Skip to main content Smithsonian Institution

Search Results

Collections Search Center
754 documents - page 1 of 38

Stefan Hirsch and Elsa Rogo papers

Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Names:
Bard College -- Faculty  Search this
Bennington College -- Faculty  Search this
Downtown Gallery (New York, N.Y.)  Search this
United States. Office of the Coordinator of Inter-American Affairs  Search this
Albers, Josef  Search this
Anguiano, Raúl, 1915-2006  Search this
Bier, Justus, 1899-1990  Search this
Field, Hamilton Easter  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mumford, Lewis, 1895-1990  Search this
Mérida, Carlos, 1891-1984  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
19.6 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Place:
Mexico -- Photographs
Date:
1851-1986
bulk 1920-1960
Summary:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.
Scope and Contents:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

Biographical materials include address lists, resumes and biographical sketches, identification cards, material relating to Hirsch's military service, and legal documents. Two sound recordings, one personal and another of Rogo on Spanish National Radio, are also found here.

Correspondence is both professional and personal. Professional correspondence concerns commissions, exhibitions, travel, and teaching. Notable correspondents include Josef Albers, Justus Bier, Downtown Gallery (Edith Halpert), Carlos Mérida, Lewis Mumford, Ben Shahn, and many others. Personal correspondence is largely between Hirsch and Rogo. Writings are found for both Hirsch and Rogo and include notebooks, diary fragments and transcripts, lectures, essays on art, articles, and notes. A manuscript by Hamilton Easter Field is also found and a writing by an unknown author. Professional files document teaching positions, projects, commissions, memberships, and other professional activities undertaken by Hirsch and Rogo. They document Hirsch's teaching career at Bard College, Bennington College, and his mural work in South Carolina and Mississippi. Files concerning Rogo's work with the Office of the Coordinator of Inter-American Affairs are found here, as well as files documenting their professional and personal travel. These contain a wide variety of materials, such as correspondence, printed material, meeting minutes, photographs, and writings. Also found are scattered files relating to general areas of interest.

Hirsch's and Rogo's business records include contracts concerning Elsa Rogo's book agreements, records settling the estate of the Hirsch family in Nürnberg (Nuremberg), Germany, insurance records, a lease, price lists, and general receipts and invoices. Also found are personal art collection records including a sales agreement and a list of Latin American art owned by Hirsch and Rogo. Printed materials include books, brochures, clippings, exhibition announcements and catalogs for Stefan Hirsch and others, issues of magazines and other periodicals, copies of published writings by Hirsch and Rogo, and a dismantled printed materials scrapbook.

Photographs are extensive and include personal photos of Stefan Hirsch and Elsa Rogo, their family, friends, and colleagues. Numerous travel photos were taken by Rogo in her role as a journalist in Latin American and the United States. The bulk of the professional travel photos were taken in Mexico in the 1930s to the 1960s and show events, cities, and cultural activities. Also found are glass plate negatives, photographs of works of art, and sixteen reels of motion picture film taken in Mexico, Bard College, and Oqunquit, Maine.

Eighteen sketchbooks are largely unsigned but are likely by Stefan Hirsch. Additional artwork includes sketches and etchings by Hirsch, sketches by Elsa Rogo, and works by others including Raul Anquiano and Efren Villalobos.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1899-1986 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1920s-1960s (3.2 linear feet; Boxes 1-4)

Series 3: Writings and Notes, circa 1920-1960s (1.2 linear feet: Boxes 4-5)

Series 4: Professional Files, 1912-1966 (2.8 linear feet; Boxes 6-8)

Series 5: Personal Business Records, 1927-1957 (0.5 linear feet; Boxes 8-9)

Series 6: Printed Material, 1851-1964 (2.9 linear feet; Boxes 9-12, 19)

Series 7: Photographs and Motion Picture Film, circa 1870-1960s (6.9 linear feet; Boxes 12-17, 20, FC 21-29)

Series 8: Sketchbooks, circa 1930s-circa 1940s (0.6 linear feet; Box 18)

Series 9: Artwork and Artifacts, 1916-1982 (0.5 linear feet; Boxes 18-19)
Biographical / Historical:
German-born Stefan Hirsch (1899-1964) was a painter and educator. Elsa Rogo (1901-1966) was married to Hirsch and was an artist, educator and journalist. They were active in Annandale-on-Hudson, New York, and Vermont, and traveled extensively throughout Mexico and Latin America where they documented local arts and crafts, village life, and befriended prominent Mexican artists.

Born in Nurnberg, Germany, Stefan Hirsch grew up in Europe and studied art at the University of Zurich. After settling in the United States in 1919, he took summer courses under Hamilton Easter Field in Ogunquit, Maine. Hirsch developed a Precisionist style combined with Social Realism but much of his work was difficult to restrict to one specific style. Hirsch was a founder and exhibitor at the avant-garde Salons of America which served as an alternative to the Society of Independent Artists. During the 1930s and 1940s, Hirsch participated in the U.S. government's Federal Art Project and painted murals in Aiken, South Carolina and Booneville, Mississippi. Hirsch began his teaching career in 1937 at Bennington College in Vermont, and later accepted a position at Bard College where he served as the chairman of the art department until he retired in 1961.

