including advertising art, architecture and design, art history, art in public schools, calligraphy, color design, color for television, color for weavers, color theory, design, drawing, environmental aesthetics, fashion design, fashion illustration, flower arrangement, industrial design, interior design, Notan, sculpture, space planning, textile design, and weaving. Always struggling financially and sometimes lacking adequate enrollment, the school nevertheless managed to stay open for nearly 60 years. In 1984, the Board of Directors voted to remove Schaeffer from the board and close the school. Two years earlier the board had forced Schaeffer to retire, appointed him Director Emeritus, and brought in a new director charged with making the institution financially solvent, reorganizing the curriculum, and working toward accreditation. Unable to separate himself from the school (though he had done so legally when it was incorporated in 1953), Schaeffer balked and refused to cooperate with plans for revitalizing the institution.

One of the aims of the Rudolph Schaeffer School of Design was to interpret Asian esthetic principles. To this end the East West Gallery was established at the school in 1950. A membership organization, it offered exhibitions, lectures, concerts, and other programs that encouraged cultural integration. Exhibitions alternated between East (Asian art and artifacts from Rudolph Schaeffer's collection or other sources) and West (student work or work of local artists illustrating the influence of the Asian esthetic on contemporary art and design). East West Gallery was a membership organization, the first space of its kind in San Francisco for Asian art and operated in each of the school's locations.

In addition to running the school Schaeffer was involved in many other activities. He wrote several articles about flower arrangement, color, and color theory that were published in popular magazines. In 1935, he published Flower Arrangement Folio I (said to be the first on the subject published in this country) and in 1942 edited and wrote the introduction to Sunset's Flower Arrangement Book by Nell True Welch. Over a period of many years, he worked on several monographs on color, design, and "rhythmo-chromatics." None were ever published.

A sought-after speaker on the subjects of color, interior design, flower arrangement, and myriad other art topics, Schaeffer frequently served as a juror for art exhibitions and flower shows. From the 1930s on, the San Francisco department store Emporium used his services as a color consultant, as did Dutch Boy paints, and numerous textile and clothing manufacturers. Builders also asked Schaeffer to select interior and exterior colors for suburban housing developments.

Schaeffer worked on planning and designing the decorative arts exhibition at the 1939-40 Golden Gate International Exposition. In 1943-44, he participated in the Red Cross's Arts and Skills program, using color therapy with shell-shocked soldiers in a psychiatric unit.

The Rudolph Schaeffer Collection of Asian Art began as a collection of ceramics, both historical and contemporary examples chosen for their form and color, which he used for flower arrangements and in set-ups for still life classes. It soon expanded to include color prints, paintings, screens, and other works of art and portions were exhibited frequently in the East West Gallery. Selections from this collection were exhibited in Kansas City in 1960 and at the Asian Art Museum of San Francisco in 1976.

The City of San Francisco declared June 26, 1986, Schaeffer's 100th birthday, "Rudolph Schaeffer Day" and it was observed with great fanfare. He died at home on March 5, 1988, a few months before his 102nd birthday.
Provenance:
The Rudolph Schaeffer papers were donated in 1991 by Rudolph Schaeffer and the Rudolph Schaeffer School of Design administrator Peter Docili, and in 1999 and 2000 by James Alexander, a friend of both Schaeffer and Docili, who had been storing portions of Docili's estate after his death in 1998, with the assistance of Frances Valesco, a fiber artist and researcher. An addition was received in 2007 by William Woodworth, a close friend and caretaker of Schaeffer's and in 2017 and 2018 by Frances Valesco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings requires advance notice.
Rights:
The Rudolph Schaeffer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- California -- San Francisco  Search this
Designers -- California -- San Francisco  Search this
Art -- Collectors and collecting -- California -- San Francisco  Search this
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- California -- San Francisco  Search this
Artists -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Color -- Study and teaching  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Citation:
Rudolph Schaeffer papers, 1880s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scharudo
See more items in:
Rudolph Schaeffer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-scharudo

Dorr Bothwell papers

Creator:
Bothwell, Dorr  Search this
Names:
Pollock-Krasner Foundation  Search this
Adams, Ansel, 1902-1984  Search this
Adams, Virginia Best  Search this
Adnan, Etel  Search this
Chinn, Benjamen, 1921-2009  Search this
Falkenstein, Claire, 1908-1997  Search this
Howard, Charles, 1899-1978  Search this
Jackson, Martha Kellogg  Search this
Packard, Emmy Lou, 1914-1998  Search this
Extent:
10.6 Linear feet
1.72 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Date:
1900-2006
Summary:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.
Scope and Content Note:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.

