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Tony Smith, Nuremberg, Germany letter to Jackson Pollock and Lee Krasner

Creator:
Smith, Tony, 1912-1980  Search this
Pollock, Jackson, 1912-1956  Search this
Subject:
Krasner, Lee  Search this
Type:
Correspondence
Date:
1954 Mar. 12
Record number:
(DSI-AAA)14201
See more items in:
Jackson Pollock and Lee Krasner papers, circa 1905-1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14201
Additional Online Media:

Oral history interview with Tony Smith, 1978 August 22-30

Interviewee:
Smith, Tony, 1912-1980  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Topic:
Interviews  Search this
Art, American  Search this
Sculpture, Modern  Search this
Sculptors  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12890
(DSI-AAA_SIRISBib)213103
AAA_collcode_smitht78
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213103

Interview with Tony Smith

Creator:
Smith, Tony, 1912-1980  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Type:
Sound Recording
Date:
circa 1967
Topic:
Architecture  Search this
Sculpture  Search this
Record number:
(DSI-AAA)12293
See more items in:
Exhibition records of the Contemporary Wing of the Finch College Museum of Art, 1943-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12293

Cigarette [art work] / (photographed by Peter A. Juley & Son)

Artist:
Smith, Tony 1912-1980  Search this
Type:
Photograph
Image number:
JUL J0071210
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_71211

Tony Smith: artist file, [photographs]

Artist:
Smith, Tony 1912-1980  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002744
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141458

Tony Smith : early paintings : September 11 - October 31, 2009

Author:
Smith, Tony 1912-1980  Search this
Valerie Carberry Gallery  Search this
Subject:
Smith, Tony 1912-1980  Search this
Physical description:
1 folded sheet ([6] p.) : col. ill. ; 29 cm
Type:
Books
Exhibitions
Date:
2009
C2009
Call number:
ND237.S6323 A4 2009
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_953416

Fritz Bultman papers

Creator:
Bultman, Fritz, 1919-1985  Search this
Names:
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Cicero, Carmen, 1926-  Search this
Cornell, Joseph  Search this
Drexler, Sherman  Search this
Fromboluti, Sideo, 1921-  Search this
Graham, John, 1887-1961  Search this
Hofmann, Hans, 1880-1966  Search this
Hofmann, Maria, 1885-1963  Search this
Hopkins, Budd, 1931-  Search this
Kees, Weldon, 1914-1955  Search this
Krasner, Lee, 1908-1984  Search this
Manso, Leo  Search this
Motherwell, Robert  Search this
Newman, Annette  Search this
Newman, Barnett, 1905-1970  Search this
Ossorio, Alfonso, 1916-1990  Search this
Ponsold, Renate  Search this
Reynal, Jeanne, 1903-  Search this
Rothschild, Judith  Search this
Sills, Thomas, 1914-  Search this
Simon, Sidney, 1917-1997  Search this
Smith, Tony, 1912-1980  Search this
Speyer, Nora  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Windham, Donald  Search this
Extent:
11.9 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Date:
1928-2010, bulk 1940s-1990s
Summary:
The papers of New York School painter and sculptor Fritz Bultman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships; Hans Hofmann is the most thoroughly documented subject. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.
Scope and Contents:
The papers of New York School painter and sculptor Fritz Bultlman, 1928-2010, bulk 1940s-1990s, measure 11.9 linear feet. They document Bultman's professional activities, ties to the Abstract Expressionist movement, and his personal life. Letters from friends and family include many from Hans and Maria Hofmann. Letters by Bultman are mostly to family; also found are a few drafts and copies of business and personal letters. Writings and notes are by and about Bultman. Notebooks/sketchbooks (39 volumes) include autobiographical writings, notes on dreams and thoughts while in psychoanalysis, many sketches and some completed drawings. Subject files reflect Bultman's professional activities, interests, and relationships. Extensive printed material concerns Bultman's activities and exhibitions; also included are his published writings. Most photographs are of artwork, Bultman, his family and friends. Also found are biographical materials, 4 diaries, 6 interviews with Fritz Bultman and Jeanne Bultman, and a small amount of artwork.

Biographical materials include school records and notice of Bultman's army classification.

Most letters are addressed to Fritz Bultman and his parents. Fritz's education in Munich and studying with Hans Hofmann is well-documented. Many letters are from Miz Hofmann and Hans Hofmann. Also found are a smaller number of letters from museums, galleries, universities, and arts organizations. The surviving letters by Bultman are mainly to his family. Most were written when he was a student in Munich or traveling in Europe. There are some drafts and copies of letters concerning professional activities, arrangements for lectures, exhibitions, and Cynthia Goodman's editing "Form and Color in the Creative Process: The Painter's Primer" by Hans Hofmann.