In 1930, Hirsch married Elsa Rogo. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. They befriended prominent Mexican artists like Diego Rivera and David Siqueiros. As a journalist, Rogo documented Mexican life, events, and art extensively through photographs. Rogo also served in the U.S. Office of the Coordinator of Inter-American Affairs, established in 1940 to promote cultural diplomacy and solidarity primarily in Latin America. In Taxaco, Mexico, she taught art to school children. Her book, Walls and Volcanos: The Creative Impulse of the Mexican People, was published in 1937.

Stefan Hirsch died in 1964. Elsa Rogo died in 1966.
Provenance:
Portions of the Stefan Hirsch and Elsa Rogo papers were donated in 1996 by the Elsa Rogo estate, via Sylvia Siskin, executrix. Additions were donated 2002, 2014, and 2019 by professor James Oles, Art Department, Wellesley College, Wellesley, Massachusetts on behalf of Sylvia Siskin.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Art teachers  Search this
Journalists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Mural painting and decoration, Mexican -- Photographs  Search this
Mural painting and decoration -- South Carolina  Search this
Mural painting and decoration -- Mississippi  Search this
Latino and Latin American artists  Search this
Genre/Form:
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hirsstef
See more items in:
Stefan Hirsch and Elsa Rogo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ab444b5-7fc2-4e6b-ad62-a18f38f904f9
EDAN-URL:
ead_collection:sova-aaa-hirsstef
Online Media:

Lattice Picture

Artist:
Josef Albers, American, b. Bottrop, Germany, 1888–1976  Search this
Medium:
Sandblasted opaque flashed glass and paint
Dimensions:
unframed: 11 1/4 × 11 7/8 in. (28.6 × 30.2 cm) framed: 11 5/8 × 12 1/8 in. (29.5 × 30.8 cm)
Type:
Sculpture/relief
Date:
1923-1925
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1974
Accession Number:
74.5
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Geometric Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2ccc6843d-4368-4d50-9f59-9307b2d9afe6
EDAN-URL:
edanmdm:hmsg_74.5

Rudolf Arnheim papers, 1919-1998

Creator:
Arnheim, Rudolf, 1904-2007  Search this
Subject:
Albers, Josef  Search this
Kepes, Gyorgy  Search this
Sheldon, Alice Bradley  Search this
Harvard University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Sarah Lawrence College  Search this
University of Michigan  Search this
Type:
Sound recordings
Interviews
Diaries
Citation:
Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- United States  Search this
Art--Study and teaching--Germany  Search this
Authors -- Massachusetts  Search this
Educators -- Massachusetts  Search this
Educators -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8318
(DSI-AAA_SIRISBib)210490
AAA_collcode_arnhrudo
Theme:
Diaries
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210490
Online Media:

Rudolf Arnheim papers

Creator:
Arnheim, Rudolf  Search this
Names:
Harvard University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Sarah Lawrence College  Search this
University of Michigan  Search this
Albers, Josef  Search this
Kepes, Gyorgy, 1906-2001  Search this
Sheldon, Alice Bradley, 1915-1987  Search this
Extent:
9.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Diaries
Date:
1919-1998
Summary:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.
Scope and Contents:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers documents his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Biographical material includes a bibliography, biographical sketches, contracts and agreements, sound cassettes of interviews, and other miscellaneous material.

Correspondence is with colleagues, editors, publishers, and universities on various subjects. The bulk of the correspondence is arranged by subject such as architects, art historians, dance, and film. There is correspondence with Harvard University, University of Michigan, Museum of Modern Art, and New School of Social Research, as well as various individuals such as Josef Albers, Gyorgy Kepes, and Alice Sheldon.

Writings and lectures include book reviews, articles, lecture drafts and notes, sound recordings of lectures, manuscripts, and copies of published articles.

Arnheim's diaries date from 1919 to 1987 and discuss his early life as a student in Germany and career as an educator and lecturer. Some diaries include draft writings.

Printed material includes lecture announcements, reviews, clippings, programs, brochures, assorted material from Sarah Lawrence College, and two instructional sound cassettes.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1939-1991 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1940-1998 (Boxes 1-5; 4.4 linear feet)

Series 3: Writings and Lectures, 1930-1989 (Boxes 5-8; 2.7 linear feet)

Series 4: Diaries, 1919-1987 (Boxes 8-9; 1.0 linear feet)

Series 5: Printed Material, 1928-circa 1990 (Boxes 9-11; 1.2 linear feet)
Biographical / Historical:
Rudolf Arnheim (1904-2007) was a writer, educator, art historian and psychologist who was born in Germany and immigrated to the United States where he primarily worked in New York and Massachusetts.

