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Zil, Cars 2

Artist:
Armand Baltazar  Search this
Jerome Ranft  Search this
Creator:
Pixar Animation Studios  Search this
Medium:
Digital paint over photograph
Type:
Exhibitions
Concept art
Object Name:
Concept art
Date:
2011
Credit Line:
Courtesy of Pixar Animation Studios
Accession Number:
Pixar Cars 2 09
Rights:
© Disney/Pixar
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_Pixar_Cars_2_09

Hood Ornament, Cars

Artist:
Bill Cone  Search this
Creator:
Pixar Animation Studios  Search this
Type:
Exhibitions
Photograph
Object Name:
Photograph
Date:
2006
Credit Line:
Courtesy of Pixar Animation Studios
Accession Number:
56.2015.5
Rights:
© Disney/Pixar
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_56.2015.5

Juliet Wise and other attendees at the Twelfth Annual New York Avant Garde Festival, Floyd Bennett Field, New York, September 27, 1975

Artist:
Peter Moore  Search this
Paik, Nam June (RELATED, Archive)  Search this
Medium:
gelatin silver print
Dimensions:
image: 6 x 9 in. (15.2 x 22.9 cm) frame: 11 1/2 x 25 in. (29.2 x 63.5 cm)
Type:
Photography
Date:
1975
Credit Line:
Smithsonian American Art Museum, Gift from the collection of Barbara and Howard Wise
Object number:
2020.2.1
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, North Wing
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2020.2.1

Nam June Paik, Juliet Wise and other attendees at the Twelfth Annual New York Avant Garde Festival, Floyd Bennett Field, New York, September 27, 1975

Artist:
Peter Moore  Search this
Paik, Nam June (RELATED, Archive)  Search this
Medium:
gelatin silver print
Dimensions:
image: 6 x 9 in. (15.2 x 22.9 cm) frame: 11 1/2 x 25 in. (29.2 x 63.5 cm)
Type:
Photography
Date:
1975
Credit Line:
Smithsonian American Art Museum, Gift from the collection of Barbara and Howard Wise
Object number:
2020.2.2
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, North Wing
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2020.2.2

Nam June Paik performing "Violin with String" (1961) at the Twelfth Annual New York Avant Garde Festival, Floyd Bennett Field, New York, September 27, 1975

Artist:
Peter Moore  Search this
Paik, Nam June (RELATED, Archive)  Search this
Medium:
gelatin silver print
Dimensions:
image: 6 x 9 in. (15.2 x 22.9 cm) frame: 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm)
Type:
Photography
Date:
1975
Topic:
Figure male\full length  Search this
Object\musical instrument\violin  Search this
Credit Line:
Smithsonian American Art Museum, Gift from the collection of Barbara and Howard Wise
Object number:
2020.2.3
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, North Wing
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2020.2.3

Nam June Paik and Juliet Wise at the Twelfth Annual New York Avant Garde Festival, Floyd Bennett Field, New York, September 27, 1975

Artist:
Peter Moore  Search this
Paik, Nam June (RELATED, Archive)  Search this
Medium:
gelatin silver print
Dimensions:
image: 9 x 6 in. (22.9 x 15.2 cm) frame: 14 1/2 x 19 in. (36.8 x 48.3 cm)
Type:
Photography
Date:
1975
Credit Line:
Smithsonian American Art Museum, Gift from the collection of Barbara and Howard Wise
Object number:
2020.2.4
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, North Wing
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2020.2.4

Juliet Wise interacting with the art at the Twelfth Annual New York Avant Garde Festival, Floyd Bennett Field, New York, September 27, 1975

Artist:
Peter Moore  Search this
Paik, Nam June (RELATED, Archive)  Search this
Medium:
silver gelatin print
Dimensions:
image: 9 x 6 in. (22.9 x 15.2 cm) frame: 14 1/2 x 19 in. (36.8 x 48.3 cm)
Type:
Photography
Date:
1975
Credit Line:
Smithsonian American Art Museum, Gift from the collection of Barbara and Howard Wise
Object number:
2020.2.5
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, North Wing
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2020.2.5

