Search Results

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2018-04-11T23:39:00.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_d5G_I1mE1iw

Creator:

Smithsonian American Art Museum  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2022-04-14T21:30:06.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_qCNMlf1Iqiw

Creator:

Coe, Ralph T., 1929-2010  Search this

Type:

Sound recordings

Video recordings

Citation:

Ralph T. Coe papers, 1928-2010, bulk 1950s-2010. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Collectors and collecting  Search this

Museum directors  Search this

Native American artists  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)16172

(DSI-AAA_SIRISBib)366561

AAA_collcode_coeralp

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_366561

Creator:

O'Connor, Francis V.  Search this

Subject:

National Endowment for the Arts  Search this

United States. Works Progress Administration  Search this

Federal Art Project  Search this

United States. Work Projects Administration  Search this

Citation:

Francis V. O'Connor papers, 1920-2009. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

New Deal, 1933-1939  Search this

Transcripts  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)9095

(DSI-AAA_SIRISBib)211289

AAA_collcode_oconfran

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211289

Creator:

O'Connor, Francis V.  Search this

Names:

Federal Art Project  Search this

National Endowment for the Arts  Search this

United States. Work Projects Administration  Search this

United States. Works Progress Administration  Search this

Extent:

23.4 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Date:

1920-2009

Summary:

The papers of New York art historian Francis O'Connor measure 23.4 linear feet and 0.001 GB and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed and digital material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.

Scope and Contents:

The papers of New York art historian Francis O'Connor measure 23.4 linear feet and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed and digital material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.

The "NCFA Library" consists of research materials collected, created, and compiled during the course of O'Connor's research project supported by the National Endowment for the Humanities for his books Federal Support for the Visual Arts (1969) and Art for the Millions (1973). Files contain administrative records, artists' files, and questionnaires and essays that document the administration of New Deal art projects. The files were collated by O'Connor into a set that remains intact.

The publications series consists of additional research and administrative materials specifically related to O'Connor's four publications on the WPA/FAP and New Deal artists: Federal Support for the Visual Arts: The New Deal and Now (1969), New Deal Art Projects: An Anthology of Memoirs (1972), Art for the Millions (1973), and Federal Art Patronage Notes (newsletter, 1974-1984).

New Deal research files are more general research materials collected by or sent to O'Connor in the course of his academic career. These include information on New Deal administrators and state specific WPA projects; photocopies of original WPA activity and reports; and New Deal scholarship, academic symposia, and conferences.

New Deal exhibitions include announcement and catalogs of contemporary New Deal art exhibitions in the U.S. from the 1960s to the 1990s. Project files are related to three publically and privately funded New Deal research projects O'Connor directed or participated in. Printed materials consists of press coverage of federal arts patronage in the United States dating from the 1960s to 2008.

Arrangement:

The collection is arranged as 6 series. There is some overlap in series reflecting O'Connor's original order.

Missing Title

Series 1: NCFA Library, 1920-1974 (6.7 linear feet; Boxes 1-7, OV 28)

Series 2: Publications, 1939-1985 (4.3 linear feet; Boxes 7-11, BV 25-26, OV 27)

Series 3: New Deal Research Files, 1930-2009 (5.6 linear feet; Boxes 11-16)

Series 4: New Deal Exhibitions, 1961-1997 (1.4 linear feet; Boxes 17-18)

Series 5: Project Files, 1935-1999 (2 linear feet; Boxes 18-20, ER01; 0.001 GB)

Series 6: Printed Material, 1963-2008 (3.4 linear feet; Boxes 20-24)

Biographical / Historical:

New York art historian and poet Francis O'Connor (1937- ) is best known for his research and writings on the New Deal art programs of the Depression and the Roosevelt Administration. O'Connor received his Ph. D. from Johns Hopkins University in 1965 and taught contemporary European and American art history at the University of Maryland from 1964 to 1970. While at Maryland, he organized the country's first comprehensive exhibition of New Deal art programs since their ending in 1943. From 1967 to 1968, he also headed a research program for the National Endowment for the Arts to analyze the effectiveness of New Deal art patronage, which eventually led to the publication of Federal Support for the Visual Arts: The New Deal and Now (1969), New Deal Art Projects: An Anthology of Memoirs (1972), Art for the Millions (1973).

