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Molly Saltman "Art and Artists" interviews

Creator:
Saltman, Molly  Search this
Names:
Art and artists (Radio program)  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Hamilton, Richard, 1922-  Search this
Hopper, Dennis, 1936-  Search this
Levine, Jack, 1915-2010  Search this
Lytton, Bart, 1912-1969  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nyiri, Joseph, 1937-  Search this
Partch, Harry, 1901-1974  Search this
Price, Vincent, 1911-1993  Search this
Secunda, Arthur  Search this
Wayne, June, 1918-2011  Search this
White, Charles, 1918-1979  Search this
Extent:
2.4 Linear Feet
Culture:
Art teachers--Interviews  Search this
Type:
Archival materials
Collection descriptions
Interviews
Lectures
Sound recordings
Date:
1966-1967
Summary:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Several of the interviews and lectures consist of more than one reel.
Scope and Contents:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain sound recordings of interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman between 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Several of the interviews and lectures consist of more than one reel.
Arrangement:
Due to the small size of this collection the sound recordings are arranged as one series.

Series 1: Interviews, 1966-1967 (Box 1-3, 2.4 linear feet)
Biographical / Historical:
The Molly Saltman "Art and Artists" radio program was broadcast on KPAL radio station in Palm Springs, California from November 2, 1966 to March 4, 1967 on Mondays and Wednesdays at 10:30AM. Molly Saltman (1915-2010), the producer and interviewer for this broadcast, was a well-known Palm Springs artist during this time. Specializing in abstract watercolors, her work was featured in a number of local art shows as well as exhibited in the Los Angeles County Museum of Art, the Palm Springs Desert Museum, and the Hartfield Gallery in Los Angeles. She was also closely involved with the Desert Mental Health Association and served as Chairwoman of the Jewish Family Service in Palm Springs, California.
Provenance:
The collection was donated by Molly Saltman in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Researchers must obtain copyright clearance from interviewees prior to publication or airing.
Occupation:
Artists -- Interviews  Search this
Topic:
Actors  Search this
Art, American  Search this
Art--Collectors and collecting--Interviews  Search this
Genre/Form:
Interviews
Lectures
Sound recordings
Citation:
Molly Saltman "Art and Artists" Interviews, 1966-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saltmoll
See more items in:
Molly Saltman "Art and Artists" interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saltmoll

Arnold Mesches papers

Creator:
Mesches, Arnold, 1923-  Search this
Names:
New York University  Search this
Ciment, Jill, 1953-  Search this
Danto, Arthur Coleman, 1924-  Search this
Marshall, Kerry James, 1955-  Search this
Miami Dade College  Search this
Miller, Henry, 1891-  Search this
Motherwell, Robert  Search this
Shahn, Ben, 1898-1969  Search this
Siqueiros, David Alfaro  Search this
Storr, Robert  Search this
Wayne, June, 1918-2011  Search this
Zinn, Howard, 1922-2010  Search this
Extent:
13.6 Linear feet
Type:
Archival materials
Collection descriptions
Collages
Diaries
Drawings
Sketches
Date:
1939-2015
Summary:
The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically-engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material. Project files comprise a bulk of the collection and include grant files, activism files, project notebooks, and over 100 art project files containing drawings, source material, and photographic material for individual artworks.
Scope and Contents:
The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material.

Biographical material includes addresses, family papers, interview transcripts, life documents, identification cards, a residency file, resumes, biographical statements, and travel records. Correspondence is both personal and professional in nature and is with wife, novelist Jill Ciment, family, friends, artists, museums, galleries, and magazines. Notable correspondents include Arthur Danto, Robert Storr, June Wayne, and Howard Zinn. Single items of correspondence are from Kerry James Marshall, Henry Miller, Robert Motherwell, and Ben Shahn.

Writings include manuscripts of unpublished novels and short stories, autobiographical writings, recordings of dreams, introductions to artists, a journal, memorials, project proposals, statements on art and politics, notes from Mesches' psychotherapy sessions, as well as numerous outlines, fragments, and notes.

Gallery and exhibition files document dozens of Mesches' gallery and museum exhibitions, including his 2013 retrospective at Miami Dade College, Arnold Mesches: A Life's Work.

Project files consist of grant files, activism files, project notebooks, and art projects. Activism files pertain to the Los Angeles Peace Tower, Arts Coalition for Freedom of Expression, and the pardon of muralist David Alfaro Siqueiros. Project notebooks contain preliminary sketches, technical notes including color palette and paint formulas, Polaroids of in-process works, and source material. Over 100 art project files further detail individual works, and include preliminary drawings in pen, pencil and charcoal, as well as collages, source material, and Polaroids. Several of Mesches' serial works are well represented here, including Anomie, Comings Attractions, and The FBI Files.

