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The Times of Richard Allen

Creator:
Anacostia Community Museum  Search this
Howell, Michael W.  Search this
Vance, Jim  Search this
Smithsonian Institution  Search this
Names:
African Methodist Episcopal Church (Philadelphia, Pa.)  Search this
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Free African Society (Philadelphia, Pa.)  Search this
Mother Bethel African Methodist Episcopal Church (Philadelphia, Pa.)  Search this
St. George's United Methodist Church (Philadelphia, Pa.)  Search this
Allen, Richard, 1760-1831  Search this
Chew, Benjamin, 1722-1810  Search this
Jones, Absalom, 1746-1818  Search this
Sturgis, Stokely  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 video recording (AV000961, open reel, 1 inch)
2 sound recordings (AV003353, AV003356, open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Sound recordings
Drama
Place:
Philadelphia (Pa.)
Delaware
United States
Date:
1994
Scope and Contents:
Michael W. Howell dramatizes Richard Allen's life from his birth into slavery through his establishment of what was to become the modern-day African Methodist Episcopal Church. Events which led to the founding of the Free African Society and Mother Bethel African Methodist Episcopal Church in Philadelphia are explained.
Short one-man dramatization with still images and narration interspersed. Part of Climbing Jacob's Ladder Audiovisual Records. Complete production: AV000961 [captions burned into image]. Production elements: AV003353 and AV003356 [narration]. AV003356: first minute only [remaining recording related to Twelfth Baptist Church of Boston]. Dated 19941031 [AV000961]. Undated [all other recordings].
Biographical / Historical:
The Times of Richard Allen was created alongside the Climbing Jacob's Ladder: The Rise of Black Churches in Eastern American Cities, 1740 - 1877 exhibition which explored the growth and central role of African American churches during the 18th- and 19th-centuries in the eastern United States: Boston, Savannah, New York, Philadelphia, Baltimore, Washington, and Richmond. The exhibition was organized by the Anacostia Museum and held there from October 1987 to October 1988.;Born a slave in 1760 on the Delaware property of Benjamin Chew and later sold to Stokely Sturgis, Richard Allen was one of the founders of the Mother Bethel African Methodist Episcopal Church in Philadelphia in 1789. In 1801, his collection of spiritual songs and hymns helped to establish an ongoing tradition of hymn singing at Mother Bethel. Allen also formed the Free African Society, Philadelphia's first black mutual aid society to serve the needs of African Americans regardless of religious beliefs, with Absalom Jones in 1787 after African Americans were segregated during worship services at St. George's United Methodist Church in Philadelphia.;Michael W. Howell collaborated with Smithsonian staff to create The Times of Richard Allen, a one-man dramatization performed by Howell at the Smithsonian's Museum of American History in 1987 to augment the museum's exhibit "After the Revolution: Everyday Life in America, 1780-1800," which focused in part on Allen. [McIntyre, Mike. Accolade for Round House. The Washington Post, Feb. 17, 1987.]
Local Numbers:
ACMA AV003353

ACMA AV003356
General:
Title transcribed from opening credits of video recording.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at ACMarchives@si.edu.
Topic:
African Americans  Search this
African American churches  Search this
Churches  Search this
Church history  Search this
Religion  Search this
Methodism  Search this
African American clergy  Search this
Clergy  Search this
Preachers  Search this
Slavery  Search this
Slaves  Search this
Segregation  Search this
Jacob's ladder (Biblical dream)  Search this
Genre/Form:
Video recordings
Sound recordings
Drama
Series Citation:
Climbing Jacob's Ladder audiovisual records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-036, Item ACMA AV000961
See more items in:
Climbing Jacob's Ladder: the Rise of Black Churches in Eastern American cities, 1740 - 1877 Exhibition Records
Climbing Jacob's Ladder: the Rise of Black Churches in Eastern American cities, 1740 - 1877 Exhibition Records / Series 3: Audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-036-ref887

Bishop "Sweet Daddy" Grace [photoprint]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Grace, Daddy,Bishop, 1882?-1960  Search this
Series Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, Addison N., 1883-1964  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Rice, Moses P.  Search this
Extent:
1 Item (photoprint)
Culture:
African Americans  Search this
Type:
Archival materials
Portraits
Date:
[undated]
Scope and Contents:
Contact print of two images (2 poses).
Series Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clergy  Search this
African American clergy  Search this
Cults and nonconventional religious groups  Search this
Genre/Form:
Portraits -- African American men
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 1: Black and White Photographs
Scurlock Studio Records, Series 1: Black and White Photographs / 1.1: Clients Black and White Photographs / Grace (Bishop)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s01-ref7885

