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Chief Josh, San Carlos Apaches, No. 889

Collection Photographer:
Reed, Roland, 1864-1934  Search this
Rinehart, F. A. (Frank A.)  Search this
Muhr, Adolph F., -1913  Search this
Extent:
1 Photographic print
Container:
Photo-folder 3
Culture:
San Carlos Apache  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
1898
Scope and Contents:
Photographic portrait of delegate Chief Josh (Go-Zhozh) (San Carlos Apache). Photographed at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, Nebraska, 1898.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank A. Rinehart and Roland W. Reed photograph collection, NMAI.AC.289; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.289, Item 289_pht_003_003
See more items in:
Frank A. Rinehart and Roland W. Reed photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-289-ref14

Assuz, San Carlos Apaches, No. 890

Collection Creator:
Rinehart, F. A. (Frank A.)  Search this
Muhr, Adolph F., -1913  Search this
Jackson, William Henry, 1843-1942  Search this
Rau, William Herman, 1855-1920  Search this
Heyn & Matzen  Search this
Extent:
1 Photographic print
Container:
Box 1
Type:
Archival materials
Photographs
Photographic prints
Date:
1898
Scope and Contents:
Studio portrait of San Carlos Apache delegate Assuz. He wears a medal attached to his shirt. Photographed by Frank Rinehart or his assistant Adolph Muhr at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, 1898.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.119, Item P27492
See more items in:
Byron Harvey, III Collection of Exposition and Portrait photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-119-ref12

Chief Josh, San Carlos Apaches, No. 889

Collection Creator:
Rinehart, F. A. (Frank A.)  Search this
Muhr, Adolph F., -1913  Search this
Jackson, William Henry, 1843-1942  Search this
Rau, William Herman, 1855-1920  Search this
Heyn & Matzen  Search this
Extent:
1 Photographic print
Container:
Box 1
Type:
Archival materials
Photographs
Photographic prints
Date:
1898
Scope and Contents:
Studio portrait of San Carlos Apache delegate Chief Josh (Go-Zhozh) wearing a vest with pinned medals to it. Photographed by Frank Rinehart or his assistant Adolph Muhr at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, 1898.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.119, Item P27493
See more items in:
Byron Harvey, III Collection of Exposition and Portrait photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-119-ref13

MS 178 Manuscripts relating to the Apache language, by John B. White, physician at the San Carlos Reservation, Arizona Territory

Creator:
White, John B., M. D., d. 1878  Search this
Extent:
2 envelopes
Culture:
Yavapai Indians  Search this
Type:
Archival materials
Collection descriptions
envelopes
Date:
1873-1875
Scope and Contents:
See also NAA MS 178-a, NAA MS 178-b-1, NAA MS 178-b-2, and NAA MS 178-b-3.
Topic:
Apache Indians  Search this
Indians of North America -- Southwest  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 178, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS178
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms178

MS 1747 Apache vocabulary

Creator:
Freire-Marreco, Barbara W. (Barbara Whitchurch), 1879-1967  Search this
Informant:
Dickens, Richard, Tonto Apache, Mrs.  Search this
Naltway, Ralph, Apache  Search this
Extent:
92 Items (cards , 4-1/2 x 6-1/2 in.)
Culture:
Apache -- Tonto  Search this
Indians of North America -- Southwest, New  Search this
Apache Indians  Search this
Type:
Archival materials
Collection descriptions
Date:
April 1913
Scope and Contents:
Information obtained from Pauline, a Tonto-Apache woman married to Richard Dickens, a Mohave-Apache man living at McDowell, Arizona; and Ralph Naltway, Carlisle School, Class 1891, of San Carlos.
Local Numbers:
NAA MS 1747
Local Note:
Manuscript document
Topic:
Language and languages -- Documentation  Search this
Citation:
Manuscript 1747, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1747
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms1747

MS 179 A History of the Apache Indians of Arizona Territory

Creator:
White, John B., M. D., d. 1878  Search this
Author:
Stirling, Matthew Williams, 1896-1975  Search this
Extent:
69 pages
Culture:
Apache -- History  Search this
Apache Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
pages
Date:
1873-75
Scope and Contents:
Includes description of Cochise, page 11.
Biographical / Historical:
This account was used freely in the preparation of various articles in Bureau of American Ethnology Bulletin 30 on the Apache, and seems to have been considered one of the principal sources at that time. It has not been published, however, in any other manner. According to his own statements, White was scrupulously careful in securing and checking his information. The account is probably quite trustworthy. It was prepared for the purpose of accompanying his vocabulary. [Manuscript 178].
J. B. White is mentioned in the article in the New Mexico Historical Review, "Es-kim-in-zin," by John P. Clum, who succeeded White as agent at San Carlos. This article gives a good account of the disturbances that occurred during White's sojourn as acting agent. See also the Report of J. B. White, August 9, 1874 on the San Carlos Agency in Report of the Commissioner of Indian Affairs in 1874, page 294. I have not found any biographical material on White, who was an army surgeon prior to his Indian office appointment. ---Notes by M. W. Stirling, Director, Bureau of American Ethnology October 19, 1953.
Local Numbers:
NAA MS 179
Local Note:
See also National Anthropological Archives MS 178
Topic:
Language and languages -- Documentation  Search this
Citation:
Manuscript 179, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS179
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms179

MS 186 Terms, phrases and sentences from Apache dialects gathered from various informants by Albert S. Gatschet

Creator:
Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this
Informant:
Cushing, Frank Hamilton, 1857-1900  Search this
Extent:
1 Volume (14 pages)
Culture:
Apache -- Tsigakina  Search this
Navajo Indians  Search this
Apache -- Tonto  Search this
Apache -- Chiricahua  Search this
Apache -- Mescalero  Search this
Apache -- Jicarilla  Search this
Indians of North America -- Southwest, New  Search this
Chiricahua Indians  Search this
Jicarilla Indians  Search this
Mescalero Indians  Search this
Apache Indians  Search this
Type:
Archival materials
Collection descriptions
Volumes
Date:
1882, 1884 and 1885
Scope and Contents:
Apache terms obtained from some Chiricahua Apaches, sent as delegates to the U. S. Government from the San Carlos Reservation, Arizona, and present at the Fremont House, Washington, on February 12, 1884, pages 5-6; terms of the Tsigakina dialect, pages 7-8; Sentences in the Navajo dialect of Apache, obtained from Frank Hamilton Cushing, 1882, and Single terms in the Navajo dialect of Apache, obtained from the same, pages 9-12; Navajo terms obtained from the interpreter of a Navajo delegation present in Washington in 1885, Saturday, November 28, 1885, pages 14-16; and Some words of Jicarilla Apache, from Eski'e, present in Washington, D.C. January 5, 1884, with comparison from Buschmann's Collection, pages 18-19.

Informants for Apache data on pages 1-8 (according to account in Washington Evening Star noted by Gatschet, page 8): Antonio (San Carlos); Chiquito Hey (Tonto); As-Kadsdilges (Chiricahua); Sergeant Not (Knott?), scout for the army division under General Crook. The informant, Eski'e, called himself a Mescalero Apache. (page 19).
A note on page 8, referring to the foregoing vocabulary, reads, "Original in my folio manuscript XX, page 189. (This original not located as of 12/1969).
Local Numbers:
NAA MS 186
Place:
Washington D.C.
Topic:
Language and languages -- Documentation  Search this
Navaho  Search this
Apache  Search this
Citation:
Manuscript 186, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS186
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms186

San Carlos Apache: Women Working in Peridot, AZ

Collection Photographer:
Teiwes, Helga  Search this
Extent:
12 negatives (photographic) (black and white, 6x6cm)
Container:
Box 2, Sheet 1
Type:
Archival materials
Negatives (photographic)
Date:
1973
Scope and Contents:
Pictured: Edna Nockey, Ella Reede, Edith Nosie, Lenola Goseyan, Maria Hoffman.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Please contact the NMAI Archive Center (NMAIArchives@si.edu) regarding the use of this collection, donor restrictions apply.
Collection Citation:
Identification of specific item; Date (if known); Helga Teiwes Photograph Collection, Box and Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Helga Teiwes photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-070-ref59