Subject files consist of a sequence of alphabetical files maintained by Mesches as reference material. Teaching files document posts at New York University and other institutions and include course descriptions, lists of materials, course notes, newsletters, reference articles, and correspondence.

Personal business records include documentation related to donations, Mesches' estate, gallery representation, inventories, properties, artwork shipment, supplies, and website design.

Printed material documents Mesches' career as both political illustrator and fine artist. Found here are brochures, leaflets, and Frontier and The Nation magazines featuring illustrations by Mesches. Calendars, newsletters, clippings, announcements, exhibition catalogs, and press releases document Mesches' gallery and museum exhibitions.

Photographic material includes hundreds of photographic prints, contact sheets, slides, and negatives of Arnold Mesches, Mesches' family and friends, studio, and artworks from his seven decade long career.
Arrangement:
The collection is arranged as ten series.

Series 1: Biographical Material, 1960s-2012 (0.2 linear feet, Box 1)

Series 2: Correspondence, 1949-2014 (0.8 linear feet, Box 1)

Series 3: Writings, 1958-2013 (1.1 linear feet, Box 2-3)

Series 4: Gallery and Exhibition Files, 1979-2015 (0.8 linear feet, Box 3)

Series 5: Project Files, 1950s-2014 (5.3 linear feet, Box 3-8, 15, OV 16-19)

Series 6: Subject Files, 1939-2000s (1.3 linear feet, Box 8-9)

Series 7: Teaching Files, 1992-2004 (0.2 linear feet, Box 9-10)

Series 8: Personal Business Records, 1983-2015 (0.5 linear feet, Box 10)

Series 9: Printed Material, 1950s-2000s (1.5 linear feet, Box 10-11, 15, OV 20)

Series 10: Photographic Material, 1940s-2010s (1.9 linear feet, Box 12-15)
Biographical / Historical:
Arnold Mesches (1923-2016) was a painter in New York, New York and Gainesville, Florida. Born in the Bronx and raised in upstate Dunkirk, New York, Mesches studied advertising design in high school before moving to Los Angeles in 1943 to study art at the Jepson Art Institute and Chouinard Art Institute.

Mesches began his career as a scenic painter for Hollywood while honing his own style as a fine artist and illustrator influenced by the political landscape and social realism. As a result of his political activity and involvement in the Communist Party, the FBI opened a file on Mesches in the 1950s, and began tracking his activities. The file, obtained by Mesches through a Freedom of Information Act request in 1999, became the basis for one of his most famous series, The FBI Files.

Throughout his life, Mesches was a socially-oriented figurative painter working in an expressionist style, mining the daily news and the current political landscape for subject matter, including the Cold War, the trial of Julius and Ethel Rosenberg, and the Vietnam War. Mesches was also one of the organizers of the 1966 Peace Tower artwork in Los Angeles and contributed illustrations to Frontier magazine throughout the 1950s, and The Nation magazine from 1960s-1980s.

In the early 1980s, Mesches relocated to New York City with wife, novelist Jill Ciment.

Mesches held several teaching posts over the course of his career, including at the New School, New York University, and the University of Florida.
Provenance:
Donated to the Archives of American Art in 2017 by Jill Ciment, Mesches' widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Arnold Mesches papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Political aspects  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painters -- California -- Los Angeles  Search this
Painters -- Florida  Search this
Painting -- Technique  Search this
Politics in art  Search this
Interviews  Search this
Photographs  Search this
Transcripts  Search this
Genre/Form:
Collages
Diaries
Drawings
Sketches
Citation:
Arnold Mesches papers, 1939-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mescarno
See more items in:
Arnold Mesches papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mescarno
Additional Online Media:

Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear Feet
Type:
Archival materials
Collection descriptions
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The KPFK "Art Scene" interviews are owned by the Archives of America Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goremari

Harold and May Tabak Rosenberg papers

Creator:
Rosenberg, Harold, 1906-1978  Search this
Names:
Tamarind Lithography Workshop  Search this
Rosenberg, May Tabek, 1910-1993  Search this
Wayne, June, 1918-2011  Search this
Extent:
4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1880-1985
bulk 1940s-1970s
Summary:
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.
Scope and Contents:
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.

The papers include biographical material consisting of address books, and letters written primarily to May Tabak Rosenberg regarding writing submitted to publishing companies including Russell & Volkening, Inc., MacMillan Publishing Company, and Mc-Graw Hill Book Company. Letters also document Rosenberg's friendship with June Wayne and her involvement, through Wayne, in the Tamarind Lithography Workshop.