Rudolf Arnheim was born in Berlin, Germany on July 15, 1904. He received his doctorate in psychology from the University of Berlin in 1928. Arnheim worked as a film critic and editor for several magazines and journals after graduation. During this time, he gathered information which would be compiled in his book Film as Art (1932). When the Nazis came into power in 1933, Arnheim moved to Rome where he worked at the Institute for the Educational Film for six years, then moved to London in 1939 and worked as a translator for the British Broadcasting Company.

Arnheim immigrated to the United States in 1940. In 1943, he became a psychology professor at Sarah Lawrence College where he continued to teach until 1968. He also taught at the New School for Social Research during this time. From 1959 to 1960, he was a Fulbright lecturer at Ochanomizu University in Tokyo, Japan. After Sarah Lawrence College, Arnheim became a Professor of Psychology of Art at Harvard University, where he stayed until 1974 when he moved to Ann Arbor, Michigan with his wife Mary. He was a visiting professor at the University of Michigan from 1974 to roughly 1984.

Among his many publications are Art and Visual Perception, Toward a Psychology of Art, Visual Thinking, Entropy and Art, Picasso's Guernica, and The Power of Center. Arnheim died in Ann Arbor in 2007.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Rudolf Arnheim conducted by Robert F. Brown, May 16, 1972. Additional papers on Rudolf Arnheim related to psychology are available at the Archives of the History of Psychology in Akron, Ohio.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 3767) including correspondence with German publishers and editors, 1959-1982; Dumont Buchverlag, 1963-1980; Carl Hanser Varlag, 1974-1981; Helmut Diederich, 1974-1981; Franz Rudolf Knubel, 1971-1981; Werner Korbs, 1976-1982; Jurgen Weber, 1972-1981; and others. The originals were returned to Rudolf Arnheim after microfilming and subsequently donated to the Schiller-Nationalmuseum Deutsches Literaturarchiv, Germany. This material is not described in the collection container inventory or the finding aid.
Provenance:
The Rudolf Arnheim papers were donated to the Archives of American Art in several installments between 1974 to 1998 by Rudolf Arnheim. Arnheim also loaned material for microfilming in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.
Occupation:
Art historians -- Massachusetts  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art--Study and teaching--Germany  Search this
Authors -- Massachusetts  Search this
Educators -- Massachusetts  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Diaries
Citation:
Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnhrudo
See more items in:
Rudolf Arnheim papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw956011d71-95ed-495e-9e42-c9ae139b89ac
EDAN-URL:
ead_collection:sova-aaa-arnhrudo

Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5

Interviewee:
Asawa, Ruth, 1926-2013  Search this
Interviewer:
Johnson, Mark Dean, 1953-  Search this
Subject:
Lanier, Albert  Search this
Karlstrom, Paul J.  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American sculptors  Search this
Japanese American art  Search this
Japanese American artists  Search this
Women artists  Search this
Women sculptors  Search this
Art -- Philosophy  Search this
Japanese Americans -- Forced removal and internment -- 1942-1945  Search this
Theme:
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12222
(DSI-AAA_SIRISBib)230409
AAA_collcode_asawa02
Theme:
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_230409
Online Media:

Oral history interview with Ruth Asawa and Albert Lanier

Interviewee:
Asawa, Ruth  Search this
Lanier, Albert  Search this
Interviewer:
Johnson, Mark Dean, 1953-  Search this
Karlstrom, Paul J.  Search this
Names:
Black Mountain College (Black Mountain, N.C.)  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 21-July 5
Scope and Contents:
An interview of Ruth Asawa and her husband, Albert Lanier, 2002 June 21-July 5, conducted by Mark Johnson on June 21 and Paul Karlstrom on July 5, for the Archives of American Art, in the subjects' home/studio in San Francisco, California.
Asawa and Lanier shared their memories of Black Mountain College, Josef and Anni Albers (with whom they became close friends) and Buckminster Fuller. Part of their account of those years and the early stage of their marriage dealt with issues of race.
Biographical / Historical:
Ruth Asawa (1926-2013) was a Japanese American sculptor based in San Francisco, California. Albert Lanier is an architect from San Francisco, California. Interviewer Mark Johnson is head of the California Asian American Artists Biographical Survey and resides in San Francisco, California.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 20 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- California -- San Francisco  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American sculptors  Search this
Japanese American art  Search this
Japanese American artists  Search this
Women artists  Search this
Women sculptors  Search this
Art -- Philosophy  Search this
Japanese Americans -- Forced removal and internment -- 1942-1945  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.asawa02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901e9c7bd-9336-4941-abff-5a01ea224ee4
EDAN-URL:
ead_collection:sova-aaa-asawa02
Online Media:

Josef Albers his work as contribution to visual articulation in the twentieth century With articles by Clara Diament de Sujo [and others]

Author:
Gomringer, Eugen 1925-  Search this
Subject:
Albers, Josef Critique et interprétation  Search this
Physical description:
197 pages illustrations, plates. (part color) ports 28 x 33 cm
Type:
Books
Call number:
N40.1.A33 G6 E1969
N40.1.A33G6 E1969
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_9100

