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Arte y antropología / José Alcina Franch

Author:
Alcina Franch, José  Search this
Physical description:
302 p. : ill. ; 23 cm
Type:
Books
Date:
1982
C1982
Topic:
Art and anthropology  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1002086

New international influences

Author:
Philipsen, Lotte  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Date:
2010
Topic:
Art and anthropology  Search this
Call number:
N72.G55 P55
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_973593

Visual metaphors : a formal analysis of Navajo art / Evelyn Payne Hatcher ; with an introd. by Anthony F. C. Wallace

Author:
Hatcher, Evelyn Payne  Search this
Physical description:
xvi, 272 p. : ill. ; 24 cm
Type:
Books
Date:
1974
[1974]
Topic:
Navajo art  Search this
Art and anthropology  Search this
Art criticism  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_566588

Pour une anthropologie des images / Hans Belting ; traduit de l'allemand par Jean Torrent

Author:
Belting, Hans  Search this
Physical description:
346 p. : ill., ports. ; 21 cm
Type:
Books
Date:
2004
C2004
Topic:
Art and anthropology  Search this
Visual anthropology  Search this
Human figure in art  Search this
Human figure in art--History  Search this
Art and society  Search this
Visual communication  Search this
Visual sociology  Search this
Call number:
N72.A56 B45 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_783090

Anthropology, art and cultural production / Maruška Svašek

Title:
Anthropology, art & cultural production
Author:
Svasek, Maruska  Search this
Physical description:
vii, 264 pages : illustrations ; 22 cm
Type:
Books
Date:
2007
Topic:
Art and anthropology  Search this
Material culture  Search this
Art and society  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114298

Interview with Edmund Carpenter

Creator:
Carpenter, Edmund  Search this
Saltman, Molly, 1915-2010  Search this
Subject:
KPAL (Radio station : Palm Springs, California)  Search this
University of California, Los Angeles  Search this
Type:
Sound Recording
Date:
1966-1967
Topic:
Art and anthropology  Search this
Record number:
(DSI-AAA)20847
See more items in:
Molly Saltman "Art and Artists" interviews, 1966-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20847

Rethinking the dialectics of rural and urban in African art and scholarship / Fiona Siegenthaler, Ugochukwu-Smooth C. Nzewi, and Nadine Siegert

Author:
Siegenthaler, Fiona  Search this
Nzewi, Ugochukwu-Smooth C  Search this
Siegert, Nadine  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
Africa
Date:
2018
20th century
Topic:
Art and anthropology--Historiography  Search this
Art, African--Research--Methodology  Search this
Art, African--Influences  Search this
Call number:
N7380 .C758
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1112923

Robert Bruce Inverarity papers

Creator:
Inverarity, Robert Bruce, 1909-1999  Search this
Names:
Federal Art Project (Calif.)  Search this
Federal Art Project (Ill.)  Search this
Federal Art Project (Iowa)  Search this
Federal Art Project (N.Y.)  Search this
Federal Art Project (Or.)  Search this
Federal Art Project (Utah)  Search this
Federal Art Project (Wash.)  Search this
Museum of International Folk Art (N.M.)  Search this
Deutsch, Hilda, 1911-  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Graves, Morris, 1910- -- Photographs  Search this
Morris, Carl, 1911-1993  Search this
Ray, Man, 1890-1976 -- Photographs  Search this
Tobey, Mark  Search this
Extent:
13.8 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sound recordings
Sketchbooks
Interviews
Photographs
Drawings
Place:
United States -- Economic conditions, 1918-1945 -- Washington (State)
Date:
circa 1840s-1997
Summary:
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.
Scope and Content Note:
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 13.8 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.

Among the biographical information are awards and certificates, biographical and genealogical notes, and educational records. Correspondence concerns Inverarity's activities as Director of the WPA Federal Arts Project in Washington State, 1936-1941. Additional personal and professional correspondence, 1929-1993, documents his activities as a museum director, consultant, collector, and writer. Among the friends and colleagues with whom he corresponded are: Max Ernst and Dorothea Tanning, Rockwell and Sally Kent, Stanton MacDonald-Wright, Wolfgang Palen, Juliet and Man Ray, Mark Tobey, Edward Weston, and various individuals associated with the WPA.

Manuscripts of a few of Inverarity's many articles on topics such as anthropology, museology, and information storage and retrieval are among his writings and notes. Also included are the manuscript of an unpublished book, Tobey Remembered, along with drafts, notes, correspondence, research materials, and photocopies of Tobey's letters to him and others. Other writings consist of book reviews, children's books, a catalog of the Inverarity Collection, and a copy of his 1946 master's thesis, "The Social-Economic Position of the American Artist." Several journals, 1928-1966, survive, including one that records his 1932 trip to study the Haida Indians of the Queen Charlotte Islands.