In addition to his work on New Deal art patronage, throughout the 1980s and 1990s, O'Connor continued to teach and lecture at universities, consulted on federally and privately funded research projects, and published critical essays for exhibition catalogs, anthologies and academic journals. He is a member of the College Art Association, International Association of Art Critics, and founded the Association of Independent Historians of Art in 1982.

Separated Materials:

Bound assemblies of periodicals were transferred to the Smithsonian Art Libraries in 2010, which retained relevant volumes and made final decisions regarding disposition of any remaining items.

Provenance:

The papers were donated by Francis O'Connor to the National Collection of Fine Arts, now the Smithsonian American Art Museum, which subsequently transferred the papers, with O'Connor's permission, to the Archives of American Art in 1974. In 2010, O'Connor donated an additional 15.8 linear feet of papers to the Archives.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.

The Artists' Questionanaires require permission from each artist before publishing, quoting, or reproducing. Contact Reference Services for more information.

Rights:

Items created by Francis V. O'Connor: copyright held by Avis Berman. Artists' questionnaires: Authorization to publish, quote, or reproduce requires written permission from the individual artist. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians  Search this

Topic:

Federal aid to the arts  Search this

New Deal, 1933-1939  Search this

Transcripts  Search this

Citation:

Francis V. O'Connor papers, 1920-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.oconfran

See more items in:

Francis V. O'Connor papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw928830ed7-4840-4fdf-a797-217fa306c1e7

EDAN-URL:

ead_collection:sova-aaa-oconfran

Collector:

Herbert G. Ogden  Search this

Donor Name:

Bureau Of American Ethnology  Search this

Length - Object:

29 cm

Culture:

Tlingit (?)  Search this

Tahltan (?)  Search this

Object Type:

Moccasin

Place:

Alaska, United States, North America

Accession Date:

3 Aug 1895

Topic:

Ethnology  Search this

Accession Number:

029664

USNM Number:

E175230-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/32f9b6862-abd2-409a-ba3e-67acaaf25416

EDAN-URL:

edanmdm:nmnhanthropology_8350601

Creator:

Arnheim, Rudolf  Search this

Names:

Harvard University  Search this

Museum of Modern Art (New York, N.Y.)  Search this

New School for Social Research (New York, N.Y.)  Search this

Sarah Lawrence College  Search this

University of Michigan  Search this

Albers, Josef  Search this

Kepes, Gyorgy, 1906-2001  Search this

Sheldon, Alice Bradley, 1915-1987  Search this

Extent:

9.6 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Interviews

Diaries

Date:

1919-1998

Summary:

The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Scope and Contents:

The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers documents his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Biographical material includes a bibliography, biographical sketches, contracts and agreements, sound cassettes of interviews, and other miscellaneous material.

Correspondence is with colleagues, editors, publishers, and universities on various subjects. The bulk of the correspondence is arranged by subject such as architects, art historians, dance, and film. There is correspondence with Harvard University, University of Michigan, Museum of Modern Art, and New School of Social Research, as well as various individuals such as Josef Albers, Gyorgy Kepes, and Alice Sheldon.

Writings and lectures include book reviews, articles, lecture drafts and notes, sound recordings of lectures, manuscripts, and copies of published articles.

Arnheim's diaries date from 1919 to 1987 and discuss his early life as a student in Germany and career as an educator and lecturer. Some diaries include draft writings.

Printed material includes lecture announcements, reviews, clippings, programs, brochures, assorted material from Sarah Lawrence College, and two instructional sound cassettes.

Arrangement:

The collection is arranged as 5 series.

Series 1: Biographical Material, 1939-1991 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1940-1998 (Boxes 1-5; 4.4 linear feet)

Series 3: Writings and Lectures, 1930-1989 (Boxes 5-8; 2.7 linear feet)

Series 4: Diaries, 1919-1987 (Boxes 8-9; 1.0 linear feet)

Series 5: Printed Material, 1928-circa 1990 (Boxes 9-11; 1.2 linear feet)

Biographical / Historical:

Rudolf Arnheim (1904-2007) was a writer, educator, art historian and psychologist who was born in Germany and immigrated to the United States where he primarily worked in New York and Massachusetts.

