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On the St. Annes, East Canada

Artist:
Robert S. Duncanson, born Seneca County, NY 1821/22-died Detroit, MI 1872  Search this
Medium:
oil on canvas
Dimensions:
9 1/8 x 15 in. (23.2 x 38.1 cm.)
Type:
Painting
Date:
1863, 1865
Topic:
Figure group\male  Search this
Landscape\season\autumn  Search this
Landscape\Canada  Search this
Landscape\river\Saint Anne's River  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Herbert Drown
Object number:
1983.95.170
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, 2nd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7046eaf13-44dc-468c-975f-da2ef9694b63
EDAN-URL:
edanmdm:saam_1983.95.170

Dayton -- Aullwood Garden

Former owner:
Aull, John  Search this
Aull, Marie  Search this
Provenance:
The Garden Club of Dayton  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Aullwood Garden (Dayton, Ohio)
United States of America -- Ohio -- Montgomery County -- Dayton
Scope and Contents:
Materials relating to the public gardens of the Five Rivers Metro Park of Montgomery, Ohio. The folder includes a slide list, a description of the slides, brochures, excerpts from publications featuring the gardens, and a description and worksheet completed by GCA researcher, Annabelle Cummings.
General:
"Aullwood is a wooded garden with plants blooming from late February until December. Tens of thousands of mertensia cover the hillsides in April. They are accompanied with a profusion of blue-eyed Mary's. Hepaticas, drifts of trillium, Dutchmen's britches, shooting stars, and violets are throughout the woods."
"Throughout the years, the Aulls interlaced native spring flowering plants with celandine poppies, thousands of yellow and white daffodils, early spring aconites, adonis, hellebores, hostas and hyacinths. Aullwood Garden has diverse colors and textures of border foliage; summer-long ground covers take over from bulbs that flower and die; creeping rock plants claim sunny spaces; hostas' glossy foliage and later lavender flowers nod in deep shade. "
Special spaces are designated for a perennial garden, a rose garden, a lilac garden, and hydrangeas. The informal natural charm of the wooded landscape is never lost as the seasons change. A carpet of pansies throughout April and May becomes a rose garden in June. As summer settles in, the front lawn's border of perennials becomes a show place of color, texture, and pattern. In early September the colchicum bursts into drifts along the creek bordering the Sycamore lawn. A few weeks after that, the vibrant colors of autumn transform the woods. The Aulls were determined to keep indistinct boundaries between garden and woods. A natural look with a variety of flowers never loses harmony with the wooded background.
Persons associated with the property include: Marie and John Aull, (former owners).
Related Materials:
Aullwood Garden related holdings consist of 1 folder (20 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Ohio -- Dayton  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File OH186
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Ohio
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6d2f3b8c5-390a-4b7d-bbc9-9259f021c283
EDAN-URL:
ead_component:sova-aag-gca-ref15523