Charlotte Moorman (Performing N.J. Paik's "Converto for TV Cello & Videotapes" (1971) at Galeria Bonino, New York, November 23, 1971)

Artist:
Peter Moore  Search this
Paik, Nam June (RELATED, Archive)  Search this
Medium:
silver gelatin print
Dimensions:
image: 42 1/2 x 32 in. (108 x 81.3 cm) frame: 50 1/8 x 38 5/8 in. (127.3 x 98.1 cm)
Type:
Photography
Date:
1971
Credit Line:
Smithsonian American Art Museum, Gift from the collection of Barbara and Howard Wise
Object number:
2020.2.6
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, North Wing
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2020.2.6

Xmas tree in a living room in Levittown, L.I. 1962

Artist:
Diane Arbus, born New York City 1923-died New York City 1971  Search this
Medium:
gelatin silver print
Dimensions:
image: 14 1/2 x 14 3/4 in. (36.8 x 37.6 cm.)
Type:
Photography-Photoprint
Date:
1962
Topic:
Ceremony\holiday\Christmas  Search this
Cityscape\New York\Long Island  Search this
Architecture Interior\domestic\living room  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1986.41.11
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1986.41.11

Untitled (Toni Morrison)

Artist:
Robert McCurdy, born 1952  Search this
Sitter:
Toni Morrison, 18 Feb 1931 - 5 Aug 2019  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 186.7 x 172.9 x 5.1cm (73 1/2 x 68 1/16 x 2")
No frame
Type:
Painting
Date:
2006
Topic:
Toni Morrison: Female  Search this
Toni Morrison: Literature\Writer\Novelist  Search this
Toni Morrison: Nobel Prize  Search this
Toni Morrison: Pulitzer Prize  Search this
Toni Morrison: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Gift of Ian M. and Annette P. Cumming
Object number:
NPG.2019.141
Restrictions & Rights:
© Robert McCurdy
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 2000 to Present
On View:
NPG, South Gallery 341
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2019.141

P.T. Barnum and Commodore Nutt

Artist:
Austin Augustus Turner, 1831 - 1866  Search this
Sitter:
Phineas Taylor Barnum, 5 Jul 1810 - 7 Apr 1891  Search this
George Washington Morrison Nutt, 1844 - 1881  Search this
Medium:
Albumen silver print
Dimensions:
Image/Sheet: 8.8 × 5.6 cm (3 7/16 × 2 3/16")
Mount: 9.9 × 5.9 cm (3 7/8 × 2 5/16")
Type:
Photograph
Place:
United States\New York\Kings\New York
Date:
1881
Topic:
Costume\Jewelry  Search this
Interior  Search this
Artist's Effects  Search this
Costume\Jewelry\Chain  Search this
Costume\Dress Accessory\Tie\Bowtie  Search this
Photographic format\Carte-de-visite  Search this
Phineas Taylor Barnum: Male  Search this
Phineas Taylor Barnum: Performing Arts\Performer\Showman  Search this
Phineas Taylor Barnum: Performing Arts\Circus Owner  Search this
Phineas Taylor Barnum: Society and Social Change\Administrator\Museum  Search this
George Washington Morrison Nutt: Male  Search this
George Washington Morrison Nutt: Performing Arts\Performer\Entertainer  Search this
George Washington Morrison Nutt: Performing Arts\Performer\Midget  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.80.160
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.80.160

