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The velvet years : Warhol's factory, 1965-67 / photographs by Stephen Shore ; text by Lynne Tillman

Author:
Shore, Stephen 1947-  Search this
Tillman, Lynne  Search this
Subject:
Warhol, Andy 1928-1987 Criticism and interpretation  Search this
Velvet Underground (Musical group)  Search this
Physical description:
176 p. : ill. ; 24 cm
Type:
Books
Date:
1995
C1995
Call number:
N40.1.W27 S55 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_488378

Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976

Creator:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Saint-Phalle, Niki de  Search this
Jones, John  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Cohen, Jean  Search this
Pearlstein, Philip  Search this
Margo, Boris  Search this
Wyeth, Andrew  Search this
Beck, Margit  Search this
Noguchi, Isamu  Search this
Newman, Barnett  Search this
Bellow, Saul  Search this
Segal, George  Search this
Asher, Elise  Search this
McLuhan, Marshall  Search this
Warhol, Andy  Search this
Drexler, Rosalyn  Search this
Cavallon, Giorgio  Search this
Refregier, Anton  Search this
Middleman, Raoul F.  Search this
Shahn, Ben  Search this
Tinguely, Jean  Search this
Hofmann, Hans  Search this
Cale, John  Search this
De Diego, Julio  Search this
Orlowsky, Lillian  Search this
Nico  Search this
Bultman, Fritz  Search this
Motherwell, Robert Burns  Search this
Flexner, James Thomas  Search this
Kahn, Wolf  Search this
Cunningham, Merce  Search this
Karolik, Maxim  Search this
Avery, Sally Michel  Search this
Katz, Alex  Search this
Greenwood, Marion  Search this
Ross, Alvin  Search this
Freed, William  Search this
Marcus, Marcia  Search this
Gorelick, Shirley  Search this
Rivers, Larry  Search this
Martin, Fletcher  Search this
Gelb, Jan  Search this
Frankenthaler, Helen  Search this
Ustinov, Peter  Search this
Rothschild, Judith  Search this
Whyte, William Hollingsworth  Search this
Velvet Underground (Musical group)  Search this
Topic:
Optical art  Search this
Sound recordings  Search this
Interviews  Search this
Art historians  Search this
Record number:
(DSI-AAA_CollID)11534
(DSI-AAA_SIRISBib)215801
AAA_collcode_seckdoro
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215801
Additional Online Media:

Alan R. Solomon papers, 1907-1970, bulk 1944-1970

Creator:
Solomon, Alan R.  Search this
Subject:
Stella, Frank  Search this
Fahlström, Öyvind  Search this
Paxton, Steve  Search this
Frankenthaler, Helen  Search this
Louis, Morris  Search this
Childs, Lucinda  Search this
Johns, Jasper  Search this
Hay, Deborah  Search this
Dunn, Judith  Search this
Scull, Robert C.  Search this
Kron, Joan  Search this
Rainier, Yvonne  Search this
Moore, Peter  Search this
McElroy, Robert R.  Search this
Newman, Barnett  Search this
Finkelstein, Nat  Search this
Rosenquist, James  Search this
Oldenburg, Patty  Search this
Bontecou, Lee  Search this
Poons, Larry  Search this
Provinciali, Michele  Search this
Lichtenstein, Roy  Search this
Segal, George  Search this
Warhol, Andy  Search this
Novick, Elizabeth  Search this
Greenberg, Jeanine  Search this
Scull, Ethel  Search this
Noland, Kenneth  Search this
Sabol, Audrey  Search this
Reed, Lou  Search this
Mulas, Ugo  Search this
Schute, Terry  Search this
Grisi, Laura  Search this
Chamberlain, John Angus  Search this
Duchamp, Marcel  Search this
Sisler, Mary  Search this
Oldenburg, Claes  Search this
Morris, Robert  Search this
Castelli, Leo  Search this
Greenberg, Clement  Search this
Dine, Jim  Search this
Redon, Odilon  Search this
Namuth, Hans  Search this
Sonnabend, Ileana  Search this
Picasso, Pablo  Search this
Hay, Alex  Search this
Rauschenberg, Robert  Search this
Whitman, Robert  Search this
Solomon, Alan R.  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Leo Castelli Gallery  Search this
San Francisco Art Institute  Search this
Harvard University. Germanic Museum  Search this
Pasadena Art Museum  Search this
Jewish Museum (New York, N.Y.)  Search this
Albright-Knox Art Gallery  Search this
Artforum  Search this
Cornell University  Search this
Velvet Underground (Musical group)  Search this
Amsterdam (Netherlands).Stedelijk Museum  Search this
University of California (1868-1952)  Search this
Art Gallery of Ontario  Search this
Centro de Artes Visuales (Instituto Torcuato Di Tella)  Search this
Once Group  Search this
Galerie Rive Droite  Search this
Biennale di Venezia  Search this
Expo 67  Search this
Topic:
Curators  Search this
Art, Modern  Search this
Educators  Search this
Museum directors  Search this
Lithographs  Search this
Art historians  Search this
Abstract expressionism  Search this
Transcripts  Search this
Art  Search this
Painters  Search this
Authors  Search this
Pop art  Search this
Photographs  Search this
Interviews  Search this
Art, Abstract  Search this
Drawings  Search this
Performance art  Search this
Sculptors  Search this
Theater  Search this
Record number:
(DSI-AAA_CollID)7165
(DSI-AAA_SIRISBib)209301
AAA_collcode_soloalan
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209301
Additional Online Media:

Inevitable live : Andy Warhol : the Velvet Underground and Nico : music, movies, dancing, more movies

Title:
Andy Warhol : the Velvet Underground and Nico
Music and dance in Andy Warhol's work
Author:
Warhol, Andy 1928-1987  Search this
Maréchal, Paul 1965-  Search this
Aquin, Stéphane  Search this
Montreal Museum of Fine Arts  Search this
Fine Arts Museums of San Francisco  Search this
Andy Warhol Museum  Search this
Subject:
Warhol, Andy 1928-1987  Search this
Warhol, Andy 1928-1987  Search this
Nico 1938-1988  Search this
Velvet Underground (Musical group)  Search this
Physical description:
2 v. : col. ill., ports. ; 31 cm
Type:
Exhibitions
Catalogues raisonnés
Date:
2008
20th century
Topic:
Graphic arts--History  Search this
Sound recordings--Album covers  Search this
Rock music in art  Search this
Call number:
N6537.W28 A4 2008b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_911717

Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists

Creator:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Art in America  Search this
Velvet Underground (Musical group)  Search this
Asher, Elise, 1914-  Search this
Avery, Sally  Search this
Beck, Margit, 1915-1997  Search this
Bellow, Saul  Search this
Bultman, Fritz, 1919-1985  Search this
Cale, John  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cohen, Jean  Search this
Cunningham, Merce  Search this
De Diego, Julio, 1900-  Search this
Drexler, Rosalyn  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenthaler, Helen, 1928-2011  Search this
Freed, William, 1904-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gelb, Jan, 1906-1978  Search this
Gorelick, Shirley, 1924-2000  Search this
Greenwood, Marion, 1909-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Jones, John  Search this
Kahn, Wolf, 1927-  Search this
Karolik, Maxim  Search this
Katz, Alex, 1927-  Search this
Marcus, Marcia, 1928-  Search this
Margo, Boris, 1902-1995  Search this
Martin, Fletcher, 1904-1979  Search this
McLuhan, Marshall, 1911-1980  Search this
Middleman, Raoul F., 1935-  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Nico, 1938-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Orlowsky, Lillian, 1914-2004  Search this
Pearlstein, Philip, 1924-  Search this
Refregier, Anton, 1905-  Search this
Rivers, Larry, 1925-2002  Search this
Ross, Alvin, 1920-1975  Search this
Rothschild, Judith  Search this
Saint-Phalle, Niki de, 1930-  Search this
Segal, George, 1924-2000  Search this
Shahn, Ben, 1898-1969  Search this
Tinguely, Jean, 1925-  Search this
Ustinov, Peter  Search this
Warhol, Andy, 1928-  Search this
Whyte, William Hollingsworth  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
1.6 Linear feet
Type:
Archival materials
Collection descriptions
Sound recordings
Interviews
Date:
1962-1976
Summary:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 17 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.
Scope and Contents:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 20 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.