Writings and notes consist primarily of manuscript drafts, notes, and published copies of work by May Rosenberg, including articles for Craft Horizons, a 1960 novel But Not For Love, her 1959 children's book A Fish Is Not A Pet, and many other stories, fragments and literary sketches of ideas. The collection also includes a small number of writings by Harold Rosenberg, including seven notebooks and two published articles.

Personal business records are scattered and routine but include a few invoices and records of royalties for both May and Harold Rosenberg, and a will, handwritten by May Rosenberg.

Printed material includes one article each on Harold and May Rosenberg, news clippings on feminism presumably collected by May Rosenberg, and a map of East Hampton which shows the location of the house purchased by the Rosenbergs in Springs, New York, in 1944.

Photographs include multiple portraits of Harold, May, and Patia Rosenberg which date from circa 1930s to the 1980s, many of which were taken by Maurice Berezov. There are also photographs of the Rosenbergs with family and friends including Jackson Pollock and Lee Krasner at their home in Springs, and artists Perle Fine, Francoise Gilot, Barnett Newman, Elaine and Willem de Kooning, Milton Resnick, and others. There are photos of May Rosenberg and June Wayne in June Wayne's studio, and photos of Louise Nevelson working on lithography at the Tamarind Lithography Workshop in 1968.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, circa 1930s-circa 1980s (0.4 linear feet; Box 1)

Series 2: Letters, 1936-1985 (0.4 linear feet; Box 1)

Series 3: Writings and Notes, circa 1940s-1984 (1.6 linear feet; Boxes 1-3)

Series 4: Personal Business Records, circa 1950-1984 (0.25 linear feet; Box 3)

Series 5: Printed Material, 1918-1982 (0.35 linear feet; Box 3)

Series 6: Photographs, circa 1880s-circa 1981 (1 linear foot; Box 4)
Biographical / Historical:
Author, critic, and teacher, Harold Rosenberg (1906-1978), was one of the leading New York art intellectuals, and one of the most influential art critics of his generation. Author May Tabak Rosenberg (1910-1993) wrote books, articles, and short stories about artists, writers, and musicians.

May Tabak Rosenberg was born in Manhattan and educated at the University of Chicago. She married Harold Rosenberg in 1932, and the couple had a daughter, Patia, in 1943. In 1944, the Rosenbergs became the first people associated with the New York art scene to purchase property in the East Hampton area of Long Island which grew to become a summer art colony in the years after World War II. Friends Lee Krasner and Jackson Pollock bought a house close by to the Rosenberg's Neck Path summer home in Springs, New York, in 1945. May Tabak Rosenberg chose to discontinue her writing after her daughter was born, but she returned to writing short stories and novels in the 1950s. The Long Island artist community provided rich source material for her writing, and her 1960 novel, But Not For Love, is thought to include surrogates for Jackson Pollock, Peggy Guggenheim, and Willem and Elaine de Kooning, among others.

May Tabak Rosenberg wrote several articles for the Tamarind Lithography Workshop established by June Wayne in 1960. She was invited to cover Louise Nevelson's fellowship there in 1968.

During the 1950s Harold Rosenberg was influential in bringing attention to the work of the New York Abstract Expressionists including Pollock, Willem de Kooning, Barnett Newman, and Arshile Gorky. He was credited with coining the term "Action Painting" to describe their work, stating that what they created was "not a picture but an event." Rosenberg was an art critic for the New Yorker from 1966 until his death, commenting on the contemporary art scene. His later criticism revealed his distaste for Pop Art and other art movements of the time.

Harold Rosenberg wrote many books including The Anxious Object: Art Today and Its Audience (1964), Artworks and Packages (1969), The De-Definition of Art: Action to Pop and Earthworks (1972), Discovering the Present: Three Decades in Art, Culture, and Politics (1973), and De Kooning (1974). In addition to authoring books and articles, Rosenberg lectured at the School for Social Research from 1953 to 1954, and taught at the University of Chicago from 1966 until his death in 1978.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Harold Rosenberg, conducted by Paul Cummings in 1970-1973.