Apache

Collection Photographer:
Teiwes, Helga  Search this
Extent:
421 slides (photographs)
37 Transparencies
427 negatives (photographic)
104 Photographic prints
Type:
Archival materials
Slides (photographs)
Transparencies
Negatives (photographic)
Photographic prints
Date:
1973-1994
bulk 1992-1994
Scope and Contents:
Series 2: Apache contains photographs from the White Mountain Apache and San Carlos Apache reservations from 1973-1994. Both the White Mountain Apache and San Carlos Apache reservations are located in east central Arizona. Although Teiwes did make earlier trips (see Subseries 2.1), particularly to Whiteriver, Arizona, the majority of the photographs in this series were taken at two Coming of Age Ceremonies: Leia Tenille Johnson, 1992, in Whiteriver (Subseries 2.2) and Vanessa Jordan, 1994, in Bylas (Subseries 2.3). Teiwes consulted with the families and received permission to photograph the two ceremonies. A selection of 50 photographs were later exhibited in "Western Apache Sunrise Ceremony" at the University of Kansas Museum of Anthropology. These prints are located in Subseries 2.4.
Arrangement:
Arranged in subseries by subject then chronologically within the subseries.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Please contact the NMAI Archive Center (NMAIArchives@si.edu) regarding the use of this collection, donor restrictions apply.
Collection Citation:
Identification of specific item; Date (if known); Helga Teiwes Photograph Collection, Box and Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.070, Series 2
See more items in:
Helga Teiwes photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-070-ref7

Chesley Wilson: San Carlos Medicine Man and Violin Maker

Collection Photographer:
Teiwes, Helga  Search this
Extent:
2 negatives (photographic) (black and white, 6x6cm)
Container:
Box 2, Sheet 6
Type:
Archival materials
Negatives (photographic)
Date:
1985
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Please contact the NMAI Archive Center (NMAIArchives@si.edu) regarding the use of this collection, donor restrictions apply.
Collection Citation:
Identification of specific item; Date (if known); Helga Teiwes Photograph Collection, Box and Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Helga Teiwes photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-070-ref63

MS 7211 Description of a basket in the USNM collection

Creator:
Dodge, K. T. (Katherine Taylor)  Search this
Names:
Chilchuana, Apache  Search this
Nets-a-dis-pat, Apache  Search this
Extent:
3 Pages
Culture:
Apache Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Pages
Date:
undated
Scope and Contents:
Writer claims the basket is the largest ever brought into the San Carlos agency. The basket was made by Nets-a-dis-pat, wife of Chilchuana. Note largely concerns the price of the basket and obtaining it for the museum. Notes suggests there was also a photograph but it has not been located.
Local Numbers:
NAA MS 7211
Topic:
Baskets  Search this
Citation:
Manuscript 7211, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7211
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7211

Gary Auerbach portraits of Native American people

Creator:
Auerbach, Gary  Search this
Extent:
44 Prints (platinum)
Culture:
Indians of North America -- Great Plains  Search this
Kickapoo Indians  Search this
Taos Indians  Search this
Isleta Indians  Search this
Navajo Indians  Search this
Assiniboine Indians  Search this
Delaware Indians  Search this
Indians of North America -- Northeast  Search this
Apache Indians  Search this
Arapaho Indians  Search this
Indians of North America -- Southwest, New  Search this
Tohono O'Odham Indians  Search this
Mescalero Indians  Search this
Siouan Indians  Search this
Type:
Archival materials
Collection descriptions
Prints
Photographs
Place:
Chelly, Canyon de (Ariz.)
Taos Pueblo (N.M.)
Date:
1992-2003
Scope and Contents note:
Mostly individual and group portraits of Apache, Arapaho, Assiniboine, Delaware, Isleta, Kickapoo, Mescalero Apache, Navajo, San Carlos Apache, Sioux, Taos, and Tohono O'odham Indians. The collection also includes a self-portrait of Gary Auerbach and images of weavers, dancers, tipis, Canyon de Chelly, Taos Pueblo, and Taos cemetery. Additionally, there are biographical questionnaires and one autostereoscopic multidimensional platinum print.
Biographical Note:
Following a career as a chiropractor in Tuscon, Arizona, Gary Auerbach began working as a professional photographer in 1991. Concerned about the long-term permanence of his photographs, Auerbach taught himself the platinum printing process. Starting in 1992, Auerbach began photographing American Indians and published these photos, accompanied by biographical information and questionnaires from his subjects, in We Walk in Beauty.
Local Call Number(s):
NAA Photo Lot 2004-13
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use and access.
Genre/Form:
Photographs
Citation:
Photo Lot 2004-13, Gary Auerbach portraits of American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.2004-13
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-2004-13
Additional Online Media:

