Skip to main content Smithsonian Institution

Search Results

Collections Search Center
515 documents - page 1 of 26

Madonna

Title:
Vogue
Artist:
Jeri Heiden, born 1969  Search this
Copy after:
Alberto Tolot, born 31 Dec 1969  Search this
Sitter:
Madonna, born 16 Aug 1958  Search this
Medium:
Color photolithographic halftone poster
Dimensions:
Sheet: 151.1 x 101.6 cm (59 1/2 x 40")
Type:
Print
Date:
1990
Topic:
Poster  Search this
Madonna: Female  Search this
Madonna: Performing Arts\Performer\Musician\Songwriter  Search this
Madonna: Performing Arts\Performer\Musician\Singer  Search this
Madonna: Performing Arts\Performer\Actor\Movie  Search this
Madonna: Performing Arts\Performer\Dancer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2012.67
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2012.67

Judith Jamison in "Cry"

Artist:
Max Waldman, 1919 - 1981  Search this
Sitter:
Judith Jamison, born 10 May 1944  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 39.7 x 38cm (15 5/8 x 14 15/16")
Sheet: 50.6 x 40.7cm (19 15/16 x 16")
Mat: 71.1 x 55.9cm (28 x 22")
Type:
Photograph
Date:
1976
Topic:
Judith Jamison: Female  Search this
Judith Jamison: Performing Arts\Choreographer  Search this
Judith Jamison: Performing Arts\Performer\Dancer\Ballet  Search this
Judith Jamison: Performing Arts\Director\Dance  Search this
Judith Jamison: Performing Arts\Performer\Dancer\Modern  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Carol Greunke, Max Waldman Archives
Object number:
NPG.2002.394
Restrictions & Rights:
© 1976 Max Waldman
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2002.394

Judith Jamison in "Cry"

Artist:
Max Waldman, 1919 - 1981  Search this
Sitter:
Judith Jamison, born 10 May 1944  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 30 x 22.4 cm (11 13/16 x 8 13/16")
Sheet: 35.4 x 27.8 cm (13 15/16 x 10 15/16")
Mat: 55.9 x 40.6cm (22 x 16")
Type:
Photograph
Date:
1976
Topic:
Judith Jamison: Female  Search this
Judith Jamison: Performing Arts\Choreographer  Search this
Judith Jamison: Performing Arts\Performer\Dancer\Ballet  Search this
Judith Jamison: Performing Arts\Director\Dance  Search this
Judith Jamison: Performing Arts\Performer\Dancer\Modern  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Carol Greunke, Max Waldman Archives
Object number:
NPG.2002.395
Restrictions & Rights:
© 1976 Max Waldman
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2002.395

Playbill for It Ain't Nothin' But the Blues

Published by:
Playbill, American, founded 1884  Search this
Subject of:
"Mississippi" Charles Bevel, American  Search this
Gretha Boston, American, born 1959  Search this
Carter Calvert, American  Search this
Eloise Laws, American, born 1943  Search this
Gregory Porter, American  Search this
Ron Taylor, American, 1952 - 2002  Search this
Dan Wheetman  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1999
Topic:
African American  Search this
Actors  Search this
Blues (Music)  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.47
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2011.45.47
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for It Ain't Nothin' But the Blues digital asset number 1
Additional Online Media:

Theatre program for The Lion King

Published by:
Stagebill, American, 1924 - 2002  Search this
Used by:
New Amsterdam Theatre, American, founded 1903  Search this
Subject of:
Tom Hewitt, American  Search this
Samuel E. Wright, American, born 1946  Search this
Thuli Dumakude, South African, born 1949  Search this
Robert Dorfman, American, born 1950  Search this
John E. Brady  Search this
Tom Alan Robbins, American  Search this
Bashirra Creswell  Search this
Keith Bennett  Search this
Jeff Gurner  Search this
Vanessa A. Jones  Search this
Mwanzaa I. Brown  Search this
Kristen Dowtin  Search this
Julissa Lopez, American  Search this
Ian Quinlan  Search this
Jason Raize, American, 1975 - 2004  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 1/2 in. (21.6 x 14 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
2000
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.54ab
Restrictions & Rights:
© Disney. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2011.45.54ab
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Theatre program for The Lion King digital asset number 1
Additional Online Media:

Playbill for Raisin

Created by:
Playbill, American, founded 1884  Search this
Used by:
Lunt-Fontanne Theatre, American, founded 1910  Search this
Subject of:
Virginia Capers, American, 1925 - 2004  Search this
Joe Morton, American, born 1947  Search this
Ernestine Jackson, American  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 7/8 x 5 5/8 in. (22.5 x 14.3 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1975
Topic:
African American  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.83.1
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2011.45.83.1
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for Raisin digital asset number 1
Additional Online Media:

Alvin Ailey

Artist:
Carl Van Vechten, 17 Jun 1880 - 21 Dec 1964  Search this
Sitter:
Alvin Ailey, Jr., 5 Jan 1931 - 1 Dec 1989  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 24.7 x 20.1 cm (9 3/4 x 7 15/16")
Mat: 45.7 x 35.6 cm (18 x 14")
Type:
Photograph
Date:
1955
Topic:
Interior  Search this
Alvin Ailey, Jr.: Male  Search this
Alvin Ailey, Jr.: Performing Arts\Performer\Dancer  Search this
Alvin Ailey, Jr.: Performing Arts\Choreographer  Search this
Alvin Ailey, Jr.: Performing Arts\Director\Dance  Search this
Alvin Ailey, Jr.: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2006.12
Restrictions & Rights:
© Carl Van Vechten Trust
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2006.12

Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection

Choreographer:
Ailey, Alvin  Search this
Photographer:
Mitchell, Jack, 1925-  Search this
Dancer:
Allen, Sarita  Search this
Chaya, Masazumi  Search this
DeLavallade, Carmen , 1931-  Search this
DeLoatch, Gary, 1953-1993  Search this
Jamison, Judith  Search this
Roxas, Elizabeth  Search this
Truitte, James  Search this
Tyson, Andre  Search this
Williams, Dudley  Search this
Wood, Donna, 1954-  Search this
Extent:
16 Linear feet
Type:
Archival materials
Collection descriptions
Modern dance
Dance photography.
Date:
1961-2004
Summary:
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.
Scope and Contents:
The Jack Mitchell Photography of Alvin Ailey American Dance Theater Collection is comprised of approximately 10,000 black and white prints of solo and ensemble acts, portraits of principle dancers and various associates of the company, color slides and transparencies for private photo sessions and performances, black and white film strips and their corresponding contact sheets, and reference materials.
Arrangement:
The material in this collection has been kept primarily at the folder level in the order that was declared by the initial owner and photographer, Jack Mitchell. Oversize prints were separated and housed in an associated series in the collection. The order of the material has been organized based on the medium of the material. Each subseries has been organized based on the following:

Series I: Black and White Prints Subseries A: Solo and Ensemble Images and Portraits were organized alphabetically by ballet name. Subseries B: Prints for Jack Mitchell Publication were organized by page number in the publication.

Series II: Color Photography Subseries A: Original Slide Boxes were organized numerically based on Jack Mitchell's label assignments. Subseries B: Color Slides were organized numerically based on subseries A's label assignments. Subseries C: Color Transparencies were organized numerically based on subseries A's label assignments.

Series III: Black and White Negatives Subseries A: Black and White Film Strips were organized chronologically by date. Subseries B: Contact Sheets were organized chronologically by date.

Series IV: Reference Material

OVERSIZE Series I: Black and White Prints were organized chronologically by date.
Biographical / Historical:
Jack Mitchell was born on September 13, 1925 in Key West, Florida. Although he was not in the field of photography, Mitchell's father bought him his first camera when Jack was a teenager. His first published photograph was of actress, Veronica Lake, for a War Bond Tour, a tour issued by the government that promoted debt securities to soldiers to finance military operations and expenditures He enlisted in the United States army and became a photographer in Italy at the end of World War II. In 1949, Ted Shawn, a dancer and choreographer who is respected among the dance community as a pioneer of American modern dance, invited Mitchell to Massachusetts photograph his dancers at his dance center, Jacobs's Pillow. It was during this time where Mitchell's interest and appreciation for moving bodies was realized. In the lifespan of his career, Mitchell created over 150 covers for Dance Magazine1, the New York Times, Time, Life, Newsweek, Rolling Stone, Vanity Fair, and Vogue.2