Far Hills -- Kennelston Cottage

Former owner:
Larocque Family  Search this
de Rohan, Nancy  Search this
de Rohan, Charles  Search this
Coneys, Janis  Search this
Coneys, William  Search this
Architect:
Post, William Stone  Search this
Jacobs, Harry Allan  Search this
Schmidt, Mott B., 1889-1977  Search this
Turner, Hiland Hall  Search this
Landscape architect:
Bosenberg, Brian W.  Search this
Garden designer:
Baas, Ania  Search this
Consultant:
Chrobakowa, Christiana  Search this
Property manager:
Lopes, Helder  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Kennelston Cottage (Far Hills, New Jersey)
United States of America -- New Jersey -- Somerset County -- Far Hills
Scope and Contents:
1 folder, 57 digital images and 1 MP4 media file. The folder includes worksheets and photocopies of articles.
General:
A modest fieldstone circa 1800 farm cottage was enlarged into a 22-room Tudor style mansion during the Country Place era in the early 1900's. That house burned to the ground in 1939 and was rebuilt in 1940 in the same style, with a conservatory and garage wing added by the current owners in 1995. Earlier remaining gardens included a secret garden, courtyard garden, pool garden and overgrown vegetable garden. New garden rooms have been added on the 30 acre property; those nearest the house are more formal and laid out on axial lines while the more distant rooms are casual in style, leading to surrounding woodlands. Starting from the low stone wall along the road there is a circa 1850 cottage and other outbuildings with a cottage garden of roses, hollyhocks, clematis and herbs, a nearby apple orchard with new and historic trees, a wire and post fence covered with climbing hydrangea and a red oak allée. The replanted secret garden has an informal perennial garden entry through an old stone foundation leading to boxwood parterres planted with perennials with lead statues representing spring and fall, and fences draped with climbing roses and autumn clematis. A boxwood hedge screens the secret garden from the house. A crescent shaped azalea garden was added in 2001 centered by an armillary sphere. The formal vegetable and herb potager has eight brick edged vegetable beds, four herb parterres, roses and clematis on the fences, a lilac walk and an all-white scented moon garden. The formal English style two level courtyard garden room has been modified with a new bluestone patio, grass walkways, and more exuberant plantings that include four standard dwarf Serbian spruces, weigela surrounding a curved stone bench, oak leaf hydrangeas and viburnums. The lower terrace has the original pond with a whimsical lead snail fountain and limestone coping.
A less formal hydrangea, fern and hosta garden room was planted in 1997, replacing the remains of an old stone wall. A rhododendron and daylily garden was added soon after, continuing toward the woodland and also replacing stone rubble. Kudzu-covered trees were removed and replaced with mature spruce. The conservatory garden next to the new wing has a spiral brick-lined gravel path terminating in an antique Burmese jar, planted with spring bulbs and boxwood. The original pool installed in the 1960's was positioned so it could not be seen from the house; with the installation of deer fencing a three-season garden could be planted, starting with allium, peonies, and irises in spring, echinacea and lilies in summer, and fall sedums and asters. A semi-circular bird garden room bordered with shrubs features a large feeder under planted with black elephant ears. Following the loss of numerous black locust trees to Hurricane Sandy in 2012 new garden rooms named after the wooden red gate installed in 2016 were planted with spirea, dogwood, winterberries, hydrangea, weigela, and Japanese maples. Another part of the property denuded of trees by the storm has been converted to large irregular swathes of native grasses, also attractive to birds. The English greenhouse built in 1997 is used for winter storage of container plants but also has a shaded terrace for casual dining and a boxwood nursery planted in symmetrical rows. In the center of the front lawn there is an antique sculpture of a pineapple, with dogwood, viburnum, daffodils and daylilies planted on the far side of the circular driveway. The foundation plantings at the house include ground covers, American boxwood, climbing and oak leaf hydrangea, hinoki false cypress and bottlebrush buckeyes.
Persons associated with the garden include Joseph Jr. (1871-1955) and Eleanor Theodora Duer Larocque (1870-1953) and heirs (former owners, 1903-1968); Charles and Nancy de Rohan (former owners, 1968-1974); William and Janis Coneys (former owners, 1974-1994); William Stone Post (1866-1940) (architect, circa 1903); Harry Allan Jacobs (1872-1932) (architect, 1913); Mott Brooshovft Schmidt (1899-1977) (architect, 1940); Hiland Hall Turner (architect, 1995); Brian W. Bosenberg (landscape architect, 1995- ); Ania Baas (garden designer, 1998- ); Christiana Chrobakowa (garden consultant, 2015- ); Helder Lopes (property manager, 2001- )
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New Jersey -- Far Hills  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File NJ474
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Jersey
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6b514544a-9c46-4d43-9423-3002efbd5572
EDAN-URL:
ead_component:sova-aag-gca-ref32664

Kodansu (small cabinet)

Medium:
Lacquer, gold, shell on wood with gilt metal fittings
Dimensions:
H x W x D: 28 x 21.3 x 33.4 cm (11 x 8 3/8 x 13 1/8 in)
Type:
Furniture and Furnishing
Origin:
Japan
Date:
early 17th century
Period:
Momoyama or Edo period
Topic:
chasing  Search this
repoussé  Search this
punching  Search this
lacquer  Search this
Momoyama period (1573 - 1615)  Search this
Edo period (1615 - 1868)  Search this
Japan  Search this
Japanese Art  Search this
maki-e  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1944.20a-j
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye38f45e8e2-8fe8-4a79-8c09-6ff31189cf49
EDAN-URL:
edanmdm:fsg_F1944.20a-j
Online Media:

Box for Writing Equipment (suzuribako)

Artist:
Matasune  Search this
Medium:
Lacquer, gold, silver, wood; silvered metal water dropper and stone
Dimensions:
H x W x D: 5 x 21.6 x 23.7 cm (1 15/16 x 8 1/2 x 9 5/16 in)
Type:
Container
Origin:
Japan
Date:
17th century
Period:
Edo period
Topic:
lacquer  Search this
autumn  Search this
Edo period (1615 - 1868)  Search this
moon  Search this
writing  Search this
poetry  Search this
grass  Search this
Japan  Search this
lettering  Search this
Japanese Art  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1944.22a-k
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye358a19bc1-6e1c-4bcc-845b-1238ace51d8a
EDAN-URL:
edanmdm:fsg_F1944.22a-k
Online Media:

Box for writing instruments (suzuribako)

Medium:
Lacquer, gold, silver, and pigments, wood, silver water dropper
Dimensions:
H x W x D: 4.9 x 22.9 x 25.1 cm (1 15/16 x 9 x 9 7/8 in)
Type:
Container
Origin:
Japan
Date:
19th century
Period:
Edo period or Meiji era
Topic:
lacquer  Search this
Edo period (1615 - 1868)  Search this
Meiji era (1868 - 1912)  Search this
writing  Search this
maple tree  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1944.24a-h
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye39b5c7719-e3c0-49e9-af4c-f32ec4369359
EDAN-URL:
edanmdm:fsg_F1944.24a-h
Online Media:

Vase

Medium:
Glazed clay
Dimensions:
H x W x D: 27.2 x 19.2 x 12.1 cm (10 11/16 x 7 9/16 x 4 3/4 in)
Style:
Jingdezhen ware
Type:
Vessel
Origin:
Jingdezhen, Jiangxi province, China
Date:
1736-1795
Period:
Qing dynasty
Topic:
ceramic  Search this
bird  Search this
flower  Search this
Jingdezhen ware  Search this
bamboo  Search this
Qing dynasty (1644 - 1911)  Search this
plum blossom  Search this
China  Search this
magpie  Search this
Chinese Art  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1945.34
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3452d458f-13d7-4f13-b9ea-e03a1d2a2eb2
EDAN-URL:
edanmdm:fsg_F1945.34

Flowers and Birds in a Landscape

Artist:
Genga (active early 16th century)  Search this
Medium:
Ink, colors, and gold on paper
Dimensions:
H x W: 145.5 x 314.4 cm (57 5/16 x 123 3/4 in)
Type:
Painting
Origin:
Japan
Date:
ca. 1520
Period:
Muromachi period
Topic:
landscape  Search this
bird  Search this
tree  Search this
flower  Search this
Muromachi period (1333 - 1573)  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1971.1-2
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye389de4714-ff06-4d5e-93a3-28795d18ee3b
EDAN-URL:
edanmdm:fsg_F1971.1-2

Chrysanthemums

Artist:
Master of I-nen Seal (1600-1630)  Search this
Medium:
Color on paper
Dimensions:
H x W (image): 132.2 × 56.8 cm (52 1/16 × 22 3/8 in)
Type:
Painting
Origin:
Japan
Date:
1600-1630
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
chrysanthemum  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1896.96
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3f49add5d-d55b-49b2-97e1-d5735451d310
EDAN-URL:
edanmdm:fsg_F1896.96

Birds and Flowers of the Four Seasons: Autumn and Winter

Artist:
Sesshu Toyo (1420-1506)  Search this
Medium:
Ink, and color on paper
Dimensions:
H x W: 178.3 x 375.7 cm (70 3/16 x 147 15/16 in)
Type:
Painting
Origin:
Japan
Date:
late 15th-early 16th century
Period:
Muromachi period
Topic:
Buddhism  Search this
goose  Search this
flower  Search this
autumn  Search this
winter  Search this
Muromachi period (1333 - 1573)  Search this
egret  Search this
Japan  Search this
Japanese Art  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1953.95
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye39a5d59c3-434c-4365-b875-10c5d89da873
EDAN-URL:
edanmdm:fsg_F1953.95
Online Media:

Flowers and grasses

Artist:
Master of I-nen Seal (1600-1630)  Search this
Medium:
Ink and color on paper
Dimensions:
H x W (image): 132.1 × 57.1 cm (52 × 22 1/2 in)
Type:
Painting
Origin:
Japan
Date:
1600-1630
Period:
Edo period
Topic:
flower  Search this
Edo period (1615 - 1868)  Search this
chrysanthemum  Search this
grass  Search this
morning glory  Search this
Japan  Search this
kakemono  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1896.95
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye33483adb1-36fb-4cd5-b720-f3f843473609
EDAN-URL:
edanmdm:fsg_F1896.95

