Search Results

Creator:

Gillespie, Dizzy, 1917-1993  Search this

Fishman, Charles  Search this

Extent:

20 Cubic feet ( 31 boxes, 2 map folders)

Type:

Collection descriptions

Archival materials

Awards

Business records

Clippings

Manuscripts

Financial records

Photographs

Music

Posters

Audiovisual materials

Date:

1941-2006

bulk 1987-1993

Summary:

Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.

Scope and Contents:

The collection primarily documents Charles Fishman's tenure as Gillespie's manager, 1985-1993, and is composed of business records. There is also a significant amount of personal material and photographs from the 1940s-1980s, much of which was saved by Mr. Fishman when Dizzy Gillespie wanted to throw these materials away or take them home.

Arrangement:

The collection is divided into eleven series.

Series 1, Personal Materials, 1988-1993, undated

Series 2, Correspondence, 1987-2002

Series 3, Business Files, 1979-2001, undated

Series 4, Contracts, 1987-1993

Series 5, Performance Programs, 1984-1997

Series 6, Awards and Honors, 1989-1991

Series 7, Music Manuscripts, undated

Series 8, Photographs, 1941-1993, undated

Subseries 8.1, Dizzy Gillespie, 1941-1993, undated

Subseries 8.2, Albums, 1988-1993

Subseries 8.3, Other Artists, undated

Subseries 8.4, Negatives, undated

Series 9, Newspaper Clippings and Magazine Articles, 1958-2000, undated

Series 10, Artwork and Posters, 1982-2006, undated

Subseries 10.1, Artwork, 1990-2004, undated

Subseries 10.2, Posters, 1982-2006, undated

Series 11, Audio Visual Materials, 1950-1992, undated

Subseries 11.1, Sound Recordings, 1989-1992, undated

Subseries 11.2, Moving Images, 1946-1992, undated

Biographical / Historical:

Born in South Carolina in 1917, John Birks "Dizzy" Gillespie was a master jazz trumpeter, bandleader, singer, and composer. In the 1940s, he was one of the principal developers of both bebop and Afro-Cuban jazz. Through the multitudes of musicians with whom he played and who he encouraged; he was one of the most influential players in the history of jazz.

The youngest of nine children, Gillespie was exposed to music by his father, a part-time bandleader who kept all his band's instruments at home, where young Gillespie tried them out. At age twelve, he received a music scholarship to the Laurinburg Institute in North Carolina, where he played trumpet in the school band. In 1935, at age eighteen, he moved to Philadelphia and joined his first band, where his clownish onstage behavior and sense of humor earned him his nickname, "Dizzy." Thereafter, he was almost constantly joining and leaving, or forming and disbanding, bands of various size and style, as he set out to first hone his talent, then to develop his own creative innovations and to publish his recordings, and then to fulfill his lifelong desire to lead his own band. Along the way, he played with, collaborated with, encouraged, and influenced, all the major – and most of the minor – jazz musicians of his age, including Charlie Parker, Duke Ellington, Ella Fitzgerald, Benny Carter, Billy Eckstine, Cab Calloway, and John Coltrane.

In 1937, Gillespie moved to New York, where he joined Teddy Hill's band; with Hill he made his first overseas tour, to England and France. By 1939, he had joined Cab Calloway's band and had received his first exposure to Afro-Cuban music. In 1940, Gillespie met Charlie "Bird" Parker, Thelonious Monk, and Kenny Clarke and together they began developing a distinctive, more complex style of jazz that became known as bebop or bop. In the early 1940s, Gillespie made several recordings of this new sound. In 1945, he formed and led his own big band, which was quickly downsized into a quintet due to financial problems. He was able to reform the band the next year and keep it together for four years, but it was disbanded in 1950. During this time, he began to incorporate Latin and Cuban rhythms into his work. In 1953, a dancer accidentally fell on his trumpet and bent the bell. Gillespie decided he liked the altered tone and thereafter had his trumpets specially made that way.