Rudolf Arnheim was born in Berlin, Germany on July 15, 1904. He received his doctorate in psychology from the University of Berlin in 1928. Arnheim worked as a film critic and editor for several magazines and journals after graduation. During this time, he gathered information which would be compiled in his book Film as Art (1932). When the Nazis came into power in 1933, Arnheim moved to Rome where he worked at the Institute for the Educational Film for six years, then moved to London in 1939 and worked as a translator for the British Broadcasting Company.

Arnheim immigrated to the United States in 1940. In 1943, he became a psychology professor at Sarah Lawrence College where he continued to teach until 1968. He also taught at the New School for Social Research during this time. From 1959 to 1960, he was a Fulbright lecturer at Ochanomizu University in Tokyo, Japan. After Sarah Lawrence College, Arnheim became a Professor of Psychology of Art at Harvard University, where he stayed until 1974 when he moved to Ann Arbor, Michigan with his wife Mary. He was a visiting professor at the University of Michigan from 1974 to roughly 1984.

Among his many publications are Art and Visual Perception, Toward a Psychology of Art, Visual Thinking, Entropy and Art, Picasso's Guernica, and The Power of Center. Arnheim died in Ann Arbor in 2007.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Rudolf Arnheim conducted by Robert F. Brown, May 16, 1972. Additional papers on Rudolf Arnheim related to psychology are available at the Archives of the History of Psychology in Akron, Ohio.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming (reel 3767) including correspondence with German publishers and editors, 1959-1982; Dumont Buchverlag, 1963-1980; Carl Hanser Varlag, 1974-1981; Helmut Diederich, 1974-1981; Franz Rudolf Knubel, 1971-1981; Werner Korbs, 1976-1982; Jurgen Weber, 1972-1981; and others. The originals were returned to Rudolf Arnheim after microfilming and subsequently donated to the Schiller-Nationalmuseum Deutsches Literaturarchiv, Germany. This material is not described in the collection container inventory or the finding aid.

Provenance:

The Rudolf Arnheim papers were donated to the Archives of American Art in several installments between 1974 to 1998 by Rudolf Arnheim. Arnheim also loaned material for microfilming in 1986.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.

Occupation:

Art historians -- Massachusetts  Search this

Art historians -- New York (State) -- New York  Search this

Topic:

Art -- Study and teaching -- United States  Search this

Art--Study and teaching--Germany  Search this

Authors -- Massachusetts  Search this

Educators -- Massachusetts  Search this

Educators -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Diaries

Citation:

Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.arnhrudo

See more items in:

Rudolf Arnheim papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw956011d71-95ed-495e-9e42-c9ae139b89ac

EDAN-URL:

ead_collection:sova-aaa-arnhrudo

Interviewee:

Johnson, Una E.  Search this

Interviewer:

Cummings, Paul  Search this

Subject:

Schniewind, Carl Oscar  Search this

Brooklyn Museum  Search this

Type:

Sound recordings

Interviews

Drawings -- 19th century

Drawings -- 20th century

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Una E. Johnson, 1971 Jan. 5-July 29. Archives of American Art, Smithsonian Institution.

Topic:

Curators -- New York (State) -- New York -- Interviews  Search this

Printmakers  Search this

Women museum curators  Search this

Women art historians  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12158

(DSI-AAA_SIRISBib)212752

AAA_collcode_johnso71

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212752

Interviewee:

Breeskin, Adelyn Dohme, 1896-1986  Search this

Interviewer:

Haifley, Julie  Search this

Names:

Baltimore Museum of Art  Search this

Walters Art Gallery (Baltimore, Md.)  Search this

Cassatt, Mary, 1844-1926  Search this

Extent:

72 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1979 June 20-August 14

Scope and Contents:

An interview with Adelyn Breeskin conducted 1979 June 20-August 14, by Julie Link Haifley, for the Archives of American Art.

