Skip to main content Smithsonian Institution

Search Results

Collections Search Center
162 documents - page 1 of 9

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Doug, Ashford  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E., 1906-1985 (Richard Emmett)  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.8 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The New York Artists Equity Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to the public for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Artists -- United States  Search this
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Area X Gallery records

Creator:
Area X Gallery (New York, N.Y.)  Search this
Names:
Xuereb, Bobbie Sioux  Search this
Extent:
2.4 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Financial records
Place:
East Village (New York, N.Y.)
Date:
1977-1988
Summary:
The East Village Area X Gallery records measure 2.4 linear feet and date from 1977-1988. The collection consists primarily of artists files for fifteen artists represented by or of interest to the gallery. The files are varied but may include biographical information, correspondence, financial and inventory records, printed materials, and photographs. Gallery records include scattered financial records, publicity files, and printed materials.
Scope and Content Note:
The East Village Area X Gallery records measure 2.4 linear feet and date from 1977-1988. The collection consists primarily of artists files for fifteen artists represented by or of interest to the gallery. The files are varied but may include biographical information, correspondence, financial and inventory records, printed materials, and photographs. Gallery records include scattered financial records, publicity files, and printed materials.
Arrangement:
The collection is arranged as 4 series:

Series 1: Artists Files, 1977-1988 (Boxes 1-2; 1.5 linear feet)

Series 2: Finacial Records, 1984-1987 (Box 2; 0.5 linear feet)

Series 3: Publicity Files, 1980-1987 (Box 3; 0.3 linear feet)

Series 4: Printed Material, circa 1980-1987 (box 3; 3 folders)
Historical Note:
The Area X Gallery was founded in New York City by Bobbie Sioux Xuereb (Goldberg) in February 1984. Located at 200 E. 10th St., the gallery was part of the larger East Village art scene of the 1980s. Among the artists represented by gallery were Keith Achepohl, John Himmelfarb, Leon Johnson, Michael McCollum, and Louis Mueller. As with many of the East Village galleries, the Area X Gallery closed in 1987.
Provenance:
The records of the Area X Gallery were donated by Bobbie Sioux Xuereb, the gallery's founder and director, in 1998.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Area X Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- East Village (New York, N.Y.)  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- East Village (New York, N.Y.)  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Artists -- East Village (New York, N.Y.)  Search this
Genre/Form:
Photographs
Financial records
Citation:
Area X Gallery records, 1977-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.areax
See more items in:
Area X Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-areax

Miscellaneous art exhibition catalog collection

Names:
Kuhn, Walt, 1877-1949  Search this
Extent:
4.4 Linear feet
Type:
Archival materials
Collection descriptions
Exhibition catalogs
Date:
1813-1953
bulk 1915-1925
Summary:
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
Scope and Content Note:
The collection comprises circa 770 items, dating from 1813-1953, the bulk of which are exhibition catalogs from New York City art galleries for the first two decades of the twentieth century, representing exhibitions of mainly modernist art. Catalogs for exhibitions held in Boston (mainly pre-1900) and a few other cities are also present. Included are several rare catalogs, notably one for the "Eight" held at Macbeth Gallery in 1908. Besides catalogs, the collection also contains exhibition announcements, gallery publications, and other printed material. The collection is especially relevant for the study of early American modernism, and is useful in understanding the role of art galleries, exhibitions, the art market, and the exhibition catalog itself, in American art.
Arrangement:
The collection is arranged as 8 series representing alphabetical groups. Catalogs are arranged within these groups according to name of the sponsoring gallery, or if no gallery is listed, by the name of the club or organization. Catalogs are arranged chronologically thereafter, with undated material first. Many catalogs are undated, list only a year, or are annotated with a date. No attempt has been made to date or verify these at this time. Catalogs which are annotated with a date are filed chronologically, and are indicated with brackets around the date.