Don Larsen

Artist:
Arthur B. Rickerby, 15 Mar 1921 - 2 Aug 1972  Search this
Sitter:
Donald James Larsen, 07 Aug 1929 - 01 Jan 2020  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 25.9 x 35cm (10 3/16 x 13 3/4")
Mount: 50.7 x 40.5cm (19 15/16 x 15 15/16")
Mat: 40.6 x 55.9cm (16 x 22")
Type:
Photograph
Place:
United States\New York\Kings\New York\Bronx
Date:
1956
Topic:
Costume\Headgear\Hat\Cap  Search this
Equipment\Sports Equipment\Baseball Equipment\Baseball  Search this
Exterior\Sports arena\Baseball stadium  Search this
Equipment\Sports Equipment\Baseball Equipment\Baseball glove  Search this
Donald James Larsen: Male  Search this
Donald James Larsen: Sports and Recreation\Athlete\Baseball\Pitcher  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.95.385
Restrictions & Rights:
© Wanda Rickerby
See more items in:
National Portrait Gallery Collection
Exhibition:
In Memoriam: Don Larsen
On View:
NPG, North Gallery 140
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.95.385

Photograph of Mural Design

Artist:
Francis Augustus Lathrop, American, 1849 - 1909  Search this
Medium:
Photograph on sensitized paper, mounted on paper
Type:
mural designs
Photograph
Object Name:
Photograph
Made in:
USA
Date:
before 1914
Accession Number:
1914-38-228-b
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1914-38-228-b

Robert W. White papers

Creator:
White, Robert, 1921-2002  Search this
Names:
American Academy in Rome  Search this
American Battle Monuments Commission  Search this
Century Association (New York, N.Y.)  Search this
Davis Galleries  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Heckscher Museum  Search this
National Academy of Design (U.S.)  Search this
Parsons School of Design  Search this
Parsons School of Design -- Faculty  Search this
Peabody Museum  Search this
Skowhegan School of Painting and Sculpture. School -- Faculty  Search this
State University of New York at Stony Brook  Search this
Steuben Glass, Inc.  Search this
Suffolk Museum  Search this
United States. Coast Guard  Search this
Ames, Amyas  Search this
Cremer, Theodore  Search this
Fleischmann, Patricia  Search this
Fosburgh, Hugh, 1916-  Search this
Franklin, Gilbert, 1919-2004  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Harrison, Jim  Search this
Hobbs, Susan, 1945-  Search this
Huntington, Willard R.  Search this
Kean, Rebekah Harkness  Search this
La Farge, Bancel, 1865-1938  Search this
Lamb, Ward  Search this
Lessard, Suzannah  Search this
Lowe, David, 1933-  Search this
Matthiessen, Peter  Search this
O'Cain, Walker  Search this
Oxman, Katja  Search this
Oxman, Mark  Search this
Platt, Frank C. (Frank Cheney), 1932-  Search this
Pope, Laura Spencer  Search this
Resika, Ellen  Search this
Resika, Paul  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Russotto, Paul  Search this
Simon, Sidney, 1917-1997  Search this
Styron, William, 1925-  Search this
White, Bessie Chanler  Search this
White, Claire Nicolas, 1925-  Search this
White, Lawrence Grant  Search this
Extent:
8.4 Linear feet
0.846 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Date:
1889-2003
bulk 1915-2003
Summary:
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.
Scope and Content Note:
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.

Scattered biographical materials include a curriculum vitae, documentation relating to White's service in the U.S. Coast Guard, a certificate of appreciation, and a memorial card for White's daughter, Natalie Laura White.

Correspondence contains primarily incoming letters from family and friends, and from clients, galleries, museums, arts organizations, students, and university administrators. Spanning over a seventy year period, family and friends correspondence centers on daily activities, events, and work. There is extensive correspondence from Robert White's parents, Lawrence Grant White and Bessie Chanler White and from Claire Nicolas White and her family. Other correspondents include Gil Franklin, Walker Hancock, Jim Harrison, Susan Hobbes, Willard R. Huntington, Ben LaFarge, Ward Lamb, Suzannah Lessard, Peter Matthiessen, Walker O'Cain, Mark and Katja Oxman, Frank C. Platt, Laura Spencer Pope, Paul and Ellen Resika, Paul Russotto, Sidney Simon, and William Styron, among others.