MS 4877 Photographs relating to various North American Indian tribes

Creator:
Hrdlička, Aleš, 1869-1943  Search this
Type:
Archival materials
Collection descriptions
Date:
undated
Scope and Contents:
Does not include Hrdlicka's photographs from Alaska (including Eskimo) or his non-North American Indian photos.
Catalog Number 4877: Acoma "Acomita (1900)," handwritten on front of mount, (6 1/2" x 8") mounted Photographer: Ales Hrdlicka Date: 1900. "Acoma (1900)," handwritten on front of mount, (6 1/2" x 8") mounted Ales Hrdlicka 1900. Numbers written on front of prints: 4755, and 4757, appear to be negative numbers but were not found in MNH lab., as of July, 1970. Apach: (Folder 1): 28 Baker and Johnston prints, (3 duplicates), 19 with original numbers, 9 unnumbered. Quoted information printed or handwritten on mounts. Photographer: Baker & Johnston B & J #71 "Huera" Photographer: Baker & Johnston. B & J #72 "Tonse (Crawler)" Photographer: Baker & Johnston. B & J #73 "Counetza (Bummer)," (1 duplicate) Baker & Johnston. Same as Negative Number 29,784. B & J #74 "Neschila (The Woman who winks) and two children" Baker & Johnston. B & J #75 "Gazie (Twisted) and two children" Baker & Johnston. B & J #76 "Marianetta" Baker & Johnston Same as Negative Number 29,778. B & J #77 "Taz-ayz-Slath and one child" Baker & Johnston. B & J "Tascelona" Baker & Johnston. B & J #79 "Ba-keitz-ogie (The Yellow Coyote) called Dutchy" Baker & Johnston See Negative Number 2575-R for different view. B & J #82 "Fel-ay-tay" Baker and Johnston. B & J #83 "Esh-kin-tsay-gizah (Mike)" Baker & Johnston. B & J #84 "Ba-cluth (Roaming Coyote)," (1 duplicate) Baker & Johnston Same as Negative Number 29,782. B & J #86 "Al-chi-say" (1 duplicate) Baker & Johnston. B & J #88 "Yuma Apache scout" Baker & Johnston Negative Number 56,889. B & J #89 "Na-din-praquai-gizay" Baker & Johnston. B & J #90 "Group of prisoners" Baker & Johnston. "Apache said to be 115 years old" Baker & Johnston. "Apache Boys" Baker & Johnston. "Apache scouts" Baker & Johnston. "Mohave Apaches," 2 prints Baker & Johnston. "White Mountain Apache" Baker & Johnston. "General Crook, Al-chi-say and Dutchy" Baker & Johnston. "Captain Jack Crawford and Lieut. MacDonald" Baker & Johnston Same as Negative Number 46,503-A. (Folder 2) "Geronimo," handwritten on mount Photographer: A. Frank Randall (Baker & Johnston mount) Same as BAE Negative Number 2508. "Got-ha, WArm Spring Apache, Granfather of his tribe," apparently written on negative (7 1/2" x 4 1/2") mounted A. Frank Randall Sames as Negative Number BAE 2580-b-11. "Apache squaw with cradle," handwritten on back of mount, (6" x 4") mounted [A. Frank Randall ?] See Negative Number BAE 2575-q for a different view. "Natz Chi Verat," handwritten on back of mount, (6" x 4") mounted H. S. Poley. "Chigo [Chiquito] and his wife, Pinal Apache," apparently written on negative, (5 3/4" x 4") mounted C. M. Bell Same as BAE Negative Number 2553-b. "Grey Eagle, Apache," apparently written on negative, (5 3/4 x 4") mounted C. M. Bell Same as BAE Negative Number 31,383-F (cropped). "White Mountain Apache children asleep and awake," handwritten on back of mount, (6" x 4") mounted See Negative Number 2580-b-13 for different view. "Polly, Mohave Apache squaw-'69," handwritten in ink on print, (6" x 4") mounted. [Models of Apache man and woman for museum display], (8" X 6") mounted. 3 pen and ink drawings of Apache men, one of which appears to be Gerinimo, (various sizes) Artist: B. E.
Catalog Number 4877: Apache: Jicarilla (folder 3) 6 prints, (8" x 6") mounted. Individual portraits of Jicarilla Apache men. Numbers written on front of prints: 4555-57, 4561, 4569, appear to be negative numbers, but were not found in MNH lab., as of July, 1970 Photographer: Ales Hrdlicka Date: 1900-1905]-Approximate date taken from Ales Hrdlicka, "Notes on the San Carlos Apache," American Anthropologist, n.s., volume 7, number 3, 1905, page 480. Apache: Lipan, Mescalero "Lipan tends (Mescal Resrv.)," 2 prints, (3 1/2" x 4 3/4") mounted Ales Hrdlicka [1900-1905] Negative Number 34,156-K J. "Grandmother with a scowling granddaughter," 2 prints, (4 1/4" x 3 1/2") mounted Ales Hrdlicka [1900-1905]. 22 prints, (various sizes) mounted, including: "Mescalero school girls;" and individual and group portraits of men and girls. Numbers written on front of prints: 4540, [4545], 4546, 4550, 4552, appear to be negative numbers, but were not found in MNH lab., as of July, 1970 Negative Number BAE 2575-C same as Hrdlicka 4545. Apache: San Carlos "San Carlos Apache flute," (3" x 9 1/2") mounted. Reproduced in Ales Hrdlicka, "Notes on the San Carlos Apache," American Anthropologist, n. s. volume 7, number 3, 1905, plate 31 Ales Hrdlicka [1900-1905] "Children's graves, San Carlos Apache," 2 prints, (2 1/2" x 3 3/4") mounted. Reproduced in Ales Hrdlicka, NOtes on the San CArlos Apache," American Anthropologist, n. s., volume 7, number 3, 1905, plate 32 Ales Hrdlicka [1900-1905] "Children's graves, San Carlos Apache," 2 prints, (2 1/2" x 3 3/4") mounted Ales Hrdlicka [1900-1905] Negative Number 34,156- C D. "San Carlos Apache graves (in talus)," 2 prints, (2 1/2" x 3 3/4") mounted. Top picture reproduced in Ales Hrdlicka, "Notes on the San CArlos Apache," American Anthropologist, n. s. volume 7, number 3, 1905, plate 32 Ales Hrdlicka [1900-1905]. "San Carlos Apache dwellings (near Rice school)," 3 prints, (various sizes) mounted. Top two pictures reproduced in Ales Hrdlicka, "Notes on the San Carlos Apache," American Anthropologist, n.s. volume7, number 3, 1905, plate 30. 23 prints, (various sizes) mounted, including: "Apache dwellings;" and individual and group portraits of Apache men and women. Original numbers 12, 14, 18, 22, 36, 46, 52, 66, 72; numbers written on front of prints: 4499, 4501, 4504, 4506, 4509-13, 4515, 4519, 4523-27, 4529, appear to be negative nimbers, but were not found in MNH lab., as of July, 1970. Apache: White Mountain and White River (folder 5): 30 prints, (2 duplicates), (various sizes) mounted. Individual and group portraits of men, women and children, including: "John Riley, White Mountain (Arizona) Apache (1900)," (1 duplicate); "White Mountain (Arizona) Apache woman making a basket." Original numbers 95, and 117, and numbers written on front of prints: 4429, 4431, 4433-35, 4437 (1 duplicate), 4439 (1 duplicate), 4440, 4442-43, 4445-49, 4452, 4455, 4457-58, 4463, 4466, 4472, 4474, 4477-78, 4533-34, 4542, appear to be negative numbers, but were not found in the MNH lab., as of July, 1970. Two prints reproduced in Ales Hrdlicka, Beauty among the American Indians," Boas Anniversary Volume, New York, 1906, plates 4 and 6. "Kumbata, White River Apache, age 65 y., Measurement #72 in Hrdlicka's notebook," hand written on back of mount, (8" x 6") mounted Ales Hrdlicka [1900-1905]. Arapaho: 16 Baker & Johnston prints, 15 with original numbers, 1 unnumbered: B & J #36 Photographer: Baker & Johnston Same as Negative Number 42,017 D. B & J #38 (1 duplicate) Baker & Johnston. B & J # 39 (1 duplicate) Baker & Johnston Same as NEgative NUmber 29,779. B & J #44 Baker & Johnston. B & J #45 Baker & Johnston. B & J #47 (?) (1 duplicate) Baker & Johnston Same as Negative Number 29,785. B & J #48 (?) Baker & Johnston Same as Negative Number 42,017B. B & J #49 Baker & Johnston. B & J #50 Baker & JOhnston Same as Negative Number 42,021B. B & J #51 Baker & Johnston. B & J #52 Baker & Johnston. B & J #52 Baker & Johnston. B & J #53 "Arapahoes" Baker & Johnston. "Little Raven, Arapaho," written on negative C. M. Bell Negative Number BAE 148-a-1 and 2. Assiniboin "Stoney Indian Girl, #528," written on negative; "Sioux linguist family," handwritten on front of postcard Byron [M]armon, Banff, Canada. "Stoney Indian and squaw, #506," written on negative; "Canadian Rockies- Sioux Family," handwritten on front of postcard Byron [H]armon, Banff, Canada. Bannock "Bannock (bust) Ya'Mu' (age 84)," handwritten on back of mounted print; 2 prints (front and profile) A. Hrdlicka 1912 Negative Number BAE 1708a; BAE 1708b. "A Family of Sheepeater Bannocks," printed on negative C. M. Bell mount Negative Number BAE 1713, credited to W. H. Jackson, 1871.
Catalog Number 4877: Blackfoot Group of 7 snapshots and 1 duplicate, some mounted, some originally in brown Smithsonian envelope marked, "Photograophs of Blackfoot Indians at Union Station Plaza, Washington, D. C., 1922." Date may be incorrectly given, as all Indians in first five prints may be identified by individual Bureau of American Ethnology portraits taken by D. L. Gill in Washington, D. C., in 1923. All identification will read left to right as follows: Group of Indians in outdoors, in street dress; back row: Charles Iron-Breast (BAE 415-A), Owen Heavy-Breast (BAE 420-a); second row: Chief Bird-Rattler (BAE 398-a); Chief Yellow-Kidney (BAE 392-a), Aims-Back (BAE 404-A), Joe Heavy-Breast (BAE 419-a), front: Julia Wades-in-Water (BAE 397-A), Mrs Yelllow Kidney (BAE 417-a), Mrs Aims-Back (BAE 405-a), Mrs After-Bird-Rattler (BAE 413) or Mrs Heavy-Breast (BAE 421-a). [subject wears same belt as subject in BAE 413-a, but different dress.] Photographer: [A. Hrdlicka ?] Date: [1923 ?]. (2) Group of Indians sitting on steps of Union Station Plaza; back row: Joe Heavy Breast (BAE 419 a), Mrs Walks in Water (BAE 395-a), Mrs Minnie Aims-Back (BAE 405-a), Mrs After-Bird-Rattler (BAE 413-a), Mrs Heavy- Breast (BAE 421-a), Mrs Julia Wades-in-Water (BAE 397-a); second row: Charles Iron-Breast (BAE 415-A), Aims-Back (BAE 404 A), Chief Bird-Rattler (BAE 398-a), Chief Yellow Kidney (BAE 392), Wades-in water (BAE 396-a); front: child, Owen Heavy-Breast (BAE 40-a), Two-Guns White Calf (BAE 412 A). (3) Indian, probably Two-Guns White CAlf (BAE 412-a-b-) and boy, in Indian dress, with headdresses, in front of tipi. (1 duplicate) [ A. Hrdlicka ?] [1923 ?]. (4) Group of 4 Indians, 1 child, outdoors: [Aims-Back ? (BAE 404-a)], Two-Guns White Calf (BAE 412-a), Charles Iron-Breast (BAE 418-A), Mrs Walks-in-Water Iron Breast (BAE 395-a) [A. Hrdlicka ?] [1923 ?]. (5) Three Indians, one white woman, outdoors in same place as #4. [Aims-Back (BAE 404-a)], unidentified white woman, Two-Guns White Calf (BAE 418-a) and child [A. Hrdlicka ?] [1923 ?]. (6) Group of Indians outside tipis, all in street dress. Portion of Lincoln memorial in middle of extreme right edge [A. Hrdlicka ?] [1923 ?]. (7) Group of Indians, some standing, some sitting, outside tipis. White man in center of the group. All in street dress [A. Hrdlicka ?] [1923 ?]. (8-10) 3 snapshot photographs of Blackfoot pictographs on rocks. (11) "Mrs Walks in Water Iron Breast (1) 44 yrs., Property of the U. S. National Museum, Wm. H. Egbert," handwritten on back of print D. L. Gill, Bureau of American Ethnology 1923 BAE Negative Number 395-a. (12) "White Calf," handwritten in pencil on back of print. cf. BAE 401 for identification (although subject is younger in this print). Catawba "Grand child of Ruben Quick Bear," handwritten in pencil on back of mount. Print shows woman holding young baby, outdoors. Cherokee "Col Geo[rge] W. Pascal, Washington, D. C.," handwritten on back of print in ink; "Cherokee family," handwritten on back of print in pencil. "Agnes Paschal McNeir" written on top of negative; "Cherokee family" handwritten on back of print in pencil. "Ridge Paschal" written on top of negative; "H. R. Marks, Austin, Texas," printed underneath on mount; "Pascal," handwritten in ink on back of print; "Cherokee family," handwritten on back of print in pencil Photographer: H. R. Marks. "Miss Marcia Pascal," handwritten in ink on back of print; "part Cherokee," handwritten in pencil on back of print. "Photo of Woolsley Hale [Hall ?]. His father was a mulatto. His mother was a Cherokee. His grandfather's side was white, and his grandmother on his father's side was an African slave," handwritten in ink on back of prints. 2 prints, front and profile.
Catalog 4877: Cheyenne "Little Robe, Cheyenne," written on negative Photographer: C. M. Bell mount Same as BAE Negative Number 313-a-b, credited to J. Gurnet & son, 1871. "Grover Cleveland," handwritten on front of print (postcard). "Mrs Grover Cleveland," handwritten on front of print. "Cheyenne mother and child (husband= #2)," handwritten on back of print. "Henry Roman Nose, Wowgini- Yellow Bear, Nugkuftiyuwais- Lame Man, or Cohoe, Nuguinkus, Southern Cheyennes," handwritten on front of print D. L. Gill, BAE 1899 Negative Number BAE 345. "Chief Two Moons--Northern Cheyenne," printed on photoengraving "Copr. Rodman Wanamaker [?]." "Esh-Sha-A-Nish-Is- Cheyenne, Lame Deer , Mont., 1912, Sawyer," in raised letters (photo of bas-relief bust of Two Moons, cf. BAE 260-a-b-c). [Moe correct rendering of Indian name is "Ishere-nishes."] Artist: WElls M. Sawyer 1912. Chippewa (folder 1) (1) "Robert McKee & wife & boy child (girl = relation), Ponsford, Minn., Chippewa," handwritten on back of postcard. (2) Group of 4 girls, standing in snow, "All four of these girls say they are full bloods, O. O. B.," handwritten on front of postcard. (3) Group of 21 young women, all wearing same uniform (except for younger girl, with slightly different version of uniform), posed outdoors. "Chippewa," handwritten on back of postcard. (4) "Chippewa Braves, Mille Lacs Indian Trading Post," apparently printed on negative of postcard. Group of 5 men, one wearing war bonnet, all in Indian dress. (5) "Ka-be-na-gwe-wes, John Smith," apparently written on negative; "This picture taken about 1912," handwritten on front of print. cf. BAE 562 for identification of subject ca. 1912. (6) "Mike Denver, Chippewa Chief, (7) Songukomigouse, age 56, Chippewa mixed," handwritten on back of prints; 2 prints, front and profile D. L. Gill, BAE 1913 Negative Number BAE 496-a and b. (8) Edawigilig, Ojibwa 5.," apparently written on negative, "Ojibwa Tribe, (Algonquian stock)," printed on label pasted on mount below print C. M. Bell 1880-81 Same as Negative Number BAE 547a. (9)(10) "William J. Parker, Chippewa.," handwritten in ink on back of mount. 2 prints, front and profile. (11)-(30) 20 snapshots (3" x 4 1/2") with negatives, 3 additional negatives with no accompanying prints; some published, Ales Hrdlicka, "Trip to the Chippewa Indians of Minnesota," Smithsonian Miscellaneous Collection, Volume LXVI, Number 3, Washington, D. C., 1916, pages 7-75. Handwritten descriptions on backs of prints as follows: "Chippewa jurta-like tipi, Round Lake, Minnesota, birch bark," (published); "Chippewa houses, Leach Lake;" Mix-blood (white and India
Biographical / Historical:
Ales Hrdlicka joined the Smithsonian staff in 1903 as head of the Division of Physical Anthropology. Prior to that his work was done under the auspices of the American Museum of Natural History. See Introduction to Bureau of American Ethnology-Bulletin 34, page 1, for summary of his field work from 1898-1905 and tribes visited.
Local Numbers:
NAA MS 4877
Local Note:
Filed: Original prints, by tribe.
Topic:
Photographs  Search this
Citation:
Manuscript 4877, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4877
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4877