Interviews with Artists consist of 17 interviews by Dorothy Seckler with artists including Elise Asher, Fritz Bultman, Judith Rothschild, Giorgio Cavallon, Marcia Marcus, Jean Cohen, William Freed, Lillian Orlowsky, Shirley Gorelick, Hans Hofmann, Wolf Kahn, Raoul Middleman, Robert Motherwell, Helen Frankenthaler, Olin Orr, Larry Rivers, Alvin Ross, George Segal, Jean Tinguely, and Niki de Saint Phalle. Several interviews are with two subjects at once. Many of these interviews were conducted in Provincetown, Massachusetts, and are referenced in her introduction to the catalog for the exhibition Provincetown Painters, 1890's – 1970's held at the Everson Museum and the Provincetown Art Association in 1977, and several interviews were conducted as research for articles Seckler wrote and published in Art in America. Also found are group interviews on specific subjects, including an interview with Julio de Diego, Marion Greenwood, Fletcher Martin, and Anton Refregier on the Woodstock art colony, and with Sally Avery, Boris Margo, Jan Gelb, Margit Beck and others on Op Art. In September of 1966, Seckler recorded some of Andy Warhol's Exploding Plastic Inevitable in Provincetown, which includes a performance by Nico and the Velvet Underground, as well as an interview with one of the band's members, John Cale. A single interview conducted by John Jones of George Segal appears to have been copied by Seckler to prepare for her April 1966 interview of Segal.

Broadcast materials include sound recordings of television and radio broadcast programs taped off the air presumably by Seckler. Most programs are interviews, with subjects including Maxim Karolik, James Thomas Flexner, R. Buckminster Fuller, Merce Cunningham, Alex Katz, Phillip Pearlstein, Roslyn Drexler, Barnet Newman, Saul Bellow, Ben Shahn, Marshall McLuhan, Isamu Noguchi, Andrew Wyeth, and William H Whyte. Other recordings include documentary programs related to contemporary art, book reviews, and a comedy performance with actor Peter Ustinov.

Photographs include 12 color slides from October of 1967 that appear to have been shot in Provincetown, Mass. Subjects include Dorothy Seckler and two other unidentified women.
Arrangement:
This collection is arranged in 3 series.

Series 1: Interviews with Artists, 1962-1976 (1 linear foot; Box 1)

Series 2: Broadcast Materials, 1962-1972 (0.8 linear feet; Boxes 2-3)

Series 3: Photographs, 1967 (1 folder; Box 3)
Biographical / Historical:
Dorothy Gees Seckler was an art historian, critic, journalist, and artist active in New York City and Provincetown, Mass. Born Dorothy Elizabeth Gees in Baltimore, MD in 1910, she completed the program in Advertising Design at Maryland Institute College of Art in 1931 and was awarded a traveling scholarship upon graduation, which she used to study in Europe. She later received a masters degree from Columbia University in Art History and Art Education, and worked during World War II as head of an illustration unit in the Army's Judge Advocate General's office.

After the war, she worked at the Museum of Modern Art as an art historian in the education office until 1950, when she began writing for ARTnews magazine, reviewing New York gallery shows for its "Gallery Notes" section, and exploring painters' processes in the "Paints a Picture" series. She later served as contributing editor for Art in America from the late 1950s through the late 1960s, where her published work included features on Robert Rauschenberg and Louise Nevelson, as well as broad surveys of contemporary art such as "A Folklore of the Banal" (Winter 1962) and "Audience is His Medium" (February 1963). She taught at New York University and City College of New York, and wrote a long essay on the history of the Provincetown's art colony, published in Art in America in 1959, and later updated for the catalog for the 1977 exhibition Provincetown Painters, 1890's - 1970's. Between 1962 and 1968, she conducted thirty oral history interviews for the Archives of American Art and served as one of its manuscript collectors.

