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George Segal, New Brunswick, N.J. letter to Audrey Sabol

Creator:
Segal, George, 1924-2000  Search this
Sabol, Audrey, 1922-  Search this
Type:
Correspondence
Date:
1962 Aug. 27
Record number:
(DSI-AAA)1860
See more items in:
Audrey Sabol papers, 1962-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1860

Interview with George Segal

Creator:
Segal, George, 1924-2000  Search this
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
New York University  Search this
Type:
Sound Recording
Place:
Provincetown, Mass.
Date:
1966 April 1
Topic:
Plaster casts  Search this
Plaster sculpture  Search this
Record number:
(DSI-AAA)12839
See more items in:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12839

Oral history interview with George Segal, 1973 November 26

Interviewee:
Segal, George, 1924-2000  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Kaprow, Allan  Search this
Bellamy, Richard  Search this
Delevante, Sidney  Search this
Baziotes, William  Search this
Hansa Gallery (New York, N.Y.)  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Topic:
Sculptors  Search this
Art, American  Search this
Interviews  Search this
Sound recordings  Search this
Painters  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)12613
(DSI-AAA_SIRISBib)213086
AAA_collcode_segal73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213086

Joan Kron papers

Topic:
Tonight Show (Television Program)
Creator:
Kron, Joan  Search this
Names:
Beautiful Bag Co. (Philadelphia,Pa.)  Search this
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Christo, 1935-  Search this
Dine, Jim, 1935-  Search this
Hendricks, Geoffrey  Search this
Indiana, Robert, 1928-  Search this
Johnson, Ray, 1927-  Search this
Kaprow, Allan  Search this
Klüver, Billy, 1927-2004  Search this
Lichtenstein, Roy, 1923-1997  Search this
Maitin, Sam  Search this
Oldenburg, Claes, 1929- -- Photographs  Search this
Paik, Nam June, 1932-  Search this
Rosenberg, Karl  Search this
Sabol, Audrey, 1922-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Segal, George, 1924-2000 -- Photographs  Search this
Tinguely, Jean, 1925-  Search this
Turner, Evan H.  Search this
Venturi, Robert  Search this
Watts, Robert M., 1923-1988  Search this
Extent:
1.4 Linear feet
Type:
Archival materials
Collection descriptions
Video recordings
Drawings
Sound recordings
Photographs
Paintings
Ledgers (account books)
Date:
1959-1971
Summary:
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.
Scope and Content Note:
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.

Papers relating to Kron's volunteer chairmanship of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia include general files concerning the administration and operation of the organization, as well as exhibition files for Art 1963/ A New Vocabulary (1962) and Museum of Merchandise 1967.) Files generally consist of correspondence, clippings and other printed materials, notes and writings, photographs, and financial documents. The exhibition files for Art 1963/ A New Vocabulary include a typescript "Dictionary Suggestions" by Billy Klüver which contains slang terms with creative definitions, and photographs of Claes Oldenburg, Billy Klüver, Joan Kron, Sam Maitin, Niki de Saint-Phalle, Audrey Sabol, George Segal, Jean Tinguely, and Robert Watts. The files for Museum of Merchandise contain a painting on paper by Geoffrey Hendricks, a drawing by Ray Johnson, a photograph of fabric designer Karl Rosenberg, a photograph of a wedding dress design by Christo, and a 1/2" open reel videotape made by Nam Jun Paik of Kron's appearance on The Tonight Show.

The records of the Beautiful Bag and Box Co., an art entrepreneurial business created by Kron and her colleague Audrey Sabol, include correspondence, a ledger of sales and deposits, income tax records, miscellaneous invoices, notes and writings, clippings, miscellaneous printed material, and photographs. Also found are project/product files for Art Museum Store, Temporary Tattoos, Durable Dishes designed by Roy Lichtenstein, Eat Pin likely designed by Robert Indiana, Art on Billboards, and Stunning Stationery. The file for project Art on Billboards contains postcards from Allan Kaprow and Jim Dine expressing interest in the project, and a photograph of Edwin and Audrey Sabol on a motorcycle posing in front of a billboard designed by Roy Lichtenstein. There is also a 7" audio reel tape recording of a radio program Hey, Look at That containing comments about billboards from Kron, Roy Lichtenstein, architect Robert Venturi, and Evan H. Turner, Director of the Philadelphia Museum of Art.
Arrangement:
The collection is arranged as 2 series:

Series 1: Arts Council of the YM/YWHA of Philadelphia, 1959-1971 (Box 1-2, OV 3; 0.6 linear feet)

Series 2: Beautiful Bag and Box Co., 1963-1969 (Box 1-2; 0.8 linear feet)
Biographical Note:
Joan Kron (circa 1928-) is a fashion and style journalist in New York City, but began her career in Philadelphia as an advocate of avante-garde artists and co-founder of The Beautiful Bag Co. which worked with artists to produce commercial household and fashion art products. Kron worked on projects with Andy Warhol, Roy Lichtenstein, and Robert Indiana, among others.