Phyllis Diller’s Gag File

Manufacturer:
Art Steel Company, Inc.  Search this
Maker:
Diller, Phyllis  Search this
Art Steel Company, Inc.  Search this
Physical Description:
steel (overall material)
paper (overall material)
ink (overall material)
adhesive (overall material)
Measurements:
overall: 48 in x 40 in x 17 1/4 in; 121.92 cm x 101.6 cm x 43.815 cm
Object Name:
file
Place made:
United States: New York, New York City
Date made:
ca 1962 - 1994
Subject:
Humor  Search this
Comedians  Search this
Credit Line:
Gift of Phyllis Diller
ID Number:
2003.0289.01.01
Accession number:
2003.0289
Catalog number:
2003.0289.01.01
See more items in:
Culture and the Arts: Entertainment
Popular Entertainment
Phyllis Diller
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-40b6-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1218385
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Cynthia Irwin-Williams papers

Creator:
Irwin-Williams, Cynthia  Search this
Irwin, Henry T.  Search this
Names:
Eastern New Mexico University (Portales, N.M.)  Search this
San Juan Valley Archaeological Project  Search this
Society for American Archaeology  Search this
University of Nevada. Desert Research Institute  Search this
Extent:
111.67 Linear feet (192 document boxes, 4 oversize boxes, 18 shoeboxes, 4 small index card boxes, 5 negative boxes, 4 map folders, 30 rolled items, and 6 1/2 restricted boxes)
3 Floppy discs
9 Cassette tapes
1 Sound tape reel (3")
Culture:
Southwest (archaeological)  Search this
Oshara Archaic Tradition (archaeological culture)  Search this
Pueblo (Anasazi) (archaeological)  Search this
Type:
Collection descriptions
Archival materials
Floppy discs
Cassette tapes
Sound tape reels
Place:
Valsequillo (Puebla, Mexico)
Hell Gap Site (Wyo.)
Salmon Site (N.M.)
Rio Puerco River (New Mexico) -- Archeology
Date:
1936-1990
Summary:
Cynthia Irwin-Williams was a pioneer for women in the field of archaeology. Her main interest was the Paleo-Indian culture of North America (specifically the Southwest), but she also did extensive work in Ancestral Pueblo (Anasazi) culture. This collection includes materials related to Irwin-Williams' research; her work at Eastern New Mexico University and The Desert Research Institute; her coursework at Radcliffe and Harvard; and her work for the Society of American Archaeology, the American Anthropological Association, the American Quaternary Association, Africa Tomorrow, and other organizations.
Scope and Contents:
The Cynthia Irwin-Williams papers contain fieldnotes, photographs, maps, notes, computer analyses, drafts of articles, articles and papers, grant proposals, index cards, personal and professional correspondence, administrative materials, lecture and research notes, student papers and theses, certificates and awards, biographical and autobiographical materials, and sound recordings. These materials relate to her research (primarily archaeological), associations of which she was a member (including the Society of American Archaeology, the American Anthropological Association, the American Quaternary Association, and Africa Tomorrow), conferences at which she participated, and coursework from Radcliffe and Harvard. The collection also includes some materials which belonged to her brother, Henry Irwin, who predeceased her. These materials are composed of his diplomas and some annotated articles and papers.

Irwin-Williams was a prolific letter writer and many folders include multiple drafts of her correspondence. Of particular interest is the correspondence between Irwin-Williams and her mother, Eleanor "Kay" Irwin. The two were very close and corresponded almost daily during the two years when Irwin-Williams was in Massachusetts and her mother was in Colorado. Of special note in the collection are materials which relate to the difficulties faced by women in the field of archaeology, such as the autobiographical section of her CV.

The collection does not include much material on her work at Magic Mountain, as these papers are housed at the Peabody Museum of Archaeology and Ethnology. Many of the materials related to her work at Salmon Ruins are housed at the San Juan County Research Center and Library. The only expedition for which this collection holds complete fieldnotes for Irwin-Williams and her team is Valsequillo.
Sensitivity statement:
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives but is available in its original form to facilitate research.