Breeskin speaks of her childhood and growing up in Baltimore; attending Bryn Mawr College and Radcliffe; her art work; the influence of Katherine B. Child; the Stuart Club; travel abroad; the Baltimore Museum of Art and the Walters Art Gallery; prints and printmaking; teaching; the Garrett Collection of prints; her experience at the 1960 Venice Biennale; the art collectors Etta and Claribel Cone; and published writings on Mary Cassatt.

Biographical / Historical:

Adelyn Dohme Breeskin (1896-1986) was museum director, art historian, and curator from Baltimore, Maryland and Washington, D.C.

General:

Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 2 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Art historians -- Maryland -- Baltimore  Search this

Art museum curators -- Maryland -- Baltimore  Search this

Art museum directors -- Maryland -- Baltimore  Search this

Topic:

Women art historians  Search this

Women museum curators  Search this

Function:

Art museums -- Maryland -- Baltimore

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.breesk79

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94784c2c3-3595-46ac-b7f5-9f8351d9ca92

EDAN-URL:

ead_collection:sova-aaa-breesk79

Interviewee:

Johnson, Una E.  Search this

Interviewer:

Cummings, Paul  Search this

Names:

Brooklyn Museum  Search this

Schniewind, Carl Oscar, 1900-1957  Search this

Extent:

2 Sound tape reels (Sound recroding , 5 in.)

140 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound tape reels

Pages

Sound recordings

Interviews

Drawings

Date:

1971 Jan. 5-July 29

Scope and Contents:

An interview of Una Johnson conducted 1971 Jan. 5-July 29, by Paul Cummings, for the Archives of American Art. Johnson discusses her tenure as Head Curator of Prints and Drawings at the Brooklyn Museum during the 1940s, 1950s, and 1960s.

Biographical / Historical:

Una E. Johnson (1905-1997) was a curator and art historian from Dayton, Iowa. She was Head Curator of Prints and Drawings at the Brooklyn Museum from 1942-1969.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Art historians -- New York (State) -- New York -- Interviews  Search this

Topic:

Curators -- New York (State) -- New York -- Interviews  Search this

Printmakers  Search this

Women museum curators  Search this

Women art historians  Search this

Genre/Form:

Sound recordings

Interviews

Drawings -- 19th century

Drawings -- 20th century

Sponsor:

This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.johnso71

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw981db38e7-5827-42e4-96a1-295aa910bb3b

EDAN-URL:

ead_collection:sova-aaa-johnso71

Interviewee:

Breeskin, Adelyn Dohme, 1896-1986  Search this

Interviewer:

Cummings, Paul  Search this

Extent:

29 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1974 June 27

Scope and Contents:

An interview of Adelyn Breeskin conducted 1974 June 27, by Paul Cummings, for the Archives of American Art, at the artist's office in Washington, D.C., 1974 June 27.

Biographical / Historical:

Adelyn Dohme Breeskin (1896-1986) was a curator and art historian from Baltimore, Maryland and Washington, D.C.

General:

Originally recorded on 1 sound tape reels. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 3 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Art historians -- Maryland -- Baltimore  Search this

Art museum curators -- Maryland -- Baltimore  Search this

Art museum directors -- Maryland -- Baltimore  Search this

Topic:

Art, American  Search this

Women art historians  Search this

Women museum curators  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.breesk74

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97f6a3978-ba4c-423f-bdbf-ecdbe38263c5

EDAN-URL:

ead_collection:sova-aaa-breesk74

Creator:

Leo Castelli Gallery  Search this

Subject:

Nauman, Bruce  Search this

Namuth, Hans  Search this

Johns, Jasper  Search this

Power, Alan  Search this

Parker, Raymond  Search this

Panza, Giuseppe  Search this

Paik, Nam June  Search this

Landsman, Stanley  Search this

Koons, Jeff  Search this

Klapheck, Konrad  Search this

Kiesler, Frederick  Search this

Morris, Robert  Search this

Marisol  Search this

Gorgoni, Gianfranco  Search this

Heller, Ben  Search this

Flavin, Dan  Search this

Judd, Donald  Search this

Daphnis, Nassos  Search this

Epstein, Ethel Steuer  Search this

Darboven, Hanne  Search this

Barry, Robert  Search this

Artschwager, Richard  Search this

Castelli, Leo  Search this

Bloom, Barbara  Search this

Chryssa  Search this

Christo  Search this

Lichtenstein, Roy  Search this

Tworkov, Jack  Search this

Warhol, Andy  Search this

Weiner, Lawrence  Search this

Stella, Frank  Search this

Tremaine, Burton  Search this

Tremaine, Emily Hall  Search this

Twombly, Cy  Search this

Rowan, Carolyn  Search this

Ruscha, Edward  Search this

Rowan, Robert  Search this

Powers, Kimiko  Search this

Powers, John  Search this

Rosenquist, James  Search this

Rauschenberg, Robert  Search this

Starn, Doug  Search this

Starn, Mike  Search this

Scull, Ethel  Search this

Scarpitta, Salvatore  Search this

Serra, Richard  Search this

Scull, Robert C.  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Multiples, Inc.  Search this

Ferus Gallery (Los Angeles, Calif.)  Search this

Ileana Sonnabend (Gallery)  Search this

Jewish Museum (New York, N.Y.)  Search this

Castelli-Sonnabend Tapes and Films, Inc.  Search this

Dwan Gallery (New York, N.Y.)  Search this

Dwan Gallery (Los Angeles, Calif.)  Search this

Castelli Graphics (Firm)  Search this

Whitney Museum of American Art  Search this

Sidney Janis Gallery  Search this

Amsterdam (Netherlands). Stedelijk Museum  Search this

Type:

Interviews

Video recordings

Sketches

Transcripts

Sound recordings

Notes

Visitors' books

Photographs

Notebooks

Awards

Citation:

Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.

Topic:

Art, Modern -- 20th century -- History -- New York (State)New York  Search this

Painting, Modern -- 20th century -- History -- New York (State)New York  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)7351

(DSI-AAA_SIRISBib)209504

AAA_collcode_leocast

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209504

Interviewee:

Breeskin, Adelyn Dohme, 1896-1986  Search this

Interviewer:

Haifley, Julie  Search this

Subject:

Cassatt, Mary  Search this

Baltimore Museum of Art  Search this

Walters Art Gallery (Baltimore, Md.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Adelyn Dohme Breeskin, 1979 June 20-August 14. Archives of American Art, Smithsonian Institution.

Topic:

Women art historians  Search this

Women museum curators  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12907

(DSI-AAA_SIRISBib)212154

AAA_collcode_breesk79

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212154

Interviewee:

La Follette, Suzanne, 1893-1983  Search this

Interviewer:

Karlstrom, Paul J., 1941-  Search this

Subject:

Pach, Walter  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Suzanne La Follette, 1976 January 27. Archives of American Art, Smithsonian Institution.

Topic:

Art publishing  Search this

Women journalists  Search this

Women art historians  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12755

(DSI-AAA_SIRISBib)212336

AAA_collcode_lafoll76

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212336

Interviewee:

Campbell, Louisa Dresser, 1907-1989  Search this

Interviewer:

Brown, Robert F.  Search this

Subject:

Worcester Art Museum  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Louisa Dresser, 1972 October 19. Archives of American Art, Smithsonian Institution.

Topic:

Art, American  Search this

Women arts administrators  Search this

Women art historians  Search this

Women museum curators  Search this

Portrait painting -- 17th century -- New England  Search this

Painting -- 17th century -- New England  Search this

Figurative painting, American  Search this

Colonial America  Search this

Decorative arts -- United States  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)11845

(DSI-AAA_SIRISBib)212647

AAA_collcode_dresse72

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212647

Interviewee:

Lipman, Jean, 1909-1998  Search this

Interviewer:

Cummings, Paul  Search this

Subject:

Art in America  Search this

Whitney Museum of American Art  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Jean Lipman, 1973 June 19. Archives of American Art, Smithsonian Institution.