Joan Kron was born circa 1928 in New York. She studied at the Yale University School of Drama from 1946-1948, graduating with a degree in costume design. She married surgeon Dr. Samuel Kron and lived in Philadelphia during the 1960s. For almost a decade, Kron volunteered as chairman of the Arts Council of the Young Men's/Young Women's Hebrew Association of Philadelphia (YM/YWHA.) The YM/YMA Arts Council focused on promoting and hosting new and avant-garde programs in dance, theatre, poetry, crafts, and the visual arts. Under Kron's leadership, the YM/YWHA Arts Council curated Arts1963/A New Vocabulary (1962) and Museum of Merchandise (1967.)

Kron's work with the Arts Council allowed her to build business partnerships with several artists. She partnered with Andy Warhol to produce a line of perfume, "You're In," packaged in silver Coca-Cola bottles, with Robert Indiana for a Love Ring, and other products and projects associated with the exhibitions of the Arts Council. Then, around 1964, she partnered with colleague Audrey Sabol to form The Beautiful Bag and Box Co. and continued to explore commercial products created or designed by artists, including a line of dinnerware "Durable Dishes" designed by Roy Lichtenstein, a series of billboards displaying art work and the Eat Pin, most likely designed by Robert Indiana.

Kron began her career in journalism in the late 1960s by contributing an article about a cannabis harvest in an upscale neighborhood to the Philadelphia magazine in 1969. She continued to write for the magazine until after her divorce. She moved to New York City in 1971 and was hired by New York magazine. She researched and wrote a special issue about the blossoming SoHo art district. Kron then focused the remainder of her career primarily on writing, and worked for a number of magazines and newspapers, and published several books. As of 2010, she was living in New York City and working as contributing editor at large for Condé Nast's Allure magazine, primarily covering the subject of cosmetic surgery.
Related Materials:
Additional copies of microfilm reels 4224-4225 are available at the Free Library of Philadelphia.

Also found in the Archives are selected papers of the Young Men's/Women's Hebrew Association Arts Council that were loaned by Judith Golden for microfilming, and are now available only on microfilm reels 3898. Another small collection of printed material from the YM/WHA records was donated by Acey Wolgin and microfilmed on reel 4340, and transferred to the Smithsonian American Art Museum Library's vertical files.
Provenance:
Joan Kron donated her papers in 1987.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Joan Kron papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- Pennsylvania -- Philadelphia  Search this
Arts administrators  Search this
Pop art United States  Search this
Wearable art United States  Search this
Design, Industrial -- United States  Search this
Works of art  Search this
Genre/Form:
Video recordings
Drawings
Sound recordings
Photographs
Paintings
Ledgers (account books)
Citation:
Joan Kron papers, 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kronjoan
See more items in:
Joan Kron papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kronjoan
Additional Online Media:

Jan Van der Marck papers

Creator:
Van der Marck, Jan, 1929-2010  Search this
Sculptor:
Arman, 1928-2005  Search this
Artist:
Christo, 1935-  Search this
Indiana, Robert, 1928-  Search this
Names:
Lipchitz, Jacques, 1891-1973  Search this
O'Doherty, Brian  Search this
Pepper, Beverly  Search this
Segal, George, 1924-2000  Search this
Extent:
9 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Journals (accounts)
Date:
1942-2010
Summary:
The papers or curator and arts administrator Jan Van der Marck measure 9.0 linear feet and date from 1944 to 2010. His career is documented through biographical material, files on artists and art historians, museum administration records, and other professional records. Also found are papers concerning Van der Marck's personal interest and research on modern bookbinding.
Scope and Contents:
The papers or curator and arts administrator Jan Van der Marck measure 9.0 linear feet and date from 1944 to 2010. His career is documented through biographical material, files on artists and art historians, museum administration records, and other professional records. Also found are papers concerning Van der Marck's personal interest and research on modern bookbinding.

Biographical material includes records of Van der Marck's personal collection of artwork, books, and photographs; early records consisting primarily of school documents, writings, and photographs; and one journal. Additionally there are copies of published interviews, one file of letters from friends, and several photographs of Van der Marck. Files on artists and art historians may include correspondence, photographs, slides, news clippings, exhibition catalogs, lists of artworks, exhibition planning documents, as well as articles or other writings by Van der Marck about the artist. Of note are files on Arman, Robert Indiana, Christo, Jacques Lipchitz, George Segal, Beverly Pepper, and Brian O'Doherty.

Museum Administration records document Van der Marck's activities as director or curator at various museums. Files may include museum exhibition planning records, administrative records, printed material, correspondence, and photographs. Also found are records of Van der Marck's other professional activities, such as his participation as guest curator of exhibitions, committee participant, and exhibition juror, as well as lecture files containing invitations, press materials, and drafts of his lectures. Additionally there are a few research files and copies of his published articles.

