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Inez Ulery McGuire photograph collection of Burma

Collector:
McGuire, Inez Ulery  Search this
Photographer:
V. and Thomas  Search this
Beato, Felice, b. ca. 1825  Search this
Names:
Freuschel (photographer, of Goshen, Indiana)  Search this
Parfitt, William (photographer, of Goshen, Indiana)  Search this
Extent:
12 prints (silver gelatin)
29 prints (albumen (including cabinet cards))
Culture:
Burmese  Search this
Type:
Archival materials
Collection descriptions
prints
Photographs
Studio portraits
Cabinet photographs
Christmas cards
Place:
Burma
Mandalay (Burma)
Assam (India)
Date:
circa 1885-1920
Scope and Contents note:
Photographs collected by Inez Ulery McGuire during her time as a missionary in Burma. They include images of missionaries, Burmese peoples (including the royal family), buildings, monuments, temples, and boats, with one scenic view of Assam. Many of the photographs are commercial cabinet cards with printed Christmas greetings and inscriptions on their versos.
Biographical/Historical note:
Inez Ulery McGuire, originally from Goshen, Indiana, graduated from Franklin college and went to Burma as a Baptist missionary (circa 1888). While in Burma, she married John McGuire, also from Goshen; they had two children, Judson Ulery McGuire and Alice McGuire.
Local Call Number(s):
NAA Photo Lot 74-50
Location of Other Archival Materials:
Additional missionary photographs of Burma can be found in the National Anthropological Archives in Photo Lot 74-50.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Royal houses  Search this
Buddhist monks  Search this
Architecture -- Burma  Search this
Genre/Form:
Photographs
Studio portraits
Cabinet photographs
Christmas cards
Citation:
Photo lot 74-50, Inez Ulery McGuire photograph collection of Southeast Asia, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.74-50
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-74-50

Burma Exhibition

Collection Creator:
Architectural League of New York  Search this
Container:
Box 67, Folder 17
Type:
Archival materials
Date:
1955
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Architectural League of New York records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
See more items in:
Architectural League of New York records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-archleag-ref1757

Architecture in Burma : moments in time / Lorie Karnath

Author:
Karnath, Lorie  Search this
Physical description:
221 p. : 150 col. ill. ; 19 cm
Type:
Books
Place:
Burma
Date:
2013
Topic:
Architecture  Search this
History  Search this
Call number:
NA1512 .K37 2013
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1008550

Emma A. Koch photograph collection of India, South Asia, and Australia

Collector:
Koch, Emma Augusta, 1847-1932  Search this
Names:
Bourne & Shepherd  Search this
Scowen & Co.  Search this
Shepherd & Robertson  Search this
Bourne, Samuel, 1834-1912  Search this
Shepherd, Charles  Search this
Extent:
165 mounted prints (circa 165 mounted prints, albumen)
Culture:
Pushtuns  Search this
East Indians  Search this
Burmese  Search this
Andamanese (Indic people)  Search this
Assamese  Search this
Fakirs  Search this
Pakistanis  Search this
Sinhalese (Sri Lankan people)  Search this
Kashmiri (South Asian people)  Search this
Bengali (South Asian people)  Search this
Tibetans  Search this
Nepalese  Search this
Type:
Archival materials
Collection descriptions
mounted prints
Photographs
Place:
Australia
India
Afghanistan
Assam (India)
Bengal (India)
Rajasthan (India)
Tibet (China)
Nepal
Pakistan
Sri Lanka
Burma
Andaman Islands (India)
Jammu and Kashmir (India)
Date:
circa 1862-1885
Scope and Contents note:
Photographs collected by Emma A. Koch documenting the people and natural and built environments of India, South Asia, and Australia. The collection largely consists of images of East Indian peoples, structures, scenery, and activities, including tea making and entertainment; areas of India most commonly depicted are Assam, Bengal, and the Andaman Islands. Additional photographs portray people, architecture, and scenery in Burma, Sri Lanka, Pakistan, Afghanistan, Nepal, Tibet, and Australia. Most of the photographs were likely taken by Samuel Bourne and Charles Shepherd (Bourne & Shepherd), with some made by Scowen & Co., Shepherd & Robertson, Benjamin F. Simpson, Reynolds, and Ganey.
Local Call Number(s):
NAA Photo Lot 161, USNM ACC 40922
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 79-38.
Photographs in the Koch Collection (accession 40922), previously filed in Photo Lot 97 and Photo Lot 8, have been relocated and merged with Photo Lot 161. These photographs were also collected and donated by Koch in 1903 and form part of this collection.
Additional photograhs by Bourne & Shepherd can be found in the National Anthropological Archives in Photo Lot 82-44, Photo Lot 91-27, and Photo Lot 97.
Additional photographs by Shepherd & Robertson can be found in the National Anthropological Archives in Photo Lot 8.
The Freer Gallery of Art and Arthur M. Sackler Gallery Archives hold additional photographs by Benjamin Simpson, Samuel Bourne, Bourne & Shepherd, Scowen & Co., and Shepherd & Robertson.
Material found in Gus Van Beek's office can also be found in the National Anthropological Archives Photo Lot 79-34.
Koch also donated an album of dried flowers to the Department of Anthropology as part of accession 40922.
See others in:
Emma A. Koch photograph collection of India, South Asia, and Australia, circa 1862-1885
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Architecture -- India  Search this
Tea trade  Search this
Genre/Form:
Photographs
Citation:
Photo lot 161, Emma A. Koch photograph collection of India, South Asia, and Australia, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.161
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-161