Tamarind Lithography Workshop records, 1954-1984

Creator:
Tamarind Lithography Workshop  Search this
Subject:
Brice, William  Search this
Francis, Sam  Search this
Hultberg, John  Search this
McLaughlin, John  Search this
Schwartz, Aubrey  Search this
Woelffer, Emerson  Search this
Adams, Clinton  Search this
Antreasian, Garo Z.  Search this
Wayne, June  Search this
Tamarind Institute  Search this
Citation:
Tamarind Lithography Workshop records, 1954-1984. Archives of American Art, Smithsonian Institution.
Topic:
Lithography -- 20th century -- California -- Los Angeles -- Study and teaching  Search this
Theme:
Latino and Latin American  Search this
Art instruction and services  Search this
Record number:
(DSI-AAA_CollID)5552
(DSI-AAA_SIRISBib)213843
AAA_collcode_tamalitw
Theme:
Latino and Latin American
Art instruction and services
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213843

Tamarind Lithography Workshop records

Creator:
Tamarind Lithography Workshop  Search this
Names:
Tamarind Institute  Search this
Adams, Clinton, 1918-2002  Search this
Antreasian, Garo Z., 1922-2018  Search this
Brice, William, 1921-2008  Search this
Francis, Sam, 1923-1994  Search this
Hultberg, John, 1922-2005  Search this
McLaughlin, John, 1898-1976  Search this
Schwartz, Aubrey, 1928-  Search this
Wayne, June, 1918-2011  Search this
Woelffer, Emerson, 1914-2003  Search this
Extent:
1 Linear foot (Gift: (partially microfilmed on 2 reels))
37 Reels (Loan)
Type:
Collection descriptions
Archival materials
Reels
Date:
1954-1984
Scope and Contents:
Artists' files; institutional files; printed material and photographs.
REELS 2866-2878: Artists' files, 1960-1981, containing biographical data, correspondence, project proposals, contract agreements, invoices, receipts, newspaper and magazine clippings, exhibition catalogs and announcements, and press releases.
REELS 2952-2975: Organizational files, 1958-1972, containing Board member's and Board of Directors correspondence, 1958-1972, Executive Committee minutes and panel of selection correspondence and recommendations; correspondence of Garo Antreasian, Clinton Adams, John Sommers and June Wayne, 1954-1973; grant applications from Manolis Piladakis, Noemi Smilansky and other artists; data on staff, including biographical data, employment contracts and printed material; and material on printer training programs, artists, writers, printers and curators.
REEL 3051: Files, 1960-1978, containing correspondence with artists, Board of Directors, Panel of Selections, Clinton Adams, Garo Antreasian, June Wayne and others; and printer evaluation reports and general correspondence.
REELS 3052-3055: Organizational files, 1959-1981, containing correspondence, information on fellowships and printer and curatorial training, biographical data, printed material, photographs of artists and printers, progress reports and proposals, financial material and printed material; 4 scrapbooks of printed material, 1960-1972; and photographs of artists, printers, the studio, staff parties, workshops, special projects and lithographs. [261 duplicate prints of some of the above photos were given to the Archives April 2, 1984 for study purposes only].
UNMICROFILMED: Printed material, 1958-1984, including catalogs, brochures, exhibition catalogs and publications by the workshop and institute; price lists of Tamarind lithography editions, 1983-1984; publications concerning the art and technique of lithography and the marketing of prints; and photographs of William Brice, Sam Francis, John Hultberg, John D. McLaughlin, Aubrey E. Schwartz and Emerson Woelffer with June Wayne working in the studio.
REEL 439-440 AND SCANNED Seventeen photos of artists, previously microfilmed under Photos of Artists I, and subsequently scanned and returned to the Tamarind records. Artists include: Annie Albers, Josef Albers, William Brice, Richard Diebendorn, Sam Francis, John Hultberg, John McLaughlin, Nathan Loiveria, Henry C. Pearson, Miriam Schapiro, Aubrey Schwartz, Esteban Vicente, Romas Viesulas, Emerson Woelffer, and Adja Yunkers.
Biographical / Historical:
Lithography workshop; Los Angeles, Calif. Founded in 1960 by Garo Antreasian, Clinton Adams and June Wayne. Relocated to Albuquerque, N.M., 1970, by Adams and Antreasian and re-established as the Tamarind Institute.
Related Materials:
The bulk of the Tamarind Lithography Workshop records are held as a portion of the Tamarind Institute Records at the University of New Mexico Center for Southwest Research & Special Collections.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project, 1983-1984. Unmicrofilmed material and 261 duplicate prints of some photos on reels 3052-3055 donated 1984 by the Tamarind Institute via Clinton Adams, director.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Reel 3051 is ACCESS RESTRICTED written permission is required.
Occupation:
Lithographers -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Topic:
Lithography -- 20th century -- California -- Los Angeles -- Study and teaching  Search this
Function:
Artists' studios -- California
Identifier:
AAA.tamalitw
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ab157c11-e68a-4d41-ab4c-a3ac881d1cd7
EDAN-URL:
ead_collection:sova-aaa-tamalitw

