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Pot with pierced walls on tripod legs

Medium:
Earthenware with smoke-reduced black finish
Dimensions:
H x Diam (overall): 4 x 3.5 cm (1 9/16 x 1 3/8 in)
Type:
Ceramic
Vessel
Origin:
China or United States
Date:
early 20th century
Period:
Modern period
Topic:
Modern period (1912 - present)  Search this
China  Search this
United States  Search this
Chinese Art  Search this
Paul Singer collection  Search this
Credit Line:
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler
Accession Number:
RLS1997.48.162
Restrictions & Rights:
Copyright with museum
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_RLS1997.48.162

Peonies

Artist:
Wang Jiyuan (1895-1975)  Search this
Medium:
Ink on paper
Dimensions:
H x W: 204.5 x 90.5 cm (80 1/2 x 35 5/8 in)
Type:
Painting
Origin:
United States
Date:
20th century
Topic:
peony  Search this
Modern period (1912 - present)  Search this
Qing dynasty (1644 - 1911)  Search this
United States  Search this
Chinese Art  Search this
Credit Line:
Gift of The School of Chinese Brushwork From the Estate of Wang Chi-yuan
Accession Number:
S1989.13
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S1989.13

Nude

Artist:
Wang Jiyuan (1895-1975)  Search this
Medium:
Ink on canvas board
Dimensions:
H x W: 30.2 x 45.8 cm (11 7/8 x 18 1/16 in)
Type:
Painting
Origin:
United States
Date:
mid 20th century
Topic:
Modern period (1912 - present)  Search this
Qing dynasty (1644 - 1911)  Search this
woman  Search this
United States  Search this
Chinese Art  Search this
nude  Search this
Credit Line:
Gift of The School of Chinese Brushwork From the Estate of Wang Chi-yuan
Accession Number:
S1989.15
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S1989.15

Victor D. Spark papers

Creator:
Spark, Victor D. (Victor David), 1898-1991  Search this
Names:
San Diego Arts Society  Search this
Berliner, Jacob, 1849-1918  Search this
Clonney, James Goodwyn, 1812-1867  Search this
Copley, John Singleton, 1738-1815  Search this
Engelhard, Charles W., Jr., 1917-1971  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Grigaut, Hubert L.  Search this
Hardy, Charlotte  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heade, Martin Johnson, 1819-1904  Search this
Lehman, Robert, 1892-1969  Search this
Medina, Leon  Search this
Moran, Ruth B.  Search this
Moran, Thomas, 1837-1926  Search this
Peale, Rembrandt, 1778-1860  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Shinn, Everett, 1876-1953  Search this
Sully, Thomas, 1783-1872  Search this
Extent:
22 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1830-1983
bulk 1930-1970
Summary:
The Victor D. Spark papers measure 22 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active from World War II through the 1970s, focusing on Old Masters paintings and 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.
Scope and Contents:
The Victor D. Spark papers measure 22 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active during World War II up through the 1970s with a focus on Old Masters paintings as well as 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.

Biographical materials contain greeting cards and post cards, annotated appointment calendars, miscellaneous notes and lists, and an apartment lease.

Artists' files include photographs of artwork, artist biographies, printed materials, and some correspondence with and about the artist. Many of the photographs are annotated. Files are found for Old Masters and American artists, including James G. Clonney, Jon Singleton Copley, Jeremiah P. Hardy, Martin Johnson Heade, Rembrandt Peale, Maurice Prendergast, Everett Shinn, Thomas Sully, and many others. There is also a letter written in 1924 by Ruth Moran along with a photograph of a painting by the artist Thomas Moran, signed by him on the verso.

Extensive client files include notes, correspondence, bills, receipts, and clippings regarding sales and appraisals. Spark's clients included museums, collectors, art dealers, most of which are represented in the files. Notable clients and colleagues include Jacob S. Berliner, Charles W. Engelhard, Alfred V. Frankenstein, Hubert L. Grigaut, Charlotte W. Hardy, Robert Lehman, and Leon Medina. There are also files for many universities, businesses, museums, and galleries.