General correspondence mostly concerns White's commissions, teaching appointments, and his activities in professional organizations. Also included are letters from family members, friends, and colleagues. Frequent correspondents include: the American Academy in Rome, Amyas Ames, the Augustus Saint Gaudens Memorial, Century Association, Theodore Cremer, Davis Galleries, Patricia Fleischmann, Hugh Fosburgh, Rebekah Harkness Kean, David Garrard Lowe, National Academy of Design, Parsons School of Design, S. Dillon Ripley, the State University of New York at Stony Brook, Steuben Glass, and the Suffolk Museum and Carriage House.

Project files contain materials on Robert White's exhibitions and his commissioned projects. Materials include letters, lists of artwork, notes, price lists, receipts, exhibition schedules, contracts, and loan agreements. Files document White's exhibits at the Davis Galleries, Elaine Benson Gallery, Graham Gallery, Graham Modern, Heckscher Museum, and the State University of New York at Stony Brook. Included are extensive files on White's commissions for the American Battle Monuments Commission, Peabody Museum, and Steuben Glass.

Personal business records include files on Robert White's association with the Augustus Saint Gaudens Memorial and the National Academy of Design; his teaching appointments at the Parsons School of Design, the State University of New York at Stony Brook, and the Skowhegan School of Painting and Sculpture; and his dealings with foundries. There are scattered files on the Whites' St. James, New York property and residence.

Notes and writings contain Robert White's diaries, artist's statements, notebooks, essays on art, lectures, and scattered notes. Also found are writings by Clare White and others.

Sketchbooks and loose sketches contain preliminary studies by Robert White and scattered sketches by others. Printed material houses newspaper clippings and periodicals; exhibition announcements, catalogs, brochures, and posters; press releases and newsletters; and miscellaneous printed material.

Artifacts include two printing blocks: a portrait sculpture of Stephanie White and a landscape image. Audiovisual material consists of a digital audio recording of a classroom lecture by Robert White at an unidentified venue.

Photographs house images of Robert White; his studio; and snapshots of family and friends, many unidentified. Also included are photographs and slides of artwork.
Arrangement:
The collection is arranged into ten series:

Series 1: Biographical Material, 1939-2002 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1923-2002 (Boxes 1-4; 3.8 linear feet)

Series 3: Project Files, 1952-2003 (Boxes 4-5, OV 10; 1.2 linear feet)

Series 4: Personal Business Records, 1889, 1946-2003 (Boxes 5-6, OV 10; 1.3 linear feet)

Series 5: Notes and Writings, 1915, circa 1946-2002 (Boxes 6-7; 0.6 linear feet)

Series 6: Sketchbooks and Sketches, circa 1965-1972 (Boxes 7, 9; 0.3 linear feet

Series 7: Printed Material, 1937-2003 (Boxes 7, 9; 0.5 linear feet)

Series 8: Audiovisual Material, 1973 (ER01; 0.846 GB)

Series 9: Artifacts, circa 1965 (Box 7; 0.1 linear feet)

Series 10: Photographs, circa 1940s-2001 (Box 8; 0.5 linear feet)
Biographical Note:
Robert Winthrop White (1921-2002) lived and worked in St. James, New York and was primarily known as a sculptor and educator.

He was the son of the architect, Lawrence Grant White (1887-1956) and Bessie Chanler White. Stanford White (1853-1906), Robert's grandfather, was one of the founding partners in the prominent New York City architectural firm, McKim, White, and Mead.

As a youth, Robert White traveled to Munich, Germany to study woodcarving, sculpture, and painting. In 1935, he entered Portsmouth Priory School in Rhode Island. From 1938-1942, he was enrolled in the Rhode Island School of Design, where his mentors were Walter Raemisch in sculpture and John Howard Benson in calligraphy. In World War II, White served as chief boatswain's mate in the United States Coast Guard and later worked in the Office of Strategic Services (OSS). At the end of the war, White continued his training in sculpture and painting. In 1947, Robert White married Clare Nicolas, daughter of the painter and stained glass master, Joep Nicolas and the sculptor, Suzanne Nicolas.