Albers, Josef

Collection Creator:
Stendahl Art Galleries  Search this
Container:
Box 4, Folder 10
Type:
Archival materials
Date:
circa 1938
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stendahl Art Galleries Records, 1907-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Stendahl Art Galleries records
Stendahl Art Galleries records / Series 4: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2ae7985-cb07-4a40-b050-c83c0ddee54f
EDAN-URL:
ead_component:sova-aaa-stenartg-ref117

J. B. Neumann papers, 1905-1967

Creator:
Neumann, J. B. (Jsrael Ber)  Search this
Subject:
Beckmann, Max  Search this
Baskin, Leonard  Search this
Albers, Josef  Search this
Rattner, Abraham  Search this
Namuth, Hans  Search this
Morrison, Helen Balfour  Search this
Kandinsky, Wassily  Search this
White, Clarence H.  Search this
Schmid, Elsa  Search this
Artlover  Search this
Gehenna Press  Search this
New Art Circle  Search this
Type:
Drawings
Photographs
Scrapbooks
Etchings
Citation:
J. B. Neumann papers, 1905-1967. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- United States -- History  Search this
Art -- Periodicals  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)9191
(DSI-AAA_SIRISBib)211386
AAA_collcode_neumjsra
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211386
Online Media:

J. B. Neumann papers

Creator:
Neumann, J. B. (Jsrael Ber)  Search this
Names:
Artlover  Search this
Gehenna Press  Search this
New Art Circle  Search this
Albers, Josef  Search this
Baskin, Leonard, 1922-2000  Search this
Beckmann, Max, 1884-1950  Search this
Kandinsky, Wassily, 1866-1944  Search this
Morrison, Helen Balfour, 1901-1984  Search this
Namuth, Hans  Search this
Rattner, Abraham  Search this
Schmid, Elsa, 1897-  Search this
Photographer:
White, Clarence H., 1871-1925  Search this
Extent:
2.1 Linear feet (4 boxes)
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Scrapbooks
Etchings
Date:
1905-1967
Summary:
The papers of gallery director, art dealer and publisher Jsrael Ber Neumann (1887-1961) measure 2.1 linear feet and date from 1905 to 1967. The papers document Neumann's career as the director of galleries in Berlin and Munich, Germany (1910-1924) as well as the New Art Circle gallery in New York City (1924-1952). Neumann was a respected art dealer, publisher of Artlover periodical, founder of Gehenna Press, and frequent lecturer. Found within his papers are correspondence with artists and museums, writings, printed materials mostly comprised of exhibition catalogues, artwork, and photographic materials.
Scope and Contents:
The papers of gallery director, art dealer and publisher Jsrael Ber Neumann (1887-1961) measure 2.1 linear feet and date from 1905 to 1967. The papers document Neumann's career as the director of galleries in Berlin and Munich, Germany (1910-1924) as well as the New Art Circle gallery in New York City (1924-1952). Neumann was a respected art dealer, publisher of Artlover periodical, founder of Gehenna Press, and frequent lecturer. Found within his papers are correspondence with artists and museums, writings, printed materials mostly comprised of exhibition catalogues, artwork, and photographic materials.

Correspondence is between Neumann and friends, colleagues, and museums. There is also correspondence with notable artists, including Josef Albers, Leonard Baskin, Max Beckmann, Wassily Kandinsky, and Abraham Rattner, among others. There are also condolence letters from friends and colleagues to Elsa Schmid, Neumann's wife.

Scattered writings consist of typescript drafts of Neumann's speeches and one article on expressionism. There is also one speech written by curator Richard Klein.

Printed materials comprise the bulk of the collection and include a bound gallery guest register, a disbound scrapbook, exhibition catalogs and announcements, brochures, magazines, posters, and news clippings. There are many exhibition catalogs from Neumann's galleries in Berlin and Munich as well as from the New Art Circle gallery in New York. Artwork consists of two etchings and one drawing by an unknown artist or artists.

Photographic materials include black and white photographs and negatives, including notable portraits of Neumann by photographers Helen Balfour Morrison, Clarence White, and Hans Namuth.
Arrangement:
This collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, 1925-1961 (0.2 linear feet; Box 1)

Series 2: Writings, 1919, 1954-circa 1960 (5 folders; Box 1)

Series 3: Printed Materials, 1910-1967 (1.7 linear feet; Box 1-4)

Series 4: Artwork, 1919-circa 1960 (3 folders; Box 3-4)

Series 5: Photographic Materials, 1905-circa 1950 (0.2 linear feet; Box 3-4)
Biographical / Historical:
J. B. (Jsrael Ber) Neumann (1887-1961) was a gallery director, art dealer and publisher. After immigrating to the U.S., Neumann founded the New Art Circle Gallery in New York City. Before then, he had art galleries in Berlin, Munich, Dusseldorf and Bremen, Germany.

J. B. Neumann was born in Austria in 1887. His father was an oil and lumber dealer. Neumann initially studied business but later apprenticed to a book and picture dealer when he was nineteen. While working as a clerk in a large bookstore in London, Neumann had the opportunity to work at the rare book dealer's table in the British Museum. The job allowed him to assess and handle fine and rare books, starting a lifelong passion, and Neumann went on to amass a substantial personal library.