Please note that this collection contains images of human remains.
Arrangement:
This collection is arranged in 8 series: 1) Research, 1936-1990, undated; 2) Writings, 1940-circa 1990, undated; 3) Associations and conferences, 1962-1989, undated; 4) Professional, 1960-1990, undated; 5) Coursework, 1954-1961, undated; 6) Correspondence, 1940-1941, 1959-1989, undated; 7) Photographs and Artwork, 1939, 1964-1990, undated; and 8) Sound recordings, 1980, undated
Biographical Note:
Cynthia Irwin-Williams was a pioneer for women in the field of archaeology. Her main interest was the Paleo-Indian culture of North America (specifically the Southwest), but she also did extensive work in Ancestral Pueblo (Anasazi) culture. She was born in Denver, Colorado, in 1936 and suffered from severe asthma for the first ten years of her life (Williams, 4). She and her brother, Henry Irwin, spent several summers during their childhood living with the Hopi in northeastern Arizona, which helped her to develop an interest in archaeology. She began taking part in amateur archaeological investigations through the Colorado Archaeological Society when she was in 5th grade and continued to do so through high school (Williams, 6). She organized an archaeology club while in high school and persuaded H. Marie Wormington, Herbert Dick, and Ruth Underhill to assist (Williams, 7). Irwin-Williams and her brother also volunteered for Dr. Wormington at the Denver Museum of Natural History throughout high school, eventually assisting Wormington at a dig in western Colorado (Williams, 7). Dr. Wormington became a friend and role model for Irwin-Williams, advising her on her education and career. Irwin-Williams also had a close relationship with her mother, Eleanor "Kay" Irwin, who frequently travelled and worked digs with her daughter, and her brother, Henry Irwin, with whom she worked many archaeological sites and published numerous papers.

Irwin-Williams earned her BA (1957) and MA (1958) in Anthropology from Radcliffe College and was one of the first three women, in any field, to earn her PhD (1963) from Harvard University (previously, women could only receive PhD degrees from Radcliffe). She had difficulty gaining a place in a fieldschool during her graduate work due to her gender, despite having experience under the guidance of H. Marie Wormington in high school and college, but eventually gained a place as a volunteer graduate student on the dig of one of her professors at L'Abri Pataud in France in 1958 (likely under Dr. Hallam Movius). She was disappointed that, unlike the male students, she was expected to perform secretarial work and menial tasks (Williams, 10). As a result of this experience, she chose to run her own excavations and stated that it taught her "how not to run a project" (Williams, 10). This experience also caused her to change her field of study to the New World and her advisor to J. O. Brew (Williams, 11).

While Irwin-Williams and her brother were in college and graduate school, they and their mother, under the supervision of H. Marie Wormington, spent summers excavating the LoDaisKa site in Colorado, providing their own equipment (Williams, 9). The first major excavation which she headed was at Valsequillo, where she worked from 1962 to 1966. Valsequillo, in Puebla, Mexico, is a stone age site dated to approximately 25,000 years ago (the dating of the site has been controversial). Her largest excavation was at Salmon Ruin; this site was almost destroyed when the land was purchased by a developer in 1967 who intended to "divide the ruin into 10-foot squares and sell 'digging rights'" (Irwin-Williams, 19). After a local non-profit, the San Juan County Museum Association, saved the site, they asked Irwin-Williams to run the excavations in 1969 (Irwin-Williams, 20).

The excavations she led were known for being inclusive, as her crews included men and women, people of multiple races and ethnicities, and people with disabilities (Williams, 16). She was also known for her ability to work well with volunteers and amateurs (Williams, 19). Another talent of hers was finding grant funding from unusal sources, which she attributed to the limited employment and fieldwork opportunities faced by female archaeologists in the 1960s (Profile of an Anthropologist, 7).

In addition to her fieldwork, Irwin-Williams taught anthropology, first at Hunter College (1963-1964), while holding a fellowship at the American Museum of Natural History and commuting from Princeton where her husband worked, and then at Eastern New Mexico University (1964-1982), at which time "she commute[d] nearly five hundred miles each weekend between her home in Albuquerque, where she live[d] four days a week with her husband, and her apartment in Portales, where she [taught] three days a week." (Williams, 1). She then became Executive Director of the Social Sciences Center, Desert Research Institute, University of Nevada. Under her supervision, the Social Sciences Center (later renamed the Quaternary Science Center) expanded substantially, eventually employing more than five times the staff it had when she began (Teague, 90). Irwin-Williams also held numerous professional offices including President of the Society for American Archaeology (1977-1979). She was known for her interdisciplinary work and had an interest in the environmental impact of human society and water harvesting techniques. These interests led her to become a member of the executive committee of Africa Tomorrow Inc., a nonprofit devoted to the Sahel region of Africa, and to lobby Congress to pass a bill to create a pilot project focused on water harvesting (Teague, 90).