Biographical material consists of biographical sketches, resumés, identity cards, award certificates, typescripts of autobiographical interviews, address books, and a file concerning UFOs, spirituality, and philosophy.

Correspondence consists of letters exchanged between Bothwell and her colleagues and friends discussing their art-related activities, travel, and birthday greetings. There are scattered letters from Ansel and Virginia Adams, Etel Adnan, Benjamin Chinn, Claire Falkenstein, and Emmy Lou Packard.

Personal business records include teaching contracts, contracts and royalty statements for the publication of Bothwell's book Notan, insurance records, income tax records, records concerning a grant from the Pollock-Krasner Foundation, estate records, card files, lists of art work, price lists, exhibition entry cards, receipts for the sale of art work, travel receipts, medical receipts, and consignment/sales records.

Notes and writings include three diaries, two travel journals, guest books, miscellaneous lists, schedules of classes for various organizations and art schools including the Ansel Adams Yosemite Workshop, typescripts of lecture notes, and miscellaneous notes. There are also scattered writings by Bothwell and others.

Seventeen sketchbooks, including several completed during Bothwell's travels, and one dated 1942 illustrated with daily drawings of her activities while preparing for World War II, are found within the papers. There are also miscellaneous drawings, collages, a serigraph It's Time for a Change, an etching by Martha Jackson, and a drawing by Charles Howard.

Three scrapbooks contain clippings, exhibition announcements and catalogs, programs, and photographs of art work. Scrapbook 3 contains materials concerning spiritualism and mysticism. Additional printed material consists of clippings, exhibition announcements and catalogs, press releases, brochures for art classes, the sale of art work, travel, and camera equipment, reproductions of art work, picture postcards, programs, books, and miscellaneous commercial business cards.

Photographs are of Bothwell, her mother and brother, her studio/residences, miscellaneous friends and colleagues including her former husband, sculptor Donal Hord, miscellaneous events, and art classes conducted by Bothwell. There are also photographs of art work by Bothwell and others, as well as numerous photographs and slides of travel various forms in nature that Bothwell would incorporate into her art work.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1939-2001 (Box 1, 11, 13, 15; 0.6 linear feet)

Series 2: Correspondence, 1942-2002 (Box 1-3, 13; 2.3 linear feet)

Series 3: Personal Business Records, 1925-2006 (Box 3-4; 0.7 linear feet)

Series 4: Notes and Writings, 1949-1998 (Box 4, 11, 14, 15; 0.8 linear feet.)

Series 5: Art Work, 1920-1994 (Box 4-5, 11, 13, 16, 17; 1.5 linear feet)

Series 6: Scrapbooks, 1926-1979 (Box 5, 11, 12; 0.5 linear feet)

Series 7: Printed Material, 1923-2000 (Box 5-7, 12, 13; 1.8 linear feet)

Series 8: Photographs, 1900-2001 (Box 7-9, 10; 2.4 linear feet, ER01-ER04; 1.72 GB)
Biographical Note:
Dorr Bothwell (1902-2000) worked primarily in California as a painter, printmaker, and art instructor.

Doris Bothwell was born on May 3, 1902 in San Francisco, and later changed her first name to Dorr in order to more easily enter the art business. Bothwell began her art studies in 1916 with her parents' friend Anna Valentien, a student of Rodin. Between 1921 and 1922, she studied at the California School of Fine Art, and continued her studies at the University of Oregon at Eugene. After attending the Rudolph Schaeffer School of Design in 1924, she established her own studio in San Francisco from 1924 to 1927. Also during this time Bothwell, with eight other artists opened the Modern Gallery on Montgomery Street, mounting her first solo exhibition there in 1927.