Financial records comprise the largest series in the collection and include ledgers, stock books, consignment records, scattered banking records, bills, tax documents, auction price lists, check stubs, and cancelled checks.

A small amount of legal records document two legal cases: Rauch v. IRS and Kaufman v. Phoenix (Travelers) Insurance Company for which Spark provided testimony.

Printed materials include clippings, exhibition and auction catalogs, newsletters, bulletins, a membership roster for the San Diego Arts Society, and several 19th century printed items.

Two black and white photographs are of a steam locomotive and an unidentified portraitist in his studio.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Materials, 1906, 1948-1981 (1.7 linear feet; Box 1-2)

Series 2: Artist Files, 1905-1983 (4 linear feet; Box 2-6, 22)

Series 3: Client Files, 1904, 1927-1981 (7.1 linear feet; Box 6-13)

Series 4: Financial Records, 1930-1981 (8.7 linear feet; Box 13-20, 22-29)

Series 5: Legal Records, 1970-1972 (0.2 linear feet; Box 20)

Series 6: Printed Materials, circa 1830-1872, 1948-1982 (0.2 linear feet; Box 20-22)

Series 7: Photographs, circa 1898-circa 1940 (0.1 linear feet; Box 21)
Biographical / Historical:
Victor D. Spark (1898-1991) was a prominent New York City appraiser and art dealer who specialized in Old Masters paintings as well as 19th and early 20th century art.

Spark was born in Brooklyn, N.Y., in 1898. When he was two years old, the Spark family moved to Harlem. His father worked in the hotel business and owned hotels in Brooklyn, Manhattan, and Europe. Spark briefly attended the City College of New York before transferring to New York University, where he studied for half a year, then enlisted in the Marines Corps during World War I and served overseas for 2 years. After his discharge, Spark returned to NYU where he majored in French, an interest he acquired during his military service. After graduation, Spark married Nina and went to Europe to help his father manage a summer hotel. There, he became interested in art.

Spark returned to the U.S., continuing to work for his father until 1929. Spark was involved with decorating and furnishing the hotels and often purchased antiques, artwork, and furniture, furthering his arts interests and knowledge. He began working in a gallery, acquiring works of art and dividing the sales profits with the gallery owners. Spark had no formal art education and his taste and eye for art was gained primarily through his travels in Europe. He also had a good business sense about what might sell for profit in the U.S.

Spark made frequent art buying trips across the United States to cities such as Boston and Philadelphia and returned to New York with paintings that he sold. Spark never owned a gallery, but he occasionally held exhibits, such as one titled "101 American Painters," inside the apartment. Although Spark specialized in 19th to early 20th century American art, he also sold European art work acquired during trips to Europe following World War II.

Spark continued his work selling paintings to museums, collectors, and other art dealers, until the 1970s. He was most active from the 1930s through World War II. As a prominent dealer for over four decades, Spark came to know many luminaries of the New York art scene, such as art dealer and gallery owner Edith Halpert. Spark died in 1991.
Related Materials:
The Archives of American Art also holds an oral history interview of Victor D. Spark conducted August 5, 1975 by Paul Cummings.

The National Gallery of Art maintains 12,000 photographs and negatives of artwork in their Victor D. Spark photograph collection.
Provenance:
The Victor D. Spark papers were acquired between 1954 and 1996. The first accession of 19th century printed materials and a letter by Ruth Moran was donated by Spark in 1954. The bulk of the collection was purchased jointly by the Archives of American Art and the National Gallery of Art at auction in July 1987. Subsequently, photographs of works of art documenting the collections of the National Gallery of Art were separated and retained by the National Gallery of Art. The papers remained at the Archives of American Art; three letters were later transferred to the Archives from the National Gallery of Art in 1996.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Victor D. Spark papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art appraisers -- New York (State) -- New York  Search this
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 20th century -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Victor D. Spark papers, circa 1830-1983, bulk 1930-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sparvict
See more items in:
Victor D. Spark papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sparvict
Additional Online Media:

Victor D. Spark papers, circa 1830-1983, bulk 1930-1970

Creator:
Spark, Victor D. (Victor David), 1898-1991  Search this
Subject:
Moran, Thomas  Search this
Engelhard, Charles W.  Search this
Peale, Rembrandt  Search this
Medina, Leon  Search this
Hardy, Charlotte  Search this
Clonney, James Goodwyn  Search this
Sully, Thomas  Search this
Prendergast, Maurice Brazil  Search this
Berliner, Jacob  Search this
Copley, John Singleton  Search this
Shinn, Everett  Search this
Lehman, Robert  Search this
Grigaut, Hubert L.  Search this
Hardy, Jeremiah Pearson  Search this
Frankenstein, Alfred Victor  Search this
Heade, Martin Johnson  Search this
Moran, Ruth B.  Search this
San Diego Arts Society  Search this
Topic:
Art galleries, Commercial  Search this
Art dealers  Search this
Art  Search this
Art, Modern  Search this
Art, American  Search this
Artists' studios  Search this
Photographs  Search this
Art appraisers  Search this
Record number:
(DSI-AAA_CollID)7451
(DSI-AAA_SIRISBib)209609
AAA_collcode_sparvict
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209609
Additional Online Media:

Martin Diamond papers, 1928-2013

Creator:
Diamond, Martin, 1924-  Search this
Subject:
Diamond, Harriette  Search this
Martin Diamond Fine Arts (Gallery)  Search this
Topic:
Art, Abstract  Search this
Art, American  Search this
Educators  Search this
Art, Modern  Search this
Transcendentalism in art  Search this
Authors  Search this
Art galleries, Commercial  Search this
Art dealers  Search this
Painters  Search this
Photographs  Search this
Record number:
(DSI-AAA_CollID)16158
(DSI-AAA_SIRISBib)366225
AAA_collcode_diammart2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366225
Additional Online Media:

Running script, after Shitao

Artist:
Wang Yachen (1894-1983)  Search this
Medium:
Ink on paper
Dimensions:
H x W: 184.5 x 35.3 cm (72 5/8 x 13 7/8 in)
Type:
Calligraphy
Origin:
China
Date:
20th century
Period:
Modern period
Topic:
Modern period (1912 - present)  Search this
running script  Search this
China  Search this
Chinese Art  Search this
Contemporary Art  Search this
Credit Line:
Gift of Benjamin Chou in memory of Wang Yachen
Accession Number:
S2000.92
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S2000.92
Additional Online Media:

Running script, after Xianyu Shu

Artist:
Wang Yachen (1894-1983)  Search this
Medium:
Ink on paper
Dimensions:
H x W: 213 x 41.3 cm (83 7/8 x 16 1/4 in)
Type:
Calligraphy
Origin:
China
Date:
20th century
Period:
Modern period
Topic:
Modern period (1912 - present)  Search this
running script  Search this
China  Search this
Chinese Art  Search this
Contemporary Art  Search this
Credit Line:
Gift of Benjamin Chou in memory of Wang Yachen
Accession Number:
S2000.94
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_S2000.94

Windy Bamboo and Rock

Artist:
Forgery of Zheng Xie (1693-1765)  Search this
Medium:
Ink on paper
Dimensions:
H x W (image): 32 x 30.5 cm (12 5/8 x 12 in)
Type:
Painting
Origin:
China
Date:
mid 20th century
Period:
Modern period
Topic:
Modern period (1912 - present)  Search this
bamboo  Search this
forgery  Search this
China  Search this
Chinese Art  Search this
Credit Line:
Transfer from the United States Customs Service, Department of the Treasury
Accession Number:
F1980.132
Restrictions & Rights:
Undetermined copyright
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1980.132

Tall Bamboo and Distant Mountains, after Wang Meng

Artist:
Copy of Xi Gang 奚岡 (1746-1803)  Search this
Medium:
Ink on paper
Dimensions:
H x W (image): 134.7 x 42.5 cm (53 1/16 x 16 3/4 in)
Type:
Painting
Origin:
China
Date:
mid 20th century
Period:
Modern period
Topic:
landscape  Search this
Modern period (1912 - present)  Search this
bamboo  Search this
mountain  Search this
China  Search this
Chinese Art  Search this
Credit Line:
Transfer from the United States Customs Service, Department of the Treasury
Accession Number:
F1980.137
Restrictions & Rights:
Undetermined copyright
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1980.137

Chrysanthemums and Amaranth

Artist:
Attributed to Wu Changshuo 吳昌碩 (Chinese, 1844 - 1927)  Search this
Medium:
Hanging scroll; ink and color on paper
Dimensions:
H x W: 134 x 33.4 cm (52 3/4 x 13 1/8 in)
Type:
Painting
Origin:
China
Date:
20th century
Period:
Modern period
Topic:
plant  Search this
flower  Search this
Modern period (1912 - present)  Search this
chrysanthemum  Search this
Qing dynasty (1644 - 1911)  Search this
running script  Search this
China  Search this
Chinese Art  Search this
amaranth  Search this
Credit Line:
Transfer from the United States Customs Service, Department of the Treasury
Accession Number:
F1980.148
Restrictions & Rights:
Copyright with artist
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1980.148

Lichees and Chicks

Artist:
Forgery of Qi Baishi 齊白石 (1864-1957)  Search this
Medium:
Hanging scroll; ink and color on paper
Dimensions:
H x W (image): 103.3 x 34.6 cm (40 11/16 x 13 5/8 in)
Type:
Painting
Origin:
China
Date:
early to ca. mid-20th century
Period:
Modern period
Topic:
bird  Search this
Modern period (1912 - present)  Search this
fruit  Search this
forgery  Search this
China  Search this
Chinese Art  Search this
Credit Line:
Transfer from the United States Customs Service, Department of the Treasury
Accession Number:
F1980.149
Restrictions & Rights:
Undetermined copyright
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1980.149

Bean Vines and Insects

Artist:
Forgery of Qi Baishi 齊白石 (1864-1957)  Search this
Medium:
Hanging scroll; ink and color on paper
Dimensions:
H x W (image): 119.5 x 34.4 cm (47 1/16 x 13 9/16 in)
Type:
Painting
Origin:
China
Date:
ca. mid 20th century
Period:
Modern period
Topic:
Modern period (1912 - present)  Search this
forgery  Search this
vine  Search this
China  Search this
Chinese Art  Search this
Credit Line:
Transfer from the United States Customs Service, Department of the Treasury
Accession Number:
F1980.163
Restrictions & Rights:
Undetermined copyright
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1980.163

The Tremaine Collection : 20th century masters : the spirit of modernism

Author:
Wadsworth Atheneum  Search this
Subject:
Tremaine, Burton Art collections  Search this
Tremaine, Emily Hall 1908-1987 Art collections  Search this
Physical description:
188 p. : ill. (some col.) ; 32 cm
Type:
Exhibitions
Place:
United States
Date:
1984
C1984
20th century
Topic:
Art, Modern  Search this
Art--Private collections  Search this
Call number:
N5220.T78 T7
N5220.T78T7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_197086

Carrig-Rohane Shop records

Creator:
Carrig-Rohane Shop  Search this
Names:
Carrig-Rohane Shop (Boston, Mass.)  Search this
Thulin-Murphy (Firm : Boston, Mass.)  Search this
Vose Galleries of Boston  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Thulin, Walfred, 1878-1949  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
6.7 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1903-1962
Summary:
The Carrig-Rohane Shop records measure 6.7 linear feet and date from 1903 to 1962. The records document the founding of the Boston company, frame design and production, and the financial transactions of the shop. The numerous framing records, such as pattern and specification order books, are particularly valuable for researching and matching custom frames with specific works of art of the late 19th and early 20th century. The frame patterns are also useful for researchers interested in the history of frame design.
Scope and Content Note:
The Carrig-Rohane Shop records date from 1903 to 1962, and measure 6.7 linear feet. The records document the founding of the company, frame design and production, and the financial transactions of the shop. Series 2: Frame Orders and Specifications is particulary valuable for researching the frames used for late 19th and early 20th century American works of art. The frame patterns can be cross-referenced with the orders to obtain visual documentation of the frame desing used with a specific work of art. The frame patterns are also useful for researchers interested in the history of frame design.

The records of the Carrig-Rohane Shop also include financial and business records, printed material, sketches of frames, and photographs of sketches and sculptures.
Arrangement:
The collection is arranged into seven series:

Series 1: Frame Patterns, circa 1903-1962 (boxes 1-2, 1 linear ft.)

Series 2: Frame Orders and Specifications, 1904-1962 (boxes 2-5, 3 linear ft.)

Series 3: Financial Records, 1908-1939, undated (boxes 5-7, 1.9 linear ft.)

Series 4: Business Records, 1903-1955, undated (box 7, 11, 0.6 linear ft.)

Series 5: Printed Material, 1906 (box 7, 0.1 linear ft.)

Series 6: Works of Art, 1931, 1936, undated (boxes 7, OV 10, 0.1 linear ft.)

Series 7: Photographs, undated (box 7, 0.1 linear ft.)
Historical Note:
In 1903 Herman Dudley Murphy, Walfred Thulin and Charles Prendergast began making frames and in 1906 H.D. Murphy opened "The Frame Shop of Herman Dudley Murphy" on Clarendon Street in Boston.

According to the meeting minutes, on June 13, 1911, the frame shop incorporated under the name "The Thulin-Murphy Co." with Walfred Thulin as the President. The shop name was then changed to "Carrig-Rohane" on February 5, 1914, and on October 23, 1915, the shop came under the management of Robert Churchill Vose, Sr. and Nathaniel Morton Vose.

The corporation was eventually dissolved on March 29, 1939, and the framing operations moved to the Vose Galleries' premises.
Provenance:
The Carrig-Rohane Shop records were donated by Robert Churchill Vose, Jr., Duxbury, Massachusetts, April 4, 1974, January 13, 1975, April 5, 1984, February 1, 1986, and March 17, 1987.

Funding for the processing and microfilming of this collection was provided by a grant from the Eli Wilner & Company, Inc., New York, New York.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Carrig-Rohane Shop records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Picture frames and framing  Search this
Art, American  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Photographs
Citation:
Carrig-Rohane Shop records, 1903-1962. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carrshop
See more items in:
Carrig-Rohane Shop records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carrshop

Architectural History of the Hirshhorn Museum and Sculpture Garden, 1969

Subject:
Bunshaft, Gordon 1909-1990  Search this
Hirshhorn, Joseph H  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Army Medical Library and Museum Building  Search this
Type:
--Modern
--21st Century
Place:
Washington (D.C.)
Date:
1969-1974
20th century
Topic:
Museum architecture  Search this
Art, Modern  Search this
Sculpture gardens  Search this
Art museums  Search this
Granite  Search this
Architecture  Search this
Architecture, Modern  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14441

Miscellaneous art exhibition catalog collection

Names:
Kuhn, Walt, 1877-1949  Search this
Extent:
4.4 Linear Feet
Type:
Archival materials
Collection descriptions
Exhibition catalogs
Date:
1813-1953
bulk 1915-1925
Summary:
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
Scope and Content Note:
The collection comprises circa 770 items, dating from 1813-1953, the bulk of which are exhibition catalogs from New York City art galleries for the first two decades of the twentieth century, representing exhibitions of mainly modernist art. Catalogs for exhibitions held in Boston (mainly pre-1900) and a few other cities are also present. Included are several rare catalogs, notably one for the "Eight" held at Macbeth Gallery in 1908. Besides catalogs, the collection also contains exhibition announcements, gallery publications, and other printed material. The collection is especially relevant for the study of early American modernism, and is useful in understanding the role of art galleries, exhibitions, the art market, and the exhibition catalog itself, in American art.
Arrangement:
The collection is arranged as 8 series representing alphabetical groups. Catalogs are arranged within these groups according to name of the sponsoring gallery, or if no gallery is listed, by the name of the club or organization. Catalogs are arranged chronologically thereafter, with undated material first. Many catalogs are undated, list only a year, or are annotated with a date. No attempt has been made to date or verify these at this time. Catalogs which are annotated with a date are filed chronologically, and are indicated with brackets around the date.

Series 1: Art Exhibition Catalogs, A-C

Series 2: Art Exhibition Catalogs, D-F

Series 3: Art Exhibition Catalogs, G-I

Series 4: Art Exhibition Catalogs, J-L

Series 5: Art Exhibition Catalogs, M-O

Series 6: Art Exhibition Catalogs, P-R

Series 7: Art Exhibition Catalogs, S-T

Series 8: Art Exhibition Catalogs, U-Z
Historical Note:
In 1979, the American Antiquarian Society donated several hundred exhibition catalogs and art-related printed material to the Archives of American Art (AAA). The Society had received most of them over a long period of time, many of them addressed to the director, Charles Brigham. For several years subsequent to the donation, AAA sporadically added exhibition catalogs to the collection from various sources. Some of these additions are annotated in the hand of Walt Kuhn and are presumed to have been part of his papers in the Archives.
Related Material:
Researchers may find duplicate or related items in galleries' records held at the Archives of American Art. Additional or duplicate catalogs may appear in AAA's Catalog of Exhibition Catalogs (1979).
Provenance:
The bulk of the collection was donated 1979 by the American Antiquarian Society, who presumably assembled them from various sources. Others were received individually, while many are annotated in the hand of Walt Kuhn and are presumed to have originally been part of his papers in the Archives. In 2005, additional catalogs were integrated, some of which are presumed to have been removed from various collections over the years.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Miscellaneous art exhibition catalog collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 19th century -- Massachusetts -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Art, American -- Exhibitions  Search this
Artists -- United States -- Exhibitions  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Modernism (Art) -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Genre/Form:
Exhibition catalogs
Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.archamea
See more items in:
Miscellaneous art exhibition catalog collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-archamea

Burgoyne Diller papers

Creator:
Diller, Burgoyne, 1906-1965  Search this
Extent:
1.9 Linear Feet
Type:
Archival materials
Collection descriptions
Drawings
Sketches
Date:
1924-1987
Summary:
The Burgoyne Diller papers measure 1.9 linear feet and date from 1924-1987. The collection documents the abstract painter's career and includes two letters, a notebook, four annotated sketchbooks, art work, and clippings. The collection primarily consists of art work, including hundreds of drawings that document the development of Burgoyne Diller's unique artistic style. An unprocessed addition measuring 0.4 linear feet consists of sketches and studies by Diller.
Scope and Content Note:
The Burgoyne Diller papers measure 1.9 linear feet and date from 1924-1987. The collection documents the abstract painter's career and includes two letters, a notebook, four annotated sketchbooks, art work, and clippings. The collection primarily consists of art work, including hundreds of drawings that document the development of Burgoyne Diller's unique artistic style. An additional 0.4 linear feet of sketches and studies by Diller were accessioned in 2010 and remains unprocessed.
Arrangement:
The collection is arranged as five series. Series 1 and 4 are arranged chronologically. Series 2 consists of a single dismantled notebook which maintains the creator's original arrangement. Series 3 has been arranged in a numerically consecutive order introduced by the donor, Kenneth W. Prescott. There are gaps in art work's numerical sequences.

Series 1: Letters, 1940 (Box 1; 1 folder)

Series 2: Notebook, 1932-1933 (Box 1; 6 folders)

Series 3: Art work, 1924-1964, undated (Box 1-3; OVS 4-9; 33 folders)

Series 4: Clippings, 1926-1968, undated (Box 2; 10 folders)

Series 5: Unprocessed Addition to the Burgoyne Diller Papers, 1930-1987 (Box 10, OV 11; 0.4 linear ft.)
Biographical Note:
Born in New York City in 1906, Burgoyne Diller was brought up in Michigan and attended Michigan State College. He returned to New York in 1926 and studied at the Art Students League from 1928 to 1932, with Hans Hofmann. Diller made his first geometrical paintings in the 1930s, which were influenced by the rigid formulas of Piet Mondrian's "pure plastic art." Diller's work evolved into an abstract mode of configurations of lines, angles, and primary colors. Diller was one of the original members of the American Abstract Artists.

Between 1935 and 1941, Diller worked for the New York City Federal Arts Program, Mural Division, Works Progress Administration, eventually becoming Director. During that time, he provided commissions for many of the most advanced artists of the day, including Arshile Gorky and Stuart Davis. In 1945, he became associate professor of art at Brooklyn College. Burgoyne Diller died in 1965.
Related Material:
Burgoyne Diller collection of printed material, 1932-1961.
Provenance:
The Burgoyne Diller papers were donated by the Grace Diller estate via William C. LaCrone, executor, in 1992. Some of the papers were donated by the Diller estate via art historian Kenneth W. Prescott, in 4 installments dating 1983-2000. An unprocessed addition of 0.4 linear feet received in 2010 was donated by Emma-Stina Prescott.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Burgoyne Diller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 20th century -- United States  Search this
Neoplasticism -- United States  Search this
Painting, Abstract  Search this
Works of art  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Sketches
Citation:
Burgoyne Diller papers, 1924-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dillburg
See more items in:
Burgoyne Diller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dillburg

Charles Henry Caffin papers

Creator:
Caffin, Charles Henry, 1854-1918  Search this
Names:
Andreyev, Leonid, 1871-1919. Sorrows of Belgium  Search this
Corn, Wanda M.  Search this
Greet, Ben, Sir, 1857-1936  Search this
Kennedy, Charles Rann, 1871- Servant in the house  Search this
Layton, Donna Caffin  Search this
Steichen, Edward, 1879-1973  Search this
Stieglitz, Alfred, 1864-1946  Search this
Photographer:
Genthe, Arnold, 1869-1942  Search this
Johnston, Frances Benjamin, 1864-1952  Search this
Käsebier, Gertrude, 1852-1934  Search this
Extent:
1.2 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Scrapbooks
Photographs
Date:
circa 1883-1973
bulk 1883-1918
Summary:
The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.
Scope and Content Note:
The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.

Biographical information includes an autograph book, and a transcript and written summary of a 1973 interview with Caffin's daughter, Donna Layton, conducted by Wanda Corn and Deborah Loft concerning Charles Henry Caffin. The two letters found within the papers are written to Caroline Caffin. Printed material consists of play announcements, a play written by Charles Rann Kennedy, and excerpts from a 1974 published book on photography mentioning Caffin.

Photographs are of the Caffin family, including Charles Henry, Caroline, Donna, Freda and Charles's mother Harlet. Also found are photographs of Ben Greet. Notable photographers include Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. There is one scrapbook containing Charles Henry Caffin's articles written for the New York American magazine from 1913-1915.
Arrangement:
The collection is arranged into 5 series:

Series 1: Biographical Information, 1915, 1973 (Box 1; 2 folders)

Series 2: Correspondence, 1920 (Box 1; 1 folder)

Series 3: Printed Material, 1908, circa 1920, 1973 (Box 1; 3 folders)

Series 4: Photographs, circa 1883-circa 1910s (Box 1, 3-4; 0.6 linear feet)

Series 5: Scrapbooks, 1913-1915 (Box 2; 0.4 linear feet)
Biographical Note:
Charles Henry Caffin was born in 1854 in England. After graduating from Oxford University, Caffin served as stage manager for outdoor productions with Ben Greet and His Shakespearean Players. During this time, he met actress Caroline Scurfield, whom he later married and had two daughters, Freda and Donna. Caffin moved to United States in 1892 where he began to write about art, drama, and dance. He was an early supporter of the Photo-Secessionists and American modern art.