Papers concerning bookbinding document Van der Marck's research and personal collection of contemporary bookbinding and book arts. Included are files on bookbinders, slides and photographs of bindings, correspondence with libraries, and records of his purchase or donation of these works.
Biographical / Historical:
Jan Van der Marck (1929-2010) was a curator and museum administrator in Detroit, Mich., Chicago, Ill., and Miami, Fla.

Van der Marck was born in Roermond, the Netherlands, in 1929. His family owned a printing and publishing business. He studied art history at the University of Nijmegen and earned his doctorate in 1956 with a dissertation on 19th-century Belgian book illustration. In 1957 he came to the United States on a grant from the Rockefeller Foundation to research the relationship between museums and their audiences and studied briefly at Columbia University. In 1962 he was assistant director of fine arts exhibitions at the Seattle World's Fair. Van der Marck became curator at the Walker Art Center in 1963 and became the founding director of the Museum of Contemporary Art in Chicago in 1967. While in Chicago he invited Christo and Jeanne-Claude to wrap the museum building in canvas. He later served as project manager for their "Valley Curtain" project in 1971 and 1972.

After leaving the Museum of Contemporary Art, Van der Marck worked briefly at the University of Washington in Seattle, and then served as director of the Dartmouth College Galleries and Collections from 1974 to 1980. At Dartmouth he continued to support non-traditional artworks and oversaw the installation of the lawn sculpture "X-Delta" by Mark di Suvero, despite negative campus reactions. In 1980 he became the director of the new Center for the Fine Arts in Miami. After a disagreement with trustees he left the Center and became chief curator at the Detroit Institute of Arts in 1986. In 1995 he lost his job at the Detroit Institute when it was ruled that he violated a city residential requirement.

Aside from his work as an arts administrator, Van der Marck wrote and published many catalog essays, articles, and monographs on artists, lectured on contemporary art, and participated in arts organizations. He also maintained an interest in contemporary bookbinding.
Provenance:
The papers were donated in 2011 by Sheila Van der Marck, Jan Van der Marck's widow.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Jan Van der Marck papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Bookbinding  Search this
Arts administrators -- United States  Search this
Curators -- United States  Search this
Genre/Form:
Interviews
Photographs
Journals (accounts)
Citation:
Jan Van der Marck papers, 1942-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vandjan
See more items in:
Jan Van der Marck papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vandjan
Additional Online Media:

Excerpts of interview with George Segal

Creator:
Segal, George, 1924-2000  Search this
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Sound Recording
Date:
circa 1966 April
Record number:
(DSI-AAA)12840
See more items in:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12840

Holger Cahill papers

Creator:
Cahill, Holger, 1887-1960  Search this
Names:
American Artists' Congress  Search this
American Council of Learned Societies  Search this
American Federation of Arts  Search this
Artists' Union (New York, N.Y.)  Search this
Cartoonists Guild  Search this
Federal Art Project (U.S.)  Search this
Federal Music Project (U.S.)  Search this
Federal Theatre Project (U.S.)  Search this
Index of American Design  Search this
New York World's Fair (1939-1940)  Search this
Shakers  Search this
The Design Laboratory (New York, N.Y.)  Search this
Treasury Relief Art Project  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Brown, Samuel Joseph, 1907-  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Knaths, Karl, 1891-1971  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Morris, Carl, 1911-1993  Search this
Olds, Elizabeth, 1896-1991  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Scaravaglione, Concetta, 1900-1975  Search this
Segal, George, 1924-2000  Search this
Speck, Walter, 1895-  Search this
Ward, Lynd, 1905-1985  Search this
Weisenborn, Rudolph, b. 1881  Search this
Extent:
15.8 Linear feet
Type:
Archival materials
Collection descriptions
Prints
Government records
Interviews
Scrapbooks
Photographs
Slides (photographs)
Photograph albums
Drawings
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Date:
1910-1993
bulk 1910-1960
Summary:
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.
Scope and Content Note:
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, bulk 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the FAP in addition to series documenting his work as a writer and art critic. FAP records include national and state administrative reports, records of community art centers, photographic documentation of state activities, artist files, divisional records about teaching, crafts, murals, and poster work, files concerning the Index of American Design, scrapbooks, and printed material.
Arrangement:
The collection is arranged into nine series:

Series 1: Biographical Material and Personal Papers, 1931-1988 (Box 1; 19 folders)

Series 2: Correspondence Files, 1922-1979, 1993 (Boxes 1-2; 1.5 linear ft.)

Series 3: Works Progress Administration Federal Art Project, 1934-1970 (Boxes 2-14, 18, MMs009; 10.75 linear ft.)

Series 4: Writings, Lectures and Speeches, 1916-1960 (Boxes 14-15, 18; 1.0 linear ft.)

Series 5: Minutes of Meetings and Panel Discussions, Non-FAP, 1939-1947 (Box 15; 5 folders)

Series 6: Notes and Research Material, 1935-1970 (Boxes 15-16; 0.25 linear ft.)