Robert and Elizabeth Webb photographs of world travels

Creator:
Webb, Robert Watkins, 1906-1998  Search this
Names:
Webb, Elizabeth N. (possible photographer)  Search this
Extent:
53 slides (53 black and white copy slides)
20 color slides (circa)
1,500 prints (circa, silver gelatin (some in photo albums))
1,000 items (circa 1000 copy color prints (made from slides))
Type:
Archival materials
Collection descriptions
slides
color slides
prints
Photographs
Place:
India -- description and travel
Japan -- Description and Travel
Singapore -- description and travel
Serbia -- description and travel
Scotland -- description and travel
Russia -- description and travel
Sri Lanka -- description and travel
Spain -- description and travel
South Africa -- description and travel
Chile -- description and travel
Somalia -- description and travel
Palestine -- description and travel
Peru -- description and travel
Nepal -- description and travel
Norway -- description and travel
Egypt -- description and travel
Portugal -- description and travel
Romania -- description and travel
Philippines -- description and travel
Poland -- description and travel
Kenya -- description and travel
Israel -- description and travel
China -- Description and Travel
Morocco -- description and travel
Mozambique -- description and travel
Mexico -- description and travel
Montenegro -- description and travel
Croatia -- description and travel
Denmark -- description and travel
Czech Republic -- description and travel
Burma -- description and travel
Bulgaria -- description and travel
Canada -- description and travel
Austria -- description and travel
Brazil -- description and travel
Borneo -- description and travel
England -- description and travel
France -- description and travel
Ecuador -- description and travel
Holland -- description and travel
Guatemala -- description and travel
Greece -- description and travel
Germany -- description and travel
Ireland -- description and travel
Iran -- description and travel
Italy -- description and travel
Hungary -- description and travel
United States -- description and travel
Thailand -- description and travel
Taiwan -- description and travel
Switzerland -- description and travel
Yugoslavia -- description and travel
Yucatan -- description and travel
Date:
1938-1996
Scope and Contents note:
Photographs made by Robert and Elizabeth Webb in numerous locations across the world, including Asia (China, Japan, Taiwan, Philippines, Borneo, Singapore, Thailand, Burma, Nepal, India, Sri Lanka, and Russia); the Balkans (Czech Republic, Croatia, Yugoslavia, Montenegro, Serbia, Bulgaria, Romania, Hungary, and Poland); Europe (Spain, England, France, Italy, Greece, Switzerland, Austria, Denmark, Holland, Norway, Germany, Ireland, Scotland, and Portugal); the Middle East (Egypt, Iran, Israel, and Palestine); Africa (Kenya, Morocco, Somalia, Mozambique, and South Africa); South America (Mexico, Ecuador, Peru, Chile, Brazil, Yucatan, and Guatemala); and North America (Canada, Florida, Washington state, Alaska, Hawaii, California, Arizona, New Mexico, and Utah). The photographs largely document architecture and art, including historical sites, though there are additional images of parades, transportation, cities, villages, markets, waterways, and people.