Series 1: Art Exhibition Catalogs, A-C

Series 2: Art Exhibition Catalogs, D-F

Series 3: Art Exhibition Catalogs, G-I

Series 4: Art Exhibition Catalogs, J-L

Series 5: Art Exhibition Catalogs, M-O

Series 6: Art Exhibition Catalogs, P-R

Series 7: Art Exhibition Catalogs, S-T

Series 8: Art Exhibition Catalogs, U-Z
Historical Note:
In 1979, the American Antiquarian Society donated several hundred exhibition catalogs and art-related printed material to the Archives of American Art (AAA). The Society had received most of them over a long period of time, many of them addressed to the director, Charles Brigham. For several years subsequent to the donation, AAA sporadically added exhibition catalogs to the collection from various sources. Some of these additions are annotated in the hand of Walt Kuhn and are presumed to have been part of his papers in the Archives.
Related Material:
Researchers may find duplicate or related items in galleries' records held at the Archives of American Art. Additional or duplicate catalogs may appear in AAA's Catalog of Exhibition Catalogs (1979).
Provenance:
The bulk of the collection was donated 1979 by the American Antiquarian Society, who presumably assembled them from various sources. Others were received individually, while many are annotated in the hand of Walt Kuhn and are presumed to have originally been part of his papers in the Archives. In 2005, additional catalogs were integrated, some of which are presumed to have been removed from various collections over the years.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Miscellaneous art exhibition catalog collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 19th century -- Massachusetts -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Art, American -- Exhibitions  Search this
Artists -- United States -- Exhibitions  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Modernism (Art) -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Genre/Form:
Exhibition catalogs
Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.archamea
See more items in:
Miscellaneous art exhibition catalog collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-archamea

R. Kirk Askew papers

Creator:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Names:
Berman, Leonid, 1896-1976  Search this
Bloom, Hyman, 1913-  Search this
Blume, Peter, 1906-1992  Search this
Brown, Carlyle, 1919-1964  Search this
Durlacher Bros. (New York, N.Y.)  Search this
Fosburgh, James Whitney, 1910-1978  Search this
Greene, Stephen, 1918-1999  Search this
Melcarth, Edward, 1914-1973  Search this
Quirt, Walter, 1902-  Search this
Seligmann, Kurt, 1900-1962  Search this
Stein, Walter, 1924-1981  Search this
Stuempfig, Walter, 1914-1970  Search this
Wells, Cady, 1904-1954  Search this
Extent:
0.6 Linear feet
Type:
Archival materials
Collection descriptions
Date:
1942-1958
Summary:
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
Scope and Contents:
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
R. Kirk Askew (1903-1974) was an art dealer and manager of the Durlacher Bros. New York location from from 1927 to circa 1969.
Separated Materials:
Exhibition catalogs, 1928-1967, also donated by R. Kirk Askew, were tranferred to Smithsonian Institution Libraries in 1975. Catalogs are available on microfilm reel 148 at Archives of American Art offices and through interlibrary loan.
Provenance:
Donated 1969-1971 by R. Kirk Askew.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Citation:
R. Kirk Askew papers, 1942-1958. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.asker
See more items in:
R. Kirk Askew papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-asker
Additional Online Media:

Ruth Teschner Costantino papers

Creator:
Costantino, Ruth Teschner, 1892-1981  Search this
Names:
Connoisseur, Inc.  Search this
Ruth Teschner Gallery  Search this
Extent:
0.4 Linear Feet
Type:
Archival materials
Collection descriptions
Date:
1923-1981
Summary:
The papers of art dealer Ruth Teschner Costantino measure 0.4 linear feet and date from 1923 to 1981. The collection includes biographical material, photographs, writings, correspondence, financial records, and printed material.
Scope and Contents:
The papers of art dealer Ruth Teschner Costantino measure 0.4 linear feet and date from 1923 to 1981. The collection includes biographical material, photographs, writings, correspondence, financial records, and printed material.

Biographical material is comprised of four passports. There is one photograph dated 1966, of two unidentified men. Writings include an autobiographical essay and articles on Italy. Financial material contains an account book, invoices, and receipts. The printed material consists of clippings, programs, and brochures.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Ruth Teschner Costantino (1892-1981) was an art dealer based in New York, NY. In 1912, Costantino opened the Ruth Teschner Gallery, and in 1935, she established Connoisseur Inc. Costantino dealt in painting, sculpture, and antiques. She advised such collectors as Walter C. Baker, Stavros Niarchos, Henry Ford, Robert Lehman, and Asila Mellon Bruce. Costantino's husband, Arturo Costantino, an Italian diplomat and banker, had a substantial role in the building of the Italian Pavilion at the 1939 World's Fair.
Provenance:
The papers of Ruth Teschner Costantino were donated by Helen Fioratti, Ruth Teschner Costantino's daughter, in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Women art dealers  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Citation:
Ruth Teschner Costantino papers, 1923-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consruth
See more items in:
Ruth Teschner Costantino papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-consruth