In 1910, Neumann returned to Berlin, Germany and in 1911 opened a book and art shop where he exhibited the work of Edvard Munch and others. Neumann had many friends who were artists and in 1915-1916 he was secretary to the Berlin Secession, a prominent German artist association. By 1922 Neumann had branch offices in Bremen, Dusseldorf and Munich.

Neumann immigrated to America in 1923 and left the Berlin gallery to the directorship of Karl Nierendorf and the Munich gallery to Günther Franke. Neumann settled in New York City and one year later he opened a 57th Street gallery and bookshop, first called J.B. Neumann's Print Room and later the New Art Circle gallery. He supported numerous artists, including Wassily Kandinsky, Max Beckmann, Paul Klee, and Georges Rouault. Elsa Schmid, Neumann's wife, was an artist who worked in mosaics.

Neumann also worked as a publisher. He created the printing company Gehenna Press and published a series of periodicals including Bilderhefte (Berlin, 1920-1922) and Artlover (New York, 1926-1945, 1959). The New Art Circle gallery closed circa 1952 and, after working as its director for nearly three decades, Neumann became a consultant for museums and collectors. He was also a lecturer and he frequently spoke about art at universities, museums and galleries.

Neumann died in Rye, New York on April 28, 1961. He is survived by his widow, Elsa Schmid (d. 1970); two sons, Peter and Albrecht; and a daughter, Mrs. Johanna Lam.
Related Materials:
The Archives of American Art also holds a collection of Josef Albers letters to J. B. Neumann, 1934-1947 on microfilm reel 911.

Additional J.B. Neumann papers are also located at the Museum of Modern Art in New York. The museum microfilmed a portion of these papers and donated a copy of that film to the Archives. This material may be viewed on reel NJBN5 at Archives of American Art offices, affliate centers, and via interlibrary loan.
Separated Materials:
Also available at the Archives of American Art are materials lent for microfilming (reels NJBN-1- NJBN-5) including correspondence with numerous artists, art critics, museum directors and others. The materials on reel NJBN-1- NJBN-4 were returned to Neumann's wife, Elsa Schmid and the original material on reel NJBN-5 is located at The Museum of Modern Art in New York, NY. Loaned material is not described in the collection container inventory.
Provenance:
Neuman's wife, Elsa Schmid and The Museum of Modern Art lent the Archives of American Art material for microfilming in 1966-1967. The rest of the J.B. Neumann papers were donated in several installments between 1973-2007 by Eva Lee (family friend), Joy Weber, Max Weber's daughter, Neil Richmond, and Hellie Neumann, J.B. Neumann's granddaughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Art directors -- New York (State) -- New York  Search this
Publishers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century -- United States -- History  Search this
Art -- Periodicals  Search this
Genre/Form:
Drawings
Photographs
Scrapbooks
Etchings
Citation:
J. B. Neumann papers, 1905-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neumjsra
See more items in:
J. B. Neumann papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a841e037-5cca-486a-a45e-bb0239fc0adb
EDAN-URL:
ead_collection:sova-aaa-neumjsra
Online Media:

Paintings [Exhibition] October 5-through October 31, 1970

Author:
Albers, Josef  Search this
Author:
Sidney Janis Gallery  Search this
Physical description:
1 volume (chiefly color illustrations) 22 x 29 cm
Type:
Books
Date:
1970
Call number:
N40.1.A33 S5
N40.1.A33S5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_8470

Self-Portrait (Left Profile)

Artist:
Josef Albers, 19 Mar 1888 - 25 Mar 1976  Search this
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976  Search this
Medium:
Lithograph on paper
Dimensions:
Sheet: 30.3 x 23cm (11 15/16 x 9 1/16")
Mat: 44.8 x 36.8cm (17 5/8 x 14 1/2")
Type:
Print
Date:
1916
Topic:
Self-portrait  Search this
Josef Albers: Male  Search this
Josef Albers: Visual Arts\Artist\Painter  Search this
Josef Albers: Education and Scholarship\Educator\Professor\University  Search this
Josef Albers: Visual Arts\Art instructor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self-Portrait Collection
Object number:
NPG.2002.188
Restrictions & Rights:
Usage conditions apply
Copyright:
© Artist Rights Society
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4471862b1-7757-447d-bd8a-09085ea7af07
EDAN-URL:
edanmdm:npg_NPG.2002.188

Josef Albers

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002  Search this
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 49.8 x 39.7 cm (19 5/8 x 15 5/8")
Sheet: 50.3 x 40.4 cm (19 13/16 x 15 7/8")
Mount: 56 x 45.8 cm (22 1/16 x 18 1/16")
Type:
Photograph
Place:
United States\Connecticut\New Haven\New Haven
Date:
1966
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Artwork  Search this
Interior\Domestic  Search this
Artwork\Painting\Abstract  Search this
Josef Albers: Male  Search this
Josef Albers: Visual Arts\Artist\Painter  Search this
Josef Albers: Education and Scholarship\Educator\Professor\University  Search this
Josef Albers: Visual Arts\Art instructor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.2
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Yousuf Karsh
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm48ad07115-31eb-4b7f-a75d-8860385101a2
EDAN-URL:
edanmdm:npg_NPG.2012.77.2