As Jack Mitchell started to photograph the poses and ballets of the American Ballet Theater throughout the late 1950s, Alvin Ailey saw some of Mitchell's photographs. By 1961, Mitchell had established himself as a distinguished photographer of dance, coining the term, "moving stills". His photographs became the benchmark and standard that other dance photographers measured their work. In November 1961, Ailey invited Mitchell to a performance space in Clark Center, NY, and with his dancers, they performed for Mitchell's camera; some of the photographs from that first photo session can be found in this collection.

Alvin Ailey was born on January 5, 1931 in in Rodgers, Texas, during the Great Depression. As his repertory reflected, the beginning of his life was defined by a tight-knit, predominantly African American folk culture. At age 12, Ailey and his mother, Lula Cooper, moved Los Angeles, California. It is here that he was exposed to the Ballet Russe de Monte Carlo, which led him to study under the Lester Horton Dance Theater, where he danced with Carmen DeLavallade, James Truitte, and Joyce Trisler. After 3 years of performing and training, he was positioned as a choreographer and later became the director of the company when Lester Horton suddenly died in 1953. His influence from Lester Horton, Martha Graham, and Katherine Dunham help to establish his philosophy that "Everything in dancing is style, allusion, the essence of many thoughts and feelings, the abstraction of many moments. Each movement is the sum total of moments and experiences".3 After Horton's death, Ailey went to perform at Ted Shawn's Jacob's Pillow Dance Festival, and then on to New York with his longtime schoolmate and fellow dancer, Carmen DeLavallade, to perform in the 1954 Broadway production of "House of Flowers". The Alvin Ailey American Dance Theater Company was established in 1958.

From the beginning of his journey as a dancer and choreographer, Ailey wanted to show African American experience in his performances. He embedded folk culture in his early works "Revelations" and "Blue Suites". In reflection, before his first South Asian Tour, Alvin expressed, "The cultural heritage of the American Negro is one of America's richest treasures. From his roots as a slave, the American Negro- sometimes sorrowing, sometimes jubilant but always hopeful -has touched, illuminated, and influenced the most preserved of world civilization. I and my dance theater celebrate this trembling beauty."4 "Revelations" was well- received by national and international audiences, Ailey recognized by the dance community as a choreographer with promise and his company and ballets he created were highly anticipated. By 1965, Ailey went from being a dancer to being the company's choreographer. From the onset, Ailey embraced diversity and invited interracial and interdisciplinary perspectives at of the company. He also created ballets for other notable companies including the American Ballet Theatre, Royal Danish Ballet, London Festival Ballet, the Joffrey Ballet, Paris Opera Ballet, and LaScala Opera Ballet.5 He was invited to choreograph Samuel Barber's Anthony and Cleopatra for the Metropolitan Opera at Lincoln Center in 19666, and Leonard Bernstein's Mass for the Kennedy Center for the Performing Arts in 1971.7

As the company embraced racial diversity, Ailey never lost his sense of obligation to the African American community. In 1969, he established the Alvin Ailey American Dance Center, which became the Ailey School, formed the Alvin Ailey Repertory Ensemble, and pioneered programs promoting arts in education, particularly those that benefitted deprived communities. Among his numerous distinctions were the Dance Magazine Award (1975), the NAACP Spingarn Medal (1976), given for "the highest and noblest achievement by an American Negro during the previous year or years"8 , the Samuel H. Scripps American Dance Festival Award (1987), the most prestigious award for modern dance for a lifetime contribution to the field, the Kennedy Center Award (1988) and Honorary Doctorates from Princeton University (1972)9 , Bard College (1977)10 , and Adelphi University (1977). President Barack Obama posthumously awarded Ailey the Presidential Medal of Freedom in 2014, the country's highest civilian honor, in recognition of his contributions and commitments to civil rights and dance in America.11