Miss Gloria Smith (Wedding) Deluxe Wedding Album June 24,1956 [from enclosure] [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Smith, Gloria  Search this
Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Rice, Moses P.  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 319
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1950-1960 -- Photographs
Date:
1956 June 24
Scope and Contents:
Job Number: 59036
Subject/Sitter: wedding
Minister with two groomsmen. Ink (text) on negative: "Miss Gloria Smith (Wedding) Deluxe Wedding Album." Kodak Safety Film edge imprint.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clergy  Search this
African American clergy  Search this
African American weddings  Search this
Weddings  Search this
Brides  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film -- aat
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: S - Szatkowski
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref64676

Rev. William H. Jernagin #33 [acetate film photonegative with contact print]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Jernagin, William H., Rev.  Search this
Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Rice, Moses P.  Search this
Extent:
2 Items
Type:
Archival materials
Portraits
Retouching
Contact prints
Studio portraits
Photographs
Date:
Oct. 28, 1954
Scope and Contents:
Studio portrait. Negative edge imprint: "Kodak Safety Film 467." Subject name, sitting no., and "6 - 5x7 reg." in ink on edge. With contact print, 7" x 5".
General:
Freezer box number XX. Print in Box 81. Originally in Box A.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy  Search this
Genre/Form:
Portraits -- African American men
Retouching -- Pencil
Contact prints -- 1950-2000
Studio portraits
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: J - Juvanovech / Jernagin, William H., (Reverend)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref82678

Rev. Raymond Smith [black-and-white cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Defender (film manufacturer)  Search this
Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Rice, Moses P.  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 5" x 7".)
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Studio portraits
Place:
Washington (D.C.) -- African Americans
Date:
undated
Scope and Contents:
Studio portraits of an African American man wearing a high clerical collar, from waist up. Two exposures on one sheet of film. Retouching pencil and ink on negative: "41893 Rev. Raymond Smith." Defender Safety Base edge imprint.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy  Search this
Clergy -- Washington (D.C.)  Search this
Genre/Form:
Photographs -- 1930-1960 -- Black-and-white negatives -- Acetate film
Studio portraits -- African American men
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: S - Szatkowski / Smith, Raymond, (Reverend)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref82744

Rev. Divine [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Divine, Father, orRev. (George Baker), ca. 1882-1965  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 1
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Date:
undated
Scope and Contents:
Job Number: 25695
Group portrait of Divine with three other men and two women. Ink ident. on film edge. Signed "Scurlock / Photo" in ink, bottom right.
Biographical / Historical:
African-American religious leader, founder of the Peace Mission movement, b. probably near Savannah, Ga. and named George Baker. After preaching in the South, he moved to Harlem (1915) in New York City, became one of the neighborhood's biggest landlords, acquired wealth through other businesses, including restaurants and grocery stores, and began styling himself Major M. J. Divine, later Father Divine. Although once dismissed as a cult leader, he built the largest religious movement in northern ghettos during the Great Depression. His role as an early civil rights activist&#x2014he led anti-lynching campaigns, instituted economic cooperatives, and organized political action against racial discrimination&#x2014has come to be more appreciated. The movement spread beyond New York City to other places in the United States and abroad, sometimes after the group sent whites to purchase property in segregated areas. During the 1940s, his health and influence declined, but his movement symbolized the progressive spirit in the black church and helped define the church's active role in the civil rights movement. See Sara Harris, Father Divine (rev. ed. 1971); Kenneth E. Burnham, God Comes to America (1979); Robert Weisbrot, Father Divine (1984); Jill Watts, God, Harlem U.S.A. (1992). The Columbia Encyclopedia, Fifth Edition Copyright ©1994, 1995 Columbia University Press.
General:
#150 on original envelope? From box D.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- African Americans  Search this
African American clergy  Search this
Cults and nonconventional religious groups  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref16