Throughout her career as a writer and critic, Seckler painted and worked in collage, and her work was shown in several Provincetown galleries, and in the Provincetown Art Center and Museum. She married Jerome Seckler in 1937 and they had one son. Seckler received the American Federation of Arts Award for outstanding writing in the field of American Art in 1952. She died in 1994.
Related Materials:
Other related materials in the Archives' collections include several additional interviews conducted by Seckler for its oral history program, a full recording and transcript of the August 28, 1963 symposium on pop art, for which brief sound notes are found in this collection, and a transcript of the John Jones interview with George Segal in the John Jones interviews with artists collection, 1965 Oct. 5-1965 Nov. 12.
Separated Materials:
In 2012, several duplicates of recordings Seckler made for the Archives of American Art's oral history program were removed from the collection including: Peter and Riva Dechar (1965 and 1967), David von Schlegell (1967), Joan Mitchell (1965), Theresa Schwartz (1965), Paul Burlin (1962), Ibram Lassaw (1964), Jack Tworkov (1962), Allan Kaprow (1968), Edwin Dickinson (1962), Nathan Halper (1963), Louise Nevelson (1964-1965), Karl Knaths (1962), and Stephen Greene (1968). Joan Mitchell's 1965 oral history interview remains with the Seckler collection because reel 2 of this recording also contains a discussion of optical art that belongs in the Seckler collection. The oral history interview has been digitized and is available through the Archives' oral history program.
Provenance:
The bulk of the collection, including the interviews with the Provincetown artists, was donated 1995 by Don Seckler, son of Dorothy Seckler. The source of acquisition for the Seckler interviews with the Woodstock artists is unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Optical art  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seckdoro
See more items in:
Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seckdoro
Additional Online Media:

Alan R. Solomon papers

Creator:
Solomon, Alan R., 1920-1970  Search this
Names:
Albright-Knox Art Gallery  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Art Gallery of Ontario  Search this
Artforum  Search this
Biennale di Venezia  Search this
Centro de Artes Visuales (Asunción, Paraguay)  Search this
Cornell University. -- Faculty  Search this
Expo 67 (Montréal, Québec)  Search this
Harvard University -- Students  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Jewish Museum (New York, N.Y.)  Search this
Leo Castelli Gallery  Search this
Los Once (Artists' group)  Search this
Pasadena Art Museum  Search this
San Francisco Art Institute  Search this
University of California (System)  Search this
Velvet Underground (Musical group)  Search this
Bontecou, Lee, 1931-  Search this
Castelli, Leo  Search this
Chamberlain, John, 1927-2011  Search this
Childs, Lucinda  Search this
Dine, Jim, 1935-  Search this
Duchamp, Marcel, 1887-1968  Search this
Dunn, Judith  Search this
Fahlström, Öyvind, 1928-1976  Search this
Finkelstein, Nat  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Greenberg, Jeanine  Search this
Grisi, Laura  Search this
Hay, Alex  Search this
Hay, Deborah  Search this
Johns, Jasper, 1930-  Search this
Kron, Joan  Search this
Lichtenstein, Roy, 1923-1997  Search this
Louis, Morris, 1912-1962  Search this
MacElroy, Robert R.  Search this
Moore, Peter  Search this
Morris, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-2010  Search this
Novick, Elizabeth  Search this
Oldenburg, Claes, 1929-  Search this
Oldenburg, Patty  Search this
Paxton, Steve  Search this
Picasso, Pablo, 1881-1973  Search this
Poons, Larry  Search this
Provinciali, Michele  Search this
Rainier, Yvonne  Search this
Rauschenberg, Robert, 1925-2008  Search this
Redon, Odilon, 1840-1916  Search this
Reed, Lou  Search this
Rosenquist, James, 1933-  Search this
Sabol, Audrey, 1922-  Search this
Schute, Terry  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Segal, George, 1924-2000  Search this
Sisler, Mary  Search this
Sonnabend, Ileana  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-  Search this
Whitman, Robert  Search this
Extent:
9.9 Linear Feet
Type:
Archival materials
Collection descriptions
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Date:
1907-1970
bulk 1944-1970
Summary:
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
Scope and Contents:
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