Series 7: Artwork, undated (Boxes 16, 18; 2 folders)

Series 8: Printed Material, 1910-1985 (Boxes 16-17; 1.8 linear ft.)

Series 9: Photographs, circa 1917-1960 (Box 17; 6 folders)
Biographical Note:
Holger Cahill was born Sveinn Kristjan Bjarnarson in Iceland in a small valley near the Arctic Circle, on January 13, 1887. His parents, Bjorn Jonson and Vigdis Bjarnadottir, immigrated to the United States from Iceland sometime later in the 1880s. In 1904, his father deserted the family, forcing Sveinn to be separated from his mother and sister to work on a farm in North Dakota. He ran away and wandered from job to job until settling in an orphanage in western Canada, where he attended school and became a voracious reader.

As a young man, he worked at many different jobs and attended night school. While working on a freighter, he visited Hong Kong, beginning his life-long interest in the Orient. Returning to New York City, he eventually became a newspaper reporter, continued his studies at New York University, and changed his name to Edgar Holger Cahill. In 1919 he married Katherine Gridley of Detroit. Their daughter, Jane Ann, was born in 1922, but the couple divorced in 1927.

Cahill met John Sloan circa 1920, and they shared a residence. Cahill also wrote publicity (until 1928) for the Society of Independent Artists, through which he made many friends in the arts. From 1922 to 1931, he worked under John Cotton Dana at the Newark Museum, where he received his basic experience in museum work, organizing the first large exhibitions of folk art.

From 1932 to 1935, he was the director of exhibitions for the Museum of Modern Art. In 1935, Cahill was appointed director of the Works Progress/Projects Administration (WPA) Federal Art Project (FAP), until its end in June 1943. In 1938, Cahill organized a countrywide exhibition "American Art Today" for the New York World's Fair. He also married MoMa curator Dorothy Canning Miller in that year.

Profane Earth, Cahill's first novel, was published in 1927, followed by monographs on Pop Hart and Max Weber, miscellaneous short stories, and a biography of Frederick Townsend Ward, entitled A Yankee Adventurer: The Story of Ward and the Taiping Rebellion. Following the end of the Federal Art Project, Cahill wrote two novels, Look South to the Polar Star (1947) and The Shadow of My Hand (1956).

Holger Cahill died in Stockbridge, Massachusetts in July 1960.
Provenance:
The Holger Cahill papers were donated to the Archives of American Art through a series of gifts by Cahill's widow, Dorothy C. Miller, between 1964 and 1995.
Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Rights:
The Holger Cahill papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the public welfare  Search this
Art and state  Search this
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Arts administrators  Search this
Public officers  Search this
Genre/Form:
Prints
Government records
Interviews
Scrapbooks
Photographs
Slides (photographs)
Photograph albums
Drawings
Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cahiholg
See more items in:
Holger Cahill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cahiholg
Additional Online Media:

Charles Rand Penney papers

Creator:
Penney, Charles Rand, 1923-2010  Search this
Names:
Charles Rand Penney Collection  Search this
Arp, Jean, 1887-1966  Search this
Audubon, John James, 1785-1851  Search this
Avery, Milton, 1885-1965  Search this
Bertoia, Harry  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Calder, Alexander, 1898-1976  Search this
Davis, Stuart, 1892-1964  Search this
Evergood, Philip, 1901-1973  Search this
Ganso, Emil, 1895-1941  Search this
Goodnough, Robert, 1917-  Search this
Grooms, Red  Search this
Hopper, Edward, 1882-1967  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Miró, Joan, 1893-  Search this
Moore, Henry, 1898-  Search this
Nevelson, Louise, 1899-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Pepper, Beverly  Search this
Segal, George, 1924-2000  Search this
Sloan, John, 1871-1951  Search this
Stamos, Theodoros, 1922-1997  Search this
Steinberg, Saul  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
23.1 Linear feet
Type:
Archival materials
Collection descriptions
Date:
1923-1994
bulk 1945-1994
Summary:
The papers of art collector Charles Rand Penney measure 23.1 linear feet and date from 1923 to 1994 with the bulk of the collection dating from 1945 to 1994. The majority of the collection consists of Penney's art collection files, which include printed materials, correspondence, notes, and photographic materials. Also found within the papers are catalogs from exhibitions that featured artwork from Penney's collection.
Scope and Contents:
The papers of art collector Charles Rand Penney measure 23.1 linear feet and date from 1923 to 1994 with the bulk of the collection dating from 1945 to 1994. The collection consists primarily of Penney's art collection files which include printed materials, correspondence, notes, and photographic materials. Also found within the papers are catalogs from exhibitions that featured artwork from Penney's collection.