William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs

Creator:
Wotherspoon, William W. (William Wallace), 1850-1921  Search this
Names:
Geronimo, 1829-1909  Search this
Extent:
0.01 Linear Feet
Culture:
Chiricahua Apache  Search this
Type:
Archival materials
Collection descriptions
Date:
circa 1888-1905
Summary:
This collection contains 5 photographs of that were collected by William W. Wotherspoon that depict Goyathlay (Geronimo) and Chatto. The bulk of the photos were shot while Goyathlay and Chatto were a prisoners of war at the Mount Vernon Barracks in Alabama from 1888-1894.
Scope and Contents:
This collection contains five photographs collected by William W. Wotherspoon that depict Goyathlay (Geronimo) and Chatto, two Chiricahua Apache leaders. The bulk of the photos were most likely shot while Goyathlay and Chatto were a prisoners of war at Mount Vernon Barracks in Alabama from 1888-1894. One photograph of Goyathlay was shot on May 14, 1905, possibly on his return trip to Fort Sill, Oklahoma from President Theodore Roosevelt's inauguration parade in Washington, DC on March 4, 1905.

The photos on card mounts were shot by different photography studios including Dagle's Studio in Murphysboro, Illinois; Reed and Wallace Co. in Mobile, Alabama; William Reed Studio in Mobile, Alabama; and other unidentified photographers.