Josef Albers

Artist:
Josef Breitenbach, 03 Apr 1896 - 07 Oct 1984  Search this
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 35.3cm x 27.9cm (13 7/8" x 11")
Type:
Photograph
Date:
1944
Topic:
Interior  Search this
Artwork\Painting  Search this
Josef Albers: Male  Search this
Josef Albers: Visual Arts\Artist\Painter  Search this
Josef Albers: Education and Scholarship\Educator\Professor\University  Search this
Josef Albers: Visual Arts\Art instructor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.91.51
Restrictions & Rights:
Usage conditions apply
Copyright:
©The Joseph and Yaye Breitenbach Trust, NY
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm41c4213c9-279f-46c2-a7d7-6d928ee23d97
EDAN-URL:
edanmdm:npg_NPG.91.51

Josef Albers

Artist:
Hans Namuth, 17 Mar 1915 - 13 Oct 1990  Search this
Sitter:
Josef Albers, 19 Mar 1888 - 25 Mar 1976  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 29.4cm x 23cm (11 9/16" x 9 1/16")
Sheet: 35.4cm x 27.8cm (13 15/16" x 10 15/16")
Type:
Photograph
Date:
1971
Topic:
Interior  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Artwork\Painting  Search this
Josef Albers: Male  Search this
Josef Albers: Visual Arts\Artist\Painter  Search this
Josef Albers: Education and Scholarship\Educator\Professor\University  Search this
Josef Albers: Visual Arts\Art instructor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Estate of Hans Namuth
Object number:
NPG.95.123
Restrictions & Rights:
Usage conditions apply
Copyright:
© Hans Namuth Ltd.
See more items in:
National Portrait Gallery Collection
Location:
Currently not on view
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46832b78d-2f0f-44ed-8657-f0e16818f420
EDAN-URL:
edanmdm:npg_NPG.95.123

Artists' Gallery records, 1929-1967

Creator:
Artists' Gallery (New York, N.Y)  Search this
Subject:
Albers, Josef  Search this
Altoon, John  Search this
Baizerman, Eugenie  Search this
Baizerman, Saul  Search this
Barrer-Russell, Gertrude  Search this
Beer-Monti, Friederike  Search this
Bowden, Harry  Search this
Chafetz, Sidney  Search this
Feldman, Walter  Search this
Fromboluti, Sideo  Search this
Giobbi, Edward  Search this
Golub, Leon  Search this
Grillo, John  Search this
Johnson, Lester  Search this
Kaldis, Aristodimos  Search this
Kruger, Louise  Search this
Leepa, Allen  Search this
Loberg, Robert Warren  Search this
Margo, Boris  Search this
Margules, De Hirsh  Search this
Meert, Joseph  Search this
Smithson, Robert  Search this
Stix, Hugh  Search this
Tofel, Jennings  Search this
Weissauer, Rudolf  Search this
Citation:
Artists' Gallery records, 1929-1967. Archives of American Art, Smithsonian Institution.
Topic:
Art -- United States -- Exhibitions  Search this
Theme:
Art Gallery Records  Search this
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9555
(DSI-AAA_SIRISBib)211755
AAA_collcode_artigall
Theme:
Art Gallery Records
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211755
Online Media:

Artists' Gallery records

Creator:
Artists' Gallery (New York, N.Y)  Search this
Names:
Albers, Josef  Search this
Altoon, John, 1925-  Search this
Baizerman, Eugenie, 1899-1949  Search this
Baizerman, Saul, 1889-1957  Search this
Barrer-Russell, Gertrude  Search this
Beer-Monti, Friederike, 1891-1980  Search this
Bowden, Harry, 1907-1965  Search this
Chafetz, Sidney  Search this
Feldman, Walter, 1925-2017  Search this
Fromboluti, Sideo, 1921-  Search this
Giobbi, Edward  Search this
Golub, Leon, 1922-2004  Search this
Grillo, John, 1917-  Search this
Johnson, Lester, 1919-2010  Search this
Kaldis, Aristodimos, 1899-1979  Search this
Kruger, Louise, 1924-  Search this
Leepa, Allen, 1919-2009  Search this
Loberg, Robert Warren, 1927-1999  Search this
Margo, Boris, 1902-1995  Search this
Margules, De Hirsh, 1899-1965  Search this
Meert, Joseph, 1905-1989  Search this
Smithson, Robert  Search this
Stix, Hugh  Search this
Tofel, Jennings, 1891-1959  Search this
Weissauer, Rudolf, 1924-  Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1929-1967
Summary:
The Artists' Gallery records measure 6.6 linear feet and date from 1929 to 1967. The collection sheds light on the gallery's operations through adminstrative records, artist files, exhibition files, and printed material.
Scope and Contents:
The Artists' Gallery records measure 6.6 linear feet and date from 1929 to 1967. The collection sheds light on the gallery's operations through adminstrative records, artist files, exhibition files, and printed material.