New York, art on the road : a collection of posters from exhibitions organized by New York State cultural institutions and circulated nationwide

Author:
Philip Morris Incorporated Cultural Affairs Department  Search this
New York Festival Committee  Search this
New York State Museum  Search this
Physical description:
32 p. : ill. ; 22 cm
Type:
Exhibitions
Place:
New York (State)
Date:
1981
[1981?]
Topic:
Posters, American  Search this
Art  Search this
Art museums--Exhibitions  Search this
Art galleries, Commercial--Exhibitions  Search this
Call number:
NC1807.U5 N486 1981X
NC1807.U5N486 1981X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_164235

Martin Diamond papers

Creator:
Diamond, Martin  Search this
Names:
Martin Diamond Fine Arts (Gallery)  Search this
Diamond, Harriette  Search this
Extent:
3.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1928-2013
Summary:
The papers of New York art dealer, writer and teacher, Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.
Scope and Contents:
The papers of New York art dealer, writer and teacher, Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.
Arrangement:
The collection is arranged in 4 series. Materials are generally arranged by record type and chronologically thereafter.

Series 1: Writings, 1995 (Box 1; 1 folder)

Series 2: Subject Files, 1940-2008 (Box 1; 0.3 linear feet)

Series 3: Artists' Files, 1928-2013 (Boxes 1-3; 2.5 linear feet)

Series 4: Photographic Materials, 1988 (Boxes 3-4; 0.4 linear feet)
Biographical / Historical:
Art dealer and writer, Martin Diamond (b. 1924) owned Martin Diamond Fine Arts, Inc. with his wife, Harriette. The gallery was established in January 1976 and operated until 1986, specializing in pre-world War II American modern and Abstract Art. It then became a private gallery operating until 1996, when the couple retired. Martin Diamond was particularly interested in Transcendental Art, an area of Abstract Art focused on the artwork's spiritual qualities. His writings include Who Were They? My Personal Contact with 35 American Modernists Your Art Hisory Course Never Mentioned (1995) and his memoirs of his years as a New York City art dealer (1975-1985). Martin and Harriette Diamond presently reside in New Rochelle, New York. Artists represented by the gallery included Vaclav Vytlacil, Blanche Lazzell, and Marguerite and William Zorach.
Related Materials:
The Rutgers University Art Library in New Brunswick, New Jersey holds the "Martin and Harriet Diamond Vertical Files of American Art," which consists of 300 cubic feet of art exhibition catalogs dating from the late nineteenth century through the first half of the twentieth century.
Provenance:
The papers were donated to the Archives of American Art in 1993 and 2014 by Martin Diamond.
Restrictions:
Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Martin Diamond papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract  Search this
Art, Modern -- 20th century  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Painters -- New York (State) -- New York  Search this
Transcendentalism in art  Search this
Genre/Form:
Photographs
Citation:
Martin Diamond papers, 1928-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.diammart2
See more items in:
Martin Diamond papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-diammart2
Additional Online Media:

Guild Art Gallery records

Creator:
Guild Art Gallery  Search this
Names:
Cincinnati Art Museum  Search this
Corcoran Gallery of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Baizerman, Saul, 1889-1957  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Feeley, Paul, 1910-1966  Search this
Gorky, Arshile, 1904-1948  Search this
Gross, Chaim, 1904-1991  Search this
Lefranc, Margaret  Search this
Liberte, Jean, 1896-1965  Search this
Ney, Lloyd Raymond, 1893-1964 or 5  Search this
Reisman, Philip, 1904-  Search this
Roszak, Theodore, 1907-1981  Search this
Walinska, Anna  Search this
Extent:
1.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Drawings
Date:
circa 1933-1937
Summary:
The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.
Scope and Contents:
The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.