William W. Wotherspoon most likely collected the photographs while he served as a post commander at the Mt. Vernon Barracks.
Arrangement:
Arranged in 1 folder by image number.
Biographical / Historical:
William Wallace Wotherspoon was born in Washington, D.C. in 1850. He served as a troop officer and quarter master during the Indian Wars from 1874 to 1881. On May 16, 1889 Lieutenant Wotherspoon became the new post commander at the Mt. Vernon Barracks in Alabama. Goyathlay (Geronimo) and Chatto arrived at the Barracks as prisoners of war in 1888. Their tribe, the Chiricahua Apaches, were forced from their traditional homelands in New Mexico, Arizona, and Mexico beginning in the 1850s. Tribal leaders like Goyathlay and Chatto fought to protect their tribal lands, but the U.S. Government ultimately forced the Chiricahua Apaches to move to the San Carlos Reservation in Arizona in an effort to concentrate all Apache-speaking tribes in one location. From 1886 to 1913, the Chiricahua Apaches were transferred as prisoners of war to internment camps in Florida, Alabama, and Oklahoma. Goyathlay died as a prisoner of war on February 17, 1909 in Fort Sill, Oklahoma. Chatto eventually settled on the Mescalero Apache Reservation in New Mexico and died in 1934. Wotherspoon went on to become a military General and Chief of Staff of the United States Army. He died in on October 21, 1921 in Washington, D.C.
Provenance:
Donated by William W. Wotherspoon [grandson of William Wallace Wotherspoon (1850-1921)] in 1972.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indian encampments -- Alabama  Search this
Mount Vernon (Ala.)  Search this
Photographs  Search this
Citation:
Identification of specific item; Date (if known); William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.120
See more items in:
William W. Wotherspoon collection of Goyathlay (Geronimo) and Chatto photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-120
Additional Online Media:

Jacques Noel Jacobsen photograph collection of American Indian scouts

Collector:
Jacobsen, Jacques Noel  Search this
Names:
United States. Army. Indian Scouts  Search this
Extent:
9 copy prints
Culture:
Indians of North America -- Great Plains  Search this
Apache Indians  Search this
Dakota Indians  Search this
Pawnee Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
copy prints
Photographs
Date:
circa 1870-1898
Scope and Contents note:
Copies of photographs depicting American Indian scouts with various United States Army detachments. The collection includes group portraits of Indian scouts at Fort Grant in 1898; as well as images of Sioux scouts in 1870; Pawnee scouts; Apache scouts at San Carlos, circa 1893; Dakota followers of Sitting Bull at Standing Rock reservation in 1877; a squad of Indian police with Lieutenant Maury Nichols and an Indian agent; and a studio portrait of an Apache scout.
Biographical/Historical note:
Jacques Noel Jacobsen is a collector and dealer with a focus on US military antiquities and memorabilia.
Local Call Number(s):
NAA Photo Lot R86-39
Reproduction Note:
Copy prints made by Marc Teatum for Jacobsen, circa 1975.
Location of Other Archival Materials:
Additional photographs of American Indian scouts can be found in the National Anthropological Archives in MS 4423, MS 4536, MS 4659, Photo Lot 24, Photo Lot 89-8, Photo Lot 90-1, and the BAE historical negatives.
Drawings by scouts can be found in the National Anthropological Archives in MS 4653 and MS 7500.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Cannot be reproduced without written permission of the donor.
Genre/Form:
Photographs
Citation:
Photo Lot R86-39, Jacques Noel Jacobsen photograph collection of American Indian scouts, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R86-39
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r86-39

Douglas Miles (San Carlos Apache)

Collection Creator:
National Museum of the American Indian, Curatorial Office  Search this
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2019; Transferring office; 1/2/2008 memorandum, Toda to Pahn; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 08-029, National Museum of the American Indian, Curatorial Office, Curatorial Records
See more items in:
Curatorial Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa08-029-refd1e445

Helga Teiwes photograph collection

Photographer:
Teiwes, Helga  Search this
Names:
Arizona State Museum  Search this
Gila River Indian Reservation (Ariz.)  Search this
Navajo Nation, Arizona, New Mexico & Utah  Search this
Extent:
3775 negatives (photographic)
3126 slides (photographs)
433 Photographic prints
196 Transparencies
16 Linear feet
Culture:
Apache -- San Carlos  Search this
Akimel O'odham (Pima)  Search this
Hopi  Search this
Diné (Navajo)  Search this
Rarámuri (Tarahumara)  Search this
Tohono O'Odham  Search this
Type:
Archival materials
Collection descriptions
Negatives (photographic)
Slides (photographs)
Photographic prints
Transparencies
Negatives (photographic)
Slides (photographs)
Photographs
Place:
Cuzco (Peru)
Machu Picchu Site (Peru)
Peru
Arizona
Mexico
New Mexico
Date:
1965-2002
Summary:
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002. For over thirty years Teiwes worked as a staff photographer for the Arizona State Museum, photographing and documenting Native American communities across the American Southwest. During this time, Teiwes also privately took photographs and built personal relationships among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes. These photographs include portraits of artists at work, families in their homes, daily life on the reservation, special events and landscape photography. Additionally, the Teiwes collection includes photographs from a 1975 trip to Peru and photographs of the Tarahumara (Rarámuri) community in Chihuahua, Mexico.
Scope and Contents:
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002 across the American Southwest, Mexico and Peru. The majority of the photographs document daily life and activities, artists at work, and special events among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes in Arizona and New Mexico. A smaller amount of photographs documents trips Teiwes made to Mexico to photograph the Tarahumara (Rarámuri) community in Chihuahua and a 1975 summer trip to Peru. The collection is arranged into seven series with additional subseries.

Series 1, Akimel O'odham (Pima), 1965-1993, 2001, contains photographs mostly taken among the Gila River Indian Community in Arizona. These include intimate portraits, landscape views and views of farming and agriculture. Of particular note are photographs of Patricia "Pat" Stone and her family and basket weaver Julia Francisco. The majority of the photographs in Series 2, Apache, 1973-1994, are from two San Carlos Apache coming of age ceremonies, or "Changing Woman" ceremonies, from 1992 and 1994. The 1992 ceremony for Leia Tenille Johnson was held in Whiteriver, Arizona and the 1994 ceremony for Vanessa Jordan of Bylas, Arizona. A selection of 50 photographic prints from these ceremonies were later exhibited in "Western Apache Sunrise Ceremony" at the University of Kansas Museum of Anthropology. The largest series, Series 3, Diné (Navajo), 1969-2002, is divided into seven subseries by topics. This includes artists and artisans, families and individuals across the Navajo Nation, industry and agriculture, trading posts and markets, places, schools, and other topics. Of particular note are the photographs of the Greyeyes family from Tsegi Canyon, Arizona. In addition to photographing matriarch Bessie Salt Greyeyes at home with family, weaving, cooking, shopping around town and herding sheep and goats, Teiwes accompanied Pete Greyeyes to work at the Peabody Coal Mining Company. Other places and events of note include photographs of Monument Valley, Window Rock, seat of the Navajo Nation, the Hubbell and Shonto trading posts and the 1990 graduation from Navajo Community College (Now Diné College).

Series 4, Hopi, 1968-2002, highlights the work and artistry of Hopi basket weavers. Many of the photographs in this series were included in Teiwes's 1996 book Hopi Basket Weaving: Artistry in Natural Fibers. Coiled basket weavers from the Second Mesa include Madeline Lamson, Joyce Ann Saufkie, Evelyn Selestewa and Bertha Wadsworth, among others. Wicker basket weavers from the Third Mesa include Eva Hoyungowa, Abigail Kaursgowva, Vera Pooyouma and Vernita Silas, among others. Teiwes also photographed additional artists and events on the Hopi reservation including Maechel Saufkie's 1995 wedding. Series 5, Peru, 1975 includes photographs from Teiwes's 1975 summer trip to Peru. Teiwes visited and photographed several pre-Colombian archaeological sites including Sacsahuaman and Machu Piccu in addition to photographing in larger cities such as Cuzco, Lima and Quito (Ecuador). A large number of photographs in this series are from the Inti Raymi parade and festival held in Cuzco during their winter solstice. Series 6, Tarahumara (Rarámuri), 1971, 1977-1979 contains photographs from three trips to Chihuahua, Mexico to photograph the Tarahumara (Rarámuri) people for an Arizona State Museum exhibition held in 1979. Also included are photographs from the exhibition opening in Arizona. Series 7, Tohono O'odham, 1969-1995, 2002 contains photographs of the saguaro cactus harvest in addition to other special events among the Tohono O'odham people. Teiwes documented Juanita Ahill, and later her niece Stella Tucker, throughout the process of harvesting and processing the saguaro cactus plant to make jam and ceremonial wine. Additional events photographed in this series include the San Xavier Elders parade and Tumacacori festival.