The Getty Research Institute is the primary repository of Harold Rosenberg's papers.
Provenance:
The collection was donated in 1999 via the Ridgway Public Library in Ridgway, Colorado. The collection had come to the library from one of its trustees, an acquaintance of the Rosenbergs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Harold and May Tabak Rosenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Topic:
Abstract expressionism -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Authors  Search this
Genre/Form:
Photographs
Citation:
Harold and May Tabak Rosenberg papers, circa 1880-1985, bulk 1940s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roseharo
See more items in:
Harold and May Tabak Rosenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roseharo

June Wayne: artist file, [photographs]

Artist:
Wayne, June 1918-2011  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF003108
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141873

10th Memory [graphic arts] / (photographed by Peter A. Juley & Son)

Artist:
Wayne, June 1918-2011  Search this
Type:
Photograph
Date:
1961
Topic:
Abstract  Search this
Figure  Search this
Image number:
JUL J0028158
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_28159

Eve Tentee-Adam en attente [graphic arts] / (photographed by Peter A. Juley & Son)

Artist:
Wayne, June 1918-2011  Search this
Type:
Photograph
Date:
Ca. 1958?
Topic:
Religion--Old Testament--Adam & Eve  Search this
State of Being--Evil--Temptation  Search this
Image number:
JUL J0028108
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_28109

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Doug, Ashford  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E., 1906-1985 (Richard Emmett)  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.8 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The New York Artists Equity Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to the public for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Artists -- United States  Search this
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Art : a woman's sensibility / [Miriam Schapiro, editor]

Issuing body:
California Institute of the Arts Feminist Art Program  Search this
Editor:
Schapiro, Miriam 1923-2015  Search this
Author of introduction:
Metzger, Deena  Search this
Artist:
Adams, Pat 1928-  Search this
Antin, Eleanor  Search this
Asher, Elise 1914-  Search this
Baber, Alice  Search this
Benglis, Lynda 1941-  Search this
Bernstein, Judith 1942-  Search this
Blaine, Nell 1922-1996  Search this
Brenner, Susan  Search this
Brody, Sherry 1932-  Search this
Brown, Joan 1938-1990  Search this
Burko, Diane 1945-  Search this
Campbell, Gretna 1922-1987  Search this
Caparn, Rhys 1909-1997  Search this
Caroompas, Carole  Search this
Carson, Karen 1943-  Search this
Danielli, Edie  Search this
Edelheit, Martha  Search this
Fine, Perle 1905-1988  Search this
Flack, Audrey  Search this
Freed, Hermine  Search this
Freilicher, Jane 1924-2014  Search this
Getchoff, Sonia  Search this
Graves, Nancy 1940-1995  Search this
Grigoriadis, Mary  Search this
Haerer, Carol 1933-2002  Search this
Hall, Susan  Search this
Hammond, Harmony  Search this
Harris, Pamela  Search this
Hartigan, Grace  Search this
Hirsch, Gilah Yelin  Search this
Horowitz, Ida  Search this
Jacobs, Jessica  Search this
Katzen, Lila  Search this
Knowles, Alison 1933-  Search this
Korman, Harriet  Search this
Kozloff, Joyce  Search this
Krasner, Lee 1908-1984  Search this
Lansner, Fay  Search this
Lanyon, Ellen  Search this
Leaf, June 1929-  Search this
Leonard, Joanne  Search this
Levi, Linda  Search this
Mainardi, Patricia  Search this
Mangold, Sylvia Plimack 1938-  Search this
Marcus, Marcia 1928-  Search this
Morgan, Barbara Brooks 1900-1992  Search this
Maas Mosen, Nancy  Search this
Neel, Alice 1900-1984  Search this
Newburger, Babette  Search this
Palfi, Marion 1907-1978  Search this
Picard, Lil  Search this
Pindell, Howardena 1943-  Search this
Piper, Adrian 1948-  Search this
Rachel, Vaughan  Search this
Remington, Deborah  Search this
Reynal, Jeanne 1903-  Search this
Saar, Betye  Search this
Savage, Naomi 1927-  Search this
Schneemann, Carolee 1939-  Search this
Semmel, Joan 1932-  Search this
Slavin, Arlene  Search this
Sleigh, Sylvia  Search this
Smith, Barbara Turner 1931-  Search this
Snyder, Joan 1940-  Search this
Spero, Nancy 1926-2009  Search this
Speyer, Nora  Search this
Stevens, May  Search this
Strider, Marjorie  Search this
Stuart, Michelle 1933-  Search this
Tavenner, Patricia  Search this
Van Fleet, Ellen 1942 or 1944-  Search this
Wayne, June 1918-2011  Search this
Wilke, Hannah  Search this
Zehr, Connie  Search this
Zucker, Barbara M. 1940-  Search this
Physical description:
82 pages : illustrations ; 18 x 31 cm
Type:
Books
Place:
United States
Date:
1975
20th century
Topic:
Feminism and art  Search this
Women artists  Search this
Painters  Search this
Call number:
N43 .C35 1975
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1095826

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