Through Jack Mitchell and Alvin Ailey's work, they were able to collaborate and create something "rich in historical connotations, the liveliest kind of permanent record of the works of important creators and creations that formed the nucleus of Ailey's remarkable vision of American dance and what it could be"12. Alvin Ailey's reputation for creating eclectic dance methods produced movements and poses that are still studied and idolized today. Mitchell was able to pay homage to many of the world's best dance artists from James Truitte, Carmen DeLavallade, Dudley Williams, Donna Wood, Renee Robinson, Gary DeLoatch, as well as Ailey, through his photography. With Ailey's longstanding and established stature within the dance community, and Mitchell's pronouncement of the detailed through his use of lighting in his photographs, this collection highlights the incredible collaboration between Ailey and Mitchell, and serves as a unique document of one of the world's most renowned American dance company's.

Alvin Ailey's vision for a dance company was dedicated to enriching the American modern dance heritage and preserving African American culture. In a 1989 interview with Dance Magazine, shortly before his death, Ailey discussed how he took pride in knowing that "No other company around [today] does what we do, requires the same range, and challenges both the dancers and the audience to the same degree." Ailey searched for a collaborator that would help him display the value of communicative movement; he found his match in Mitchell. Ailey's influence went beyond the stage and Jack Mitchell's images in this collection document that evolution. With Alvin Ailey's passing in 1989 at age 58 and Jack Mitchell's death in 2013 at age 88, these photographs of Alvin Ailey American Dance Theater Collection serves as one of the few sources of this dynamic dance company, from its early days to an internationally recognized troupe.

Footnotes

2. Jack Mitchell. Alvin Ailey American Dance Theater: Jack Mitchell Photographs. (Kansas City: Andrews and McMeel, 1993), viii

3. Bruce Weber, "Jack Mitchell, Photographer of the Arts, Dies at 88", The New York Times Obituaries (November 9, 2013): -- http://www.nytimes.com/2013/11/10/arts/jack-mitchell-photographer-of-the-arts-dies-at-88.html

4. Jennifer Dunning, Alvin Ailey: A Life in Dance. (New York; Addison- Wesley, 1996), 123

5. Ibid, 146.

6. Alvin Ailey, Revelations: The Autobiography of Alvin Ailey. (New York: Birch Lane, 1995), 6-7.

7. Alvin Ailey, Revelations: The Autobiography of Alvin Ailey. (New York; Birch Lane, 1995), 7.

8. Ibid.

9. Ibid.

10. Dunning, Jennifer. -- Alvin Ailey: A Life in Dance -- . (New York: Addison-Wesley, 1996), 286.

11. "Bard College Catalogue 2016-17: Honorary Degrees": -- https://www.bard.edu/catalogue/index.php?aid=1205177%26sid=670501

12. Office of the Press Secretary, "President Obama Names Recipients of the Presidential Medal of Freedom" (November 10, 2014): -- https://www.whitehouse.gov/the-press-office/2014/11/10/president-obama-names-recipients-presidential-medal-freedom

13. Jack Mitchell. Alvin Ailey American Dance Theater: Jack Mitchell Photographs. (Kansas City: Andrews and McMeel, 1993), ix.
General:
COLLECTION LIST OF FEATURED REPERTORY