Commercial slides in the collection are by Swiss-Foto, E. Djupdraet, Herz-Color-Dias, Hong Kong Color Slide Service, SK Slide Co., Lehnert & Landrock, Douglas Whiteside, Vacation Films, Arctic Circle Enterprise, HI-FI Color Slides, Pana-Vue Slides, CP Inc., Jordan's Colour Lab, Hawaii Chrome, Syon House, John Decopoulos, La Goelette, and Zerkowitz. Notes by Robert Webb and original photograph albums are also available with the collection.
Biographical/Historical note:
Robert Watkins Webb (1906-1998) graduated from Southern Methodist University and received his medical degree from Tulane University in 1933. Before starting his psychiatry practice in Dallas, Webb traveled around the world, returning on the SS Normandie to New York (1938). An amateur photographer, Webb documented this and subsequent foreign trips, later submitting some of his photographs to the Dallas Museum of Art. He served four years in the Army during World War II,stationed primarily in Port Moresby, New Guinea. He later became chief psychiatrist of the Veterans Administration clinic in Washington, DC, from 1946-1950. In 1952, he married Elizabeth Nutting, a psychiatric social worker, while cruising the Mediterranean.
Local Call Number(s):
NAA Photo Lot 98-9
Location of Other Archival Materials:
The DeGolyer Library of Southern Methodist University holds Robert W. Webb photographs.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Architecture  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 98-9, Robert and Elizabeth Webb photographs of world travels, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.98-9
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-98-9

Joseph D. Mountain Collection

Creator:
Mountain, Joseph D., 1902-1970  Search this
Names:
Arabian American Oil Company  Search this
Mountain, Joseph D., 1902-1970  Search this
Extent:
1.57 Cubic Feet (6 boxes)
Type:
Archival materials
Collection descriptions
Diaries
Correspondence
Maps
Photographs
Publications
Place:
Saudi Arabia
Date:
1916 - 1970
Summary:
This collection follows Mountain's aviation career.
Scope and Contents:
This collection follows Joseph Mountain's aviation career and includes photographic negatives and prints, diaries and flight log books, reports, and maps. Mountain's photographs from his service in Saudi Arabia are of particular interest --taken not long before the great oil discoveries at Dammam in 1938, they capture the desert kingdom at the very edge of the tremendous changes that the oil economy brought to the Gulf. The images are a fascinating record of traditional Saudi Arabian life, crafts and architecture. Highlights include portraits of dancers at Eid al-Fitr celebrations, market scenes in Hufuf and the Old Town of Al Jubail, camel caravans, Saudi hunters with their hawks, and pearl fishermen and their dhows. Mountain also extensively photographed members of the CASOC team at work and interacting with their Saudi workers and acquaintances.

Joseph Mountain's negatives are stored in the Archive Division's cold vault and are not available to researchers. Scans of the negatives may be viewed in the Archives Division reading room, or through the Smithsonian Institution Research Information System (SIRIS) web site at http://bit.ly/dL2zDs.
Arrangement:
No series - arranged by materials: Documents, oversize and images
Biographical/Historical note:
Joseph Dunlap Mountain was born on October 24, 1902 in Cherryvale, Kansas. He joined the U.S. Army Air Service in 1919; he was awarded his wings and commissioned a second lieutenant in 1921. Mountain continued to fly after leaving the Air Service and also took up photography.

In 1928, Mountain was employed by the Continental Air Map Company in the aerial mapping of the state of California. In 1934-1935, he served as a pilot, aerial photographer, darkroom technician and mechanic for the California-Arabian Standard Oil Company (CASOC; in 1944 renamed the Arabian American Oil Company --Aramco, now Saudi Aramco) expedition to Saudi Arabia; Mountain logged over 221 hours of reconnaissance and mapping flights for CASOC. In 1936-1937, Mountain contracted with the Saudi Arabia Mining Syndicate to make an aerial survey of the Hejaz region of Saudi Arabia.