Most interviews focus on Bultman's career. An interview with Jeanne and Fritz Bultman is about John Graham, and one of the interviews with Jeanne Bultman concerns Hans Hofmann.

Bultman's writings and notes include articles, lectures and talks about Hans Hofman, lectures about his own work, and a book review. Among the writings about Bultman are articles, a catalog essay and exhibition review.

Notebooks/sketchbooks (39 volumes) contain a variety of writings and notes, including some that are autobiographical, along with sketches and several finished drawings. Some volumes consist of writings and notes with a few sketches and doodles while others are mainly sketchbooks containing a few stray notes and brief writings; many contain approximately the same amount of text and drawings.

Diaries (4 volumes) contain entries about his work, professional and personal activities. One volume is a record of his October 1978 trip to Istanbul.

Subject files contain varying combinations of correspondence, photographs, printed material, and manuscripts. The most extensive file relates to Hans Hofmann and includes copies of writings by him. Other files of note concern Joseph Cornell, the exhibitions "Forum '49" and "Forum '49 Revisited," Weldon Kees, Tony Smith, and Donald Windham.

The largest series, printed material, consists of exhibition catalogs, announcements, reviews, articles and clippings about or mentioning Bultman.

Noteworthy among the small amount of artwork by Bultman is an early print; also found are loose drawings and paintings on paper.

Photographs of artwork document the full range of Bultman's production --paintings, sculpture, drawings, collage, stained glass, interior design and decoration. Also found are a few photographs of works by other artists. Photographs of Fritz Bultman include many by Renate Ponsold. Other indentified individuals include parents Fred and Pauline Bultman, sister Muriel Bultman, childhood nurse Katie Belle, son Johann Bultman, Sherman Drexler, Hans Hofmann, Miz Hofmann, Miss Katsura, Lee Krasner, Annalee Newman, Barnett Newman, Alfonso Ossorio, Jeanne Reynal, Thomas Sills, Jack Tworkov, and Wally Tworkov. A group portrait of the artists of Long Point Gallery includes: Varujan Boghosian, Fritz Bultman, Carmen Cicero, Sideo Fromboluti, Budd Hopkins, Rick Klauber, Lee Manso, Sidney Simon, Robert Motherwell, Judith Rothschild, Nora Speyer, and Tony Vevers. Also found in this series are photographs of Bultman exhibition installations and views of miscellaneous places.
Arrangement:
The collection is arranged in 10 series:

Series 1: Biographical Materials,1928-2003 (Box 1; 0.1 linear feet)

Series 2: Letters, 1930-1995 (Box 1; 0.4 linear feet)

Series 3: Interviews, 1968-1998 (Box 1; 0.4 linear feet)

Series 4: Writings and Notes, 1935-circa 1980s (Boxes 1-2; 0.8 linear feet)

Series 5: Notebooks/Sketchbooks, 1937-circa 1979 (Boxes 2-3, 11; 0.7 linear feet)

Series 6: Diaries, 1977-1979 (Box 3; 0.3 linear feet)

Series 7: Subject Files, 1942-2010 (Boxes 3-5, 11; 2.3 linear feet)

Series 8: Printed Material, 1941-2006 (Boxes 5-9, OV 12; 3.5 linear feet)

Series 9: Artwork, circa 1930s-1956 (Boxes 9, 11; 0.1 linear feet)

Series 10: Photographs, 1935-1997 (Boxes 9-10; 0.6 linear feet)
Biographical / Historical:
Fritz Bultman (1919-1985), a New York School painter and sculptor who lived and worked in Provincetown, Massachusetts and New York City, was also a collagist, stained glass artist, and educator.

Anthony Fred Bultman, III --always known as Fritz --was from a prominent and cultured New Orleans family. He began studying art as a boy and one of his teachers was Morris Graves, a family friend. His last 2 years of high school were spent at the Munich Preparatory School, boarding with Mrs. Hans Hofmann whose husband was working in New York for an extended period. Bultman attended the New Bauhaus in Chicago before studying for three years with Hans Hofmann in New York City and Provincetown, Massachusetts. As well as being a major influence on Bultman's development as a painter, Hofmann became a life-long friend.