In 1956, after leading several small groups, the United States State Department asked Gillespie to assemble a large band for an extensive cultural tour to Syria, Pakistan, Turkey, Greece, and Yugoslavia; a second tour, to South America, took place several months later. Although he kept the band together for two more years, the lack of government funding prevented him from keeping such a large group going and he returned to leading small ensembles. In 1964, displaying the humor for which he was well-known, Gillespie put himself forward as a candidate for President.

Gillespie continued to tour, perform, record, and to collaborate with a wide range of other musicians throughout the 1970s and 1980s. He continued to encourage new styles and new talents, such as Arturo Sandoval, whom he discovered during a 1977 visit to Cuba. In 1979, Gillespie published his autobiography, To Be or Not to Bop. In the late 1980s, he organized and led the United Nations Orchestra, a 15-piece ensemble that showcased the fusion of Latin and Caribbean influences with jazz. In these later years, although still performing, he began to slow down and enjoy the rewards of his extraordinary talent. He received several honorary degrees, was crowned a chief in Nigeria, was awarded the French Commandre d'Ordre des Artes et Lettres, won a Grammy Lifetime Achievement Award, and received both the Kennedy Center Medal of Arts and the ASCAP Duke Ellington Award for Fifty Years of Achievement as a composer, performer, and bandleader. Dizzy Gillespie passed away on January 6, 1993.

Related Materials:

Materials held in the Archives Center

John and Devra Hall Levy Collection NMAH.AC1221

Paquito Rivera NMAH.AC0891

James Moody Papers NMAH.AC1405

Chico O'Farrill Papers NMAH.AC0892

Boyd Raeburn Papers NMAH.AC1431

William Claxton Photographs NMAH.AC0695

Ray Brown Papers NMAH.AC1362

Earl Newman Collection of Monterey Jazz Festival Posters NMAH.AC1207

Graciela Papers NMAH.AC1425

Leonard Gaskin Papers NMAH.AC0900

Ella Fitzgerald NMAH.AC0584

Herman Leonard Photoprints NMAH.AC0445

Stephanie Myers Jazz Photographs NMAH.AC0887

John Gensel Collection of Duke Ellington Materials NMAH.AC0763

Duke Ellington Collection NMAH.AC0301

Benny Carter Collection NMAH.AC0757

Chuck Mangione NMAH.AC1151

Bill Holman Collection NMAH.AC0733

Duncan Schiedt Photograph Collection NMAH.AC1323

Fletcher and Horace Henderson Music and Photographs NMAH.AC0797

Ernie Smith Jazz Film Collection NMAH.AC0491

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews, and Posters NMAH.AC0766

William Russo Music and Personal Papers NMAH.AC0845

Pat and Chuck Bress Jazz Portrait Photographs NMAH.AC1219

Milt Gabler Papers NMAH.AC0849

Floyd Levin Reference Collection NMAH.AC.1222

Materials held in the Division of Culture and the Arts

Includes Dizzy Gillespie's iconic "bent" trumpet (1986.0003.01); sound recordings, a button, and a sculpture.

Materials held in the Smithsonian Institution Archives

National Museum of American History. Office of Public Affairs Accession 95-150

Smithsonian Press/Smithsonian Productions Accession 04-091

Smithsonian Associates. Resident Associate Program Accession 03-086

Smithsonian Resident Associate Program Accession 98-031

Smithsonian Productions Accession 06-181

Smithsonian Resident Associate Program. Office of Public Affairs Record Unit 632

National Museum of American History. Department of Public Programs Accession 17-312

National Museum of American History. Office of Special Events Record Unit 595

Smithsonian Institution. Division of Performing Arts Accession T90055

America's Smithsonian. (Traveling exhibition) Accession 98-142

Smithsonian Institution. Division of Performing Arts Accession 84-012

Smithsonian Institution. Office of Telecommunications Record Unit 296

Smithsonian Institution. Office of Telecommunications Record Unit 590

Materials held in the Archives of American Art, Smithsonian Institution

Gertrude Abercrombie AAA.abergert

Materials at Other Organizations

Dizzy Gillespie Collection, circa 1987-2000, University of Idaho Library, Special Collections and Archives

Provenance:

The collection was donated by Charles Fishman, Dizzy Gillespie's manager, in 2007.