Between 1928 and 1929, Bothwell traveled to American Samoa, where she created paintings and drawings, and documented tapa (barkcloth) drawings for the Bishop Museum of Honolulu. She then spent a year of study in Europe, returning to San Diego, California in 1931 and marrying sculptor Donal Hord. Four years later, they divorced and she moved to Los Angeles where she worked for the pottery manufacturer Gladding McBean, joined the post-surrealist group around Lorser Feitelson and Helen Lundeberg and opened the Bothwell-Cooke Gallery.

Between 1936 and 1939, Bothwell worked in the mural division of the Federal Arts Project of Los Angeles, and learned the art of serigraph printing. She designed dioramas and mechanized exhibitions for the Los Angeles County Museum. In 1940 she also created murals in the Manning Coffee Restaurant in San Francisco.

After teaching color and design at the California School of Fine Art in San Francisco from 1944 to 1948, Bothwell was awarded the Abraham Rosenberg Traveling Scholarship that financed study in Paris from 1949 to the fall of 1951. In 1952 she taught textile design for mass production at the Parsons School of Design in New York City.

Returning to San Francisco, Bothwell taught again at the California School of Fine Art from 1953 to 1958, and at the San Francisco Art Institute from 1959 to 1960. From 1960 to 1961 she took a sabbatical in England and France, creating paintings for an exhibition. In 1962 she was asked to teach at the new Mendocino Art Center and she taught there until 1983. She was also asked by Ansel Adams to teach design and composition for photographers at his Yosemite Workshop summer sessions, which she did from 1964 to 1977.

From 1966 to 1967, Bothwell documented indigo dying techniques, strip weaving, and pottery in Western Nigeria and Tunisia. In 1968, she published her book, co-authored with Marlys Frey, NOTAN The Principle of Dark-Light Design. The book was reissued in 1991. Bothwell continued her travels from 1970 to 1971, when she studied 12th century enamels in England, France, and Holland, and conducted a symposium, "Notan Design," for the London Educational Authority. In 1974, she traveled to Bali, Java, and Sumatra, making a slide documentary on batik, woodcarving, and folk design.

In 1977 Bothwell moved to Joshua Tree, California, from Mendocino in Northern California, but moved back and forth between the two studio/residences until 1992 when she moved to her last residence on the desert at Apache Junction, Arizona. From 1979 to 1980, she taught composition at the Victor School of Photography in Colorado and a design course at the Women's Art Guild in Kauai, Hawaii. Following a tour of China with a watercolor artists' group in 1982, Bothwell conducted workshops at the Mendocino Art Center. In 1985, she traveled to Japan.

Dorr Bothwell died on September 24, 2000 in Fort Bragg, California.
Provenance:
The Dorr Bothwell papers were donated in 1978 by the artist, and in 2002, 2009, and 2012 by the Dorr Bothwell Trust.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Dorr Bothwell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women artists -- California  Search this
Art teachers -- California  Search this
Artists' studios -- Photographs  Search this
Painters -- California  Search this
Surrealism  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Citation:
Dorr Bothwell papers, 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bothdorr
See more items in:
Dorr Bothwell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bothdorr

French paintings 1500-1825, the Fine Arts Museums of San Francisco / Pierre Rosenberg, Marion C. Stewart

Author:
Fine Arts Museums of San Francisco  Search this
Rosenberg, Pierre  Search this
Stewart, Marion C  Search this
Subject:
Fine Arts Museums of San Francisco Catalogs  Search this
Physical description:
373 p. : ill. (some col.), ports. ; 28 cm
Type:
Catalogs
Place:
France
California
San Francisco
Date:
1987
Topic:
Painting, French  Search this
Painting, Modern--Catalogs  Search this
Painting  Search this
Call number:
ND544.F56 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_339874

