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Stanton L. Catlin papers

Creator:
Catlin, Stanton L. , 1915-1997  Search this
Names:
Columbia Records, Inc.  Search this
Hunter College -- Faculty  Search this
Syracuse University -- Faculty  Search this
Universidad de Chile -- Faculty  Search this
Ades, Dawn  Search this
Ashton, Dore  Search this
Boulton, Alfredo  Search this
Motherwell, Robert  Search this
Obregón, Alejandro, 1920-  Search this
Paternosto, César, 1931-  Search this
Paz, Octavio, 1914-  Search this
Rasmussen, Waldo  Search this
Rockefeller, David, 1915-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Sandoval, Judith Hancock de  Search this
Sebastián, Santiago  Search this
Torruella Leval, Susana  Search this
Williams, Amancio  Search this
Extent:
56.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Transcripts
Diaries
Place:
Czech Republic -- description and travel
Date:
1911-1998
bulk 1930-1994
Summary:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.
Scope and Contents:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

Biographical material includes six address books, two annotated calendars, four day books, curriculum vitae, interview transcripts, records of Catlin's personal book collection, and his work as a student. Correspondence is with Catlin's family and prominent artists and colleagues, such as Dawn Ades, Dore Ashton, Alfredo Boulton, Robert Motherwell, Alejandro Obregon, César Paternosto, Octavio Paz, Waldo Rasmussen, David and Nelson Rockefeller, Susana Torruella Leval, Judith Sandoval, Santiago Sebastian, and Amancio Williams. Correspondence with Columbia Records concerns Catlin's Grammy Award for best album.

There are writings and notes by Catlin and others on Latin American art, and three journals kept by Catlin during his time in the Czech Republic and Minnesota.

Teaching files document some of Catlin's work as an art history professor at Hunter College, Syracuse University, and the University of Chile. The project files document his work as a consultant or contributor on various projects abd the professional files include records of Catlin's positions as art gallery curator and director, professional memberships, conference participation, and other professional activities. Research and subject files consist of annotated material related to Latin American art, European art, and various artforms and artists.

Exhibition files are found for Art of Latin America Since Independence (1966) and other exhibitions of Latin American art. Printed materials include books with an inscription, clippings, exhibition announcements and catalogs, magazines, and publications. There are photographs of Catlin, family and friends, colleagues, and artwork.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical material , 1933-1989 (1 linear foot; Box 1)

Series 2: Correspondence, 1914-1994 (4.5 linear feet; Box 2-6)

Series 3: Writings and Notes, 1930-1993 (4.5 linear feet; Box 6-10, OV 57)

Series 4: Teaching Files, 1941-1991 (1.5 linear feet; Box 10-12)

Series 5: Project Files, 1940-1993 (3.5 linear feet; Box 12-16)

Series 6: Professional Files, 1939-1994 (13.1 linear feet; Box 16-28, OV 58, 60)

Series 7: Research and Subject Files, 1938-1998 (8.0 linear feet; Box 28-36)

Series 8: Exhibition Files, 1941-1993 (15.6 linear feet; Box 37-51, OV 58-60)

Series 9: Printed Material, 1944-1993 (4.2 linear feet; Box 52-56)

Series 10: Photographs, 1911-1991 (0.5 linear feet; Box 56)
Biographical / Historical:
Stanton L. Catlin (1915-1997) was a curator, gallery director, educator, art historian, and expert on Latin American Art.

Catlin studied art history at Oberlin College and graduated in 1937. After graduation, he studied painting and art history at the Academy of Arts in Prague, Czech Republic for two years. Catlin received a Fogg Museum Fellowship in Modern Art at Harvard University to survey collections of art in Europe. However, the project was canceled because of World War II.

During the war, Catlin served as a Cultural Relations Representative for the Coordinator of Inter-American Affairs where he assisted with exhibition arrangements throughout Latin America. In 1942, he also began teaching the history of art in the United States at the University of Chile. After the war, Catlin served in the Field Operations Division of the United Nations Relief and Rehabilitation Administration, working in the Displaced Persons Operation from 1945-1946.