Robert White, influenced by the classical techniques of the Renaissance artists, worked in various media, such as bronze, stone, plaster, terra-cotta, and wood. His subjects included portrait, figure, and life studies; animals; and dancers. Robert White also was an illustrator. He illustrated works by Laura Spencer Pope, William Styron, and others. White also illustrated two collections of his own poems, Casques and Dust and Palace: The Story of A Friendship that were privately published before his death in 2002.

Robert White held teaching positions at several universities and schools, including the Suffolk Museum of Art, the Parsons School of Design, and the Skowhegan School of Painting and Sculpture. From 1967-1987, White was an associate professor at the State University of New York at Stony Brook.

White exhibited his work in museums and galleries in the United States and abroad, including Artists Choice Museum, Artist's Gallery, Benson Gallery, Boston Athenaeum, Gallery North, Hartwick College Museum, Nassau County Museum of Fine Art, Patricia Fleischmann Gallery, Rijksakademie Van Beeldende, State University of New York at Stony Brook, and the Suffolk Museum and Carriage House, among others. Robert White was represented by the Davis Gallery, Graham Gallery, and Graham Modern in New York City.

Robert White's private and public commissions included works for the American Battle Monuments Commission, Amyas Ames, Theodore Cremer, John Marquand, Peabody Museum, State University of New York, William Styron, and Xerox Corporation. His work can be viewed in the collections of the Boston Athenaeum, Brooklyn Museum, Civici Musei 3 Gallerie di Storia e Arte, Heckscher Museum, and the Rhode Island School of Design. Robert White was the recipient of the Laurel Gallery's "New Talent" exhibition prize, 1948; American Academy's Rome Prize, 1952-1954; and the Proctor Memorial Prize at the National Academy of Design, 1962, 1982. He was also awarded grants from the Tiffany Foundation, 1950 and the Fairfield Foundation, 1968. From 1952-1955, White was a fellow of the American Academy in Rome, where he also served as an artist-in-residence from 1969-1970. Robert White was a member of the American Academy in Rome, the Augustus Saint Gaudens Memorial, Century Association, and the National Academy of Design.

Robert White continued to work on the family estate in St. James, New York until his death in 2002.
Provenance:
The Robert W. White Papers were donated in 2003 by Claire Nicolas White, widow of Robert White.
Restrictions:
Use of the original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Authorization to quote, publish or reproduce requires written permission from: Claire Nicolas White, 574 Moriches Road, St. James, New York 11780.
Topic:
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State)  Search this
Sculpture -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Diaries
Drawings
Essays
Sound recordings
Sketchbooks
Lectures
Notebooks
Sketches
Citation:
Robert W. White papers, 1889-2003 (bulk 1915-2003). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whiterobe
See more items in:
Robert W. White papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whiterobe

Commissions

Collection Creator:
White, Robert, 1921-2002  Search this
Type:
Archival materials
Date:
1922-1997
Scope and Contents note:
The subseries documents several commissioned projects, including St. Anthony of Padua at East Northport, New York; The Verrill Medal for the Peabody Museum; Portrait of Mr. and Mrs. Ward Melville for the Long Island Hall of Fame; and General George Pershing Memorial for the American Battles Monuments Commission. Also found are files for White's work for Steuben Glass and the artist's unexecuted design proposal for the John F. Kennedy Memorial at the Massachusetts State Capitol.

Folders contain correspondence, notes, agreements, invoices, printed material, clippings, photographs, and a transparency.