The photographs in this collection range all media types: 6x6cm color/black and white negatives; 35mm color/black and white negatives; 35mm and 6x6cm color slides; 6x6cm transparencies; contact sheets; and 3x5, 4x6, 8x10 and larger color/black and white photographic prints, some matted for sale or exhibition purposes. Teiwes did include handwritten notations on the backs of some photographs and slide mounts. There is also a small amount of paper documentation.
Arrangement:
This collection is arranged into seven series by culture group or location. Series 1: Akimel O'odham (Pima), Series 2: Apache, Series 3: Diné (Navajo), Series 4: Hopi, Series 5: Peru, Series 6: Tarahumara (Rarámuri), Series 7: Tohono O'odham.
Biographical / Historical:
Helga Kulbe Teiwes was born in Büderich, near Düsseldorf, in Germany in 1930. In 1950 Teiwes began a trade apprenticeship in photography under Master photographer Erna Hehmke-Winterer, a specialist in black and white portraiture, architectural and industrial photography. In 1957 Teiwes earned her master's degree in photography and worked as an industrial photographer in Düsseldorf until she emigrated to New York in 1960. During her four years in New York City, Teiwes worked as a darkroom worker, an assistant photographer for Cartier Jewelers and as a transparency retoucher. She also continued to build her portfolio through free-lance work. In 1964, a trip to Mesa Verde inspired Teiwes to seek work in the Southwest. The same year she was hired by Dr. Emil Haury of the University of Arizona to photograph his excavation of Snaketown on the Gila River Indian Reservation. Following Snaketown, Teiwes was hired as a museum photographer for the Arizona State Museum (ASM) at the University of Arizona in Tucson. She was also sought after for other archaeological projects during the 1960s and 1970s to take publication and studio shots. During this time, Teiwes developed a deep interest in the people and cultures of the Southwest and spent a significant amount of time on reservations building personal relationships among the Hopi, Apache, Tohono O'dham and Diné (Navajo) among others. Teiwes took a particular interest in documenting Native artists and the work they produced, including basket weavers, potters, jewelers and carvers. Teiwes also worked to capture everyday life among the Native people of the Southwest in addition to documenting special events like the Apache coming of age ceremony and the Tohono O'odham Saguaro Cactus harvest. Teiwes retired from the Arizona State Museum in 1993 but continued to work as a freelance photographer and writer in Tuscon.

Throughout her career Teiwes's photographs and essays were published nationally and internationally. Her photographic study Navajo was published by the Swiss publisher U. Bar Varlag in 1991 and published in English in 1993. Her books Kachina Dolls: The Art of the Hopi Carvers and Hopi Basket Weaving: Artistry in Natural Fibers were published by the University of Arizona Press in 1991 and 1996. From October 2003 to June 2004, the Arizona State Museum held an exhibition titled "With an Eye on Culture: The Photography of Helga Teiwes" highlighting the broad scope of her career.

In 2013, Teiwes donated her collection of personal photographs, not taken for the Arizona State Museum, to the National Museum of the American Indian, Archive Center. Teiwes's photographs taken for the Arizona State Museum are housed in the ASM's photographic archives.
Related Materials:
There is a large collection of photographs at the Arizona State Museum where Teiwes worked from 1964-1993. These photographs include harvesting of mesquite, cholla, and saguaro; traditional farming of corn at Hopi and of tepary beans among the Tohono O'odham; and craftspeople and their art in basketry, katsina carving, pottery, and weaving.
Provenance:
This collection was donated by Helga Teiwes in 2013.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Please contact the NMAI Archive Center (NMAIArchives@si.edu) regarding the use of this collection, donor restrictions apply.
Topic:
Navajo Indians -- Agriculture  Search this
Navajo artists -- Photographs  Search this
Changing Woman Ceremony (Apache rite)  Search this
Indians of North America -- Arizona -- Photographs  Search this
Basket making -- Hopi  Search this
Indians of North America -- New Mexico -- Photographs  Search this
Saguaro -- Arizona  Search this
Basket making -- Pima  Search this
Navajo Indians -- Social life and customs  Search this
Indians of North America -- Southwest -- Photographs  Search this
Hopi women -- Photographs  Search this
Genre/Form:
Negatives (photographic)
Photographic prints
Slides (photographs)
Photographs
Citation:
Identification of specific item; Date (if known); Helga Teiwes Photograph Collection, Box and Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.070
See more items in:
Helga Teiwes photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-070
Additional Online Media:

Frank A. Rinehart and Roland W. Reed photograph collection

Photographer:
Reed, Roland, 1864-1934  Search this
Rinehart, F. A. (Frank A.)  Search this
Muhr, Adolph F., -1913  Search this
Extent:
43 Photographic prints
0.25 Linear feet
Culture:
Sicangu Lakota (Brulé Sioux)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Inunaina (Arapaho)  Search this
Southern Inunaina (Arapaho)  Search this
Assiniboine (Stoney)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Oto  Search this
Kitchai Wichita  Search this
Tonkawa  Search this
Salish (Flathead)  Search this
K'apovi (Santa Clara Pueblo)  Search this
San Carlos Apache  Search this
Chiricahua Apache  Search this
Plains Apache (Kiowa Apache)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Pikuni Blackfeet (Piegan)  Search this
Northern Tsitsistas/Suhtai (Cheyenne)  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Diné (Navajo)  Search this
Hopi Pueblo  Search this
Oglala Lakota [Pine Ridge]  Search this
Type:
Archival materials
Collection descriptions
Photographic prints
Date:
1882-1913
Summary:
This collection consists of 43 photographic prints of Native American peoples from throughout North America. Dating from 1882 to 1913, the images in this collection document a variety of Native American communities and events, including the U.S. Indian Congress which took place at the 1898 Trans-Mississippi and International Exposition in Omaha, Nebraska. Photographers include Frank A. Rinehart, Adolph F. Muhr, and Roland W. Reed, as well as a series of images by an unknown photographer who also documented American Indian life.
Scope and Contents:
The Frank A. Rinehart and Roland W. Reed photograph collection consists of 43 photographic prints of Native American peoples at the turn of the twentieth century. Dating from 1882 to 1913, the images in this collection document a variety of Native American communities and events, including the U.S. Indian Congress which took place at the 1898 Trans-Mississippi and International Exposition in Omaha, Nebraska. This exposition, also referred to as the 1898 World's Fair, was held in Omaha, Nebraska from June through October, 1898. Attending the U.S. Indian Congress at the fair were over 500 American Indian delegates representing more than 35 Native communities from throughout the United States.

In addition to the Rinehart and Muhr 1898 photographs are also a number of staged portrait images created by Roland W. Reed in the early decades of the twentieth century. Traveling throughout the U.S. West and Canada, Reed photographed Native communities ranging from Minnesota to Montana and Canada, and extending to Arizona in the Southwest U.S.

This collection also consists of 18 photographs contemporary to those of Rinehart and Reed, dating approximately 1882 – 1904. The photographer(s) of these images is unknown. Although specific communities are not identified, many images appear to portray Northern Plains and Central Plains American Indian peoples.
Arrangement:
This collection is arranged into three series, organized by photographer, and then regionally by location or culture group. Series 1: Frank A. Rinehart photographs, Series 2: Roland W. Reed photographs, Series 3: Unknown photographer
Biographical / Historical:
Frank A. Rinehart (ca. 1862-1928) was born in Illinois, opened a photography studio in Omaha, Nebraska in 1885 or 1886, and is best known for his work as the official photographer of the 1898 Trans-Mississippi and International Exposition in Omaha. In addition to portrait photographs of Native American delegates attending the U.S. Indian Congress of 1898, Rinehart as official exposition photographer also documented the broader exhibits and events that took place at the 1898 Omaha World's Fair.