Topic:

Art, American  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)11779

(DSI-AAA_SIRISBib)212850

AAA_collcode_lipman73

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212850

Interviewee:

Breeskin, Adelyn Dohme, 1896-1986  Search this

Interviewer:

Haifley, Julie  Search this

Extent:

53 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1979 August 1-14

Scope and Contents:

An interview of Adelyn Dohme Breeskin conducted 1979 August 1-14, by Julia Haifley, for the Archives of American Art.

Biographical / Historical:

Adelyn Dohme Breeskin (1986-1986) was a museum director and art historian from Baltimore, Maryland and Washington, D.C.

General:

Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 32 min.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

Transcript: Patrons must use microfilm copy.

Occupation:

Art museum curators -- Maryland -- Baltimore  Search this

Art museum directors -- Maryland -- Baltimore  Search this

Art historians -- Maryland -- Baltimore  Search this

Topic:

Art, American  Search this

Women art historians  Search this

Women museum curators  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.breesk79aug

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw991f2d43f-8073-4316-81bf-30ec3cb6f837

EDAN-URL:

ead_collection:sova-aaa-breesk79aug

Interviewee:

Lipman, Jean, 1909-1998  Search this

Interviewer:

Cummings, Paul  Search this

Names:

Art in America  Search this

Whitney Museum of American Art  Search this

Extent:

61 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1973 June 19

Scope and Contents:

An interview of Jean Lipman conducted 1973 June 19, by Paul Cummings, for the Archives of American Art. Lipman discusses her education, New York art collectors and art historians, her interest in American folk art, and her editorial roles in association with "Art in America," and the Whitney Museum of American Art, among other topics.

Biographical / Historical:

Jean Lipman (1909-1998) was an artist, art editor and writer from New York, N.Y.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 7 min.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Editors -- New York (State) -- New York -- Interviews  Search this

Topic:

Art, American  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.lipman73

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dee6ef18-2164-4502-8ac7-fe083b9e1560

EDAN-URL:

ead_collection:sova-aaa-lipman73

Interviewee:

La Follette, Suzanne, 1893-1983  Search this

Interviewer:

Karlstrom, Paul J.  Search this

Names:

Pach, Walter, 1883-1958  Search this

Extent:

50 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1976 January 27

Scope and Contents:

An interview of Suzanne La Follette conducted 1976 January 27, by Paul J. Karlstrom, for the Archives of American Art.

La Follette speaks of her two books, "Art in America," 1929, and "Concerning Women," 1927; and her friendship with Walter Pach and the inspiration and guidance he provided.

Biographical / Historical:

Suzanne La Follette (1893-1983) was a journalist and art historian. She was born in Washington State, and lived most of her life in New York City, before settling in Palo Alto, California in her later years.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 35 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Art historians -- California -- Interviews  Search this

Topic:

Art publishing  Search this

Women journalists  Search this

Women art historians  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.lafoll76

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9adc51a4d-1330-4548-a8f3-014889928a64

EDAN-URL:

ead_collection:sova-aaa-lafoll76

Interviewee:

Campbell, Louisa Dresser, 1907-1989  Search this

Interviewer:

Brown, Robert F.  Search this

Names:

Worcester Art Museum  Search this

Extent:

38 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1972 October 19

Scope and Contents:

An interview of Louisa Dresser conducted 1972 October 19, by Robert Brown, for the Archives of American Art.

Biographical / Historical:

Louisa Dresser (1907-1989) was an art administrator and art historian from Worcester, Massachusetts. She was Curator of the Worcester Art Museum and specialized in Early American Painting.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 49 min.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Arts administrators -- Massachusetts -- Worcester  Search this

Art historians -- Massachusetts -- Worcester  Search this

Museum curators -- Massachusetts -- Worcester  Search this

Topic:

Art, American  Search this

Women arts administrators  Search this

Women art historians  Search this

Women museum curators  Search this

Portrait painting -- 17th century -- New England  Search this

Painting -- 17th century -- New England  Search this

Figurative painting, American  Search this

Colonial America  Search this

Decorative arts -- United States  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.dresse72

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw945851cdc-1f54-49a5-b8ed-34feb82aee6e

EDAN-URL:

ead_collection:sova-aaa-dresse72