Father Divine "George" Baker [?] : [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Divine, Father, orRev. (George Baker), ca. 1882-1965  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 54
Culture:
African Americans  Search this
Type:
Archival materials
Portraits
Photographs
Date:
[undated]
Scope and Contents:
Fr. Divine standing behind his desk in the front of a row house living room. Signed in the negative, "Scurlock / Wash. D.C." Similar (but not identical) to 10" x 8" image, SIRIS bib. # 289384, Scan no. AC0618.00.0002500.tif. Signed in the (original) negative: "Scurlock / Wash. D.C."
Biographical / Historical:
African-American religious leader, founder of the Peace Mission movement, b. probably near Savannah, Ga. and named George Baker. After preaching in the South, he moved to Harlem (1915) in New York City, became one of the neighborhood's biggest landlords, acquired wealth through other businesses, including restaurants and grocery stores, and began styling himself Major M. J. Divine, later Father Divine. Although once dismissed as a cult leader, he built the largest religious movement in northern ghettos during the Great Depression. His role as an early civil rights activist&#x2014he led anti-lynching campaigns, instituted economic cooperatives, and organized political action against racial discrimination&#x2014has come to be more appreciated. The movement spread beyond New York City to other places in the United States and abroad, sometimes after the group sent whites to purchase property in segregated areas. During the 1940s, his health and influence declined, but his movement symbolized the progressive spirit in the black church and helped define the church's active role in the civil rights movement. See Sara Harris, Father Divine (rev. ed. 1971); Kenneth E. Burnham, God Comes to America (1979); Robert Weisbrot, Father Divine (1984); Jill Watts, God, Harlem U.S.A. (1992). The Columbia Encyclopedia, Fifth Edition Copyright ©1994, 1995 Columbia University Press.
Addison Scurlock probably photographed Father Divine in 1932, according to research by Professor Leonard Primiano, Cabrini College (e-mail Aug. 6, 2010).
General:
Probably a copy negative.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy  Search this
Cults and nonconventional religious groups  Search this
Genre/Form:
Portraits -- African American men
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1685

Rev. Stephen Spottswood [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Spottswood, Stephen  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet, 7" x 5".)
Container:
Box 69
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Portraits
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
undated
Scope and Contents:
Job Number: 40330
Ink on negative: "40330 Rev. Stephen Spottswood 1-5x7 neg." "DEFENDER SAFETY" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy  Search this
Clergy -- Washington (D.C.)  Search this
Genre/Form:
Portraits -- African American men
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2094
Additional Online Media:

Rev. Divine [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Divine, Father, orRev. (George Baker), ca. 1882-1965  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 1
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Date:
undated
Scope and Contents:
Job Number: 25695
Group portrait of Divine with fourteen other men and women, seated around a table; man in left foreground is writing on a pad and a woman is writing on the table. A sign on the wall behind them reads simply, "Abundance." Ink ident. on film edge, plus "15- Prints". Signed "Scurlock / Wash. D.C." in ink, bottom left.
Biographical / Historical:
African-American religious leader, founder of the Peace Mission movement, b. probably near Savannah, Ga. and named George Baker. After preaching in the South, he moved to Harlem (1915) in New York City, became one of the neighborhood's biggest landlords, acquired wealth through other businesses, including restaurants and grocery stores, and began styling himself Major M. J. Divine, later Father Divine. Although once dismissed as a cult leader, he built the largest religious movement in northern ghettos during the Great Depression. His role as an early civil rights activist&#x2014he led anti-lynching campaigns, instituted economic cooperatives, and organized political action against racial discrimination&#x2014has come to be more appreciated. The movement spread beyond New York City to other places in the United States and abroad, sometimes after the group sent whites to purchase property in segregated areas. During the 1940s, his health and influence declined, but his movement symbolized the progressive spirit in the black church and helped define the church's active role in the civil rights movement. See Sara Harris, Father Divine (rev. ed. 1971); Kenneth E. Burnham, God Comes to America (1979); Robert Weisbrot, Father Divine (1984); Jill Watts, God, Harlem U.S.A. (1992). -- The Columbia Encyclopedia, Fifth Edition Copyright ©1994, 1995 Columbia University Press.
Addison Scurlock probably photographed Father Divine in 1932, according to research by Professor Leonard Primiano, Cabrini College (e-mail Aug. 6, 2010).
General:
#151 on original envelope, from box D.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- African Americans  Search this
African American clergy  Search this
Cults and nonconventional religious groups  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref21

[Martin Luther King, Jr. at Howard University : photonegative.]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University -- 1950-1960  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 77
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
November 1957
Scope and Contents:
No ink on negative. Martin Luther King, Jr. standing in front of a congregation, at Rankin Memorial Hall, Howard University, holding the Bible. Kodak -- Safety Film" edge imprint. No Scurlock number.
General:
Scan much too dark.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
Chapels  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2562
Additional Online Media:

[Martin Luther King, Jr. with a group of other men : photonegative.]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 77
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
November 1957
Scope and Contents:
Martin Luther King, Jr. with a group of men in suits. "Kodak -- Safety Film" edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
African American clergy -- 20th century.  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2564
Additional Online Media:

[Martin Luther King, Jr. shaking hands : black-and-white photonegative.]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 77
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
November 1957
Scope and Contents:
[Martin Luther King, Jr. shaking hands with a woman in the Howard University chapel.] No ink on negative. No Scurlock number. "Kodak -- Safety Film" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2566
Additional Online Media:

[Martin Luther King, Jr., from the back : black-and-white photonegative.]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 77
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
November 1957
Scope and Contents:
No ink on negative. Martin Luther King, Jr., looking out on the congregation from the lectern at the Howard University chapel, from the back. "Kodak--Safety Film" edge imprint. No Scurlock number.
General:
Scan much too dark: to be re-scanned.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
Chapels  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2568
Additional Online Media:

Reverend Martin Luther King, Jr. at Howard University [black-and-white photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 77
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
December 1956
Scope and Contents:
No ink on negative, no Scurlock number. Reverend Martin Luther King, Jr. standing in the chapel at Howard University. " Kodak -- Safety -- Film" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
Chapels  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2586
Additional Online Media:

Reverend Martin Luther King, Jr. at Howard University [photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 77
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
December 1956
Scope and Contents:
No ink on negative, no Scurlock number. Reverend Martin Luther King, Jr. at the pulpit in the Howard University chapel. [Unrecorded edge imprint.]
Exhibitions Note:
Reproduction print exhibited in "The Scurlock Studio and Black Washington: Picturing the Promise," NMAAHC Gallery, NMAH, January 30 - November 15, 2009; image print reproduced in exhibit's companion book.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
Chapels  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2588
Additional Online Media:

Reverend Smith and stewardesses, Trinity A.M.E. Church [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Creator:
Defender (film manufacturer)  Search this
Names:
Trinity A.M.E. Church (Washington, D.C.).  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 15
Type:
Archival materials
Photographs
Date:
circa 1930
Scope and Contents:
Ink ident. on neg. edge. "Defender safety film" imprint on edge.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy -- 1930-1940  Search this
Clergy  Search this
African American churches -- 1930-1940 -- Washington (D.C.).  Search this
African Americans -- Religion -- 1930-1940.  Search this
Portraits, Group -- 1930-1940 -- Washington (D.C.).  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref265

Rev. C.J. Murray [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Murray, C.J.  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet, 7" x 5"..)
Container:
Box 80
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Portraits
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
undated
Scope and Contents:
Job Number: 24501
Ink on negative: "24501 - Rev. C.J. Murray". Portrait of Reverend C.J. Murray. "EASTMAN--SAFETY--KODAK 152" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clergy  Search this
African American clergy  Search this
Genre/Form:
Portraits -- African American men
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2693
Additional Online Media:

Rev[erend] Jerry Moore [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Nineteenth Street Baptist Church (Washington, D.C.)  Search this
Moore, Jerry, Reverend  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet, 7" x 5".)
Container:
Box 90
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
1943-1947
Scope and Contents:
Job Number: 52178
Portrait of Reverend Jerry Moore and his wife. No ink on negative. Ink on envelope: "19th St[reet] Bapt[ist] Church Pastor Reverend Jerry Moore". No edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American clergy  Search this
Portraits, Group -- 1940-1950  Search this
African American women  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2839
Additional Online Media:

Rev[erend] Martin Luther King at H[oward] U[niversity] (Chapel & Luncheon), Nov[ember] 1957. [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Howard University  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 94
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
New coccine (or crocein scarlet) dye
Retouching
Place:
Washington (D.C.) -- African Americans
Date:
November 1957
Scope and Contents:
Group of men and women seated at a long dining table laid with crockery and silverware. Martin Luther King Jr. is seated in the middle of the right side of the table. A man in a white jacket, possibly a waiter, stands to the side. No ink on negative, no Scurlock number. "KODAK -- SAFETY -- FILM" edge imprint. Retouched with red coccine.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Dinners and dining  Search this
African American clergy -- 20th century.  Search this
Clergy -- United States  Search this
African American clergy -- 20th century.  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
New Coccine (or Crocein Scarlet) dye
Retouching -- Dye
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref2928
Additional Online Media:

Met[ropolitan] A.M.E. rededication service, May 1950 [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Metropolitan A.M.E. Church (Washington, D.C.)  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Rice, Moses P.  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 100
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
May 1950
Scope and Contents:
Posed group of men and women standing near organ pipes in church. A clergyman stands with them. No ink on negative. No edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American churches  Search this
Church buildings -- Washington (D.C.)  Search this
African American clergy  Search this
Organ (Musical instrument)  Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref3227
Additional Online Media:

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