Adolph R. Muhr (ca. 1858-1913) worked as Frank A. Rinehart's assistant at the 1898 Trans-Mississippi and International Exposition, creating a photographic record of the events and attendees. While Rinehart documented many of the outdoor sham-battles, dance scenes, and other events related to the U.S. Indian Congress, Muhr was responsible for the majority of the posed delegate portraits. Muhr in later years worked with photographer Edward S. Curtis in Seattle, until Muhr's death in 1913.

Roland W. Reed (1864-1934) was born in Wisconsin, and is best known for traveling widely throughout the western United States and Canada, photographing Native American communities. Having apprenticed with photographer Daniel Dutro in 1890s Montana, Reed later ran photography studios in both Ortonville and Bemidji, Minnesota in the early 1900s. Over the next few decades he continued to document the lives and cultures of Native peoples, opening photography studios in Kalispell, Montana in 1909, and later in San Diego, California in 1915. Many of Reed's photographs are clearly staged, representing romanticized and stereotyped images of what Reed believed Native American life to be. He died in Colorado in 1934.
Related Materials:
The NMAI Archive Center collections also include an album of 18 photographic prints of Frank A. Rinehart's U.S. Indian Congress images: U.S. Indian Congress of the Trans-Mississippi and International Exposition photograph album, NMAI.AC.118.
Provenance:
This collection was donated by the Dakota County Historical Society, South St. Paul, MN, in 2013.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs  Search this
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Frank A. Rinehart and Roland W. Reed photograph collection, NMAI.AC.289; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.289
See more items in:
Frank A. Rinehart and Roland W. Reed photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-289
Additional Online Media:

James E. Curry papers

Correspondent:
Paul, William L. Jr  Search this
Creator:
Curry, James E., 1907-1972  Search this
Names:
Rosebud Sioux Tribe  Search this
Three Affiliated Tribes  Search this
United States. Bureau of Indian Affairs  Search this
Bingham, Jonathan  Search this
Cohen, Felix  Search this
Cohen, Henry  Search this
Extent:
121.7 Linear Feet
Culture:
Potowatomi  Search this
Muckleshoot Indians  Search this
Nooksak  Search this
Missouri Indians  Search this
Kalispel Indians  Search this
Coeur d'Alene  Search this
Fox Indians  Search this
Haida -- Kasaan  Search this
Flathead  Search this
Kiowa Indians  Search this
Eskimo -- Gambell -- Kiana  Search this
Standing Rock Agency  Search this
Dakota -- Lower Brule  Search this
Dakota -- Fort Totten  Search this
Dakota -- Flandreau  Search this
Dakota -- Devil's Lake  Search this
Navajo Indians  Search this
Mohave Apache -- Fort McDowell  Search this
Mohave -- Fort Mohave  Search this
Maricopa -- Gila River -- Salt River  Search this
Iroquois Indians  Search this
Huron  Search this
Hopi  Search this
San Ana  Search this
Cocopa  Search this
San Ildefonso  Search this
Pima -- Gila River -- Salt River  Search this
San Felipe  Search this
Papago  Search this
Paiute -- Fallon -- Fort McDermitt -- Moapa -- Pyramid Lake -- Shivwits -- Walker River -- Yerington  Search this
Wesort  Search this
Tillamook Indians  Search this
Niska Indians  Search this
Stockbridge Indians  Search this
Quinaielt  Search this
Lummi Indians  Search this
Walapai  Search this
Blackfeet  Search this
Taos -- Pyote clan  Search this
Tesuque  Search this
Shawnee -- Eastern  Search this
Shoshoni -- Fort Hall  Search this
Sandia  Search this
Seminole -- Florida -- Oklahoma  Search this
Dakota -- Big Foot  Search this
Dakota -- Cheyenne River  Search this
Coeur d'Alene Indians  Search this
Croatan  Search this
Choctaw Indians  Search this
Cocopa Indians  Search this
Chickahominy  Search this
Chippewa -- Lac Courte Oreilles  Search this
Cheyenne -- Northern -- Southern  Search this
Bannock -- Fort Hall  Search this
Alaskan natives  Search this
Aleut (Akutan, Pribilof Islands)  Search this
Fort Sill Apache  Search this
San Carlos Apache  Search this
Arapaho -- Oklahoma  Search this
Dakota -- Crow Creek  Search this
Yuma  Search this
Isleta Indians  Search this
Caddo Indians  Search this
Winnebago Indians  Search this
Yavapai Indians  Search this
Delaware Indians  Search this
Sauk Indians  Search this
Washo Indians  Search this
Nez Percé Indians  Search this
Seneca  Search this
Omaha  Search this
Menominee Indians  Search this
Comanche Indians  Search this
Seri Indians  Search this
Sia  Search this
Yaqui Indians  Search this
Crow Indians  Search this
Catawba Indians  Search this
Creek Indians  Search this
Mandan Indians  Search this
Hidatsa Indians  Search this
Arikara Indians  Search this
Osage Indians  Search this
Chickasaw Indians  Search this
Umatilla Indians  Search this
Kansa Indians  Search this
Tsimshian [Metlakatla]  Search this
Tlingit -- Angoon -- Craig -- Juneau -- Kake -- Ketchikan -- Klawak -- Klukwan -- Taku -- Wrangell  Search this
Ute -- Uintah-Ouray  Search this
Laguna Indians  Search this
Jemez Indians  Search this
Colville Indians  Search this
Havasupai Indians  Search this
Kutenai Indians  Search this
Klamath Indians  Search this
Kickapoo Indians  Search this
Oto Indians  Search this
Spokan  Search this
Yakama Indians  Search this
Zuni Indians  Search this
San Juan Pueblo  Search this
Cochiti Pueblo  Search this
Type:
Archival materials
Collection descriptions
Notes
Letters
Clippings
Legal documents
Place:
Eastern Band of Cherokee Indians of North Carolina
Santa Clara
Date:
1932-1958
Summary:
These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.
Scope and Contents:
The material in the collection includes documents relating to many aspects of Curry's career but most of it relates to his work with Indian tribes and the National Congress of American Indians. For the most, the collection is made up of such materials as letters exchanged with government officials, Indians, and other attorneys; copies of legal documents; published government documents; notes; and clippings and other printed materials. Of particular significance is a subject file relating to Indian affairs. It includes material concerning affairs of Alaskan natives and the Aleut (Akutan, Pribilof Islands), Apache (including Fort Sill, Jicarilla, Mescalero, San Carlos White Mountain), Arapaho (Southern), Assiniboine (Fort Belknap, Fort Peck), Bannock (including Fort Hall), Blackfeet, Caddo, Catawba, Cherokee (Eastern), Cheyenne (Northern, Southern), Chickahominy, Chickasaw, Chippewa (including Lac Courte Oreilles), Choctaw, Cochiti, Cocopa, Coeur d'Alene, Colville, Comanche, Creek, Croatan, Crow, Dakota (Big Foot, Cheyenne River, Crow Creek, Devil's Lake, Flandreau, Fort Totten, Lower Brule, Mdewakanton, Oglala, Rosebud, Santee, Sisseton-Wahpeton, Standing Rock, Yankton), Delaware, Eskimo (including Gambell, Kiana), Flathead, Fox, Haida (including Kasaan), Havasupai, Hopi, Iroquois (Caughnawaga, Seneca, St. Regis), Isleta, Jemez, Kalilspel, Kansa (Kaw), Kickapoo, Kiowa, Klamath, Kutenai, Laguna, Lummi, Maricopa (Gila River, Salt River), Menominee, Missouria, Mohave (Fort Mohave), Mohave Apache (Fort McDowell), Muckleshoot, Navaho, Nez Perce, Niska, Nooksak, Omaha, Osage, Oto, Papago, Paiute (Fallon, Fort McDermitt), Moapa, Pyramid Lake, Shivwits, Walker River, Yerington), Pima (Gila River, Salt River), Potowatomi, Quinaielt, San Felipe, San Ildefonso, San Juan, Santa Ana, Santa Clara, Sandia, Sauk, Seminole (Florida, Oklahoma), Seneca, Seri, Shawnee (Eastern), Shoshoni (including Fort Hall), Sia, Spokan, Stockbridge, Taos (Pyote clan), Tesuque, Three Affiliated Tribes (Mandan, Arikara, and Hidatsa), Tillamook, Tlingit (including Angoon, Craig, Juneau, Kake, Ketchikan, Klawak, Klukwan, Taku, Wrangell), Tsimshian (Metlakatla), Umatilla, Ute (including Uintah-Ouray), Walapai, Washo, Wesort, Winnebago, Wyandot, Yakima, Yaqui, Yavapai, Yuma, and Zuni. There are also materials relating to Curry's work with the Bureau of Indian Affairs and National Congress of American Indians, and material that reflects his interest in conditions and events in given locations (often filed by state) and in organizations with interest in Indians. The material relating to Curry's work in Puerto Rico has been deposited in the Archivo General de Puerto Rico, Instituto de Cultura Puertorriquena, in San Juan.
Arrangement note:
The James E. Curry Papershave been arranged into 6 series: (1) Daily Chronological Files, 1941-1955; (2) Subject Files Regarding Indian Affairs, bulk 1935-1955; (3) Miscellaneous Files Regarding Indian Affairs, bulk 1947-1953; (4) Non-Indian Affairs, n.d.; (5) Puerto Rico Work, 1941-1947; (6) Miscellany, undated.
Biographical/Historical note:
James E. Curry was trained in law in Chicago and practiced in that city from 1930 until 1936, serving part of that time as secretary of the local branch of the American Civil Liberties Union. From 1936 to 1938, he was an attorney with the United States Department of the Interior Bureau of Indian Affairs, being largely involved with matters of credit affecting Indians. From 1938 to 1942, he continued service with the Interior Department but worked in several capacities involving the Puerto Rico Reconstruction Administration, the department's Consumers' Counsel Division, and the Puerto Rico Water Resources Authority.