Artists of significance represented in Penney's art collection files include Jean Arp, John James Audubon, Milton Avery, Harry Beroia, Alexander Calder, Stuart Davis, Philip Evergood, Emil Ganso, Robert Goodnough, Red Grooms, Edward Hopper, John Marin, Reginald Marsh, Joan Miro, Henry Moore, Louise Nevelson, Isamu Noguchi, Beverly Pepper, George Segal, John Sloan, Theodoros Stamos, Saul Steinberg, and Ulfert Wilke, among many others. Also included are files for artists that participated in theToronto 20 portfolio project in 1965. The files do not include Penney's files relating to Charles Burchfield, Wester New York state artists, or objects from the Arts and Craft movement.

A few notable exhibition catalogs found in the series of catalogs of the Charles Rand Penney art collection are Charles Burchfield: The Charles Rand Penney Collection, The Graphic Art of Emil Ganso, Drawings from the Collection of Charles Rand Penney, Quilts Coverlets Hooked Rugs from the Collection of Charles Rand Penney, The Charles Rand Penney Collection: Twentieth Century Art, and An American Visionary: Watercolors and Drawings of Charles E. Burchfield.
Arrangement:
The collection is arranged as 2 series.

Series 1: Art Collection Files, 1923-1994 (Box 1-23, OV 24; 22.7 linear feet)

Series 2: Catalogs of the Charles Rand Penney Art Collection, 1966-1991 (Box 23, 0.2 linear feet)
Biographical / Historical:
Charles Rand Penney (1923-2010) was an art collector from Buffalo, New York. He was well known for his collection of art by Western New York artists, but also collected art from Europe, Africa, Oceania, and other regions of the United States. His travels contributed to the eclectic mix of paintings, drawings, sculptures, hooked rugs, quilts, and tribal art found within his art collection.

Penney cited receiving the watercolor Warrior in 1933 from Western New York artist Bob Blair as the beginning of his life as an art collector. Years later, Penney served in World War II, attended law school, and began practicing law in the 1950s. His collections grew quickly during the late 1950s through 1970s. Penney collected over 100,000 works of art during his lifetime, much of it guided by dealers James and Merle Goodman.

In 1963, Penney began donating artwork to the Memorial Art Gallery in Rochester, New York. In total, approximately 400 works of art were donated to the gallery including Big Diamond by David Smith and Beverly Pepper's Vertical Ventaglio (1967-1968). Penney also donated over 1000 works of art to the Burchfield Art Center in Buffalo, New York.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Charles Rand Penney conducted by Robert F. Brown on August 14-16, 1981. Additional files relating to the Charles Rand Penney Foundation (1963-1976) are located at the Memorial Art Gallery of the University of Rochester in Rochester, N.Y. Files relating to Western New York state artists, Charles Burchfield, and American Arts and Crafts are located at the Burchfield-Penney Center at Buffalo State College, Buffalo, New York.
Provenance:
The collection was donated in 1993-1994 by Charles Rand Penney.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Charles Rand Penney papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pennchar
See more items in:
Charles Rand Penney papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pennchar

Barbara Rose papers

Creator:
Rose, Barbara  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Andre, Carl, 1935-  Search this
Bannard, Walter Darby, 1934-  Search this
Bellamy, Richard  Search this
Bierman, A. K., 1923- (Arthur Kalme)  Search this
Bladen, Ronald, 1918-1988  Search this
Bowles, John  Search this
Castelli, Leo  Search this
Davis, Jim, 1901-1974  Search this
Davis, Ron, 1937-  Search this
De Forest, Roy, 1930-2007  Search this
Di Suvero, Mark, 1933-  Search this
Dzubas, Friedel, 1915-  Search this
Flavin, Dan, 1933-  Search this
Frazier, Charles  Search this
Geldzahler, Henry  Search this
Hare, David, 1917-1992  Search this
Hopps, Walter  Search this
Judd, Donald, 1928-  Search this
Karp, Ivan C., 1926-2012  Search this
Kauffman, Craig, 1932-  Search this
Krasner, Lee, 1908-1984  Search this
LeWitt, Sol, 1928-2007  Search this
Lefebre, John  Search this
Lichtenstein, Roy, 1923-1997  Search this
Locks, Seymour, 1919-  Search this
Lye, Len, 1901-1980  Search this
Mack, Heinz, 1931-  Search this
McCracken, John, 1934-2011  Search this
McShine, Kynaston  Search this
Meier, Richard, 1934-  Search this
Morris, Robert, 1931-  Search this
Motherwell, Robert  Search this
Mundt, Ernest Karl, 1905-  Search this
Murray, Robert, 1936-  Search this
Myers, John Bernard  Search this
Oldenburg, Claes, 1929-  Search this
Padovano, Anthony  Search this
Piene, Otto, 1928-  Search this
Poons, Larry  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rexroth, Kenneth, 1905-1982  Search this
Rose, Barbara  Search this
Rudolph, Paul, 1918-  Search this
Sandler, Irving, 1925-  Search this
Segal, George, 1924-2000  Search this
Stella, Frank  Search this
Taylor, Edward Silverstone  Search this
Wasserman, Tamara E.  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
1.4 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Transcripts
Sound recordings
Lectures
Date:
1962-circa 1969
Summary:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
Scope and Contents:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, interviews with artists, panel discussions, lectures, writings, and printed material relating to Barbara Rose's work as an art historian and critic.