Correspondence is with artists, business associates, and museums. Correspondents include Alfred H. Barr, Alfred C. Barnes, Saul Baizerman, Cincinnati Art Museum, Corcoran Gallery of Art, Paul Feeley, Arshile Gorky, Chaim Gross, Jean Liberte, Museum of Modern Art, Lloyd Raymond Ney, Philip Reisman, Theodore Roszak, and the Whitney Museum of American Art. The collection also contains financial materials such as account ledgers, receipt journals, bank records, sales invoices, and insurance forms, as well as printed material consisting of a scrapbook, newspaper and magazine clippings, calendars of art events, and journals. Additionally, there is a pen and ink drawing by Anna Walinska and black and white copy prints of artwork and orignal snphotos of the gallery.
Arrangement:
The collection is arranged as 6 series.

Series 1: Correspondence, 1935-1937 (11 folders; Box 1)

Series 2: Exhibition records (2 folders; Box 1)

Series 3: Financial records, 1935-1937 (6 folders; Box 1)

Series 4: Printed Material, 1935-1937 (15 folders, Boxes 1-2)

Series 5: Artwork, circa 1935 (1 folder, Box 2)

Series 6: Photographs, circa 1933-1937 (3 folders; Box 2)
Biographical / Historical:
The Guild Art Gallery was founded in 1935 by artists Anna Walinska and Margaret Lefranc (also known as Margaret Schoonover) and operated at 37 West 57th Street in New York City until 1937. Arshile Gorky held his first New York solo exhibition there. In 1935, the founders were quoted in Art Digest as stating that the new gallery "plans to exhibit, without charge, the work of contemporary artists, whether known or unknown; to develop, through a receptive audience, a better understanding of the creative expression and the problems of creative expression and the problems of contemporary society; and to illustrate the relationship of painting with the other arts." The gallery's opening exhibition featured both Walinska and Lefranc, as well as Boris Aronson, Don Forbes, Henry Major, Rosa Newman, Philip Reisman, Ben-Shmuel, Ary Stillman, and, notably, Arshile Gorky.
Related Materials:
Also found among the holdings of the Archives of American Art are the Anna Walinska papers.
Provenance:
Margaret Lefranc (also known as Margaret Schoonover), co-founder of the Guild Art Gallery, donated the gallery records to the Archives of American Art in 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Guild Art Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Women art dealers -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Drawings
Citation:
Guild Art Gallery records, circa 1933-1937. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.guilart
See more items in:
Guild Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-guilart

Ex Libris records

Creator:
Cohen, Arthur Allen, 1928-1986  Search this
Cohen, Elaine Lustig, 1927-  Search this
Ex Libris (Firm)  Search this
Extent:
2 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1973-2007
Summary:
The records of Ex Libris measure 2.0 linear feet and date from 1973-2007. Ex Libris was a New York City based antiquarian establishment that dealt in rare 20th century avant-garde books and periodicals, and was founded by Elaine Lustig Cohen and her husband Arthur A. Cohen. The records include professional files, sales records, printed material, and photographic material.
Scope and Contents:
TThe records of Ex Libris measure 2.0 linear feet and date from 1973-2007. Ex Libris was a New York City based antiquarian establishment that dealt in rare 20th century avant-garde books and periodicals, and was founded by Elaine Lustig Cohen and her husband Arthur A. Cohen. The records include professional files, sales records, printed material, and photographic material.
Arrangement:
The collection is arranged as 4 series

Series 1: Professional Files, 1973-2007 (0.9 linear feet; Box 1)

Series 2: Sales Records, 1979-1998 (0.1 linear foot; Box 1)

Series 3: Printed Material, 1973-circa 1991 (0.9 linear feet; Box 2)

Series 4: Photographic Material, circa 1980s (0.1 linear foot; Box 2)
Biographical / Historical:
Ex Libris, a New York City based antiquarian establishment that dealt in rare 20th century avant-garde books, periodicals, and archives, operated from 1973-circa 2000, and was founded by Elaine Lustig Cohen (1927- ) and her husband Arthur A. Cohen (1928-1986). Elaine Lustig Cohen is a graphic designer, previously married to the graphic designer Alvin Lustig (1915-1955), who later married her long-time friend Arthur A. Cohen, a scholar, theologian, and author, in 1956.