Fritz Bultman met dancer and model Jeanne Lawson (1918-2008), when she was posing in Hofmann's studio during the summer of 1941. They married in 1943 and the following year bought a house in Provincetown. In 1945, Bultman built a studio designed by a friend from the New Bauhaus, sculptor and architectural designer Tony Smith, who also helped with its construction.

His first solo exhibition was held in 1947 at the Hugo Gallery, New York; others followed in 1950, again at Hugo Gallery and at Kootz Gallery, New York. After receiving an Italian Government Grant for Exchange Fellowship, Bultman spent 1950-1951 in Florence, Italy, where he learned the process of casting and began making metal sculpture. In 1952 the Bultmans moved to New York City. Depressed and beset by anxiety, Bultman began Freudian psychoanalysis, and between 1952 and 1956 produced very little artwork.

In 1958 Bultman resumed exhibiting and continued to show regularly for the remainder of his life. He enjoyed solo exhibitions in New York City, Paris, New Orleans, North Carolina, Provincetown, and other venues. Between 1958 and 1963 Bultman taught painting at Hunter College and was an instructor in design and painting at Pratt Institute. Bultman spent 1964-1965 in Paris on a Fulbright Grant painting and sculpting, studying European methods of bronze casting, and meeting French artists. Bultman maintained his reputation as a highly regarded art instructor and in later years was a sought after guest lecturer at a various colleges. While artist-in-residence at Kalamazoo College, Michigan in 1981, he designed and produced a stained glass mural with technical assistance from his wife, Jeanne Bultman, a skilled artisan.

Fritz Bultman died of cancer in Provincetown, Massachusetts, in 1985.
Related Materials:
An oral history interview with Fritz Bultman, 1986 January 6, was conducted by Irving Sandler for the Archives of American Art (available on microfilm reel 3196).
Provenance:
Gift of Fritz Bultman in 1984, which included material lent for microfilming in 1970 and 1971. Additions donated by Jeanne Bultman, his widow, in 1988 and 2000, and by his sons, Anthony F. Bultman, IV and Ellis Johann Bultman, in 2013.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Fritz Bultman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Genre/Form:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Citation:
Fritz Bultman papers, 1928-2010, bulk 1940s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bultfrit
See more items in:
Fritz Bultman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bultfrit

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records

Creator:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery  Search this
Names:
Park Place Gallery Art Research, Inc.  Search this
Paula Cooper Gallery  Search this
Paula Johnson Gallery  Search this
Bartlett, Jennifer, 1941-  Search this
Campus, Peter, 1937-  Search this
Cooper, Paula, 1938-  Search this
Di Suvero, Mark, 1933-  Search this
Fleming, Dean  Search this
Forakis, Peter  Search this
Grosvenor, Robert, 1937-  Search this
Leonard, Zoe  Search this
Magar, Anthony, 1936-  Search this
Melcher, Tamara  Search this
Murray, Elizabeth, 1940-  Search this
Myers, Forrest Warden, 1941-  Search this
Novros, David, 1941-  Search this
Ruda, Edwin  Search this
Shields, Alan, 1944-  Search this
Smith, Tony, 1912-1980  Search this
Thompson, Bob, 1937-1966  Search this
Valledor, Leo  Search this
Extent:
50 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Transcripts
Photographs
Date:
1961-2006
Summary:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.
Scope and Content Note:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

The collection is divided in three series, one series for each gallery represented in this collection. The records in each series are not comprehensive and do not represent the full scope of operations at each gallery. Due to the original arrangement of materials, some records related to Park Place Gallery are found in Series 3, and scattered records related to Paula Cooper Gallery are found in Series 2. Researchers are encouraged to reference both series.

Series 1, Paula Johnson Gallery records, contains six folders and includes an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Park Place, The Gallery of Art Research, Inc. records are filed in Series 2 and is arranged in five subseries: correspondence, business files, artists' files, financial records, and printed materials. The correspondence is between gallery employees and clients, museums, and other galleries regarding artwork inquiries, sales and exhibitions. Business files are limited in scope and include documents related to the founding of the gallery, a guest book, and one folder of legal and financial records. Artists' Files for eight of the ten Park Place Gallery artists are found: Dean Fleming, Peter Forakis, Tony Magar, Tamara Melcher, Forrest Myers, David Novros, Edwin Ruda, and Leo Valledor. Not present in this collection are files for Mark di Suvero and Robert Grosvenor. Artists' Files contain a variety of materials including artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Printed Materials include newspaper clippings, gallery announcements, an interview transcript, a handwritten gallery floor plan, and a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor.