Subject files include general subjects such as "Folk Art" and "Preservation." Files on the museums where Inverarity was the director contain some official records as well as general information. Art work by Inverarity includes eight volumes of sketch books, 1928-1942, commercial work for Boeing, notes and drawings for book designs. Among the work by other artists are drawings, paintings and prints by friends. Of particular interest are display panels for a small exhibit on airbrush stencil prints produced by the Washington State WPA Federal Art Project. Other noteworthy items are pencil sketches and a watercolor by Mark Tobey, and prints by Hiroshige and Jan Matulka.

Five scrapbooks, 1928-1979, contain newspaper clippings, miscellaneous printed items, and a small number of photographs and letters. Three volumes document his career as an artist and museum director. One consists of biographical information and items designed by Inverarity, and another concerns publication and marketing of his monograph Art of the Northwest Coast Indians.

Sound recordings consist of interviews and conversations. An extensive interview with Inverarity about his life and career was conducted by Craig Gilborn in 1990. Bruce and Jane Inverarity in conversation with former colleague Ernie Johnson and his wife Helen about his departure from the Museum of International Folk Art were recorded in 1980. Also included is a 1981 conversation with Grace T. Stevenson containing references to Mark Tobey and Morris Graves.

Printed material includes many items about or produced by the WPA Federal Art Project. Among the items written by Inverarity are many articles on a wide variety of topics, his book Art of the Northwest Coast Indians, and two published portfolios. Printed material by other authors includes articles, books and reports about or mentioning Inverarity, and books designed or illustrated by him. Among the miscellaneous printed items are catalogs and brochures of the schools where Inverarity taught and studied, and a few ephemeral items designed by him.

Photographs are of art work, people, places, the Washington State WPA Federal Art Project, and miscellaneous subjects. All photographs known to be by Inverarity are clearly marked. Art work includes views of Inverarity's collection of his own work and that of other artists hanging in his home. Photographs of people include artists, friends, colleagues, and various groups. Of special interest are Inverarity's portraits of artists, among them Marcel Duchamp, Max Ernst, Morris Graves, Hilaire Hiler, Rico Le Brun, Stanton Macdonald-Wright, Man Ray, Dorothea Tanning, and Mark Tobey. Photographs of places include the museums where Inverarity was director, places in which he lived, and travel pictures. Of note are a large group of photographs (copy prints) taken in 1932 while studying the Haida Indians in British Columbia. Nineteenth century photographs of family homes, Europe, and South America may have been taken by his father. Photographs of the Washington State WPA Federal Arts Project are of individual works of art, exhibition installations, mosaic procedures and local art centers. Many, probably intended for display, are mounted in groups on large cardboard panels. Miscellaneous subjects include art photographs by Inverarity and the microreader he invented.
Arrangement:
The collection is arranged as nine series. Correspondence is in chronological order, Biographical Information and Subject Files are arranged alphabetically by folder title. Other series have been organized into subseries and arrangement is as described in the Series Descriptions/Container List below. Unless noted otherwise, material within folders is arranged chronologically.

Series 1: Biographical Information, 1934-1997, undated (Box 1, OV 18; 0.25 linear ft.)

Series 2: Correspondence, 1928-1993, undated (Box 1; 0.75 linear ft.)

Series 3: Writings and Notes, 1928-1993, undated, (Boxes 2-3; 1.5 linear ft.)

Series 4: Subject Files, 1938-1990, undated (Boxes 3-6, OV19-20; 2.5 linear ft.)

Series 5: Art Work, circa 1840s-1969, undated (Boxes 6, 12, 16, OV 21; 1.3 linear ft.)

Series 6: Scrapbooks, 1928-1991, undated (Boxes 7-8; 1.1 linear ft.)

Series 7: Sound Recordings, 1980-1990 (Box 8; 3 folders)

Series 8: Printed Material, 1902-1995, undated (Boxes 8-11, 13, OV 22; 3.4 linear ft.)

Series 9: Photographs, circa 1870s-1990, undated (Boxes 11, 14-17, OV 23; 3.0 linear ft.)
Biographical Note:
Robert Bruce Inverarity (1909-1999) showed artistic leanings as a boy, and from an early age was fascinated by puppetry and Northwest Coast native culture. During much of his youth, Inverarity's family lived in Canada, but returned to their native Seattle when he was a teenager. After graduating from high school, he made a 500 mile journey on foot along the coasts of the Vancouver Islands, collecting Indian artifacts and studying the area's tribal legends.