John Caldwell papers

Creator:
Caldwell, John, 1941-  Search this
Extent:
1.7 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Essays
Drafts (documents)
Video recordings
Date:
circa 1909-1996
Summary:
The papers or curator and writer John Caldwell measure 1.7 linear feet and date circa 1909 to 1996. The collection documents Caldwell's life and career through a variety of materials, such as biographical material including legal papers relating to the Caldwell Estate, letters from friends and colleagues, writings by Caldwell such as a draft version of a speech and draft essays, printed material including articles written by Caldwell for the New York Times, photographs of Caldwell, family members, dealers, donors, and artists, as well as a video recording documenting the 1985 Carnegie International.
Scope and Content Note:
The papers or curator and writer John Caldwell measure 1.7 linear feet and date circa 1909 to 1996. The collection documents Caldwell's life and career through a variety of materials, such as biographical material including legal papers relating to the Caldwell Estate, letters from friends and colleagues, writings by Caldwell such as a draft version of a speech and draft essays, printed material including articles written by Caldwell for the New York Times, photographs of Caldwell, family members, dealers, donors, and artists, as well as a video recording documenting the 1985 Carnegie International.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, circa 1909-1996, undated (Box 1, OV 4; 0.6 linear feet)

Series 2: Letters, 1970-1994, undated (Box 1, OV 4; 0.3 linear feet)

Series 3: Writings, circa 1983-1992, undated (Box 2; 0.2 linear feet)

Series 4: Printed Material, 1977-1996, undated (Box 2, OV 4; 0.4 linear feet)

Series 5: Photographs, circa 1941-1993, undated (Box 3; 2 folders)

Series 6: Video Recording, 1985 (Box 3; 1 folder)
Biographical Note:
John Caldwell (1941-1993) was a curator and art critic in New York, NY, Pittsburg, PA, and San Francisco, CA. He was born on November 16, 1941 in Nashville, Tennessee. He received a bachelor's degree in modern French history from Harvard University in 1963 and his master's degree in art history from Hunter College, New York, NY, in 1973. While studying at Hunter, Caldwell also served as associate editor at the New-York Historical Society (1967-1973). From 1973 to 1976, Caldwell pursued a doctorate in eighteenth and nineteenth century American art history at Yale University and worked as an assistant to the curator of American art at the Yale University Art Gallery in New Haven, CT.

In 1975, Caldwell won an Andrew W. Mellon Fellowship with the Metropolitan Museum of Art; in 1977, he was appointed assistant curator of American art at the museum. From 1980 to 1984, Caldwell served as art critic for the suburban weekly sections of the New York Times. During this period, Caldwell's interest in contemporary art grew. In 1984, Caldwell accepted a position as adjunct curator of contemporary art at the Carnegie Museum of Art in Pittsburgh, PA. A year later he was promoted to curator of contemporary art at the museum, a position that he held until 1989. Both Caldwell and John R. Lane, the director of the Carnegie Museum of Art, infused new energy into the 1985 Carnegie International, a triennial exhibition, that brought together many contemporary American and European works of art. Caldwell also spearheaded the 1988 Carnegie International and was the only curator in the history of the museum to have organized two consecutive Internationals. During his tenure at the Carnegie Museum of Art, Caldwell organized solo exhibitions on artists that included Susan Rothenberg (1984), Sean Scully (1985), and Richard Deacon (1988).

In 1989, two years after John R. Lane was appointed director of the San Francisco Museum of Modern Art, Caldwell joined his former colleague and served as the first curator of painting and sculpture for the museum. At SFMoMA, Caldwell organized retrospective exhibitions on artists that included Sigmar Polke (1990-91), Luciano Fabro (1992), and Jeff Koons (1992-1993). He also curated one person shows of new works by artists that included Matthew Barney (1991), Sherrie Levine (1991), and Susana Solana (1991).

Caldwell died in 1993 at the age of 51 in Miami Beach, Florida.
Provenance:
The papers were donated in 2002 by Joan Witek, executrix of the John Caldwell estate.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requres advance notice.
Rights:
The John Caldwell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Authors -- Pennsylvania -- Pittsburg  Search this
Curators -- Pennsylvania -- Pittsburg  Search this
Genre/Form:
Photographs
Essays
Drafts (documents)
Video recordings
Citation:
John Caldwell papers, circa 1909-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.caldjohn
See more items in:
John Caldwell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caldjohn

The exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915

Author:
Smithsonian Institution  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
1915
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_127458

Modify Your Search






or


Narrow By