From 1947 to 1950, Catlin served as the executive director of the American Institute of Graphic Arts. He received his graduate degree in art history from New York University in 1952, and shortly thereafter became editor and curator of American art at the Minneapolis Institute of Arts. From 1958 to 1967, Catlin was the assistant director of the Yale University Art Gallery. While there, he curated the landmark exhibition Art of Latin America Since Independence in 1966, the first exhibition to include only Latin American art and the accompanying catalog remains a standard reference source. That same year, Catlin won a Grammy Award for best album notes for an essay on Mexican mural painting.

In 1967, Catlin left Yale to take a position as director of the Art Gallery at the Center for Inter-American Relations before joining the faculty of Syracuse University in 1971 and becoming director of the university's Art Gallery. He remained at Syracuse for the rest of his career.

Catlin was a consultant on the major retrospective exhibition of the work of Diego Rivera at the Detroit Institute of Arts in 1986. He also worked on a project to document Mexican murals in the United States. Catlin died in Fayetteville, New York in 1997.
Related Materials:
Also found at the Archives of American Art is an oral history interview conducted by Francis V. O'Connor with Stanton L. Catlin from July 1 to September 14, 1989.

The University of Texas at Austin holds a significant collection of Stanton Loomis Catlin's papers, some of which are duplicates of the papers held by the Archives of American Art.
Provenance:
The collection was donated from 1992 to 1995 to by Stanton L. Catlin.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Stanton L. Catlin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- New York  Search this
Minnesota -- Description and travel  Search this
Gallery directors -- New York (State)  Search this
Curators -- New York (State)  Search this
Topic:
Art, European  Search this
Hispanic American artists  Search this
Educators -- New York (State)  Search this
Art, Latin American  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Transcripts
Diaries
Citation:
Stanton L. Catlin papers, 1911-1998, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.catlstan
See more items in:
Stanton L. Catlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-catlstan
Additional Online Media:

Roy R. Neuberger papers, 1940-1979

Creator:
Neuberger, Roy R. (Roy Rothschild), 1903-2010  Search this
Subject:
Kinigstein, Jonah  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Knaths, Karl  Search this
Marin, John  Search this
Shan, Benjamin  Search this
Brooks, James  Search this
Snyder, Joan  Search this
Laufman, Sidney  Search this
Lamis, Leroy  Search this
Calder, Alexander  Search this
Levine, Jack  Search this
Gottlieb, Adolph  Search this
Browne, Byron  Search this
Feininger, Lyonel  Search this
Evergood, Philip Howard  Search this
Rothschild, Judith  Search this
Rivers, Larry  Search this
Wight, Frederick Stallknecht  Search this
Steinberg, Saul  Search this
Lawrence, Jacob  Search this
Maccoy, Guy C. (Guy Crittington)  Search this
Hurd, Peter  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Pereira, I. Rice (Irene Rice)  Search this
Bearden, Romare  Search this
Africano, Nicholas  Search this
Avery, Milton  Search this
Quirt, Walter  Search this
Roth, Frank  Search this
Schueler, Jon R.  Search this
Weber, Max  Search this
Gatch, Lee  Search this
Kopman, Benjamin  Search this
Moller, Hans  Search this
Orr, Elliot  Search this
Magriel, Paul David  Search this
Baziotes, William  Search this
Sonfist, Alan  Search this
Constant, George  Search this
Levine, Les  Search this
Baldessari, John  Search this
Ajay, Abe  Search this
Morris, George L. K. (George Lovett Kingsland)  Search this
Davis, Stuart  Search this
Austin, Darrel  Search this
Sheeler, Charles  Search this
Type:
Photographs
Topic:
Art patrons  Search this
Artists and patrons  Search this
Art patronage  Search this
Artists' books  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)9085
(DSI-AAA_SIRISBib)211278
AAA_collcode_neubroy
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211278