The bulk of the collection is the records of Paula Cooper Gallery, Series 3. This series contains similar materials as Series 2 and is arranged in the same five subseries. Correspondence includes responses to appraisal requests (1968-1997) and copies of outgoing gallery correspondence from 1985-1999. Business Files contain documentation related to advertising and renovations to the gallery, as well as an artwork inventory book from the early years of the gallery's operation. The bulk of this series is comprised of Artists' Files which contain varied materials such as correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. There is considerable documentation for artists Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields and the estate of Tony Smith. Sales invoices, consignment records, payment ledgers, cancelled checks and other financial materials are found in Financial Records. Printed Materials are comprised of some newspaper and magazine clippings, an interview transcript, and a copy of a manuscript.
Arrangement:
The collection is arranged as 3 series:

Series 1: Paula Johnson Gallery, 1963-1967 (Box 1; 6 folders)

Series 2: Park Place, The Gallery of Art Research, Inc., 1961-1973, 1989 (Boxes 1-4, 50-51, OV 52; 4.1 linear feet)

Series 3: Paula Cooper Gallery, 1962-2006 (Boxes 4-49, 51; 45.7 linear feet)
Historical Note:
The artists' cooperative Park Place, The Gallery of Art Research, Inc. opened in November 1965 at 542 West Broadway, showing the work of ten young contemporary artists. The cooperative did not represent an art movement, but frequently exhibited large-scale, non-figurative, geometric paintings and sculptures.

Many of the gallery's artists had attended art school in California and shared similar ideas about art, community, and collaboration. Since 1962, they had been informally exhibiting together at 79 Park Place and other various New York City locations under the name Park Place Gallery. With the successes of their informal exhibitions, and the loss of their lease at 79 Park Place, the group formalized their cooperative under the umbrella non-profit, Art Research, Inc. in 1965.

The cooperative was comprised of five sculptors, five painters, and five collectors. Members included sculptors Mark di Suvero, Peter Forakis, Robert Grosvenor, Tony Magar, and Forrest Myers; painters Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, and Leo Valledor; and collectors Virginia Dwan, Allen and Betty Guiberson, J. Patrick Lannan, Vera List, and John and Lupe Murchison. The collectors each donated an artwork by one of the artists for sale in the gallery, as well as financed the gallery's annual operating budget. As compensation, each collector was given one major work of art by each artist every year.

Paula Cooper (nee. Johnson) joined Park Place Gallery in 1966 and she became director in late 1966-early 1967. Previously, from 1964-1966, she ran Paula Johnson Gallery, showing artwork by Bob Thompson and other young artists.

Park Place, The Gallery of Art Research, Inc. had its first group show in February 1966. In addition to showing art, the gallery occasionally held jazz sessions and other art-related gatherings. The gallery physically closed at the end of July 1967. However, Paula Cooper continued managing the sale of artwork and organized exhibitions at various locations. The final exhibition of Park Place Gallery artists was held at M.I.T. in late spring of 1968.

Paula Cooper opened Paula Cooper Gallery in Soho at 96 Prince Street in 1968. Her gallery is often credited as being the first gallery in Soho and thus paved the way for the migration of uptown galleries to the neighborhood. From the beginning, the gallery showed primarily conceptual and minimalist art and she continued representing some of the Park Place artists. Artists represented by Paula Cooper Gallery and found in this collection include Jennifer Bartlett, Dara Birnbaum, Peter Campus, Michael Hurson, Zoe Leonard, Robert Mangold, Elizabeth Murray, Cady Noland, Adrian Piper, Ulrich R├╝ckriem, Edwin Ruda, Alan Shields, the estate of Tony Smith, Joseph White, Chris Wilmarth, Kes Zapkus, and many others. The gallery continues to operate in Chelsea on West 21st Street.

Sources consulted include "Reimaging Space: the Park Place Gallery Group in 1960s New York" by Linda Dalrymple Henderson, published by Blanton Museum of Art, 2008; and, "Art and Space: Park Place and the beginning of the Paula Cooper Gallery," by Liza Kirwin, 2007 (http://www.aaa.si.edu/exhibitions/paula-cooper).
Related Material:
Related collections found among the holdings of the Archives of America include a sound recording of a lecture given by Paula Cooper (Museum of Fine Arts, Boston sound recordings, May 18, 1983-February 8, 1984); audio tapes which include Paula Cooper (Bruce D. Kurtz video and audio recordings and papers, 1966-1995); and two silent 16mm films by Kenny Schneider (Park Place Gallery artists films, 1967.)
Provenance:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records were donated by Paula Cooper, director of the galleries, in two accessions in 2006 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce requires written permission from Paula Cooper, 534 West 21st Street, New York, NY 10011.
Topic:
Art galleries, Commercial  Search this
Genre/Form:
Interviews
Transcripts
Photographs
Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkplag
See more items in:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parkplag