Letters consist of responses to queries and questionnaires Rose and Irving Sandler sent to contemporary artists as research for writing projects. Questionnaires were sesnt in preparation for an article in Art in America on artists' sensibility of the 1960s, with responses from Robert Motherwell, Robert Craig Kauffman, Len Lye, Robert Morris, George Segal, David Hare, and others. A separate query asked sculptors for their assessment of contemporary sculptor's needs and the potential for patronage, and responses are found from Carl Andre, Charles Frazier, Robert Murray, Anthony Padovano, Ron Bladen, Roy Lichtenstein, Len Lye, Sol LeWitt, Heinz Mack, Otto Peine, Dan Flavin, and Donald Judd.

Interviews conducted by Rose between 1965 and circa 1969 are found with Richard Bellamy, Leo Castelli, James E. Davis, Henry Geldzahler, Ivan Karp, Lee Krasner, John Lefebre, John Myers, Donald Judd with Frank Stella, and Tom Wesselmann. All interviews include original sound recordings, and the Judd and Stella, Krasner, and Myers interviews include transcripts. Panel discussions and lectures include sound recordings and transcripts of seven events on a variety of contemporary art and architecture subjects held between 1962 and 1968. Sound recordings are present for five of the events on 10 sound tape reels, and transcripts are present for all events. Participants in the panel discussions and lectures include Barbara Rose, Ronald Davis, Dan Flavin, Robert Kauffman, John Harvey McCracken, Friedel Dzubas, Ansel Adams, Arthur Bierman, Kenneth Rexroth, Edward Taylor, Ernst Karl Mundt, John Bowles, Roy Dean De Forest, Seymour Locks, Walter Hopps, Mark Di Suvero, Donald Judd, Robert Morris, Kynaston McShine, Walter Darby Bannard, Donald Judd, Larry Poons, Robert Rauschenberg, Richard Meier, Paul Rudolph, Claes Oldenburg, and Robert Murray.

Writings include photocopied typescripts of "Myth, Symbol, or Me," by Emily Wasserman and "Excerpts from a Work Journal on Flying Sculpture," by Charles Frazier. Printed material consists of two copies of the premiere issue of the 57th Street Review, from Nov. 15, 1966.
Arrangement:
This collection is arranged as 4 series.

Series 1: Letters (0.2 linear feet; Box 1)

Series 2: Interviews (0.6 linear feet; Box 1)

Series 3: Panel Discussions and Lectures (0.5 linear feet; Boxes 1-2)

Series 4: Writings and Printed Material (0.1 linear feet; Box 2)
Biographical / Historical:
Barbara Rose is an American art historian and critic who has published widely in the field of modern American art. Born in 1938 in Washington, DC, Rose studied at the Sorbonne, Smith College, Barnard, and finally, Columbia University under Meyer Shapiro. Rose became immersed in the New York-based circle of modernist artists and curators in the late 1950s and early 1960s, and made her substantial contribution to the discourse on contemporary art with the insider's perspective this afforded her. In 1961, she married the painter Frank Stella and they had two children before their divorce in 1969.

Rose taught at Yale University, Sarah Lawrence, University of California at Irvine and San Diego, and the American University Art in Italy program, and was senior curator at the Museum of Fine Arts, Houston, from 1981-1985. A prolific writer, Rose is the author of American Art Since 1900 (1967), The Golden Age of Dutch Painting (1969), American Painting: The 20th Century (Skira, 1969), and monographs on the artists Magdalena Abankawicz, Helen Frankenthaler, Robert Rauschenberg, Alexander Liberman, Larry Rivers, and others, as well as dozens of exhibition catalog essays. She held editorial positions at Art in America, Vogue, Artforum, Partisan Review, and Journal of Art, and her writing has also appeared in Art International, Studio International, Arts Magazine, and ARTnews, among many others.
Separated Materials:
Additional papers of Barbara Rose are held by The Getty Research Institute.
Provenance:
Donated 1971-1977 by Barbara Rose.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Barbara Rose papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art historians -- New York (State) -- New York  Search this
Art, American  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Transcripts
Sound recordings
Lectures
Citation:
Barbara Rose papers, 1962-circa 1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosebarb
See more items in:
Barbara Rose papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rosebarb