In 1945, Curry returned to Washington and set up private practice, also maintaining for a time an office in Puerto Rico. In Washington, he became the attorney for the National Congress of American Indians and from that time until the 1950s his practice increasingly involved representation of American Indian tribes, mostly in claims against the federal government. In this work, for a time, he was involved in business relations with a New York Law firm that included Henry Cohen, Felix Cohen, and Jonathan Bingham.

He also often worked closely with lawyers who lived near the tribes he represented, William L. Paul, Jr., of Alaska, for example. This aspect of his practice--representing Indian tribes--was largely broken up during the early 1950s when the Commissioner of Indian Affairs began to use his powers to disapprove contracts between Curry and the tribes. In 1952 and 1953, his official relationship with the National Congress of American Indians was also ended. After this, while Curry continued until his death to act as a consultant in Indian claims with which he had earlier been involved, his career and life developed in a different direction.
Related Materials:
Additional material relating to James E. Curry can be found in the records of the National Congress of American Indians, also located at the National Museum of the American Indian Archive Center.
Provenance:
The Curry papers were originally donated to the National Anthropological Archives by James E. Curry's daughter Mrs. Aileen Curry-Cloonan in December 1973. In 2007 The Curry papers were transferred from the National Anthropological Archives to the National Museum of the American Indian Archive Center along with several other records concerning American Indian law and political rights.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Indian claims  Search this
American Indians -- Credit  Search this
Genre/Form:
Notes
Letters
Clippings
Legal documents
Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.015
See more items in:
James E. Curry papers
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-015

Byron Harvey, III Collection of Exposition and Portrait photographs

Creator:
Rinehart, F. A. (Frank A.)  Search this
Muhr, Adolph F., -1913  Search this
Jackson, William Henry, 1843-1942  Search this
Rau, William Herman, 1855-1920  Search this
Heyn & Matzen  Search this
Extent:
56 Photographic prints
Culture:
Oglala Lakota (Oglala Sioux)  Search this
Kiowa  Search this
Inunaina (Arapaho)  Search this
Chiricahua Apache  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Ute  Search this
Piipaash (Maricopa)  Search this
Lakota (Teton/Western Sioux)  Search this
Assiniboine (Stoney)  Search this
Omaha  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Salish (Flathead)  Search this
Wichita  Search this
San Carlos Apache  Search this
Jicarilla Apache  Search this
Type:
Archival materials
Collection descriptions
Photographic prints
Photograph albums
Photographs
Date:
1898-1901
Summary:
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs were shot at the Indian Congress of the Trans-Mississippi and International Exposition, 1898 and the Greater America Exposition, 1899, both held in Omaha, Nebraska.
Scope and Contents:
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs depict photographic portraits and scenes of sham battles shot at the Indian Congress of the Trans-Mississippi and International Exposition in Omaha, Nebraska, from June 1 to October 31, 1898. Frank A. Rinehart (ca. 1862-1928) and his assistant Adolph F. Muhr were the official photographers. During the Indian Congress they photographed more than 500 individuals and groups representing the estimated thirty-six tribes represented at the Exposition. Rinehart shot the majority of the outdoor battles, dance scenes, and events, while Muhr photographed the majority of the delegate portraits. Rinehart copyrighted the photographs under his own name in 1899 and 1900.

Other photographs in this collection are photographic portraits of American Indian leaders that were photographed by Herman Heyn and James Matzen at the Greater America Exposition in Omaha in 1899. Heyn copyrighted the photographs under his own name in 1899.

Finally, the collection also contains 7 loose photomechanical prints depicting portraits by photographer William Henry Jackson. These prints were colorized and published under Jackson's company the Detroit Photographic Co. Other loose color photomechanical prints include portraits shot by photographer William H. Rau (1855-1920) for the Chicago Inter-Ocean Newspaper in 1901.

The photograph titles were assigned by the photographers.
Arrangement:
The photographs in the album are in original order. The loose prints are organized into 3 folders.
Biographical / Historical:
Byron Harvey, III (1932-2005) was an anthropologist and collector specializing in southwestern American Indian tribes. He was the great-grandson of Frederick Harvey, best known as the founder of the Fred Harvey Company that ran a successful chain of gift shops, restaurants, and hotels known as Harvey Houses. The Company also amassed a collection of American Indian art and sold many collections to museums including the Museum of the American Indian (NMAI's predecessor museum).

The Trans-Mississippi and International Exposition World's Fair was held in Omaha, Nebraska from June 1 to October 1898. Over 500 Indian delegates from over thirty-five different tribes were present at the Fair. James Mooney (Bureau of Ethnology) and Captain William A. Mercer organized and managed the Indian Congress in conjunction with the Exposition. It included "living exhibitions," with mock Indian villages and demonstrations of dances, daily activities, and sham battles.

The official photographer of the U.S. Indian Congress was Frank A. Rinehart (ca. 1862-1928) with his assistant Adolph F. Muhr (ca. 1858-1913). The Rinehart and Muhr photographs are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.

After the Trans-Mississippi Exposition ended, the Greater America Exposition opened on the same fair grounds from July 1, 1899 to October 31, 1899. Herman Heyn and James Matzen won the contract to be the official photographer of the new Exposition. This Exposition featured many of the same buildings and set up as the Trans-Mississippi Exposition of the previous year.
Related Materials:
The Haskell Indian Nations University in Lawrence, Kansas has a large collection of Frank Rinehart photographs from U.S. Indian Congress of the Trans-Mississippi and International Exposition, including the original glass plate negatives.

The National Museum of the American Indian Archive Center also holds other photographs shot by Rinehart and Muhr at Trans-Mississippi and International Exposition, including collection NMAI.AC.118.
Provenance:
Donated by Byron Harvey, III in 1966.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs  Search this
Greater America Exposition (1899 : Omaha, Neb.)  Search this
Genre/Form:
Photograph albums
Photographs
Citation:
Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.119
See more items in:
Byron Harvey, III Collection of Exposition and Portrait photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-119
Additional Online Media:

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