Files are arranged in chronological order by year of exhibition. Commissions are also referred to in Series 2: Correspondence, Series 4: Personal Business Records, Series 5: Notes and Writings, Series 7: Printed Material, and Series 10: Photographs.
Collection Restrictions:
Use of the original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Authorization to quote, publish or reproduce requires written permission from: Claire Nicolas White, 574 Moriches Road, St. James, New York 11780.
Collection Citation:
Robert W. White papers, 1889-2003 (bulk 1915-2003). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whiterobe, Subseries 3.2
See more items in:
Robert W. White papers
Robert W. White papers / Series 3: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-whiterobe-ref242

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Karin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the estate of Charles Lang Freer.
Restrictions:
Access is by appointment only, Monday through Thursday 10:00 a.m. to 5:00 p.m. Please contact the Archives to make an appointment: AVRreference@si.edu.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a-01
Additional Online Media:

Painting

Culture/People:
Niitsitapii (Blackfoot/Blackfeet)  Search this
Artist/Maker:
Chief Little Dog, Niitsitapii (Blackfoot/Blackfeet)  Search this
Possible collector:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Previous owner:
Joseph Kossuth Dixon (Joseph K. Dixon), Non-Indian, 1856-1926  Search this
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Seller:
Edith R. Dixon (Edith Sloane Reid/Mrs. Joseph Kossuth Dixon), Non-Indian, 1891-1969  Search this
Object Name:
Painting
Media/Materials:
Cotton cloth, paint
Techniques:
Painted
Dimensions:
135 x 210 x 135 cm
Object Type:
Painting/Drawing/Print
Place:
Montana; USA
Catalog Number:
15/4739
Barcode:
154739.000
See related items:
Niitsitapii (Blackfoot/Blackfeet)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_166039
Additional Online Media:

This Doctor

Culture/People:
Cup'ik [Naparagamiut/Hooper Bay]  Search this
Artist/Maker:
Agnes Night, Cup'ik [Naparagamiut/Hooper Bay]  Search this
Subject:
Leuman M. Waugh, DDS (Leuman Maurice Waugh/Dr. L.M. Waugh), Non-Indian, 1877-1972  Search this
Collector:
Leuman M. Waugh, DDS (Leuman Maurice Waugh/Dr. L.M. Waugh), Non-Indian, 1877-1972  Search this
Previous owner:
Leuman M. Waugh, DDS (Leuman Maurice Waugh/Dr. L.M. Waugh), Non-Indian, 1877-1972  Search this
Rankin Museum of American Heritage (Rankin Museum of American and Natural History)  Search this
Seller:
Rankin Museum of American Heritage (Rankin Museum of American and Natural History)  Search this
Title:
This Doctor
Object Name:
Drawing
Media/Materials:
Paper, graphite
Techniques:
Drawn
Dimensions:
13 x 18.5 cm
Object Type:
Painting/Drawing/Print
Place:
Hooper Bay; Calista Native Corporation; Alaska; USA
Date created:
circa 1936
Catalog Number:
26/5692
Barcode:
265692.000
See related items:
Cup'ik [Naparagamiut/Hooper Bay]
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_281919

Book/Booklet

Culture/People:
Non-Indian  Search this
Artist/Maker:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Publisher:
Museum of the American Indian - Heye Foundation (MAI-HF), 1916-1989  Search this
Object Name:
Book/Booklet
Media/Materials:
Paper, plastic, ink
Techniques:
Commercially produced/manufactured
Dimensions:
10.1 x 6.8 x 0.6 cm
Object Type:
Painting/Drawing/Print
Place:
New York City; New York; USA (inferred)
Date created:
1965
Catalog Number:
26/9314
Barcode:
269314.000
See related items:
Non-Indian
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_410451
Additional Online Media:

Las Degas

Culture/People:
Cree [Cold Lake First Nations]  Search this
Artist/Maker:
Kimowan Metchewais McLain, Cree [Cold Lake First Nations], 1963-2011  Search this
Previous owner:
Kimowan Metchewais McLain, Cree [Cold Lake First Nations], 1963-2011  Search this
Donor:
Kimowan Metchewais McLain, Cree [Cold Lake First Nations], 1963-2011  Search this
Title:
Las Degas
Object Name:
Collage
Media/Materials:
Paper, ink, glue, acrylic paint
Techniques:
Photographically reproduced, digitally printed, painted, drawn
Dimensions:
27.8 x 21.6 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Catalog Number:
26/9440
Barcode:
269440.000
See related items:
Cree [Cold Lake First Nations]
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_410942

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