E.P. (Edgar Preston) and Constance Richardson papers, 1814-1996, bulk 1921-1996

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Subject:
Watkins, Franklin Chenault  Search this
McDermott, John Francis  Search this
Heil, Walter  Search this
Flexner, James Thomas  Search this
Bostick, William A.  Search this
Boyd, Julian P. (Julian Parks),  Search this
Vose, Robert C. (Robert Churchill)  Search this
Castano, John  Search this
Garrison, Eve Josephson  Search this
Jungwirth, Irene G. (Irene Gayas),  Search this
Mast, Gerald  Search this
Richardson, Constance Coleman  Search this
Wedda, John  Search this
Aram, Siegfried F.  Search this
Copeland, Lammot du Pont  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Freeman, Michael W.  Search this
Peale, Charles Willson  Search this
Lewis, W. S. (Wilmarth Sheldon),  Search this
Lee-Smith, Hughie  Search this
Bishop, Isabel  Search this
Soria, Regina  Search this
Simpson, Corelli C. W.  Search this
Fredericks, Marshall M.  Search this
Oliver, Andrew  Search this
Hardy, Jeremiah Pearson  Search this
Rutledge, Anna Wells  Search this
Andrews, Wayne  Search this
Groce, George C.  Search this
Peale fam, Peale family  Search this
Lynes, Russell  Search this
Wyeth, Andrew  Search this
Frankenstein, Alfred Victor  Search this
Allen, Joseph  Search this
Marsh, Reginald  Search this
Rockefeller, John D.  Search this
Cohn, Harold  Search this
Bouché, Louis George  Search this
Allston, Washington  Search this
Sellers, Charles Coleman  Search this
Sheeler, Charles  Search this
Stevens, William B.  Search this
O'Keeffe, Georgia  Search this
Morse, John D.  Search this
Kuniyoshi, Yasuo  Search this
Woolfenden, William E. (William Edward)  Search this
Hopper, Edward  Search this
Culver, Charles B.  Search this
Speck, Walter Edward  Search this
Middeldorf, Ulrich Alexander  Search this
Spark, Victor D. (Victor David)  Search this
Moser, Liselotte  Search this
Pleasants, J. Hall (Jacob Hall),  Search this
Simper, Fred  Search this
Krentzin, Earl  Search this
Fleischman, Lawrence Arthur  Search this
Ripley, S. Dillon (Sidney Dillon),  Search this
Valentiner, Wilhelm Reinhold  Search this
Detroit Institute of Arts  Search this
Historical Society of Pennsylvania  Search this
Philadelphia Museum of Art  Search this
National Collection of Fine Arts (U.S.)  Search this
Archives of American Art  Search this
Pennsylvania Academy of the Fine Arts  Search this
Castano Galleries (Boston, Mass.)  Search this
Macbeth Gallery  Search this
Henry Francis du Pont Winterthur Museum  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
United States.Department of Agriculture  Search this
Type:
Transcripts
Lectures
Photographs
Manuscripts
Diaries
Sketches
Interviews
Topic:
Art historians  Search this
Detroit (Mich.)  Search this
Art  Search this
Authors  Search this
Romanticism in art  Search this
Painting, American  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)10104
(DSI-AAA_SIRISBib)212990
AAA_collcode_richedga
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212990
Additional Online Media:

Tibor de Nagy Gallery records, 1941-2016

Creator:
Tibor de Nagy Gallery  Search this
Subject:
Goodnough, Robert  Search this
Kennedy, Jacqueline Bouvier  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Nagy, Tibor  Search this
Hirsch, Pauli  Search this
Gregor, Harold  Search this
Ciarrocchi, Raymond  Search this
Robbin, Tony  Search this
Grooms, Red  Search this
Witteman-Widrig, Nancy  Search this
Castoro, Rosemarie  Search this
Kozloff, Joyce  Search this
Penney, Charles Rand  Search this
Reginato, Peter  Search this
Rose, Leatrice  Search this
Hirshhorn Museum and Sculpture Garden.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Art in America  Search this
Art Dealers Association of America  Search this
National Institute of Arts and Letters (U.S.)  Search this
United States Information Agency  Search this
Type:
Photographs
Topic:
Art dealers  Search this
Art, Modern  Search this
Gallery owners  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)6439
(DSI-AAA_SIRISBib)215579
AAA_collcode_tibode
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215579
Additional Online Media:

Dorothy C. Miller papers, 1853-2013, bulk 1920-1996

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Subject:
Guggenheim, Peggy  Search this
Barr, Alfred H.  Search this
Rauschenberg, Robert  Search this
Picasso, Pablo  Search this
Gorky, Arshile  Search this
Feininger, Lyonel  Search this
Chryssa  Search this
Nevelson, Louise  Search this
Charlton, Maryette  Search this
Calder, Alexander  Search this
Christo  Search this
Sage, Kay  Search this
Coggeshall, C. (Calvert)  Search this
Hartigan, Grace  Search this
Canady, John  Search this
Johns, Jasper  Search this
Still, Clyfford E.  Search this
Pereira, I. Rice (Irene Rice)  Search this
Levy, Julien  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Karpel, Bernard  Search this
Alcopley  Search this
Reinhardt, Adolph Dietrich Friedrich  Search this
Scharf, William  Search this
Newman, Barnett  Search this
Steinberg, Hedda  Search this
Cahill, Holger  Search this
Hicks, Edward  Search this
DeFeo, Jay  Search this
Sheeler, Charles  Search this
Feitelson, Lorser  Search this
Noguchi, Isamu  Search this
Matisse, Pierre  Search this
Bontecou, Lee  Search this
Byars, James Lee  Search this
Horwitt, Will  Search this
Rothko, Mark  Search this
Asher, Elise  Search this
Davis, Stuart  Search this
O'Keeffe, Georgia  Search this
Mather, Eleanore Price  Search this
Hirshhorn Museum and Sculpture Garden.  Search this
Betty Parsons Gallery  Search this
World Trade Center  Search this
Chase Manhattan Bank  Search this
Federal Art Project  Search this
Port Authority of New York and New Jersey  Search this
Smith College  Search this
Mark Rothko Foundation  Search this
PepsiCo, inc  Search this
Rockefeller University  Search this
Smith College.Museum of Art  Search this
Municipal Art Exhibition  Search this
Type:
Photographs
Drawings
Christmas cards
Sketches
Topic:
Art, Modern  Search this
Art historians  Search this
Art  Search this
Artists  Search this
Folk art  Search this
Corporations  Search this
Art museum curators  Search this
Record number:
(DSI-AAA_CollID)6469
(DSI-AAA_SIRISBib)215653
AAA_collcode_milldoro
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215653
Additional Online Media:

Bernarda Bryson Shahn papers, 1872-2004, bulk 1904-2004

Creator:
Bryson, Bernarda, 1903-2004  Search this
Subject:
Knight, Gwendolyn  Search this
Hayes, Helen  Search this
Calder, Alexander  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Javitz, Jacob  Search this
Lynes, Russell  Search this
Robbins, Warren M.  Search this
Shan, Benjamin  Search this
Shahn, Jonathan  Search this
Lionni, Leo  Search this
Osborn, Robert Chesley  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
Type:
Scrapbooks
Watercolors
Photographs
Prints
Drawings
Diaries
Sketches
Sound recordings
Sketchbooks
Topic:
Women painters  Search this
Printmakers  Search this
Painters  Search this
Illustrators  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)5712
(DSI-AAA_SIRISBib)208550
AAA_collcode_brysbern
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208550
Additional Online Media:

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, inc  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milldoro
Additional Online Media:

Tibor de Nagy Gallery records

Creator:
Tibor de Nagy Gallery  Search this
Names:
Art Dealers Association of America  Search this
Art in America  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Institute of Arts and Letters (U.S.)  Search this
United States Information Agency  Search this
Castoro, Rosemarie  Search this
Ciarrocchi, Ray, 1933-  Search this
De Nagy, Tibor, 1908-1993  Search this
Goodnough, Robert, 1917-  Search this
Gregor, Harold, 1929-  Search this
Grooms, Red  Search this
Hirsch, Pauli  Search this
Kozloff, Joyce  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Penney, Charles Rand, 1923-2010  Search this
Reginato, Peter, 1945-  Search this
Robbin, Tony  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rose, Leatrice  Search this
Witteman-Widrig, Nancy  Search this
Extent:
43.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1941-2016
Summary:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.
Scope and Contents:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, a small amount of records of the Houston Branch, and exhibition announcements.