William Chapin Seitz papers

Creator:
Seitz, William Chapin  Search this
Names:
University of Virginia -- Faculty  Search this
Ashton, Dore  Search this
Banks-Woodson, Ellen  Search this
Barr, Alfred Hamilton, 1902-  Search this
Baziotes, William, 1912-1963  Search this
Conner, Bruce  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Duchamp, Marcel, 1887-1968  Search this
Elliott, Philip Clarkson, 1903-1985  Search this
Gorky, Arshile, 1904-1948  Search this
Gottlieb, Adolph, 1903-1974  Search this
Krebs, Rockne, 1938-2011  Search this
Monet, Claude, 1840-1926  Search this
Rosati, James, 1912-1988  Search this
Segal, George, 1924-2000  Search this
Seitz, Irma  Search this
Stella, Frank  Search this
Extent:
32.5 Linear feet
Type:
Archival materials
Collection descriptions
Resumes
Poems
Photographs
Awards
Sound recordings
Interviews
Sketches
Notebooks
Drafts (documents)
Lectures
Date:
circa 1930-1995
Summary:
The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.
Scope and Contents note:
The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.

Biographical materials consist of resumes and CV's, identification cards including one from the WPA, documents from the memorial held at the University of Virginia for Seitz, poetry written by Irma for William on their wedding anniversaries, and x-rays.

The majority of Seitz's correspondence is professional and concerns job offers and opportunities, lectures requests, recommendation letters for Seitz and for others by Seitz, the Kress Fellowship, exhibitions, awards, and organizations. Also found are posthumus materials to Irma Seitz concerning book royalites. Personal correspondence is scattered and includes condolence letters sent to Irma.

Personal business records focus on Seitz's personal art collection, copyright information, publishing records including royalty statements, reports, scholarship and fellowship information, and professional organization membership records.

The bulk of the collection consists of research and writing files which include notebooks, subject and people files, thesis research files and drafts, general research which include writings by Seitz, card files, and recordings of lectures and interviews. Subject and people files may include correspondence, printed materials, research notes, photographs, works of art, and writings concerning and by artists, art historians, curators, subjects, and art movements. Research files are found for Dore Ashton, Alfred H. Barr Jr., William Baziotes, Bruce Conner, Rene D'Harnoncourt, Marcel Duchamp, Arshile Gorky, Adolph Gottlieb, Rockne Krebs, George Segal, James Rosati, and Frank Stella among many others. Also found are research materials on Claude Monet, some of which are written in French.

Teaching files contains extensive reference material likely used by Seitz during his career as well as correspondence, exams, and lecture materials used in specific classes.

Printed material is scattered and includes clippings, exhibition announcements, and articles. Exhibition announcements and catalogs are for Seitz's personal works and for exhibitions he curated.

The bulk of the photographs are of works of art by William Seitz, Irma Seitz, and others which were likely owned by Seitz. Also found are phtographs of exhibition installations at the Univeristy of Virginia and scattered photographs of Seitz with others.

Artwork include several pencil sketches by Seitz, two works by Ellen Banks-Woodson, and a sketch by Phil Elliott.
Arrangement note:
The collection is arranged as 8 series:

Series 1: Biographical Information, 1930s-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1945-1995 (Boxes 1-2; 1.6 linear feet)

Series 3: Personal Business Records, circa 1947-1990 (Boxes 2-3; 0.4 linear feet)

Series 4: Research and Writing Files, 1940s-1970s (Boxes 4-26; 23.5 linear feet)

Series 5: Teaching Files, 1945-1970s (Boxes 27-31, OV 34-35; 5 linear feet)

Series 6: Printed Material, 1937-1984 (Boxes 31-2; 0.5 linear feet)

Series 7: Photographs, 1940s-1981 (Box 32, 33; 11 folders)

Series 8: Artwork, circa 1950s-1972 (Box 32, 33; 6 folders)
Biographical/Historical note:
William Chapin Seitz (1914-1974) was an art historian and scholar, painter, educator, and museum curator who worked primarily in New York and Virginia. He completed the first dissertation on Abstract Expressionism while a student at Princeton University in 1955.

Born in 1914 in Buffalo, New York, William Chapin Seitz studied at the Albright Art School at the University of Buffalo and the Art Institute of Buffalo. Seitz met artist Irma J. Siegelman, whom he married in 1938. Due to the Depression, he left school and worked with the Federal Arts Project in New York City in the 1930s and worked as an aircraft fuel cell deigner for the Hewitt Rubber Company during World War II. Returning to the University of Buffalo after the war, Seitz completed his undergraduate degree and remained by accepting a teaching job.

Although he saw success as a painter and exhibited in one-man shows, Seitz focused his career in academia and enrolled at Princeton University for a graduate degree in Art History. Princeton faculty held divided views on Seitz's desire to write a dissertation on the Abstract Expressionist movement and debated the subject for over a year. Seitz's dissertation topic was eventually approved and in addition to writing the first dissertation on Abstract Expressionism, Seitz received the first PhD in Modern Art from Princeton. Seitz remained at Princeton as an assistant professor and advised students such as Frank Stella.