He studied briefly with Mark Tobey in Seattle, where the two shared a studio; when Tobey departed for Chicago, Inverarity succeeded him as an art teacher at the Cornish School. He spent the next few years in California working as an artist, exhibiting, and occasionally teaching. From there, he moved to Vancouver where he was Director of the School of Creative Art. In 1932, Inverarity made a three month trip to the Queen Charlotte Islands, British Columbia, for the purpose of studying the Haida Indians.

Upon his return to the United States in 1933, Inverarity joined the University of Washington Drama School as a puppetry instructor; in 1938 he published a highly regarded Manual of Puppetry. During 1936-37, he took a leave of absence from the university to assume the position of State Director of the Federal Art Project, where he remained until 1939. He then became State Director of the Art and Crafts Project (1939-1941). The U.S. Navy appointed Inverarity Chief of Design for Camouflage (1941-1943) and he later served as an Official Navy War Artist (1943-1945).

During his early years as a teacher and administrator, Inverarity continued making art and participated in a wide variety of exhibitions. He published a portfolio, 12 Photographs by R. B. Inverarity (1940). In the following year, Movable Masks and Figures of the North Pacific Coast Indians, a portfolio of his watercolors reproduced as silkscreen prints, appeared. Although Inverarity stopped exhibiting in 1941, he continued to produce art; notable work of this period includes photographic portraits of a number of artist friends (Max Ernst, Dorothea Tanning, Marcel Duchamp, and Man Ray).

After World War II, Inverarity completed his formal education. He earned a Bachelor's degree in art and anthropology from the University of Washington (1946), and then studied with Hilaire Hiler at Freemont University in Los Angeles, where he was awarded a Master's degree in fine arts (1947) and a Ph.D. (1948).

Inverarity began his museum career in 1949 when he was appointed the first director of the Museum of International Folk Art in Santa Fe, New Mexico, a position that combined his interest in, and knowledge of, anthropology and art. While in Santa Fe, he published Art of the North West Coast Indians (1950). During his five year tenure as director, the museum participated in a pilot study for coding visual files, a project of the anthropological group, Human Resources Area Files, Inc. When Inverarity was dismissed from the Museum of International Folk Art in 1954, most of the staff resigned in protest, and the American Association of Museums investigated the situation.

Inverarity then became the first director of the Adirondack Museum, Blue Mountain Lake, New York, where he remained for eleven years. In addition to planning the museum's building, and developing collections and programs, Inverarity continued his involvement with the visual files project of the Human Resources Area Files, Inc., studying information storage and retrieval, developing a "microreader," and publishing Visual Files Coding Index (1960). In addition, he published many articles on a variety of topics and was active in organizations for anthropologists and museum professionals.

After his 1965 departure from the Adirondack Museum, Inverarity went to California and worked as an illustrator and book designer at the University of California Press. He returned to the east coast in 1969 to assume the directorship of the Philadelphia Maritime Museum. During this period, he remained active in professional associations and traveled to study museums abroad. He retired in 1976 and moved to La Jolla, California.

Robert Bruce Inverarity died in 1999.
Separated Material:
Originals of most of the drawings and sketches loaned by Mr. Inverarity were returned to him after filming and were not subsequently donated. This material is available on 35 mm microfilm reel D/NDA/I, frames 392-409.
Provenance:
Robert Bruce Inverarity donated his papers to the Archives in several installments between 1965 and 1993. Additional papers were received from his estate in 1999. He also loaned a small number of additional drawings and sketches for microfilming which were returned to him. A few of these drawings were included with the papers he subsequently donated to the Archives of American Art.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Robert Bruce Inverarity papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Puppet theater  Search this
New Deal, 1933-1939 -- Washington (State)  Search this
Works of art  Search this
Arts administrators  Search this
Painters  Search this
Federal aid to the arts -- Washington (State)  Search this
Art and state -- Washington (State)  Search this
Genre/Form:
Scrapbooks
Sound recordings
Sketchbooks
Interviews
Photographs
Drawings
Citation:
Robert Bruce Inverarity papers, circa 1840s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.inverobe
See more items in:
Robert Bruce Inverarity papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-inverobe
Additional Online Media:

Anne Eisner papers, 1936-1968

Creator:
Putnam, Anne Eisner, 1911-1967  Search this
Subject:
Putnam, Patrick Tracy Lowell  Search this
Topic:
Photographs  Search this
Art and anthropology  Search this
Women painters  Search this
Landscape painting, American  Search this
Record number:
(DSI-AAA_CollID)8859
(DSI-AAA_SIRISBib)211044
AAA_collcode_putnanne
Theme:
Women
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211044