From 1937-1947, Mountain was a pilot for Trans World Airlines. During World War II, Mountain returned to active duty with the U.S. Army Air Forces as a training officer in the Air Transport Command. He was awarded the Bronze Star while serving in the China-Burma-India Theater and supervising supply missions over "The Hump" --the dangerous air route over the Himalaya Range. In 1945 he was promoted to full Colonel and appointed executive officer of the Committee for Air Navigation and Traffic Control.

In 1947, Mountain entered the computer industry with International Telephone and Telegraph. Later, he founded Mountain Systems, a digital computer manufacturing company, and Mountain Datasystem, a data processing firm. During the Korean War, he served as an Air Force liaison officer with the Bell Telephone Laboratories. After the war, he returned to civilian life and continued to work in the computer industry. Joseph Mountain died on November 25, 1970 at the age of 68.
Provenance:
Isabel Mountain, gift, 1991, 1991-0079, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at http://airandspace.si.edu/permissions
Topic:
Aeronautics, Commercial -- United States  Search this
Aeronautics, Military  Search this
Cartography  Search this
Aeronautics  Search this
Aerial photography  Search this
Genre/Form:
Diaries
Correspondence
Maps
Photographs
Publications
Citation:
Joseph D. Mountain Collection, Acc. 1991-0079, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1991.0079
See more items in:
Joseph D. Mountain Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1991-0079
Additional Online Media:

Millard Sheets papers

Creator:
Sheets, Millard, 1907-1989  Search this
Names:
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Extent:
27.6 Linear feet
Type:
Archival materials
Collection descriptions
Slides (photographs)
Photographs
Date:
1907-1990
Summary:
The Millard Sheets papers comprise 27.6 linear feet of material dating from 1907 to 1990 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera.
Scope and Content Note:
The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from 1907-1990, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.
Arrangement:
The collection is arranged into fourteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)
Biographical Note:
"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Millard Sheets papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Millard Sheets papers, 1907-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sheemill
Additional Online Media:

Entrance to Shiva Dagon Pagoda. 8781 Photonegative

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Rangoon (Burma)
Shiva Dagon Pagoda
Date:
1906
Local Numbers:
RSN 14401

Video number 13771
General:
Company catalog card included.
Similar to RSN 22926.
Currently stored in box 3.1.32 [56].
Copy and Version Identification Note:
94229
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Pagodas -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 14360-14431
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref11002

[Pagoda in Burma.] 8785 Photonegative

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Rangoon (Burma)
Shiva Dagon Pagoda
Date:
1906
Local Numbers:
RSN 14402

Video number 13772
General:
Company catalog card included.
Similar to RSN 22930.
Currently stored in box 3.1.32 [56].
Copy and Version Identification Note:
94221
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Pagodas -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 14360-14431
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref11003

[Architecture in Burma.] 8784 Photonegative

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
2 pieces (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Date:
1906
Local Numbers:
RSN 14412

Video number 13780
General:
Company catalog card included.
Similar to RSN 22929; frames in separate envelopes.
Currently stored in box 3.1.32 [56].
Copy and Version Identification Note:
94408
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Religion -- Burma  Search this
Shrines -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 14360-14431
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref11013

Ruins of the architectural glories of Anuradhapura, once the capital (500 B.C.) of Ceylon. 14338 Interpositive

Topic:
BURMA AND CEYLON
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Photographer:
Ponting, Herbert George, 1870-1935  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3 3/4" x 7")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Aduradhapura, Ceylon (Extinct city)
Ceylon
Local Numbers:
RSN 7504

Video number 06668
General:
Similar to RSN 4706.
Currently stored in box 1.2.10 [9].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Children -- Ceylon  Search this
Columns -- Ceylon  Search this
Pillars -- Ceylon  Search this
Ruins -- Ceylon  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.2: H.C. White Interpositives / RSN Numbers 7461-7565
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref16789

Isuruminiya, an ancient and picturesque rock temple in the heart of Ceylon. 14341 Interpositive