In 1960, he accepted a job as a curator at the Museum of Modern Art in New York City. At MOMA, Seitz curated The Art of Assemblage (1961), The Responsive Eye (1965), and an exhibition on Monet (1960). Other MOMA exhibitions focused on artists Mark Tobey, Arshile Gorky, and Hans Hofmann. Additionally, he served as director of the Rose Art Museum of Brandeis University from 1965-1970. During that time, Seitz organized the United States exhibition at the Ninth Biennial in Sao Paulo (1967) and the Seventh Biennial of Canadian Painting (1968). In 1971, Seitz returned to teaching at the University of Virginia in Charlottesville, Virginia and was the Visiting Kress Professor at the National Gallery of Art from 1972-1973.

In addition to his successes in painting, education, and the curatorial field, Seitz was an accomplished writer. He published many articles, essays, and books on art and artists including Art in the Age of Aquarius, on which he worked until his death.

William Seitz died of cancer in 1974.
Related Archival Materials note:
The Museum of Modern Art Archives in New York City holds the William C. Seitz papers which contain exhibition files and records relating to an interview with Marcel Duchamp. Correspondence relating to the debate concerning the viability of Seitz's dissertation are found in the Alfred H. Barr, Jr. papers also at the Museum of Modern Art Archives.
Provenance:
The William Chapin Seitz papers were donated to the Archives of American Art by Seitz's widow, Irma Seitz, in 1975 and 2003. A transcript of an interview with Mark Tobey by Seitz was donated by Rebecca Massie Lane in 1988. Seitz gave these transcripts to Lane for her graduate work and they remined in her possession after his death.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The William Chapin Seitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Virginia -- Charlottesville  Search this
Educators -- Virginia  Search this
Art historians -- Virginia -- Charlottesville  Search this
Genre/Form:
Resumes
Poems
Photographs
Awards
Sound recordings
Interviews
Sketches
Notebooks
Drafts (documents)
Lectures
Citation:
William Chapin Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seitwill
See more items in:
William Chapin Seitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seitwill

George Segal: artist file, [photographs]

Artist:
Segal, George 1924-2000  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002641
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141339

Segal [by] William C. Seitz

Author:
Seitz, William Chapin  Search this
Segal, George 1924-2000  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
95 p. (p. [25]-[86] plates, part col.) 21 x 23 cm
Type:
Books
Date:
1972
[1972]
Call number:
N40.1.S455 S4
N40.1.S455S4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_30486

George Segal

Author:
Segal, George 1924-2000  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
1 video cassette
Type:
Projected media
Date:
1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_623779

George Segal : [exhibition]

Author:
Segal, George 1924-2000  Search this
Muzeʼon Yiśraʼel (Jerusalem)  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
30 p. : ill. ; 24 x 26 cm
Type:
Books
Date:
1983
C1983
Call number:
NB237.S44 A4 1983b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647232

George Segal / [Text by] Jan van der Marck

Author:
Segal, George 1924-2000  Search this
Van der Marck, Jan 1929-2010-  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
257 p. : ill. (some col.) ; 28 x 30 cm
Type:
Books
Date:
1979
Call number:
N40.1.S455 V2 1979
NB237.S44 V36 1979
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_127493

George Segal / Phyllis Tuchman

Author:
Tuchman, Phyllis  Search this
Segal, George 1924-2000  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
128 p. : ill. (some col.), ports. (some col.) ; 29 cm
Type:
Biography
Place:
United States
Date:
1983
C1983
Topic:
Sculptors  Search this
Call number:
N40.1.S455 T8
N40.1.S455T8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_189072

Segal : [exposition, octobre-novembre, 1963, Ileana Sonnabend]

Author:
Segal, George 1924-2000  Search this
Ileana Sonnabend (Gallery)  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
[27] p. : ill. ; 27 cm
Type:
Books
Exhibitions
Date:
1963
[1963?]
Call number:
N40.1.S455 I2
N40.1.S455I2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_202305

George Segal : [exhibition]

Author:
Segal, George 1924-2000  Search this
Muzeʼon Yiśraʼel (Jerusalem)  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
30 p. : ill. ; 24 x 26 cm
Type:
Books
Exhibitions
Date:
1983
C1983
Call number:
N40.1.S455 M95
N40.1.S455M95
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_203241

George Segal / Sam Hunter, Don Hawthorne

Author:
Hunter, Sam 1923-2014  Search this
Hawthorne, Don  Search this
Segal, George 1924-2000  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
379 p. : ill. (some col.) ; 30 cm
Type:
Books
Place:
United States
Date:
1984
Topic:
Photo-realism  Search this
Call number:
N40.1.S455 H9
N40.1.S455H9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_244152

George Segal : portraits 1987

Author:
Segal, George 1924-2000  Search this
Volpi Orlandini, Marisa  Search this
Subject:
Segal, George 1924-2000  Search this
Physical description:
[22] p. : ill. ; 30 cm
Type:
Books
Date:
1987
[1987]
Call number:
N40.1.S455y V93 1987
N40.1.S455yV93 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_375325

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