The Cohen's began collecting avant-garde books and ephemera from antiquarian bookstores and artists in Europe. Ex Libris began when the couple amassed a surplus of material and Arthur placed an ad in the New York Times that said, "send for my list of Dada, Surrealist, Avant-Garde periodicals and ephemera." The inventory of Ex Libris grew to include other movements of modernism including Bauhaus, Futurism, Cubism, De Stijl, German Expressionism, Constructivism, and Fluxus.

Ex Libris published catalogs of their inventory, designed by Elaine, which were sent to libraries and museums all over the world. The catalogs are now collector's items. Exhibitions were organized at Ex Libris that complemented their inventory, and they often loaned material to be included in exhibitions elsewhere.
Related Materials:
Also found in the Archives of American Art are the Elaine Lustig Cohen papers concerning Alvin Lustig, 1982, available on microfilm reel 2802.
Provenance:
The records were donated in 2015 by Elaine Lustig Cohen, co-founder of Ex Libris.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Ex Libris records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Booksellers and bookselling -- New York (State) -- New York  Search this
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Futurism (Art)  Search this
Dadaism  Search this
Surrealism  Search this
Genre/Form:
Photographs
Citation:
Ex Libris records, 1973-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.exlibr
See more items in:
Ex Libris records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-exlibr

Robert Dennis Reid papers

Creator:
Reid, Robert Dennis, 1924-2000  Search this
Names:
ADI Gallery  Search this
Fairweather Hardin Gallery  Search this
Galerie Darthea Speyer (Paris, France)  Search this
Grand Central Art Galleries  Search this
Grand Central Moderns (Gallery)  Search this
Rose Fried Gallery (New York, N.Y.)  Search this
University of Notre Dame Art Gallery  Search this
Bearden, Romare, 1911-1988  Search this
Extent:
0.2 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1961-1977
Summary:
This small collection of papers of African-American artist and educator Robert Dennis Reid consists primarily of correspondence (75 items), and scattered exhibition catalogs and announcements, clippings, and photographs and slides of Reid's artwork. There is also one photograph of Reid. Within the correspondence are six letters from Romare Bearden.
Scope and Content Note:
This small collection of papers of African-American painter and fine arts professor Robert Dennis Reid consists of a resume, 75 letters to and from Reid, scattered exhibition catalogs and announcements, clippings, and photographs and slides of Reid's artwork. There is also one photograph of Reid. Within the correspondence are six letters from Romare Bearden, as well as correspondence with Grand Central Modern Gallery, Grand Central Galleries, University of Notre Dame Art Gallery, Fairweather Hardin Gallery (Chicago), Rose Fried Gallery, Galerie Darthea Speyer (Paris), Benson Gallery, ADI Gallery, Inc. (San Francisco, Calif.), and the Young Gallery (Calif.).
Arrangement:
The collection is arranged into 4 series:

Series 1: Biographical Information, circa 1960s (Box 1; 1 item)

Series 2: Correspondence, circa 1960s-1970s (Box 1; 75 items)

Series 3: Printed Material, circa 1961-1975 (Box 1; 3 folders)

Series 4: Photographs and Slides, 1964-1977 (Box 1; 2 folders)
Biographical Note:
African-American painter and fine arts professor Robert Dennis Reid was born in Atlanta, Georgia in 1924. He studied at Clark College in Atlanta from 1941-1943 and continued his art education at the Art Institute of Chicago. Later, Reid studied at the Parsons New School of Design in New York City.

Throughout his career, Reid exhibitied at Grand Central Art Gallery in New York City, the UCLA Gallery, and the Whitney Museum of American Art. In addition, the 1st World Festival of Negro Artists in Dakar, Senegal (1965) featured Reid's work. Reid held positions as a professor of painting and drawing at the Summit Art Center in New Jersey and the Rhode Island School of Design. He also exhibited with the U.S. State Department in the "Arts in the American Embassies" program. To supplement his income, Reid worked for the United States Post Office in the evenings. Robert Dennis Reid died in 2002.
Provenance:
Robert Dennis Reid donated his papers to the Archives of American Art on November 4, 1974.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Robert Dennis Reid papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial  Search this
Painters -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Robert Dennis Reid papers, 1961-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.reidrobd
See more items in:
Robert Dennis Reid papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reidrobd