The White Swan Muslin: Deeds of Honor

Author:
Greene, Candace S.  Search this
Mack, Joanne M.  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2012
Topic:
Natural History  Search this
Anthropology  Search this
See others in:
Anthropology
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_115957

The linguistic image in the interpretation of African objects / Nigel Barley

Author:
Barley, Nigel  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
Africa
Date:
1988
Topic:
Dowayo dolls  Search this
Art objects, African--Research--Methodology  Search this
Art, African--Research--Methodology  Search this
Art and anthropology  Search this
Call number:
PL8000.A1 A253
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_750359

Flora S. Kaplan collection

Creator:
Kaplan, Flora S.  Search this
Extent:
0.3 Linear Feet (1 Hollinger Box)
56 Photographic Prints
3284 slides (photographs)
1828 negatives (photographic)
Type:
Archival materials
Collection descriptions
Photographic Prints
slides (photographs)
negatives (photographic)
Place:
Distrito Federal (Mexico)
Oaxaca (Mexico : State)
Chiapas (Mexico)
Morelos (Chihuahua, Mexico)
Guerrero (Coahuila, Mexico)
Veracruz-Llave (Mexico : State)
Jalisco (Mexico)
Michoacán de Ocampo (Mexico)
Puebla (Mexico)
Date:
1965-1989
bulk 1972-1977
Summary:
The Flora S. Kaplan collection includes manuscript materials, field notes, slides, negatives and photographs. The extensive slide collection was taken in several regions of Mexico from the mid-to-late 1960's through the early 1980's and documented local craft processes, particularly ceramics, their makers, their families and life styles.
Scope and Contents:
The Flora S. Kaplan collection consists primarily of photographic materials documenting the pottery and pottery techniques of Mexican potters, as well as their families and lifestyles. A small amount of manuscript materials, including field notebooks, accompanied the slides, prints, and negatives which were donated to the National Museum of the American Indian in 2008 and 2009. Although the bulk of the photographs were taken by Flora Kaplan herself, a limited number of images were shot by photographer Sidney Kaplan (no relation). The photographs were taken primarily in the following area: barrios of Puebla de los Angeles (capital of the state of Puebla) (Barrios de la Luz) and the surrounding towns in the Puebla Valley (Acatepec, Santa María Tonantzintla, Amozoc, Cholula, La Acocota, Tepeaca, Izucar de Matamoros, Tecali de Herrera, Acoman, Ocototlan). There are also photographs of potters in the Mexican states of Chiapas (Chamula, Chanal, Amatenango, San Cristobal de las Casas, Tuxtla Gutierrez, Chiapa de Corzo) ; Morelos, Michoacan (Janitzio, Alcoman, Capula, Tzintzuntzan, Morelia, Patzcuaro) ; Oaxaca (San Bartolome Coyotepec, Santa Maria Del Tule) ; Guerrero (Acapulco), Veracruz (Puerto de Veracruz, Minatitlán) ; Mexico (Teotihuacan) and the Distrito Federal (Mexico City).
Arrangement:
This collection is arranged in two series; Series 1: Papers, 1952, 1958, 1970-1986 and Series 2: Photographs, 1971-1978, 1988. The Photographs series is then divided into 3 subseries based on material type. Subseries 2A: Slides, 1972-1978, 1988, Subseries 2B: Negatives, 1972-1973, 1977, and Subseries 2C: Silver Gelatin Prints, 1971-1977.
Biographical / Historical:
Flora Edouwaye S. Kaplan, anthropologist, is a professor emerita, and former founding director (1978-99) of the Museum Studies Program, Faculty of Arts and Sciences, New York University. She taught Anthropology as a Fulbright professor, (1983-85), University of Benin, Nigeria; and previously taught at Lehman College, CUNY (1970-1976), before arriving at New York University in 1976. She publishes widely on Benin (Nigeria) and on Mexico, museum politics, art, photography, religion and gender. She holds degrees in anthropology from The Graduate Center, CUNY (Ph.D.), and Columbia University (M.A., archaeology). Dr. Kaplan is a former curator of The Brooklyn Museum, New York. She was a research associate at the Museum of the American Indian, (1977-87), and is an associate at the Center for Latin American and Caribbean Studies at NYU. She currently co-edits the books series 'Museum Meanings' (Routledge) and has been a Board member of the journal 'Museums & Society' (University of Leicester Press) since 2004.
Books transferred to the NMAI Library:
A Mexican Folk Pottery Tradition: Cognition and Style in Material Culture in the Valley of Puebla by Flora S. Kaplan