Irwin-Williams also had a keen interest in issues which affected women. After going into recovery for alcoholism, she became an accredited counselor and served as a part-time substance abuse counselor from 1982 through 1989. She also brought this interest to her research, studying the genetic and environmental causes of alcoholism as well as the effects of alcoholism on families, conducting a study funded by the Stout Foundation entitled "Breaking the Chain: Defining Effective Education for Adult Children of Alcoholics." Her interest in studying health conditions which affected women did not end with alcoholism. A sufferer of migraines, she researched their causes and treatments in a study entitled "Biochemistry, Population Parameters, and Treatment of Migraine Headache."

During the final few years of her life, she suffered from a respiratory illness which interfered with her work, causing her to step down from her position as director of the Quaternary Science Center at the Desert Research Institute in 1988 and to take a sabbatical in 1989. She died in 1990 at the age of 54.

Sources cited

Curriculum Vitae of Cynthia Irwin-Williams, Cynthia Irwin Williams papers, National Anthropological Archives, Smithsonian Institution.

Irwin-Williams, "How Salmon Ruin Was Saved." Early Man (Autumn 1981): 18-23.

"Profile of an Anthropologist: Research Archeologist Begins Career Looking for Supplementary Income." Anthropology Newsletter (May 1981): 7.

Teague, Lynn. "Cynthia Irwin-Williams." Kiva 56, no. 1 (1990): 87-91.

Williams, Barbara. "Cynthia Irwin-Williams." In Breakthrough: Women in Archaeology. New York: Walker and Company, 1981.

Wormington, H. M. and George Agogino. "Cynthia Irwin-Williams: 1936-1990." American Antiquity 59, no. 4 (1994): 667-671.

1936 April 14 -- Born in Denver, Colorado

1957 -- BA from Radcliffe College in Anthropology, Magna Cum Laude

1958 -- MA from Radcliffe College in Anthropology Excavations in France

1958-1960 -- Excavations at LoDaisKa Site, Colorado

1959-1960 -- Director, Central Mexico Project, Harvard University Co-Director, Magic Mountain Project, Peabody Museum Excavations at Magic Mountain, Colorado

1960-1961 -- Co-Director, UP Mammoth Kill Site, Rawlins, Wyoming

1961-1966 -- Co-Director, Hell Gap Paleo-Indian Project in Wyoming, Peabody Museum

1962-1966 -- Excavations at Valsequillo in Puebla, Mexico Excavations at Hell Gap, Wyoming

1962-1968 -- Co-Director of Research on the Archaeology, Geology, and Paleontology of the Valsequillo Region, Pueblo, Mexico

1963 -- PhD from Harvard University in Anthropology

1963-1964 -- Lecturer in Anthropology, Hunter College Ogden Mills Post-Doctoral Research Fellowship, American Museum of Natural History

1964-1967 -- Assistant Professor of Anthropology, Eastern New Mexico University

1964-1973 -- Director, Eastern New Mexico University Project on Anasazi Origins

1966 -- Director, Valsequillo Project (Harvard University, Eastern New Mexico University, University of Puebla)

1967-1972 -- Associate Professor of Anthropology, Eastern New Mexico University

1969-1970 -- Member of the Executive Council, American Quaternary Association

1969-1972 -- Director, Eastern New Mexico University Program of Early Agriculture in the Tularosa Valley, New Mexico

1969-1974 -- Member of the Committee on the Status of Women in Anthropology, American Anthropological Association

1970-1979 -- Excavations at Salmon Ruins

1970-1980 -- Director, Eastern New Mexico University - San Juan Museum Association - San Juan Valley Archaeological Program; Salmon Ruin Project

1970-1981 -- Director, Eastern New Mexico University Program on Pueblo Settlement in the Puerco River Valley, New Mexico

1972-1977 -- Professor of Anthropology, Eastern New Mexico University

1973-1975 -- Member of the Executive Committee, Society for American Archaeology Member of the Committee on the Status of Women in American Archaeology, Society for American Archaeology

1973-1976 -- Member of the American Anthropological Association Nominations Committee Member of the Committee on Native American Relations, Society for American Archaeology

1974-1976 -- Director, Agency for Conservation Archaeology, Eastern New Mexico University Director, Division of Conservation Archaeology, San Juan County Museum

1974-1978 -- Member of the Executive Council, American Quaternary Association

1977-1979 -- President, Society for American Archaeology Member of the Coordinating Council of American Archaeological Societies Member of the Research Panel, Anthropology Program, National Science Foundation

1977-1982 -- Distinguished Professor of Anthropology, Eastern New Mexico University

1978-1980 -- Member of the Research Panel, Integrated Basic Research Program, National Science Foundation