After Eden, Archipelago, Been Here and Gone, Black Belt, Blues Suite, Butterfly, Caravan, Carmina Burana, Caverna Magica, Chelsea's Bells, Come and Get the Beauty of It Hot, Concert in F, Congo Tango Palace, Crossword, Cry, Dance at the Gym, District Storyville, Divining, Episodes, Escargot, Facets, Fever Swamp, Flowers, Folkdance, Fontessa and Friends, For Bird – with Love, Forgotten Time, Frames, Gazelle, Hermit Songs, Hidden Rites, Hobo Sapiens, How to Walk an Elephant, Hymn, Icarus, Journey, Jukebox for Alvin, Lament, Landscape, Mary Lou's Mass, Masekela Langage, Memoria, N. Y. Export, Op. Jazz, Night Creature, North Star, Opus McShann, Pas de Duke, Passage, Pigs 'n Fishes, Portrait of Billie, Prodigal Prince, Quintet, Rainbow 'round my Shoulder, Revelations, Rift, Roots of the Blues, Sarong Paramaribo , Satyriade, Seven Journeys, Shards, Shelter, Spectrum, Speeds, Speeds, Streams, Suite Otis, The Beloved, The Lark Ascending, The Letter, The Mooche, The River, The Road of the Phoebe Snow, The Stack-Up, The Winter in Lisbon, Three Black Kings, Tilt, Toccata, Treading, Variegations, Vespers
Separated Materials:
There were 3 inscribed copies of "Alvin Ailey American Dance Theater: Jack Mitchell Photographs" originally stored in the collection. One copy of this text can be found in Series IV: Reference Materials with the publication draft, another copy is housed in the National Museum of African American History and Culture Library, and the last copy has been designated to serve as an archival reference text.
Provenance:
Acquired from the Alvin Ailey Dance Foundation, Inc. in 2013.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Topic:
Dancers -- Photographs  Search this
Alvin Ailey American Dance Theater  Search this
Choreography -- United States  Search this
Dance  Search this
Dance schools -- United States  Search this
Dance -- Production and direction  Search this
Dance companies  Search this
Dance -- North America  Search this
Genre/Form:
Modern dance -- United States -- 20th century
Dance photography.
Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
Identifier:
NMAAHC.A2013.245
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-a2013-245
Additional Online Media:

#1480-82: "Revelations" and active Repertory; Onstage Rehearsal of "Cry" & "Rift"; Portraits of Judith Jamison at SUNY Purchase

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Binder 9, Folder 5
Type:
Archival materials
Slide sheet
Date:
1991
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref370

for colored girls who have considered suicide / when the rainbow is enuf

Published by:
Playbill, American, founded 1884  Search this
Subject of:
Dr. Ntozake Shange, American, 1948 - 2018  Search this
Used by:
Booth Theatre, American, founded 1913  Search this
Medium:
ink on paper, metal
Dimensions:
9 x 5 5/8 x 1/8 in. (22.9 x 14.3 x 0.3 cm)
Type:
magazines (periodicals)
playbills
Place used:
New York City, New York, United States, North and Central America
Date:
November 1977
Topic:
African American  Search this
Drama (Theatre)  Search this
Feminism  Search this
Gender  Search this
Identity  Search this
Sexuality  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dow B. Ellis
Object number:
2012.152.1213
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera
Exhibition:
A Changing America: 1968 and Beyond
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 1, C1 053
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2012.152.1213
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>for colored girls who have considered suicide / when the rainbow is enuf</I> digital asset number 1
Additional Online Media:

"Revelations": Myrna White, Minnie Marshall, Ella Thompson Moore

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 36
Type:
Archival materials
Prints
Date:
1961
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref188

"Revelations": Alvin Ailey, Myrna White, James Truitte, Minnie Marshall, Don Martin, & Ella Thompson Moore

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 37
Type:
Archival materials
Prints
Date:
1961
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref189

"Revelations": Minnie Marshall, James Truitte, & Ella Thompson Moore

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 38
Type:
Archival materials
Prints
Date:
1961
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref190

Frontal Portrait of Alvin Ailey

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 39
Type:
Archival materials
Prints
Date:
1962
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref191

Side-turned portrait of Alvin Ailey

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 40
Type:
Archival materials
Prints
Date:
1962
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref192

"Revelations": Takako Asakawa, Hope Clarke, Lucinda Ransom, Joan Peters, Loretta Abbot (seated)

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 41
Type:
Archival materials
Prints
Date:
1964
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref193

Takako Asakawa, Loretta Abbot, & Joan Peters improvising

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 42
Type:
Archival materials
Prints
Date:
1964
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref194

"Blues Suite": Loretta Abbott

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 43
Type:
Archival materials
Prints
Date:
1964
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref195

Alvin Ailey rehearses Joan Peters in "Blues Suite"

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 44
Type:
Archival materials
Prints
Date:
1964
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref196

"Blues Suite": Loretta Abbott

Collection Choreographer:
Ailey, Alvin  Search this
Collection Photographer:
Mitchell, Jack, 1925-  Search this
Container:
Box 3, Folder 45
Type:
Archival materials
Prints
Date:
1964
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Collection Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-a2013-245-ref197

Modify Your Search






or


Narrow By