Restrictions:

The collection is open for research. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- United States  Search this

Trumpet players -- 20th century  Search this

Genre/Form:

Awards

Business records -- 20th century

Clippings -- 20th century

Manuscripts -- Music -- 20th century

Financial records -- 20th century

Photographs -- Black-and-white photoprints -- 1940-2000

Music -- Manuscripts

Posters -- 20th century

Audiovisual materials

Citation:

Charismic Productions Records of Dizzy Gillespie, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0979

See more items in:

Charismic Productions Records of Dizzy Gillespie

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep845912e18-7dc1-4340-81f5-68770d687b08

EDAN-URL:

ead_collection:sova-nmah-ac-0979

Creator:

Doll & Richards (Gallery)  Search this

Names:

Azeez Khayat Gallery  Search this

Kleemann Galleries  Search this

Macbeth Gallery  Search this

Museum of Fine Arts, Boston  Search this

Chetcuti, John  Search this

Freiman, Robert  Search this

Goodrich, Lloyd, 1897-1987  Search this

Haseltine, William Stanley, 1835-1900  Search this

Homer, Winslow, 1836-1910  Search this

Lindenmuth, Tod  Search this

Meyerowitz, William, 1887-1981  Search this

Shepler, Dwight, 1905-  Search this

Verner, Elizabeth O'Neill, 1883-1979  Search this

Woodward, Stanley Wingate, 1890-1970  Search this

Wyeth, Andrew, 1917-2009  Search this

Zoehler, Wendell H., 1907-1989  Search this

Extent:

87.5 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Financial records

Date:

1863-1978

bulk 1902-1969

Summary:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.

Scope and Content Note:

The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.

Arrangement:

The collection is arranged as nine series:

Missing Title

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.

Historical Note:

The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.

Related Material:

Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.

Separated Material:

A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.

Provenance:

The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, American  Search this

Function:

Art galleries, Commercial -- Massachusetts

Genre/Form:

Photographs

Scrapbooks

Financial records

Citation:

Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care Fund

Identifier:

AAA.dollrich

See more items in:

Doll & Richards gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b774b9ae-a4eb-4849-9652-6be121c5142f

EDAN-URL:

ead_collection:sova-aaa-dollrich

Collection Creator:

Doll & Richards (Gallery)  Search this

Extent:

(13 items)

Container:

Box 78, Folder 3

Type:

Archival materials

Date:

circa 1900s-1920s

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care Fund

See more items in:

Doll & Richards gallery records

Doll & Richards gallery records / Series 8: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96515bf03-98e0-414c-8a05-1e99d1e09816

EDAN-URL:

ead_component:sova-aaa-dollrich-ref1585

Author:

Wedge Entomological Research Foundation  Search this

Physical description:

volumes <5.1, 6.1, 6.2., 7.6, 8.1, 9.5, 9.6, 13.1A-C, 13.2A-B, 15.2, 15.3, 15.4, 15.5, 18.1, 20.1, 20.2A-B, 21, 22.1A, 22.2, 25.1, 25.4, 26.9, 26.1, 27.1, 27.2, 27.3> illustrations, color plates, portraits 28-30 cm

Type:

Books

Place:

Canada

Greenland

North America

United States

Amérique du Nord

États-Unis

Groenland

Date:

1971

Topic:

Moths  Search this

Papillons nocturnes  Search this

Call number:

QL548 .M68

QL548 .M918

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_10504

Author:

International Symposium on Trichoptera (12th : 2006 : Mexico City (Mexico))  Search this

Editor of compilation:

Bueno Soria, Joaquín  Search this

Barba Álvarez, Rafael  Search this

Armitage, Brian J  Search this

Physical description:

xii, 378 pages illustrations, maps, color portraits 29 cm

Type:

Congresses

Conference papers and proceedings

Date:

2007

Topic:

Caddisflies  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1112581

Editor:

Alaoui, Brahim  Search this

Author:

Belkahia, Farid 1934-2014 Works Selections  Search this

Physical description:

208 pages illustrations (chiefly color), portraits 31 cm

Type:

Books

Criticism, interpretation, etc

Date:

2017

20th century

20e siècle

Topic:

Art, Moroccan  Search this

Art marocain  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1145965

Author:

Delaney, Beauford 1901-1979  Search this

Host institution:

Michael Rosenfeld Gallery  Search this

Ogden Museum  Search this

Physical description:

180 pages illustrations, portraits 31 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Date:

2021

Topic:

African American artists  Search this

African American painters  Search this

Abstract expressionism  Search this

Modernism (Art)  Search this

Artistes noirs américains  Search this

Peintres noirs américains  Search this

Expressionnisme abstrait  Search this

Modernisme (Art)  Search this

Call number:

N40.1.D343 M53p 2021

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1157656

Editor:

Pfeiffer, Ingrid  Search this

Host institution:

Schirn Kunsthalle Frankfurt  Search this

Louisiana (Museum : Humlebæk, Denmark),)  Search this

Physical description:

419 pages illustrations (some color), facsimiles, portraits (some color) 30 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

History

Catalogues d'exposition

Place:

20th century

Date:

2020

20th century

20e siècle

Topic:

Surrealism  Search this

Women artists--History  Search this

Surréalisme  Search this

Femmes artistes--Histoire  Search this

Women artists  Search this

Malerei  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158323

Compiler:

Fenollosa, Ernest 1853-1908  Search this

Translator:

Yamaguchi, Seiichi  Search this

Physical description:

xvi, 381 pages illustrations (some color), facsimiles, portrait 27 cm

Type:

Books

Date:

2020

Topic:

Art, Japanese  Search this

Call number:

N7483.F43 F46 2020

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158418

Editor:

McKendry, Meredith  Search this

Curator:

Ray, Rebecca (1994-)  Search this

Grist, Penelope  Search this

Issuing body:

National Portrait Gallery (Australia)  Search this

Subject:

National Portrait Gallery (Australia)  Search this

Physical description:

202 pages. portraits. (chiefly colour) 23 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Place:

Australia

Australie

Date:

2023

Topic:

Celebrities--Portraits--Exhibitions  Search this

Portraits  Search this

Portrait photography--Exhibitions  Search this

Portrait photography  Search this

Portraits (Photographie)  Search this

Portraits (Photographie)--Expositions  Search this

Celebrities--Portraits  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1160994

Author:

Scheutz, Hans  Search this

Author:

Scheutz, Hans Lobi : die Kunst eines Volkes im Länderdreieck Elfenbeinküste, Burkina Faso und Ghana  Search this

Physical description:

72, 107 pages illustrations (chiefly color), portraits 30 cm

Type:

Books

Place:

Côte d'Ivoire

Burkina Faso

Ghana

Date:

2021

Topic:

Masks, African  Search this

Wood sculpture, Lobi  Search this

Dan (African people)  Search this

Lobi (African people)  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1161319

Editor:

Chiu, Melissa  Search this

Johnson, Betsy (Curator)  Search this

Contributor:

Roberts, Claire 1959-  Search this

Schell, Orville  Search this

Smith, Karen (Art historian)  Search this

Warsh, Larry  Search this

Issuing body:

Hirshhorn Museum and Sculpture Garden  Search this

Physical description:

ix, 225 pages (some folded) illustrations (chiefly color), portraits 29 cm

Type:

Books

Pictorial works

Exhibition catalogs

Photobooks

Illustrated works

Catalogues d'exposition

Livres de photographies

Place:

China

Chine

Date:

2023

20th century

21st century

20e siècle

21e siècle

Topic:

Photography--History  Search this

Photography, Artistic--History  Search this

Photographie--Histoire  Search this

Photographie artistique  Search this

Photography  Search this

History  Search this

Photography, Artistic  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1163665

Book designer:

Armitage, Merle 1893-1975  Search this

Writer of foreword:

Chavez, Dennis 1888-1962  Search this

Author:

Larry Dingman Western Fiction Collection (Library of Congress) DLC  Search this

Publisher:

Duell, Sloan & Pearce  Search this

Physical description:

viii, 160 pages, 20 unnumbered pages of plates illustrations, portraits 23 cm

Type:

Books

Dust jackets (Binding)

Place:

New Mexico

Nouveau-Mexique

New York (State)

New York

Date:

1959

20th century

Topic:

Uranium mines and mining  Search this

Uranium--Mines et extraction  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1164275

Author:

Aoyama, Wahei 1979-  Search this

Author:

A Lighthouse called Kanata (Tokyo, Japan)  Search this

European Fine Art Fair (2021 : Maastricht, Netherlands)  Search this

Subject:

A Lighthouse called Kanata (Tokyo, Japan)  Search this

Physical description:

95 pages color illustrations, portraits 29 cm

Type:

Exhibitions

Expositions

Date:

2021

21st century

21e siècle

Topic:

Art objects, Japanese  Search this

Art, Japanese  Search this

Objets d'art japonais  Search this

Art japonais  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1164925

Author:

Vagapova, F. G (Firdaus Gumarovna)  Search this

Publisher:

Tatarstan kitap năshriiaty  Search this

Physical description:

189 pages illustrations, portraits, color facsimiles 30 cm

Type:

Books

Criticism, interpretation, etc

History

Place:

Russia (Federation)

Tatarstan

Date:

2021

Topic:

Manuscripts, Tatar--History and criticism  Search this

Publishers and publishing--History  Search this

Manuscripts, Tatar  Search this

Publishers and publishing  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1164981

Author:

Bishop, Richard P  Search this

Author:

Canada National Parks Branch  Search this

Subject:

Mackenzie, Alexander (1763-1820; Sir)  Search this

Physical description:

31 pages, [1] folded leaf of plates illustrations, maps (1 folded), portrait 19 cm

Type:

Books

Place:

British Columbia

Colombie-Britannique

Northwest, Canadian

Canada

Canadian Northwest

Canada (Nord-Ouest)

Date:

1924

Topic:

Historic sites  Search this

Parks  Search this

Lieux historiques  Search this

Discoveries in geography  Search this

Discovery and exploration  Search this

Descriptions et voyages  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1165709

Artist:

Foujita, Tsugouharu 1886-1968  Search this

Editor:

Imai, Keiko  Search this

Uchiro, Hiroyuki  Search this

Host institution:

Pōra Bijutsukan  Search this

Author:

JAC Project  Search this

Subject:

Foujita, Tsugouharu 1886-1968  Search this

Foujita, Tsugouharu 1886-1968 Travel  Search this

Physical description:

223 pages illustrations (chiefly color), maps, portraits 27 cm

Type:

Books

Exhibitions

Date:

2021

Call number:

ND1059.F6 A4 2021

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1165788

Author:

Buttrick, Tilly 1783-  Search this

Author:

Evans, Estwick 1787-1866 Pedestrious tour of four thousand miles through the western states and territories during the spring of 1818  Search this

Editor:

Thwaites, Reuben Gold 1853-1913  Search this

Physical description:

364 pages portrait, facsimiles 25 cm

Type:

Books

Place:

West (U.S.)

United States

États-Unis (Ouest)

West United States

Date:

1904

Topic:

Travel  Search this

Description and travel  Search this

Descriptions et voyages  Search this

Call number:

F591 .B95 1904

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1165985

Author:

Sugimoto, Hiroshi 1948-  Search this

Mizuno, