Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 77
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
February 1957
Scope and Contents:
No ink on negative, no Scurlock number. Exterior of Ewell's Barber Shop. "Kodak -- Safety -- Film" edge imprint.
General:
From box 5, folder 2. SCAN IS TOO DARK.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 77
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
February 1957
Scope and Contents:
No ink on negative, no Scurlock number. The interior of Ewell's Barber shop, showing more than a dozen barber chairs. "Kodak -- Safety -- Film" edge imprint.
General:
From box 5, folder 2.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 77
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
February 1957
Scope and Contents:
No ink on negative. Interior of Ewell's Barber Shop, showing a barber's chair and wash station. "Kodak-- Safety -- Film" edge imprint.
General:
From box 5, folder 2.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Historian Louise Daniel Hutchinson leads tour of museum exhibit Evolution of a Community. The tour includes four stops: Douglass Hall (black shopping center), Old Birney School, a black home, and a black church. Prior to the tour, Hutchinson provides a history of Anacostia from its earliest beginnings when the Nacotchtank Indians, part of the Algonquian family, lived on the land now known as Anacostia until General Howard bought land, Barry Farms, to break up into lots to sell to free blacks through the Freedman's Bureau. During the tour, Hutchinson describes employment in the 1920s; segregation in schools, businesses, and theaters; the clearing of Tent/Shack City, where veterans lived, with tear gas and fire under the direction of Douglass MacArthur, George Patton, and Dwight Eisenhower in 1932; home life and items found in a black home in the 1920s; and the importance of the church to the spiritual and social lives of black people.
Tour of exhibit. Part of Evolution of a Community Audiovisual Records. Video recording quality: image drop out and skips in recording. Undated.
Biographical / Historical:
Evolution of a Community, an exhibit at the Anacostia Neighborhood Museum from January 1972 though December 1972, presented the history of Anacostia from post-World War II to the present through photos, text, drawings, video tape programs, and a slide/tape show. Evolution of a Community Part II, also known as Anacostia Today, was on display at the Anacostia Neighborhood Museum from March 1973 though July 1973. The exhibitions developed as a result oral histories collected from Anacostia residents.
General:
Title transcribed from physical asset (Evolution of a Community) and contents of video recording (tour of the exhibit).
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Evolution of a Community: Oral History of Anacostia, Exhibition Records AV03-040, Anacostia Community Museum Archives, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Older residents of Anacostia share their experiences and memories growing up and living in the once tight knit community, Anacostia, to provide evidence of Anacostia's history with goal of understanding the history of the community for present and future generations and with the theory that if man does not know where he came from, he/she cannot know here he/she is, and has no direction for the future. Martha Ellis reminiscences about her work at the public schools, particularly Birney School. Ruth Duckett, Ellis' daughter, talks about her work with the youth group at the Southeast House; when it was safe to sit outside and walk down the street; the portrayal of Anacostia in the newspapers and media; successful people who grew up in Anacostia and moved to other parts of the city and country; the baseball club Anacostia ACs; and ministers and movement of churches in the area. Churches mentioned by Duckett and other residents include Macedonia Baptist Church, St. Teresa's Catholic Church, Our Lady of Perpetual Help Catholic Church, and Campbell A.M.E. Church. Residents speak about Anacostia's rich heritage of people doing things - the craftsmen, construction workers, business people, and entrepreneurs - including sign painter, automobile painter, and artist Walter McKenzie; the fish man Mr. Chapman; the Greenwood family and their family business, Greenwood Transfer Moving and Storage Company; and the Taylor family, specifically Blakely Taylor, who were brick layers. They reminiscence about how everyone knew everyone, how everyone helped each other and the community thrive, when mothers stayed home and took care of children, when children participated in programs at the recreation center, when police had closer tie to community; and when it is so quiet, residents could hear cars go across the 11th street bridge. Residents also talk about the present: movement of people from different communities into Anacostia, younger Anacostians forced away because of zoning and no housing besides apartments, dirty streets, and violence. Overall, residents do not feel as if everything is bad in Anacostia; they just wish something would be done to fix the problems before they become worse.
Community Program. Filmed during exhibit Evolution of a Community with introduction by John Kinard (transcribed from physical asset AV003581) and moderated by Almore Dale. AV003581: Part 1. AV003088: Part 2. AV003550: Part 3, poor image quality. Part of Evolution of a Community Audiovisual Records. Dated 19720524. AV003383-3 and AV003383-4: sound only, content overlaps with video recordings, undated.
Biographical / Historical:
Evolution of a Community, an exhibit at the Anacostia Neighborhood Museum from January 1972 though December 1972, presented the history of Anacostia from post-World War II to the present through photos, text, drawings, video tape programs, and a slide/tape show. Evolution of a Community Part II, also known as Anacostia Today, was on display at the Anacostia Neighborhood Museum from March 1973 though July 1973. The exhibitions developed as a result oral histories collected from Anacostia residents.
Local Numbers:
ACMA AV003088
ACMA AV003550
ACMA AV003383-3
ACMA AV003383-4
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Down Memory Lane, Exhibition Records AV03-040, Anacostia Community Museum Archives, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Anacostia Neighborhood Museum (ANM) staff discuss exhibition design and other details for Evolution of a Community Part II. They discuss how to best present each section of the exhibition: prologue, drug abuse, unemployment, crime, prison and rehabilitation, and education. The staff is particularly concerned with how children and youth will interact with and think about the drug abuse section; they discuss ways to further educate youth about drugs and how to emphasize the future can be different for the youth. Some of the staff is concerned that the exhibit addresses the problems, but not the solutions. They debate the role of the museum in the community, how to involve the Anacostia residents and community organizations further in the creation of exhibitions, and providing exhibition related activities and resources to the community. Additionally, the ANM staff discuss possible audiovisual components, graphics, photographs, three dimensional displays, and interactive elements to add to the exhibition. This recording also includes interviews with youth about their thoughts on the role of ANM and museums in general; and questions to ask H.R. Crawford, particularly in regards to his views on public housing.
Discussions (meeting) and interviews. Discussions related to exhibition, Evolution of a Community Part II. Interviews for Housing in Anacostia Video Project (transcribed from asset) and inquiries about role of museum. Part of Evolution of a Community Audiovisual Records. Poor audio quality (interference). Undated.
Biographical / Historical:
Evolution of a Community, an exhibit at the Anacostia Neighborhood Museum from January 1972 though December 1972, presented the history of Anacostia from post-World War II to the present through photos, text, drawings, video tape programs, and a slide/tape show. Evolution of a Community Part II, also known as Anacostia Today, was on display at the Anacostia Neighborhood Museum from March 1973 though July 1973. The exhibitions developed as a result oral histories collected from Anacostia residents.
Local Numbers:
ACMA AV003275-2
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Staff Seminar: Exhibition Planning for Evolution of a Community Part II, Exhibition Records AV03-040, Anacostia Community Museum Archives, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Evolution of a Community Part 1 Narration presents a short history of Uniontown/Anacostia and Barry Farms from 1680 until a few years after World War II for the exhibition Evolution of a Community Part 1. The walking tour showcases replicas of Douglass Hall (black shopping center), Old Birney School, a black home, and a black church representative of Anacostia from 1910-1935. Narration and sound clips from interviews of residents reminiscing about living in Anacostia describe Birney Elementary School; Douglass Hall; social, religious, and recreational roles of the churches in the community; family life in the home; communal water pumps, privies, and garbage maintenance; employment; African American businesses; segregated recreation areas; transportation options; political issues of the early 1900s; race relations; police officers; community-police relations; formation and development of Anacostia including the drawing of Washington, D.C. lines; planning of Barry Farms; and land divisions and their effects on race relations.
Narration. Part of Evolution of a Community Audiovisual Records. AV003125: introductory narration for exhibit. Undated.
Biographical / Historical:
Evolution of a Community, an exhibit at the Anacostia Neighborhood Museum from January 1972 though December 1972, presented the history of Anacostia from post-World War II to the present through photos, text, drawings, video tape programs, and a slide/tape show. Evolution of a Community Part II, also known as Anacostia Today, was on display at the Anacostia Neighborhood Museum from March 1973 though July 1973. The exhibitions developed as a result oral histories collected from Anacostia residents.
Local Numbers:
ACMA AV003121
ACMA AV003122
ACMA AV003123
ACMA AV003124
ACMA AV003126
ACMA AV003127
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Evolution of a Community Part 1 Narration, Exhibition Records AV03-040, Anacostia Community Museum Archives, Smithsonian Institution.
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection consists of labels, created by Chicago business Valmor Products Company, for packaging intended to appeal to the African American consumer market dating from 1934-1946.
Scope and Contents:
Collection consists of fifty-three product labels created by Chicago area business Valmor Products Company and its subsidiaries: Madam Jones and Famous Products Company. The labels do not appear to have been used on product packaging. Personal care products were for both men and women and include cold cream, perfume, bleaching cream, talcum powder, toilet water, shaving cream, deodorant, hand cream, hot comb oil, hair dressing, and mouth wash. Common brand names on the product labels are Sweet Georgia Brown, Lucky Brown, Lucky Mojo, Lucky Man, Madam Jones, and Happy Go Lucky. Some of the products are specific to the African American community with mainstream products meant to appeal to this sector of American society. In many cases the company name, brand name, and copyright date appear on the labels. Materials are arranged in alphabetical order by the company name. If the company name does not appear on the label the brand name of the product was used.
Arrangement:
Collection is arranged in one series.
Biographical / Historical:
The Valmor Company was established in 1926 on the South side of Chicago. It was owned and operated by Morton Gross Neumann (1898-1985) and Rose Fogelson Neumann (1902-1998). The company catered to an African American consumer market and employed local black residents as warehouse workers and salesmen. It created advertisements and product packaging using the talents and skills of African American artists Charles Clarence Dawson (June 12, 1889 - March 1, 1981) and Jay Paul Jackson (September 10, 1905 - May 16, 1954). Products were sold under the Valmor name and its subsidiary companies: Lucky Brown, Madam Jones, King Novelty, and Famous Products Company. The company was purchased by New York's R. H. Cosmetic Corporation after the death of Morton G. Neumann in 1985.
Related Materials:
Archives Center, National Museum of American History
Warshaw Collection of Business Americana, NMAH.AC0060
Nathaniel Mathis Collection of Barbering and Beauty Culture NMAH.AC0641
Cover Girl Advertising Oral History & Documentation Project NMAH.AC0374
Carolyn Jones Papers NMAH.AC0552
Other Repositories
Valmor Products Label Collection, Special Collections, Chicago Public Library, Harold Washington Library Center
Graphic Arts Collection, Special Collections, Firestone Library, Princeton University
Made-in-Chicago Museum
Provenance:
Collection was donated to the Archives Center by National Museum of American History (NMAH) curator Helena Wright, November 23, 1993.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (3-7/8" x 4-7/8".)
Type:
Archival materials
Photographs
Place:
U Street, N.W. (Washington, D.C.)
Washington (D.C.) -- African Americans
Scope and Contents:
No ink on negative. Exterior of Scurlock Studios (900 U St. location) at twilight. "Kodak Safety -- Film " edge imprint. Unnumbered.
Series Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photography -- Studios and darkrooms -- 20th century Search this
African American business enterprises -- 1930-1960 Search this
Genre/Form:
Photographs -- Color negatives -- Acetate film
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (3-7/8" x 4-7/8".)
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
U Street, N.W. (Washington, D.C.)
Scope and Contents:
No ink on negative. Exterior view of Scurlock Studio, 900 U. St. location, in the morning or possibly evening. Negative underexposed. "Kodak Safety --Film" edge imprint. Unnumbered.
Series Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Smithsonian Institution. Anacostia Community Museum Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Anacostia (Washington, D.C.)
Barry Farms (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1977
Scope and Contents:
An overview of the history of Anacostia from 1608 when Captain John Smith explored the region of the Chesapeake Bay and the Nacotchtank Indians to the establishment of small businesses, churches, and schools. Aspects included or discussed: first European settlers, slavery, tobacco, James Barry, establishment of Uniontown, St. Elizabeth's Hospital, Congress Heights, establishment of Freedmen's Bureau, settlement of Barry Farms, Solomon G. Brown, community churches, small businesses and commercial enterprises, schools and public education, Frederick Douglass, opening of a bank in Anacostia, expansion of transportation and Suitland Parkway, fight for public services, and public housing.
Narration. Audio only. Related to exhibition 'The Anacostia Story.' Undated.
Biographical / Historical:
The exhibition 'The Anacostia Story' presented the history and development of Anacostia between 1608 and 1930 told through artifacts, photographs, early prints, documents and memorabilia. Well-known residents of the area, including Frederick Douglass, Elzie Hoffman, Dr. Charles Nichols, and Solomon G. Brown, were featured. The exhibition was organized by the Anacostia Neighborhood Museum and held there from March of 1977 to March 1978.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Smithsonian Institution. Anacostia Community Museum Search this
Extent:
1 Sound recording (audio cassette)
Type:
Archival materials
Sound recordings
Place:
Anacostia (Washington, D.C.)
Barry Farms (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1977
Scope and Contents:
An overview of the history of southeast Washington, D.C. from the Nacotchtank Indians to the establishment of small businesses, churches, and public housing at Barry Farms. Aspects included Captain John Smith and first European settlers, slavery, tobacco plantations, establishment of Washington D.C. as the capital, James Barry, establishment of Uniontown, emancipation of slaves, establishment of Freedmen's Bureau, settlement of Barry Farms, Solomon G. Brown, community churches, small businesses and commercial enterprises, schools and public education, Frederick Douglass, opening of a bank in Anacostia, expansion of transportation and Suitland Parkway, and public housing.
Narration. Audio only. Related to exhibition 'The Anacostia Story.' Undated.
Biographical / Historical:
The exhibition 'The Anacostia Story' presented the history and development of Anacostia between 1608 and 1930 told through artifacts, photographs, early prints, documents and memorabilia. Well-known residents of the area, including Frederick Douglass, Elzie Hoffman, Dr. Charles Nichols, and Solomon G. Brown, were featured. The exhibition was organized by the Anacostia Neighborhood Museum and held there from March of 1977 to March 1978.
Local Numbers:
ACMA AV001391_B
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