1978-1990 -- Member of the Board of Advisors, Center for Field Research

1979-1981 -- Member of the Museum Development Panel, National Endowment for the Humanities

1979-1985 -- Chairman of the Committee on Federal Archaeology, Society for American Archaeology

1980-1982 -- Member of the Media Panel, National Endowment for the Humanities

1981-1983 -- Member of the Research Panel, Archaeometry Program, National Science Foundation

1982-1988 -- Executive Director, Social Sciences Center / Quaternary Sciences Center, Desert Research Institute

1982-1989 -- Adjunct Professor, Department of Anthropology, University of Nevada, Reno Principal Investigator, Desert Research Institute Archaic Oshara Project

1983-1985 -- Chairman, Society for American Archaeology / Bureau of Land Management / National Coal Association and Surface Mining Committee Conference on Archaeology

1983-1986 -- Member of the Executive Committee, Nevada Council on Professional Archaeology

1984 -- Member of the Nominations Committee, Society of Professional Archaeologists

1984-1986 -- Coordinator and Organizer of Regional Conferences on Cultural Resource Management, Society for American Archaeology

1985-1990 -- Principal Investigator, Desert Research Institute-Bureau of Land Management, Project on Climactic Stress and Human Population on the Middle Puerco River, New Mexico Co-Director, Investigations on Prehistoric Water Harvesting Devices near Fallon, Nevada, and their contemporary applications Member of the Executive Board, Africa Tomorrow Inc.

1986 -- Chairman, Society for American Archaeology Summary Symposium on Cultural Resources Management

1986-1990 -- Co-Principal Investigator, Established Program to Stimulate Competitive Research Program, Desert Research Institute Social Sciences Center

1987 -- Member of the Long-Range Planning Committee, Society for American Archaeology

1987-1990 -- Principal Investigator, Desert Research Institute Project on PaleoIndian Occupation of Northern Nevada Co-Principal Investigator, Nevada State Museum Sunshine Wells Paleo-Indian Project

1989-1990 -- Sabbatical from professorship at the Department of Anthropology, University of Nevada, Reno

1990 June 5 -- Died in Reno, Nevada
List of commonly used abbreviations:
This list includes abbreviations commonly used by Irwin-Williams. Many of them have been altered in folder titles to the extended version, but not all have.

AAA - American Anthropological Society

AMQUA - American Quaternary Association

AOPI - Anasazi Origins Project

AOPII - Archaic Oshara Project

BIA - Bureau of Indian Affairs

BLM - Bureau of Land Management

CIW - Cynthia Irwin-Williams

DRI - Desert Research Institute

ENMU - Eastern New Mexico University

EPSCoR - Established Program to Stimulate Competitive Research, National Science Foundation

HTI - Henry T. Irwin

HUD - Department of Housing and Urban Development

INAH - Instituto Nacional de Antropología y Historia

INQUA - International Quaternary Association

JWP - Journal of World Prehistory

LECAPSR - The Llano Estacado Center for Advanced Professional Studies and Research, Eastern New Mexico University

NEH - National Endowment for the Humanities

NSF - National Science Foundation

PMOA - Programmatic Memorandum of Agreement

PRP - Puerco River Project

QSC - Quaternary Science Center

SAA - Society for American Archaeology

SAR - School of American Research

SJVAP - San Juan Valley Archaeological Project

SOPA - Society of Professional Archaeologists

SSC - Social Sciences Center

SWAA - Southwestern Anthropological Association

UNR - University of Nevada Reno
Related Materials:
The San Juan County Research Center and Library at Salmon Ruins holds the Salmon Ruins collection, papers and information on the archaeological development of Salmon ruins by Cynthia Irwin-Williams.

The American Museum of Natural History, Division of Anthropology Archives holds the Cynthia Irwin-Williams papers, which relate to the manuscript "Pre-ceramic and Early Ceramic Development in Central Mexico."

The Peabody Museum of Archaeology and Ethnology at Harvard University holds the Magic Mountain Expedition Records.

The University of Wyoming, Anthropology Department holds the UP Mammoth Kill site field notes.

Hannah Marie Wormington papers, National Anthropological Archives, Smithsonian Institution.

Dennis J. Stanford and Margaret A. [Pegi] Jodry papers, National Anthropological Archives, Smithsonian Institution.
Provenance:
Received from George Agogino, Michael Bradle, and C. Vance Haynes Jr.
Restrictions:
Materials containing personally identifiable information (predominately grant applications), student grades, references, grant reviews, and employee evaluations have been restricted for eighty years from their date of creation. Materials containing health information for Irwin-Williams have been restricted for fifty years from her date of death.