Una Tradition Alfarera by Flora S. Kaplan

The Changing Roles of Ceramics in Society: 26,000 B.P. to the Present Edited by W.D. Kingery
Provenance:
This collection was originally donated by Flora S. Kaplan in October of 2008. An additional archival donation was made in December of 2009.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Pottery -- Mexico  Search this
Pottery, Mexican  Search this
Folk art -- Mexico  Search this
Art and anthropology  Search this
Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.024
See more items in:
Flora S. Kaplan collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-024

Anthropology and art : readings in cross-cultural aesthetics / edited by Charlotte M. Otten

Compiler:
Otten, Charlotte M. 1915-  Search this
Author:
American Museum of Natural History  Search this
Physical description:
xvi, 440 pages, 8 unnumbered pages of plates : illustrations ; 22 cm
Type:
Books
Date:
1971
Topic:
Art, Primitive  Search this
Art and anthropology  Search this
Call number:
N5311 .O75X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_7150

The Kjersmeier-May Ray vision of African art : the Copenhagen portfolio / Professor Christer Lindberg and curator Jesper Kurt-Nielsen

Title:
Copenhagen portfolio
Photographer expression:
Lindberg, Christer 1956-  Search this
Curator:
Kurt-Nielsen, Jesper  Search this
Collector:
Kjersmeier, Carl 1889-1961  Search this
Current owner:
Nationalmuseet (Denmark)  Search this
Subject:
Kjersmeier, Carl 1889-1961 Art collections  Search this
Man Ray 1890-1976 Knowledge Sculpture, African  Search this
Nationalmuseet (Denmark)  Search this
Physical description:
36 unnumbered pages : illustrations ; 30 cm
Type:
Pictorial works
Catalogs
Place:
Denmark
Copenhagen
Date:
2017
Topic:
Sculpture, African  Search this
Sculpture  Search this
Photography of sculpture  Search this
Art and anthropology  Search this
Photography in anthropology  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1090940

Race experts : sculpture, anthropology, and the American public in Malvina Hoffman's Races of mankind / Linda Kim

Author:
Kim, Linda  Search this
Subject:
Hoffman, Malvina 1887-1966 Races of mankind  Search this
Hoffman, Malvina 1887-1966 Criticism and interpretation  Search this
Physical description:
xx, 395 pages : illustrations ; 24 cm
Type:
Books
Criticism, interpretation, etc
History
Place:
United States
United States x History
Date:
2018
20th century
Topic:
Figure sculpture, American  Search this
Ethnology in art  Search this
Art and anthropology--History  Search this
Ethnology--Social aspects  Search this
Art and society--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1092573

Alternative art and anthropology : global encounters / edited by Arnd Schneider

Editor:
Schneider, Arnd 1960-  Search this
Physical description:
xvii, 239 pages : illustrations (black and white) ; 25 cm
Type:
Books
Date:
2017
Topic:
Art and anthropology  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1095154

La recherche au musée du quai Branly, 2010-2011

Author:
Musée du quai Branly  Search this
Subject:
Musée du quai Branly  Search this
Physical description:
189 pages : color illustrations ; 29 cm
Type:
Books
Place:
France
Paris
Date:
2011
2013
Topic:
Anthropological museums and collections  Search this
Art and anthropology--Research  Search this
Call number:
GN36.F82 P3757 2011z
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1032808

Object atlas : fieldwork in the museum / edited by Clementine Deliss, Weltkulturen Museum ; [translations: Hubert Beck, Fiona Elliott]

Author:
Deliss, Clémentine  Search this
Museum der Weltkulturen (Frankfurt am Main, Germany)  Search this
Subject:
Museum der Weltkulturen (Frankfurt am Main, Germany)  Search this
Physical description:
508 p. : many ill. (chiefly col.) ; 23 cm
Type:
Exhibitions
Place:
Germany
Frankfurt am Main
Date:
2012
21st century
Topic:
Art and anthropology  Search this
Art, Primitive  Search this
Art, Modern  Search this
Art  Search this
Call number:
N5310.8.G3 F73 2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_985800

Art, ethnography and practice-led research / Kris Rutten

Author:
Rutten, Kris 1980-  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Date:
2016
Topic:
Art and anthropology--Research  Search this
Call number:
P92.S58 C74X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1092066

To Help Identify Migrants Who Died Along Border, Art Class Reconstructs Their Faces

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 09 Mar 2018 11:00:00 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_24b4539d57ae94e897af8d3424130339

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