Jackson Pollock & Tony Smith scultpure : an exhibition on the centennial of their births : Matthew Marks Gallery

Title:
Jackson Pollock and Tony Smith scultpure
Author:
Pollock, Jackson 1912-1956  Search this
Costello, Eileen (Eileen Elizabeth),)  Search this
Smith, Tony 1912-1980  Search this
Matthew Marks Gallery  Search this
Subject:
Pollock, Jackson 1912-1956  Search this
Smith, Tony 1912-1980  Search this
Physical description:
31 p. : ill. (some col.), ports. ; 22 cm
Type:
Books
Exhibitions
Date:
2012
C2012
Call number:
NB237.P58 A4 2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1001284

Tony Smith : the shape of space

Title:
Shape of space
Author:
Smith, Tony 1912-1980  Search this
MIT List Visual Arts Center  Search this
MIT Committee on the Visual Arts  Search this
Subject:
Smith, Tony 1912-1980  Search this
Physical description:
1 folded sheet ([8] p.) : ill., port. ; 28 cm
Type:
Books
Exhibitions
Date:
1987
1987]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_709508

Not an object, not a monument : the complete large-scale sculpture of Tony Smith

Author:
Smith, Tony 1912-1980  Search this
Smith, Seton 1955-  Search this
Smith, Kiki 1954-  Search this
Matthew Marks Gallery  Search this
Subject:
Smith, Tony 1912-1980  Search this
Physical description:
101 p. : ill ; 32 cm
Type:
Books
Date:
2007
C2007
Topic:
Sculpture, American  Search this
Call number:
NB237.S569 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_820068

Gracehoper, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Medium:
Cardboard painted black
Type:
Sculptures
Owner/Location:
Detroit Institute of Arts 5200 Woodward Avenue Detroit Michigan 48202 Accession Number: 71.110
Date:
1971
Topic:
Undetermined  Search this
Control number:
IAS 24150157
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26546

Spitball, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Medium:
Granite
Type:
Sculptures
Owner/Location:
Detroit Institute of Arts 5200 Woodward Avenue Detroit Michigan 48202 Accession Number: 78.50
Date:
1970
Topic:
Undetermined  Search this
Control number:
IAS 24150159
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26548

Free Ride, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Type:
Sculptures
Topic:
Abstract--Geometric  Search this
Control number:
IAS 28110101
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26655

Cigarette, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Medium:
Wood
Type:
Sculptures
Owner/Location:
Unlocated
Date:
1966
Topic:
Abstract--Geometric  Search this
Recreation--Leisure--Smoking  Search this
Control number:
IAS 28110104
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26658

Tony Smith [by] Lucy R. Lippard

Author:
Smith, Tony 1912-1980  Search this
Lippard, Lucy R  Search this
Physical description:
86 p. illus. 21 x 23 cm
Type:
Books
Date:
1972
[1972]
Call number:
N40.1.S66 L7
N40.1.S66L7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_22248

Tony Smith's sculpture : five morphological paradigms / Garth H. Claassen

Author:
Claassen, Garth H (Garth Henry)  Search this
Subject:
Smith, Tony 1912-1980  Search this
Physical description:
xii, 379 leaves : ill
Type:
Books
Date:
1990
Call number:
N40.1.S66 C58 1990a
N40.1.S66C58 1990a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_425829

Cigarette, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Medium:
Plywood
Type:
Sculptures
Owner/Location:
Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo New York 14222
Date:
1967
Topic:
Abstract  Search this
Object--Other--Smoking Material  Search this
Control number:
IAS 76008063
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_18835

Full-Scale Maquette for Die, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Medium:
Steel
Type:
Sculptures-Model
Sculptures
Owner/Location:
Orange County Museum of Art 850 San Clemente Drive Newport Beach California 92660 Accession Number: PC.78.17
Date:
1967
Topic:
Study--Maquette  Search this
Control number:
IAS 64330045
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26257

Free Ride, (sculpture)

Sculptor:
Smith, Tony 1912-1980  Search this
Medium:
Black steel
Type:
Sculptures
Owner/Location:
St. Louis Art Museum Forest Park St. Louis Missouri 63110 Accession Number: 115:1976
Date:
1962
Topic:
Abstract--Geometric  Search this
Control number:
IAS 28110100
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26654

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