Administrative records include correspondence, gallery daybooks, inventories, meeting minutes of the gallery's board of directors, and two essay drafts; financial records consist of accounting books, sales records, receipts, invoices, payments, and a ledger; and museum and gallery files include papers and correspondence related to exhibitions, loans of artwork, and shipments of artwork. Several photographs of staff, artists, and the gallery interior are found here as well.

Artist files include biographical information and correspondence between artists, Federica Beer-Monti, and Hugh Stix concerning exhibitions, artwork shipments, prices, and some personal matters. Some files also include photographs, exhibition catalogs and announcements, newspaper clippings, artist books, and price lists.

Exhibition files include price lists, correspondence, drafts of publicity material, visitor guestbooks, and lists of exhibitions and exhibiting artists. Printed material includes Artists' Gallery's brochures, flyers, and other mailings, exhibition announcements and catalogs, as well as gallery scrapbooks comprised of exhibition ephemera, newspaper clippings, and some photographs; an essay published by gallery founder Hugh Stix; exhibition material, newsletters, and miscellaneous publications from other museums and galleries; and books on artists Henri Gaudier and Beauford Delaney.
Arrangement:
The collection is arranged as four series.

Series 1: Administrative Records, 1936-1965 (Box 1-2, 7; 1.6 linear feet)

Series 2: Artist Files, 1929-1967, bulk 1936-1962 (Box 2-4, 7-8; 1.8 linear feet)

Series 3: Exhibition Files, 1936-1962 (Box 4, 7, OV 9; 1.1 linear feet)

Series 4: Printed Material, 1931-1967 (Box 5-7; 2.1 linear feet)
Biographical / Historical:
The Artists' Gallery was established by Hugh Stix in 1936 in New York City. The goal of this non-profit gallery was to provide unknown or little-known artists a space to exhibit their work to gain public notoriety or be taken up by a commercial gallery. Stix hired Federica Beer-Monti, an Austrian socialite who was friends and acquaintances with many European artists, as director of the gallery. The painters and sculptors exhibited by the Artists' Gallery were voted on and selected by a rotating committee. Exhibitions were given without charge to the artist, and artists received the entire sale price of their work if sold. Some notable artists who exhibited at the Artists' Gallery included Josef Albers, Saul and Eugenie Baizerman, Byron Browne, Louis Eilshemius, Ben-Zion, Aristodemos Kaldis, De Hirsh Margules, and Hans Boehler. The gallery discontinued operations in the summer of 1962.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel N737. Included are six letters, 1938-1939, from artist Louis M. Eilshemius to gallery director Federica Beer-Monti. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
The Artists' Gallery records were donated and lent for microfilming in several installments from 1967 to 1998. Material on reels D313 and 79 were donated from 1967 to 1968 by Federica Beer-Monti; and she lent the Louis M. Eilshemius letters on reel N737 in 1968. The unmicrofilmed portion was donated in 1974 by Beer-Monti's niece, Greta Shapiro, who also lent the logbooks on reel 1042 for microfilming in 1976. In 1998, Shapiro's widower, Aaron, donated the material lent on reel 1042.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- United States  Search this
Gallery directors  Search this
Topic:
Art -- United States -- Exhibitions  Search this
Function:
Art galleries -- New York (State) -- New York
Citation:
Artists' Gallery Records, 1929-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artigall
See more items in:
Artists' Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950d5668a-2076-4aaa-9769-3b5e9bbb7093
EDAN-URL:
ead_collection:sova-aaa-artigall

Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967

Creator:
Institute of Contemporary Arts  Search this
Subject:
Phillips, Duncan  Search this
Barr, Alfred H., Jr.  Search this
Richman, Robert  Search this
Albers, Josef  Search this
Albers, Anni  Search this
Copland, Aaron  Search this
Fangor, Wojciech  Search this
Gropius, Walter  Search this
Hawkins, Erick  Search this
Cummings, E. E. (Edward Estlin)  Search this
Giampietro, Alexander  Search this
Gabo, Naum  Search this
Sage, Kay  Search this
Huxley, Aldous  Search this
Eliot, T. S. (Thomas Stearns)  Search this
Graves, Robert  Search this
Gordimer, Nadine  Search this
Williams, William Carlos  Search this
Tanguy, Yves  Search this
Richter, Hans  Search this
Jahn, Janheinz  Search this
Raine, Kathleen  Search this
Read, Herbert Edward, Sir  Search this
United States. Veterans Administration  Search this
People-to-People (Organization)  Search this
Meridian House Foundation  Search this
Type:
Scrapbooks
Photographs
School records
Citation:
Institute of Contemporary Arts records, 1927-circa 1985, bulk 1947-1967. Archives of American Art, Smithsonian Institution.
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9688
(DSI-AAA_SIRISBib)211907
AAA_collcode_instcona
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211907
Online Media:

Modify Your Search







or


Narrow By