Biographical material includes résumés, an engagement book, and a monthly planning book from 1965, identification cards, and educational transcripts.

Correspondence documents Solomon's education at Harvard College and Harvard University, and his teaching appointments at Cornell University. Correspondence also provides some documentation of his involvement with museums and arts organizations, including the Jewish Museum, Stedlijk Museum, the San Francisco Art Institute, the University of California, and Centro de Artes Visuales; his submission of writings for publications including Artforum, Art International, and Konstrevy; and his relationships with artists and colleagues including Jim Dine, Joan Kron, Audrey Sabol, and Ileana Sonnabend. Also found is correspondence related to Solomon's work for Mary Sisler, who employed Solomon to sell her collection of artwork by Marcel Duchamp in the late 1960s.

One series comprises transcripts of interviews with many of the artists who were central to the transition from Abstract Expressionism to later modern movements that occurred in the 1950s and 1960s, such as Neo-Dada and Pop art. Artists represented in the interviews include Jim Dine, Helen Frankenthaler, Jasper Johns, Barnett Newman, Kenneth Noland, Claes Oldenburg, Robert Rauschenberg, Frank Stella, and Andy Warhol.

Solomon's writings include many of his essays for exhibition catalogs, magazines, and journals, and are in a combination of annotated manuscript and published formats. There are writings on Jim Dine, Barnett Newman, Robert Rauschenberg, and Jasper Johns, and on the new movements in theater and performance art of the 1960s. His writings also document the art history education which informed all of his later work, with the inclusion of papers written as a student and teacher, his honors thesis on Odilon Redon, and his dissertation on Pablo Picasso. This material is supplemented by notes, and teaching and study files, documenting courses taken and taught at Harvard and Cornell universities. Also found is the manuscript of the text for New York: The New Art Scene, accompanied by a partial published copy of the book and photographs by Ugo Mulas.

Solomon's subject files augment several of the other series, comprising material on various art related subjects and individual painters and sculptors, arranged alphabetically. Material found here includes printed matter documenting exhibitions and other events, scattered letters from artists, related writings, and photographs.

One series documents Solomon's involvement with the First New York Theater Rally, which he co-produced with Steve Paxton in 1965. This material includes a drawing each by Jim Dine and Alex Hay, pieces of a combine by Robert Rauschenberg, and photographs of the group including Dine, Hay, and Rauschenberg, as well as Lucinda Childs, Judith Dunn, Deborah Hay, Robert Morris, Claes Oldenburg, the Once Group, Steve Paxton, Yvonne Rainier, Alan Solomon, and Robert Whitman. The series includes multiple contact sheets of photos of First New York Theater Rally events, by Peter Moore, Elizabeth Novick, and Terry Schute.

Exhibition files document Solomon's role as an organizer and curator for some of his most well-known exhibitions, including American Painting Now (1967) for Expo '67 in Montreal; Andy Warhol (1966) at the Institute of Contemporary Art in Boston; Dine-Oldenburg-Segal (1967) at the Art Gallery of Ontario and Albright-Knox Gallery; the American exhibition at the 1964 Venice Biennale; Young Italians (1968) at the Institute of Contemporary Art; and Painting in New York 1944-1969, a major retrospective installed for the opening of the new Pasadena Art Museum in fall, 1969. Records include correspondence, lists and notes, financial records, printed material, and photographs of artists and installations, including a series by Ugo Mulas taken at the Venice Biennale.