Initially, Caffin worked for several years executing murals from designs prepared by other artists for the World's Columbian Exposition in Chicago and the new Library of Congress in Washington, D.C. Shortly thereafter, however, he began writing for Alfred Stieglitz's Camera Notes and later Camera Work. He moved to the New York City area and worked as a critic for the New York Evening Post, New York Sun, and later for the New York American. Caffin wrote many books about art, drama, and dance, including Photography as Fine Art (1901), American Masters of Painting (1902), How to Study Pictures (1905), and Art for Life's Sake (1913).

Charles Caffin died in 1918.
Provenance:
Donna Caffin Layton, daughter of Charles Caffin, donated most of the papers in 1974. Stephen D. Rockstroh, Caffin's son-in-law, donated additional material in 1985.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Charles Henry Caffin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Photography, Artistic  Search this
Art, Modern -- 20th century  Search this
Photographers  Search this
Theater -- History -- 20th century  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Scrapbooks
Photographs
Citation:
Charles Henry Caffin papers, circa 1883-1973, bulk circa 1883-1918. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.caffchar
See more items in:
Charles Henry Caffin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caffchar
Additional Online Media:

Antonio Sotomayor papers

Creator:
Sotomayor, Antonio, 1904-  Search this
Names:
Delphic Studios  Search this
Pan American Union  Search this
Entenza, John, 1903-  Search this
Farr, Fred, 1914-1973  Search this
Franco, Johan, 1908-  Search this
Fried, Alexander, 1902-1988  Search this
Gerstle, William Lewis, 1868-1947  Search this
Labaudt, Lucien, 1880-1943  Search this
Little, Philip, 1857-1942  Search this
Long, Emilie  Search this
Morley, Grace, 1900-1985  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Orozco, José Clemente, 1883-1949  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Reed, Alma M.  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Elmer E. (Elmer Edwin), b. 1894  Search this
Salinger, Jehanne Bietry  Search this
Salinger, Pierre  Search this
Sauer, Carl Ortwin, 1889-  Search this
Sotomayor, Grace  Search this
Von Hagen, Victor Wolfgang, 1908-1985  Search this
Extent:
1.7 Linear feet
Type:
Archival materials
Collection descriptions
Sketchbooks
Sketches
Photographs
Date:
circa 1920-1988
Summary:
The collection documents the career of painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.
Scope and Content Note:
The collection consists primarily of correspondence, writings, artwork, printed material, and photographs documenting Sotomayor's career, his interest in Latin American art and artists, and his association with the San Francisco arts community.
Arrangement:
The collection is arranged as six series:

Series 1: Correspondence, 1931-1988, undated (box 1, 21 folders)

Series 2: Writings, 1932-1946, undated (box 1, 11 folders)

Series 3: Artwork, 1935, undated (box 1, 23 folders)

Series 4: Printed Material, 1935-1987 (boxes 1-2, 12 folders)

Series 5: Photographs, circa 1920-1984, undated (box 2, 13 folders)

Series 6: Oversized Material, 1941, 1958, undated (2 OV folders)
Biographical Note:
Antonio Sotomayor was born in Bolvia and came to San Francisco in 1923. He was educated at the Escuela de Belleas Arts in La Paz and the Hopkins Institute of Art in San Francisco. Primarily known for his murals and paintings, Sotomayor was also an illustrator, caricaturist, designer, ceramicist, and educator. Over the course of his career his work was exhibited in the United States, France, Italy, Spain, Mexico, and South America and he became known as the popular "artist laureate" of San Francisco where he lived with his wife, Grace. He died of cancer in 1985 at the age of 82.
Provenance:
The Antonio Sotomayor papers were donated to the Archives of American Art by Grace Sotomayor in 1998.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Antonio Sotomayor papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- California -- San Francisco  Search this
Works of art  Search this
Painters -- California -- San Francisco  Search this
Caricatures and cartoons  Search this
Mural painting and decoration -- 20th century  Search this
Illustration  Search this
Illustrators -- California -- San Francisco  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Hispanic American artists  Search this
Cartoonists -- California -- San Francisco  Search this
Genre/Form:
Sketchbooks
Sketches
Photographs
Citation:
Antonio Sotomayor papers, circa 1920-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sotoanto
See more items in:
Antonio Sotomayor papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sotoanto

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