Business records include correspondence and administrative files. Business correspondence is with clients, curators, galleries, museums, colleges and universities, organizations, and publications, such as the Museum of Modern Art, Art Dealers Association, National Institute of Arts and Letters, United States Information Agency, The Hirshhorn Museum, Art News, Art in America, Pauli Hirsch, Jacqueline Kennedy, Charles Penney, Nelson Rockefeller, and many others. Correspondence concerns sales, purchases, shipping, loans, general exhibitions, publicity, events, publications and publishing, and other topics. Additional documents found within the correspondence files are purchase invoices, inquiries, shipping receipts, and photographs. Correspondence with artists is found in the Artist Files series. Administrative files concern day-to-day operations and include leases and construction documents, incorporation, insurance, art appraisals, art framing, and other general business affairs.

Exhibition files document many exhibitions held at the Gallery and include clippings and research materials, exhibition catalogs, exhibit and gallery plans, correspondence, and photographs. Some loan agreements and shipping receipts are also included.

Artist files document business affairs with individual artists and also contain collected information on artists. Typically, there are several files on each artist which may include printed materials, biographies, consignments, loans documentation, sales documentation, correspondence, photographic material, publicity, and reviews. Artists well represented among these files include Rosemarie Castoro, Ray Ciarrocchi, Robert Goodnough, Harold Gregor, Red Grooms (including a transcript of "A Conversation with Marison and Red Grooms"), Joyce Kozloff, Peter Reginato, Tony Robbin, Leatrice Rose, and Nancy Witteman-Widrig.

Financial records include incomplete runs of billing statements, expenses and cash disbursements, paid and unpaid invoices, and sales and shipping receipts. Inventory records consist primarily of index cards and/or sheets that document stock, consignments, loans, sales, and shipping.

A relatively small amount of Houston branch records include announcements, clippings, correspondence, financial information including consignments, income, invoices, and statements, photographs, publicity materials and a research file on Houston art museums.

Exhibition announcements promote the gallery's exhibitions for artists including Joe Brainard, Shirley Jaffe, Fairfield Porter, Rosemarie Castoro, Alfred Leslie, and many others.
Arrangement:
The Tibor de Nagy Gallery records are arranged into seven series.

Series 1: Business Records and Correpondence, 1950-1993 (10 linear feet; Boxes 1-10)

Series 2: Exhibition Files, 1941-1992 (2 linear feet; Boxes 11-12)

Series 3: Artist Files, 1956-1993 (18.6 linear feet; Boxes 13-31, 46)

Series 4: Financial and Legal Records, 1951-1984 (3.5 linear feet; Boxes 31-34)

Series 5: Inventory Records, 1952-1989 (9 linear feet; Boxes 34-43)

Series 6: Houston Branch Records, 1969-1984 (1.2 linear feet; Boxes 43-45)

Series 7: Exhibition Announcements, 1953-2016 (0.8 linear feet; Boxes 47-48)
Biographical / Historical:
One of the earliest modern art galleries in New York, Tibor de Nagy Gallery was founded in 1950 by Tibor de Nagy and John Bernard Myers. Initially the gallery featured the work of second generation Abstract Expressionists and continues to operate today with a focus on the Post War second generation New York School.

John B. Myers served as the gallery's first director and De Nagy was the business manager while continuing to work in the banking business. Early on, the gallery introduced and promoted second generation Abstract Expressionists such as Grace Hartigan and Alfred Leslie. The gallery quickly earned a reputation for promoting the work of emerging artists, including Carl Andre, Helen Frankenthaler, Jane Freilicher, Red Grooms, Fairfield Porter, and Larry Rivers, among others, giving many of them their first solo shows.

Later the gallery gained a reputation as a space for collaborative artistic ventures and organized exhibitions that combined visual imagery and poetry by several New York School poets. The gallery also published books by poets John Ashbery, Frank O'Hara, and James Schuyler, as well as a poetry newsletter entitled Semi-Colon.

In 1973 de Nagy teamed with Marvin Watson to open the Watson/deNagy Gallery in Houston, which closed in 1983. Tibor de Nagy retired from banking in 1970 and continued running the gallery until he died in 1993. The Tibor de Nagy gallery continues operating today at 724 Fifth Avenue under the direction of Andrew Arnot and Eric Brown. It also works with a number of estates, including those of Joe Brainard, Rudy Burckhardt, Donald Evans, and Jess.
Related Materials:
Among the holdings of the Archives of American Art are an oral history interview with Tibor de Nagy, March 29, 1976 conducted by Paul Cummings; the John Bernard Myers papers (which do not contain documentation of his work at the gallery); and the Watson/de Nagy Houston gallery records available only on microfilm, a small portion of which may also be duplicated in the original records described in this finding aid.
Provenance:
The records were donated by Tibor de Nagy Gallery in multiple accessions between 1993-1996 and in 2018.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Tibor de Nagy Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern  Search this
Gallery owners  Search this
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- Texas -- Houston  Search this
Genre/Form:
Photographs
Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tibode
See more items in:
Tibor de Nagy Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tibode
Additional Online Media:

Opening of National Air and Space Museum (NASM)

Creator:
Hofmeister, Richard K  Search this
Subject:
Collins, Michael 1930-  Search this
Ford, Gerald R. 1913-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
National Air and Space Museum  Search this
Smithsonian Institution Office of Public Affairs  Search this
Physical description:
8 x 10 ;
Type:
Black-and-white photographs
Date:
1976
July 1, 1976
Topic:
Special events  Search this
Exhibitions  Search this
Local number:
SIA RU000371 [76-8431-12A]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396611

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10 ;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8513-02A]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396612

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Burger, Warren E. 1907-1995  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8514-12A]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396618

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Hofmeister, Richard K  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Burger, Warren E. 1907-1995  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8526-28A]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396621

Ceremony in Oval Office of the White House

Creator:
Hofmeister, Richard K  Search this
Subject:
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
White House (Washington, D.C.)  Search this
Physical description:
35mm;
Type:
Black-and-white negatives
Date:
1975
January 28, 1975
Topic:
Special events  Search this
Local number:
SIA Acc. 11-009 [75-1704]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_398139

Ceremony in Oval Office of the White House

Creator:
Hofmeister, Richard K  Search this
Subject:
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
White House (Washington, D.C.)  Search this
Physical description:
35mm;
Type:
Black-and-white negatives
Date:
1975
January 28, 1975
Topic:
Special events  Search this
Local number:
SIA Acc. 11-009 [75-1705]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_398140

Opening of National Air and Space Museum (NASM)

Creator:
Farrar, Richard  Search this
Subject:
Collins, Michael 1930-  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Ford, Gerald R. 1913-2006  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
National Air and Space Museum  Search this
Physical description:
Color slides; 35mm;
Type:
Color transparencies
Date:
1976
July 1, 1976
Local number:
SIA Acc. 11-009 [76-8824]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_391970

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Unknown  Search this
Subject:
Burger, Warren E. 1907-1995  Search this
Ripley, Mary Livingston  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
Color slides; 35mm;
Type:
Color transparencies
Date:
1976
July 8, 1976
Local number:
SIA Acc. 11-009 [76-8872]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_392008

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Unknown  Search this
Subject:
Burger, Warren E. 1907-1995  Search this
Ripley, Mary Livingston  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
Color slides; 35mm;
Type:
Color transparencies
Date:
1976
July 8, 1976
Local number:
SIA Acc. 11-009 [76-8873]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_392009

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Unknown  Search this
Subject:
Burger, Warren E. 1907-1995  Search this
Ripley, Mary Livingston  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
Color slides; 35mm;
Type:
Color transparencies
Date:
1976
July 8, 1976
Local number:
SIA Acc. 11-009 [76-8874]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_392010

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Unknown  Search this
Subject:
Burger, Warren E. 1907-1995  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Printing and Photographic Services  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
Color slides; 35mm;
Type:
Color transparencies
Date:
1976
July 8, 1976
Local number:
SIA Acc. 11-009 [76-8875]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_392011

Federal art program papers of Franklin D. Roosevelt and Harry L. Hopkins, 1932-1942

Creator:
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Subject:
Kent, Rockwell  Search this
Zorach, William  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Dows, Olin  Search this
Biddle, George  Search this
Bruce, Edward  Search this
Chambless, Edgar  Search this
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Federal Theatre Project (U.S.)  Search this
American Institute of Architects  Search this
Federal Art Project  Search this
United States.President (1933-1945 : Roosevelt)  Search this
Topic:
Art and state  Search this
Federal aid to the public welfare  Search this
United States  Search this
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Record number:
(DSI-AAA_CollID)9867
(DSI-AAA_SIRISBib)212368
AAA_collcode_roosfran
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212368

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