Oral history interview with Clyde Mortimer Newhouse, 1972 Nov. 8

Interviewee:
Newhouse, Clyde Mortimer, 1920-1986  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Topic:
Art galleries, Commercial  Search this
Sound recordings  Search this
Art dealers  Search this
Art historians  Search this
Art, American  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)11920
(DSI-AAA_SIRISBib)212938
AAA_collcode_newhou72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212938

Oral history interview with Leo Castelli, 1997 May 22

Interviewee:
Castelli, Leo, 1907-1999  Search this
Interviewer:
Decker, Andrew  Search this
Subject:
Leo Castelli Gallery  Search this
Topic:
Art dealers  Search this
Interviews  Search this
Sound recordings  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)11817
(DSI-AAA_SIRISBib)216332
AAA_collcode_castel97
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216332
Additional Online Media:

Sidney Janis Gallery exhibition catalogs

Creator:
Sidney Janis Gallery  Search this
Janis, Sidney, 1896-1989  Search this
Extent:
2.8 Linear feet
Type:
Archival materials
Collection descriptions
Exhibition catalogs
Date:
1951-1998
Summary:
The Sidney Janis Gallery exhibition catalogs measure 2.8 linear feet and date from 1951 to 1998. Found here is a complete set of catalogs published by the New York gallery.
Scope and Contents:
The Sidney Janis Gallery exhibition catalogs measure 2.8 linear feet and date from 1951 to 1998. Found here is a complete set of catalogs published by the New York gallery.

Researchers should note that this collection only includes published catalogs and not related exhibition documentation. The gallery did not publish a catalog for every exhibition, especially during the early years of the gallery's operation.
Arrangement:
This collection has been arranged into one series.

Series 1: Exhibition Catalogs, 1951-1998 (Boxes 1-7; 2.8 linear feet)
Biographical / Historical:
Sidney Janis Gallery (est. 1948-1999) was an art gallery in New York, N.Y., specializing in contemporary avant-garde art. Sidney Janis opened the gallery with his wife Harriet at 15 E. 57th Street in Manhattan. The gallery became a leading exhibitor of Pop art after the groundbreaking exhibition New Realists in 1962. The gallery moved to 110 W. 57th Street in the 1980s, and after Janis's death in 1989 the gallery was directed by his son Carroll Janis.
Related Materials:
Also found at the Archives of American Art are two oral history interviews with Sidney Janis. One interview conducted March 21-September 26, 1972, by Paul Cummings, and one interview conducted on October 15 and November 18, 1981, by Avis Berman.
Provenance:
The collection was donated in 1999 by Carroll Janis, son of Sidney Janis.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Sidney Janis Gallery exhibition catalogs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Exhibition catalogs
Citation:
Sidney Janis Gallery exhibition catalogs, 1951-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sidnjani
See more items in:
Sidney Janis Gallery exhibition catalogs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sidnjani
Additional Online Media:

Joellen Bard's, Ruth Fortel's, and Helen Thomas' exhibition records of "Tenth Street Days: the Co-ops of the 50s,", 1953-1977

Creator:
Bard, Joellen, 1942 June 19-  Search this
Subject:
Fortel, Ruth  Search this
Thomas, Helen  Search this
Tanager Gallery (New York, N.Y.)  Search this
Brata Gallery  Search this
Camino Gallery  Search this
Hansa Gallery (New York, N.Y.)  Search this
James Gallery (New York, N.Y.)  Search this
Amos Eno Gallery  Search this
14 Sculptors Gallery  Search this
Noho Gallery (New York, N.Y.)  Search this
Pleiades Gallery  Search this
Association of Artist-run Galleries  Search this
Ward-Nasse Gallery  Search this
Topic:
Photographs  Search this
Art galleries, Commercial  Search this
Scrapbooks  Search this
Video recordings  Search this
Group work in art  Search this
Art, American  Search this
Curators  Search this
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)8792
(DSI-AAA_SIRISBib)210975
AAA_collcode_bardjoel
Theme:
The Art Market
Communities, Organizations, Museums
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210975
Additional Online Media:

Oral history interview with Robert Claverhouse Graham, 1976 Nov. 19

Interviewee:
Graham, Robert Claverhouse, 1913-1994  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Graham Gallery  Search this
Topic:
Art galleries, Commercial  Search this
Art dealers  Search this
Interviews  Search this
Sound recordings  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)12189
(DSI-AAA_SIRISBib)212286
AAA_collcode_graham76
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212286
Additional Online Media:

Oral history interview with Samuel M. Kootz, 1964 Apr. 13

Interviewee:
Kootz, Samuel Melvin, 1898-1982  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Art, American  Search this
Art dealers  Search this
Art galleries, Commercial  Search this
Sound recordings  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)12837
(DSI-AAA_SIRISBib)214114
AAA_collcode_kootz64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214114

Oral history interview with Richard L. Feigen, 2009 Jan. 9-13

Interviewee:
Feigen, Richard L., 1930-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Richard L. Feigen & Company  Search this
Widgeon Point Charitable Foundation  Search this
Topic:
Art galleries, Commercial  Search this
Interviews  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)15646
(DSI-AAA_SIRISBib)282197
AAA_collcode_feigen09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282197
Additional Online Media:

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
Type:
Archival materials
Collection descriptions
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- description and travel
Date:
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Drawing--Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Women painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walianna
Additional Online Media:

Oral history interview with Victor D. Spark, 1975 August 5

Interviewee:
Spark, Victor D. (Victor David), 1898-1991  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Knoedler, Roland F.  Search this
Karolik, Maxim  Search this
Duveen, Joseph Duveen  Search this
Duveen, Albert  Search this
Wildenstein, Felix  Search this
Halpert, Edith Gregor  Search this
New York University  Search this
M. Knoedler & Co.  Search this
Wildenstein Galleries  Search this
Duveen-Graham (Gallery)  Search this
United States.Marine Corps  Search this
Topic:
Art, American  Search this
Art  Search this
Art dealers  Search this
Art galleries, Commercial  Search this
Sound recordings  Search this
Interviews  Search this
World War, 1939-1945  Search this
Depressions  Search this
Record number:
(DSI-AAA_CollID)13237
(DSI-AAA_SIRISBib)213108
AAA_collcode_spark75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213108
Additional Online Media:

Printed Matter, Inc. records

Creator:
Printed Matter, Inc  Search this
Names:
Davis, Douglas  Search this
DeAk, Edit  Search this
Fasnacht, Heide, 1951-  Search this
Huebler, Douglas  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Linn, Nancy  Search this
Lippard, Lucy R.  Search this
Nonas, Richard, 1936-  Search this
Princenthal, Nancy  Search this
Rosler, Martha  Search this
Ruscha, Edward  Search this
Sischy, Ingrid  Search this
Spiegelman, Art  Search this
Stuart, Michelle, 1933-  Search this
Tacha, Athena, 1936-  Search this
Weiner, Lawrence.  Search this
Extent:
24.9 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Architectural drawings
Date:
1970-1990
Summary:
The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.
Scope and Contents:
The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.
Arrangement:
The collection is arranged as 9 series.

Artist Files, circa 1970-1990 (Boxes 1-3; 3.0 linear feet)

Distributor Files, 1976-1988 (Boxes 4-6; 3.0 linear feet)

Client Files, 1971-1989 (Boxes 7-8; 2.0 linear feet)

Inventory Cards, circa 1970s-1980s (Boxes 9-10; 2.0 linear feet)

Legal and Administrative Records, 1976-1989 (Boxes 11-13; 2.6 linear feet)

Correspondence, 1975-1986 (Boxes 13-14; 0.7 linear feet)

Subject Files, 1972-1990 (Boxes 14-20; 6.0 linear feet)

Financial Records, 1975-1989 (Boxes 20-25; 5.5 linear feet)

Architectural Drawings, circa 1985 (OV 26; 0.1 linear feet)
Biographical / Historical:
Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York was established in 1976 by Sol LeWitt, Lucy Lippard, and others. The organization grew from a small business coalition of artists into the largest facility dedicated to publications made by artists in book form. By 1986, Printed Matter had published or disseminated books by more than 1800 artists. Its history also mirrors the trajectory of the downtown art scene in the 1970s and 1980s, for which it became a matrix, an outlet, and a representative.
Provenance:
Donated in 2001 by David Platzker for Printed Matter, Inc.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Publishers -- New York (State) -- New York  Search this
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Architectural drawings
Citation:
Printed Matter, Inc. records, 1970-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.prinmati
See more items in:
Printed Matter, Inc. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-prinmati
Additional Online Media:

Modify Your Search






or


Narrow By