Topic:
BURMA AND CEYLON
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Photographer:
Ponting, Herbert George, 1870-1935  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3 3/4" x 7")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Ceylon
Local Numbers:
RSN 7507

Video number 06671
General:
Similar to RSN 4710.
Currently stored in box 1.2.10 [9].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Ceylon  Search this
Religion -- Ceylon  Search this
Temples -- Ceylon  Search this
Isuruminiya (Temple : Ceylon)  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.2: H.C. White Interpositives / RSN Numbers 7461-7565
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref16792

Buddhist priest bearing image and screen, at the entrance of Isuruminiya Temple. 14342 Interpositive

Topic:
BURMA AND CEYLON
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Photographer:
Ponting, Herbert George, 1870-1935  Search this
Names:
Buddha  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3 3/4" x 7")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Ceylon
Local Numbers:
RSN 7508

Video number 06672
General:
Similar to RSN 4711.
Currently stored in box 1.2.10 [9].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Ceylon  Search this
Priests -- Ceylon  Search this
Religion -- Ceylon  Search this
Temples -- Ceylon  Search this
Isuruminiya (Temple : Ceylon)  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.2: H.C. White Interpositives / RSN Numbers 7461-7565
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref16793

The Queen's Golden Monastery, a gem of Oriental architecture. 14534 Interpositive

Topic:
BURMA AND CEYLON
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Photographer:
Ponting, Herbert George, 1870-1935  Search this
Names:
Golden Monastery (Mandalay, Burma)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3 3/4" x 7")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Mandalay (Burma)
Local Numbers:
RSN 7546

Video number 06710
General:
Similar to RSN 4762.
Currently stored in box 1.2.11 [18].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Monasteries -- Burma  Search this
Religion -- Burma  Search this
Temples -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.2: H.C. White Interpositives / RSN Numbers 7461-7565
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref16831

A curious and beautiful old pagoda at Mingoon. 14541 Interpositive

Topic:
BURMA AND CEYLON
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Photographer:
Ponting, Herbert George, 1870-1935  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3 3/4" x 7")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Mingoon
Local Numbers:
RSN 7553

Video number 06717
General:
Similar to RSN 4769.
Currently stored in box 1.2.11 [18].
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gardens -- Burma  Search this
Pagodas -- Burma  Search this
Architecture -- Burma  Search this
Religion -- Burma  Search this
Shrines -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.2: H.C. White Interpositives / RSN Numbers 7461-7565
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref16838

Entrance to Shiva Dagon Pagoda. 8781 Interpositive

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Rangoon (Burma)
Shiva Dagon Pagoda
Date:
1906
Local Numbers:
RSN 22926
General:
Similar to RSN 14401.
Currently stored in box 3.2.27 [214].
Copy and Version Identification Note:
94225
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Pagodas -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 22872-22970
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20693

[Ceremony.] 8782 Interpositive

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Date:
1906
Local Numbers:
RSN 22927
General:
Currently stored in box 3.2.27 [214].
Copy and Version Identification Note:
94254
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Ceremonies -- Burma  Search this
Pagodas -- Burma  Search this
Streets -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 22872-22970
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20694

[Pagoda.] 8783 Interpositive

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Date:
1906
Local Numbers:
RSN 22928
General:
Currently stored in box 3.2.27 [214].
Copy and Version Identification Note:
94148
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Pagodas -- Burma  Search this
Streets -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 22872-22970
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20695

[Religion.] 8784 Interpositive

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Date:
1906
Local Numbers:
RSN 22929
General:
Similar to RSN 14412.
Currently stored in box 3.2.27 [214].
Copy and Version Identification Note:
94408
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Religion -- Burma  Search this
Shrines -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 22872-22970
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20696

[Pagoda.] 8785 Interpositive

Publisher:
Underwood & Underwood  Search this
Photographer:
Gridwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Burma
Rangoon (Burma)
Shiva Dagon Pagoda
Date:
1906
Local Numbers:
RSN 22930
General:
Similar to RSN 14402.
Currently stored in box 3.2.27 [214].
Copy and Version Identification Note:
94221
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Burma  Search this
Pagodas -- Burma  Search this
Streets -- Burma  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 22872-22970
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20697

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