Solomon's business records include lists, notes, contracts, expense forms, vouchers, purchase orders, and receipts. They provide scattered documentation of exhibition-related expenses and purchases of artwork, as well as Solomon's income from teaching appointments, lectures, honorariums, and writings. Amongst Solomon's general business records is an American Federation of Musicians agreement between the Institute of Contemporary Art and "Louis Reed," with booking agent Andy Warhol, for a performance by the Velvet Underground and Nico, performing as The Exploding Plastic Inevitable on October 29, 1966. This seemingly mundane item documents an event that accompanied Solomon's landmark Warhol exhibition of nearly forty iconic works, and the accompanying show by The Exploding Plastic Inevitable was hailed by the Boston Phoenix newspaper as one of the greatest concerts in Boston history.

Printed material includes announcements, catalogs, and posters for exhibitions and art related events, including two Jasper Johns lithographs for a 1960 exhibition at Galerie Rive Droite, and a 1963 exhibition at Leo Castelli Gallery. Also found are news clippings, press releases, and other publications.

Photographs are of Solomon, artists, friends and colleagues, exhibitions and other events, and artwork. They include snapshots of Solomon, and a series of photographs of him at various events and parties, many taken by Ugo Mulas, as well as a photo taken by Robert Rauschenberg of Ugo Mulas, Michele Provinciali, and Solomon. Additional photos by Ugo Mulas include some which were probably taken for New York: The New Art Scene, and a series of photos of Robert Rauschenberg and others at the Venice Biennale. Photos of artists include Lee Bontecou, John Chamberlain, Jim Dine, Marcel Duchamp, Öyvind Fahlström, Laura Grisi, Jasper Johns, Roy Lichtenstein, Morris Louis, Barnett Newman, Kenneth Noland, Claes and Patty Oldenburg, Larry Poons, James Rosenquist, George Segal, Frank Stella, and Andy Warhol and The Factory. Photos of others include Leo Castelli, Clement and Jeanine Greenberg, and Ethel and Robert Scull. Also found are photos of the exhibition Toward a New Abstraction (1963), at The Jewish Museum, photos of Venice, and photos of artwork by many of the above named, and other, artists. In addition to Ugo Mulas, photographers represented in this series include Nat Finkelstein, Robert R. McElroy, and Hans Namuth.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, 1938-1968 (5 folders; Box 1)

Series 2: Correspondence, 1930-1970 (0.66 linear feet; Box 1)

Series 3: Interviews, 1965-1969 (0.25 linear feet; Box 1)

Series 4: Writings and Notes, 1945-1969 (1.35 linear feet; Boxes 1-3, 11)

Series 5: Teaching and Study Files, 1944-1958 (0.25 linear feet; Box 3)

Series 6: Subject Files, 1907-1969 (2.92 linear feet; Boxes 3-6, 1, OV 12)

Series 7: First New York Theater Rally, 1963-1965 (0.15 linear feet; Boxes 6, 11)

Series 8: Exhibition Files, 1954-1969 (1.42 linear feet; Boxes 6-7, 11, OV 12)

Series 9: Business Records, 1945-1970 (0.3 linear feet; Boxes 7-8)

Series 10: Printed Material, 1914-1970 (0.8 linear feet; Boxes 8-9, OV 12)

Series 11: Photographs, circa 1951-circa 1970 (1.7 linear feet; Boxes 9-11, OV 13)
Biographical / Historical:
New York art historian, museum director, art consultant, educator, writer, and curator, Alan R. Solomon (1920-1970), organized over two hundred exhibitions in the course of his career. He was known for his skill in exhibition design, and for bringing the perception and understanding of an art historian to the field of contemporary art.

Solomon was born in Quincy, Massachusetts, and educated at Harvard College and Harvard Graduate School. In 1953, during his 1952-1962 tenure with the Cornell University department of art history, he established the Andrew Dickson White Museum of art. Solomon served as the museum's first director until 1961, whilst simultaneously pursuing his doctorate, which he received from Harvard University in 1962.