Audiovisual materials and computer disks are restricted. Please contact the repository for information on the availability of access copies.

Access to the Cynthia Irwin-Williams papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Archaeology  Search this
Lithics -- American Indian  Search this
Paleo-Indians  Search this
Citation:
Cynthia Irwin-Williams papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1999-09
See more items in:
Cynthia Irwin-Williams papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3c58ee81e-3e9d-45fa-8f54-ff04c774cbea
EDAN-URL:
ead_collection:sova-naa-1999-09

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Press Releases

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 10, Folder 50
Type:
Archival materials
Date:
1985-1987
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 2: Education Programs / 2.1: Administrative Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90cd41293-1f32-474b-91a9-c26f0f1a79c3
EDAN-URL:
ead_component:sova-aaa-womabuil-ref483
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Press Releases digital asset number 1
  • View Press Releases digital asset number 2

Autumn

Artist:
Dwight William Tryon (1849-1925)  Search this
Designer:
Stanford White (1853-1906) (frame)  Search this
Medium:
Oil on canvas
Dimensions:
H x W (overall): 96 x 125 cm (37 13/16 x 49 3/16 in)
Type:
Painting
Origin:
United States
Date:
1892
Topic:
autumn  Search this
United States  Search this
American Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1893.16a-b
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d72ac909-f0a8-45a1-87ad-28bc1ddd642a
EDAN-URL:
edanmdm:fsg_F1893.16a-b

Summer and autumn flowers 夏秋草花図屏風

Medium:
Color over gold on paper
Dimensions:
H x W (overall): 181 x 377.9 cm (71 1/4 x 148 3/4 in)
Type:
Painting
Origin:
Japan
Date:
17th century
Period:
Edo period
Topic:
plant  Search this
flower  Search this
autumn  Search this
summer  Search this
Edo period (1615 - 1868)  Search this
Japan  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1896.82
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3e02b243f-a76c-4b67-ad60-5a599bfb0c08
EDAN-URL:
edanmdm:fsg_F1896.82
Online Media:

Autumn at Asakusa; Viewing Cherry blossoms at Ueno Park

Artist:
Hishikawa Moronobu 菱川師宣 (1618-1694)  Search this
Medium:
Ink, color, and gold on paper
Dimensions:
H x W (.266): 179.9 x 382.3 cm (70 13/16 x 150 1/2 in)
H x W (.267): 180 x 382.2 cm (70 7/8 x 150 1/2 in)
Type:
Painting
Origin:
Japan
Date:
17th century
Period:
Edo period
Topic:
autumn  Search this
Edo period (1615 - 1868)  Search this
Japan  Search this
ukiyo-e  Search this
Japanese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1906.266-267
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3c4b0178d-f81c-48df-8216-76dc6ac4b635
EDAN-URL:
edanmdm:fsg_F1906.266-267
Online Media:

Ducks on the Autumn Stream

Medium:
Ink and color on silk
Dimensions:
H x W (image): 187.8 x 120.5 cm (73 15/16 x 47 7/16 in)
Type:
Painting
Origin:
China
Date:
16th-17th century
Period:
Ming dynasty
Topic:
flower  Search this
Ming dynasty (1368 - 1644)  Search this
water  Search this
chrysanthemum  Search this
river  Search this
China  Search this
Chinese Art  Search this
Charles Lang Freer collection  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1916.92
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye35df592e3-950e-4b2f-822e-7369a7015121
EDAN-URL:
edanmdm:fsg_F1916.92

On the ecology of the Caribbean chitons Acanthopleura granulata Gmelin and Chiton tuberculatus Linné density, mortality, feeding, reproduction, and growth [by] Peter W. Glynn

Author:
Glynn, Peter W. 1933-  Search this
Physical description:
21 p illus 27 cm
Type:
Electronic resources
Place:
Caribbean Sea
Antilles, Mer des
Date:
1970
Topic:
Mollusks--Ecology  Search this
Mollusks  Search this
West Indian fuzzy chiton  Search this
West Indian fuzzy chiton--Ecology  Search this
West Indian green chiton  Search this
West Indian green chiton--Ecology  Search this
Mollusca  Search this
Acanthopleura granulata--Écologie  Search this
Mollusques  Search this
Mollusques--Écologie  Search this
Chitons--Ecology  Search this
Chitons  Search this
Call number:
QL430.1 .G56
QL430.1.G56
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_6822

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