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Worden Day papers

Creator:
Day, Worden, 1916-1986  Search this
Names:
Hans Hofmann School of Fine Arts  Search this
Montclair Art Museum  Search this
State University of Iowa  Search this
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Dehner, Dorothy, 1901-1994  Search this
Fish, Alice  Search this
Foster, Betty  Search this
Fuller, Sue (1914-2006)  Search this
Hofmann, Hans, 1880-1966  Search this
Lasansky, Mauricio, 1914-  Search this
Minewski, Alex, 1917-1979  Search this
Moy, Seong  Search this
Peterdi, Gabor  Search this
Rupprecht, Edgar A.  Search this
Rupprecht, Isabell  Search this
Sarton, May, 1912-  Search this
Schrag, Karl  Search this
Thurn, Ernest  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
2.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Date:
1935-1986
Summary:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 2.5 linear feet and date from 1935-1986. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.
Scope and Contents:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 2.5 linear feet and date from 1935-1986. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

Included are biographical material consisting of resumes and an address book. Correspondence is with colleagues, curators, and museum directors including Will Barnet, Carl Zigrosser, May Sarton, Dorothy Dehner, Louise Bourgeois, Sue Fuller, among others. Writings by Day are about sculpture and painting, among them four unpublished manuscripts "Pop Art as an American Cultural Phenomenon," "What is a Print," "The Found Dimension- Aspects in the Development of Modern American Sculpture," and "New Expressions of Woodcut," and reviews for exhibitions written by Day for Art News. Also found in the collection are printed materials; scrapbooks; photographs of Day, her works and photograph albums; and three sketchbooks. Audiovisual material is arranged with biographical material and includes a taped interview on audio cassette with Day and one reel of motion picture film (also available as digital files), "Printmakers," presented by United States Information Service, 1961, showing American printmakers Mauricio Lasansky, Day, Karl Schrag, Seong Moy and Gabor Petredi at work and students in the School of Graphic Arts at the State University of Iowa, founded by Lasansky. Also arranged with biographical material is a file relating to an exhibition on the work of painter Vaclav Vytlacil organized by Day in 1975 at the Montclair Art Museum containing correspondence; letter fragments from Alex Minewski; writings by Vytlacil regarding his career and work with Hans Hofmann; an audio cassette; photographs of Vytlacil, Hofmann teaching in Munich, Ed and Isabell Rupprecht, Ernest Thurn, Betty Foster, and Alice Fish at the Hofmann School of Fine Arts, Munich; and the exhibition catalog.
Arrangement:
The collection is arranged as seven series

Series 1: Biographical Material, 1960-1986 (Box 1, FC6; 0.5 linear feet)

Series 2: Correspondence, 1953-1977 (Box 1; 1 folder)

Series 3: Writings, 1955-1985 (Box 1; 0.3 linear feet)

Series 4: Printed Material, 1949-1983 (Box 1; 0.3 linear feet)

Series 5: Scrapbooks, 1940-1984 (Boxes 1, 4; 0.5 linear feet)

Series 6: Photographic Material, 1935-1986 (Boxes 2-3; 0.5 linear feet)

Series 7: Sketchbooks, 1960-1986 (Boxes 3, 5; 0.4 linear feet)
Biographical / Historical:
Worden Day (1916-1986) was a sculptor, painter, printmaker and curator in Montclair, New Jersey. Born in Columbus, Ohio, Day graduated from Randolph-Macon College in 1934. She then moved to New York City, and over the next few decades, studied drawing with Maurice Sterne and George Grosz; drawing, painting, and printmaking with William Von Schlegell, Harry Sternberg, Hans Hofmann, Will Barnet, and Vaclav Vytlacil at the Art Students League; and etching with Stanley William Hayter at the New School for Social Research. After earning her M.A. from New York University in 1966, Day taught as an instructor and lecturer in color theory, drawing, printmaking, sculpture, design, collage, American art history, modern art theory, and women artists. Her written reviews and essays were featured in publications such as Art News, Art Voices, and Impressions, and she had solo exhibitions throughout the United States, including at the Smithsonian Institution, Baltimore Museum of Art, Cincinnati Art Museum, and Montclair Art Museum.
Provenance:
The papers were donated to the Archives of American Art from 1972-1983 by Worden Day. Additional material was donated in 2017 by Constance Duhamel, Day's friend.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art, American  Search this
Women artists  Search this
Prints -- Technique  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors--New Jersey  Search this
Sculpture  Search this
Art, Modern  Search this
Painting  Search this
Pop art  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dayword
See more items in:
Worden Day papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dayword

Pop Art symposium, 1963 Aug. 28

Creator:
Provincetown Art Association  Search this
Subject:
Fingesten, Peter  Search this
Hopkins, Budd  Search this
Jules, Mervin  Search this
Kunitz, Stanley  Search this
Karp, Ivan C.  Search this
Seckler, Dorothy Gees  Search this
Topic:
Art, American  Search this
Pop art  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)10706
(DSI-AAA_SIRISBib)214307
AAA_collcode_provtart
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214307

Oral history interview with Nathan Halper, 1980 July 8-Aug. 14

Interviewee:
Halper, Nathan, 1907-1983  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Hofmann, Hans  Search this
Kootz, Samuel Melvin  Search this
Dickinson, Edwin Walter  Search this
Motherwell, Robert Burns  Search this
Hawthorne, Charles Webster  Search this
Beachcombers (Organization)  Search this
H.C. Gallery (Provincetown, Mass.)  Search this
H.C.E. Gallery (Provincetown, Mass.)  Search this
Topic:
Interviews  Search this
Art, American  Search this
Art galleries, Commercial  Search this
Art dealers  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12805
(DSI-AAA_SIRISBib)212704
AAA_collcode_halper80
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212704
Additional Online Media:

Oral history interview with Ferol Sibley Warthen, 1981 September 3

Interviewee:
Warthen, Ferol Sibley, 1890-1986  Search this
Interviewer:
Brown, Robert F.  Search this
Topic:
Printmakers  Search this
Sound recordings  Search this
Art, American  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)12725
(DSI-AAA_SIRISBib)213181
AAA_collcode_warthe81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213181
Additional Online Media:

Oral history interview with George D. Yater, 1974 July 18

Interviewee:
Yater, George D. (George David), 1910-1993  Search this
Interviewer:
Brown, Robert F.  Search this
Topic:
Photography, Artistic  Search this
Sound recordings  Search this
Painters  Search this
Art, American  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)12115
(DSI-AAA_SIRISBib)213206
AAA_collcode_yater74
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213206

Oral history interview with Nassos Daphnis, 1964 September 6

Interviewee:
Daphnis, Nassos, 1914-2010  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Interviews  Search this
Artists' materials  Search this
Art, American  Search this
Sculptors  Search this
Art  Search this
Painters  Search this
World War, 1939-1945  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)13230
(DSI-AAA_SIRISBib)214094
AAA_collcode_daphni64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214094

Oral history interview with Nathan Halper, 1963 July 17

Interviewee:
Halper, Nathan, 1907-1983  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Sound recordings  Search this
Art dealers  Search this
Art, American  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)11963
(DSI-AAA_SIRISBib)214107
AAA_collcode_halper63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214107

Oral history interview with Hudson Dean Walker, 1965 August 21

Interviewee:
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Walker Art Galleries (Minneapolis, Minn.)  Search this
Topic:
Art  Search this
Art, American  Search this
Interviews  Search this
Arts administrators  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)11919
(DSI-AAA_SIRISBib)214137
AAA_collcode_walker65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214137

Oral history interview with Edward Wiener, 1962 September 5

Interviewee:
Wiener, Edward, 1911-1991  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Interviews  Search this
Decorative arts  Search this
Art, American  Search this
Artisans  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12031
(DSI-AAA_SIRISBib)214138
AAA_collcode_wiener62
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214138

Oral history interview with Tony Vevers, 1965 September 1

Interviewee:
Vevers, Tony, 1926-2008  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Art, American  Search this
Painters  Search this
Art teachers  Search this
Art  Search this
Sound recordings  Search this
Interviews  Search this
Painting  Search this
Record number:
(DSI-AAA_CollID)13316
(DSI-AAA_SIRISBib)216510
AAA_collcode_vevers65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216510

Oral history interview with Victor Candell, 1965 September 1

Interviewee:
Candell, Victor, 1903-1977  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Topic:
Art  Search this
Painters  Search this
Sound recordings  Search this
Art, American  Search this
Interviews  Search this
Artists' materials  Search this
Record number:
(DSI-AAA_CollID)12351
(DSI-AAA_SIRISBib)216597
AAA_collcode_candel65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216597

Karl Knaths lecture, 1968 Aug. 11

Creator:
Knaths, Karl, 1891-1971  Search this
Subject:
Davidson, Morris  Search this
Provincetown Art Association  Search this
Topic:
Art, American  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)10744
(DSI-AAA_SIRISBib)214355
AAA_collcode_knatkarl
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214355

Ross and Dorothy Lake Gregory Moffett papers

Creator:
Moffett, Ross  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Provincetown Art Association  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Del Deo, Josephine Couch  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Portraits  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Moffett, Ross (Art in narrow streets)  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Extent:
7.7 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Date:
circa 1870-1992
Summary:
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.

General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.

Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.

The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.

Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.

The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.

Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:

Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)

Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)

Series 3: Financial Material, 1933-1971 (box 1; 2 folders)

Series 4: Notebook/Notes, undated (box 1; 2 folders)

Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)

Series 6: Subject File, 1960-1968 (box 2; 1 folder)

Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)

Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)

Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)

Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)

Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)

Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)

Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.

Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.

During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.

While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.

In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.

Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.

Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
A portion of the Ross and Dorothy Lake Gregory Moffett papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Massachusetts -- Provincetown  Search this
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moffross
See more items in:
Ross and Dorothy Lake Gregory Moffett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moffross

Houghton Cranford Smith papers

Creator:
Smith, Houghton Cranford, 1887-1983  Search this
Names:
Académie Julian  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Butler Institute of American Art  Search this
Cape Cod School of Art  Search this
Carnegie Institute, Museum of Art  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Pratt Institute. Art School -- Students  Search this
University of Kansas -- Faculty  Search this
Lhote, André, 1885-1962  Search this
Ozenfant, Amédée, 1886-1966  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Laura Gilbert Williams  Search this
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Extent:
2.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Place:
Chile -- description and travel
Paris (France) -- description and travel
Provincetown (Mass.) -- description and travel
Date:
1890-1991
Summary:
The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.
Scope and Content Note:
The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.

Biographical materials include photographs of Smith, of his artwork and of friends and family in Provincetown and New Mexico, school documents from the Foebel Academy, the Pratt Institute in Brooklyn and the Art Students' League, autographed menus, correspondence, including postcards and letters to family and friends sent from Bermuda and Jamaica, customs declarations, exhibition catalogs, newspaper clippings, a passport to Chile, newsletters, and Smith's teaching contract from the University of Kansas. Additionally, there are significant photographs and letters documenting Smith's art studies with E. Ambrose Webster at the Cape Cod School of Art in Provincetown, Massachusetts.

The collection also includes Smith's correspondence from France and South America. A significant portion of the collection includes papers from his time in France from 1913-1914, where he studied at the Parisian art school Academie Julian. These include a log from a tandem bicycle trip with classmate Harold P. Browne, an invitation to the Bal Randolphe, a Browne Art Class brochure and a narrative entitled "A Party of Fugitives from France," which describes Smith's forced fleeing from France after the French mobilization in 1914. There are also papers describing his South American travels which include notes and correspondence about Argentina, Uruguay and his time in Chile, which spans five years.

Materials documenting Smith's return to France and studies at the Academie Ozenfant from 1926 to 1933 include Smith's passport, ship passenger lists and other travel documents, correspondence with family, French identification letters, exhibition catalogs, newspaper clippings and his Academie Ozenfant list of classes and student card. Of particular note are correspondence from and a picture of Sir Walter Kitchener, governor of Bermuda, and letters from wife Elena Peralta to her parents-in-law. Topics covered in the correspondence of this scrapbook include sons Houghton Jr. and Gerrit and the birth of daughter Florence, financial difficulties, art teachers Amadee Ozenfant and Andree L'hote and the family's travels to Bermuda, New Mexico and New York City.

Materials from later in Smith's life include correspondence from Smith to second wife Laura Gilbert Williams, exhibition catalogs and registers, photographs of artwork, newspaper clippings of reviews received for Smith's exhibited paintings and congratulatory letters from family and friends on Smith's successful exhibits and feature article in The American Artist. Additionally, there is significant correspondence with the Passedoit Gallery, Homer Saint-Gaudens of the Carnegie Institute regarding the exhibition and purchase of Smith's artwork and Smith's gifted painting to the Butler Institute of American Art. Additionally, there are several biographical newspaper articles and a biographical sketch written by his wife Laura after his death.

Of note is the artist's original handwritten notes and final published version of his reminiscence "The Provincetown I Remember," notes about painting with various colors and color charts, related assignments from Smith's Color Theory Class, a signed copy of the book Color by E. Ambrose Webster, Smith's former art teacher, pencil sketches, a class notebook about lettering and an address book.
Arrangement:
As requested by the donor, the original arrangement has been maintained, but the collection has been rehoused for preservation purposes. The collection is arranged as 4 series.

Series 1: Scrapbooks, 1890-1991 (Boxes 1-2; 1.5 linear feet)

Series 2: Writings, 1963-1991 (Box 2; 2 folders)

Series 3: Printed Material, 1916-1991 (Box 2, OV 4; 6 folders)

Series 4: Miscellany, circa 1920s-1977 (Box 2, OV 3; 7 folders)
Biographical Note:
Painter Houghton Cranford Smith (1887-1983) traveled extensively and painted throughout his life. He lived and studied art in France, South America, New York City and Provincetown. He had three children, Houghton Jr., Gerrit and Florence with his first wife, Elena Peralta. He held the position of Assistant Professor at the University of Kansas department of Drawing and Painting from 1921-1925.

Smith became widely recognized for his artwork in the 1940s. He married his second wife, Laura Gilbert Williams, in 1941. He has exhibited at many venues including the Passedoit Gallery, Corcoran Gallery, Richmond Museum, Columbia Art Museum, Walker Memorial Gallery, Art Institute of Kansas City and the Provincetown Art Association. For six consecutive years he was represented at Carnegie Institute's annual invitation exhibition.
Provenance:
Florence Cranford Smith Shepard donated her father's papers in 1993-1994.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Houghton Cranford Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Massachusetts -- Provincetown  Search this
Color in art  Search this
Color guides  Search this
Art, American -- Massachusetts -- Provincetown  Search this
Art teachers -- Kansas  Search this
Art students -- France -- Paris  Search this
Genre/Form:
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Citation:
Houghton Cranford Smith papers, 1890-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithoug
See more items in:
Houghton Cranford Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithoug

Peter A. Juley & Son collection

Photographer:
Ward, De Witt  Search this
Peter A. Juley & Son  Search this
Juley, Peter A., 1862-1937  Search this
Juley, Paul, 1890-1975  Search this
Extent:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Type:
Archival materials
Collection descriptions
Photographs
Negatives
Date:
circa 1896-1975
Summary:
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
Scope and Contents:
This collection is comprised of 127,000 negatives from the Peter A. Juley & Son firm documenting the American art scene from 1896 up until 1975.

The Juleys photographed the work of turn-of-the-century painters such as Childe Hassam, Thomas Eakins, and Albert Pinkham Ryder; ash can school artists such as Robert Henri and John Sloan; the avant-garde group associated with Alfred Stieglitz; regionalists of the 1930 and 1940s such as Thomas Hart Benton and Grant Wood; abstract expressionists such as Hans Hoffman and Robert Motherwell; and sculptors such as Daniel Chester French and William Zorach.

The Juley collection also holds some 4,700 photographic portraits of artists. These images capture some of the best-known artists of the twentieth century, including Thomas Hart Benton, Alexander Calder, Stuart Davis, Edward Hopper, Frida Kahlo, Jacob Lawrence, Barnett Newman, Diego Rivera, and Grant Wood. Many of the portraits depict artists at work in their studios or at home with their families and offer glimpses into the artistic and social climate of the period.

Group photography by the Juley firm records the histories of the National Academy of Design and Art Students League and documents important summer art colonies at Provincetown, Massachusetts; Woodstock, New York; Old Lyme, Connecticut; and Ogunquit, Maine.

In addition to the negatives produced by the Juley's, the firm also acquired valuable negatives from other fine arts photographers, including Myra Albert, A. B. Bogart, George C. Cox, Walter Russell, A. E. Sproul, and De Witt Ward, to broaden its holdings.
Arrangement:
The collection is arranged in two series:

Series I: Photographs of art works, arranged alphabetically by artist, then by assigned negative number (673 linear feet)

Series II: Photographical portraits, arranged alphabetically by sitter name (26 linear feet)
Biographical / Historical:
Peter A. Juley (1862-1937) came to the United States in 1888 from the small German town of Alf, on the Mosel, where he was a telegrapher for the post office. How he first became interested in photography and fine arts is not known, but around 1896 he opened a small portrait studio in Cold Spring, New York, where he also worked as a staff news photographer for Harper's Weekly between 1901 and 1906. His assignments included photographing the funeral of President William McKinley and President Theodore Roosevelt's national tours. Around 1907 Juley moved the business to New York, where his son Paul P. Juley (1890-1975) joined him. A few years later they hired an assistant, Carlton Thorpe, who remained for the life of the firm.

Throughout the firm's long history from 1896 to 1975, Peter A. Juley and Son became the largest and most respected fine-art photography studio in New York, serving museums, galleries, art dealers, private collectors, corporations, conservators and many prominent artists. As members of New York's Salmagundi Club of artists, the Juleys served as official photographers for the National Academy of Design, the New York Public Library, and the Society of American Artists. In the summers, when many artists left the city to teach at colonies in Woodstock, New York, Old Lyme and Mystic, Connecticut, and Gloucester, Massachusetts, the Juleys joined them to take photographs. Combining business with pleasure, they even traveled to the West Coast, where they recorded Diego Rivera completing the murals of the San Francisco Stock Exchange, and on one of their trips they photographed artists of New Mexico's Taos and Santa Fe colonies.

When Peter died in 1937, Paul moved the studio to 225 West 57th Street, a few doors down from the Art Students League and across the street from Carnegie Hall, where many artists had studios. Throughout the 1950s and 1960s, Paul continued photographing the works of art associated with the Art Students League and the National Academy of Design. He retired in 1975, at the age of eighty-five.
Provenance:
Purchased from Paul Juley, 1966.
Restrictions:
Researchers may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Rights:
Copyright to photographs from the Juley Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Topic:
Artists -- United States -- Portraits  Search this
Portrait photography  Search this
Art, American -- Photographs  Search this
Genre/Form:
Photographs
Negatives
Citation:
Peter A. Juley & Son Collection, Smithsonian American Art Museum.
Identifier:
SAAM.Photo.JUL
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_collection:sova-saam-photo-jul
Additional Online Media:

From Hawthorne to Hofmann : Provincetown vignettes, 1899-1945 : 14 November 2003 to 17 January 2004 / essays by Richard Boyle ... [et al.] ; memoir by Katharine Kuh, edited by Avis Berman ; exhibition curated by Vivian Bullaudy

Author:
Boyle, Richard J  Search this
Kuh, Katharine  Search this
Berman, Avis  Search this
Bullaudy, Vivian  Search this
Hollis Taggart Galleries  Search this
Physical description:
136 p. : ill. (chiefly col.) ; 27 cm
Type:
Exhibitions
In art
Place:
Massachusetts
Provincetown
Provincetown (Mass.)
Date:
2003
C2003
20th century
Topic:
Art, American  Search this
Artist colonies  Search this
Call number:
N6535.P76 F76 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_720242

Provincetown arts

Physical description:
v. : ill. ; 31 cm
Type:
Periodicals
Place:
Massachusetts
Cape Cod
Date:
1985
20th century
21st century
Topic:
Arts, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_779436

New York--Provincetown, a 50s connection : July 8-August 1, 1994 : from the collections of Drs. Thomas and Marika Herskovic and the Provincetown Art Association and Museum : Ernest Briggs ... [et al.]

Author:
Herskovic, Thomas  Search this
Herskovic, Marika  Search this
Briggs, Ernest 1923-  Search this
Provincetown Art Association & Museum  Search this
Subject:
Herskovic, Thomas Art collections Exhibitions  Search this
Herskovic, Marika Art collections Exhibitions  Search this
Briggs, Ernest 1923- Exhibitions  Search this
Physical description:
39 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Place:
New York (State)
New York
Massachusetts
Provincetown
Date:
1994
20th century
Topic:
Art, American  Search this
Art, American--Exhibitions  Search this
Call number:
N5220 .H47 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_637416

The League at the Cape : an historical exhibition / sponsored by the Art Students League and the Provincetown Art Association and Museum ; [exhibition curated by Ronald G. Pisano, Tony Vevers, Rosina A. Florio]

Author:
Pisano, Ronald G  Search this
Vevers, Tony  Search this
Florio, Rosina A  Search this
Art Students League (New York, N.Y.)  Search this
Provincetown Art Association & Museum  Search this
Subject:
Art Students League (New York, N.Y.) Exhibitions  Search this
Physical description:
1 v. (unpaged) : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
Massachusetts
Provincetown
Date:
1993
[1993]
20th century
Topic:
Art, American--Exhibitions  Search this
Art, American  Search this
Artist colonies--Exhibitions  Search this
Call number:
N6535.P76 L43 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_517130

WPA artists : [exhibition] May 23-June 16, 1997 / curators, M.M. Battelle and Joyce Johnson

Author:
Vevers, Tony  Search this
Battelle, M. M (Midge M.)  Search this
Johnson, Joyce  Search this
Provincetown Art Association & Museum  Search this
Subject:
United States Works Progress Administration  Search this
Federal Art Project  Search this
Physical description:
8 p. : ill. ; 28 cm
Type:
Exhibitions
Place:
Massachusetts
Cape Cod
Date:
1997
20th century
Topic:
Art, American  Search this
Call number:
N6530.M4 W63 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_523034

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