In 1962 Solomon was hired by the Jewish Museum in New York, New York, and immediately began to take the institution in a more contemporary direction, mounting Robert Rauschenberg's first retrospective in 1963, and a major Jasper Johns retrospective in 1964. Also, in 1963, Solomon was appointed the United States Commissioner for the 1964 Venice Biennale. He was determined to show "the major new indigenous tendencies, the peculiarly America spirt of the art" in works by two consecutive generations of artists, including Jasper Johns, Morris Louis, Kenneth Noland, and Robert Rauschenberg. With this in mind, and given the inadequacy of the existing space to house the installation he envisaged, Solomon secured a verbal agreement from Biennale officials to approve additional space for the American exhibition in an annex at the former American Consulate. The agreement was never formalized, however, and a series of administrative problems and controversies over the eligibility of the American submissions threatened to undermine Solomon's efforts. Nevertheless, Robert Rauschenberg became the first American to take the Grand Prize for foreign artist, and the attention garnered by the American exhibition monopolized press coverage of the Biennale. In response, Solomon stated publicly that "it is acknowledged on every hand that New York has replaced Paris as the world art capital."

Solomon subsequently left the Jewish Museum, having engendered resistance to leading the museum in a more experimental direction, away from the traditional Jewish educational aspects of its mission. In the mid-sixties he worked as a consultant and writer for a National Educational Television series entitled "U. S. A. Artists," which drew on artist interviews, many conducted by Solomon. He also wrote the text for Ugo Mulas's classic photographic study, New York: The New Art Scene (1967: Holt Rinehart and Winston).

In 1966 Solomon was hired by the United States Information Agency to organize the United States contribution to the Canadian World Exhibition in Montreal, known as Expo '67. His stunning American Painting Now installation placed large scale paintings by twenty-three artists, including Jim Dine, Ellsworth Kelly, Roy Lichtenstein, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist, inside Buckminster Fuller's twenty-story Biosphere of Montreal.

Other important exhibitions organized by Solomon included Andy Warhol (1966) at the Institute of Contemporary Art, Boston, which was only the second of two exhibitions dedicated to the artist; Dine-Oldenburg-Segal (1967) at the Art Gallery of Ontario and the Albright-Knox Art Gallery; and Young Italians (1968) at the Institute of Contemporary Art.

Solomon was also interested in contemporary theater and organized the First New York Theater Rally with Steve Paxton in 1965, a series of performances which combined new dance and a revival of the Happenings of the early 1960s, in which Claes Oldenburg, Jim Dine and others were involved.

Following a six-week appointment as a senior lecturer at the University of California, Irvine, in spring 1968, Solomon became chairman of the University's art department and director of the art gallery. His last exhibition, Painting in New York, 1944-1969 (1969-1970), was held at the Pasadena Art Museum and closed in January 1970, just a few weeks before Solomon's sudden death at the age of forty-nine.
Provenance:
The Leo Castelli Gallery served as executor of Solomon's estate, and donated his papers to the Archives of American Art in 1974 and 2007.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Alan R. Solomon papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art historians -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Painters  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.soloalan
See more items in:
Alan R. Solomon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-soloalan
Additional Online Media:

Live at Max's Kansas City [sound recording]

Artist:
Velvet Underground (Musical group)  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Culture:
Americans  Search this
Type:
Musical sound recordings
Place:
United States
New York
Date:
1972
Topic:
Rock music  Search this
Local number:
FW-ASCH-LP-2947
Cotillion 9500
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_316133

The Velvet Underground and Nico- produced by Andy Warhol [sound recording]

Performer:
Velvet Underground (Musical group)  Search this
Nico  Search this
Reed, Lou  Search this
Cale, John  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Culture:
Americans  Search this
Type:
Musical sound recordings
Place:
New York (N.Y.)
United States
Topic:
Rock music  Search this
Local number:
Verve 5008
Restrictions & Rights:
Restrictions on access. Listening only. No Duplication Allowed
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_356928

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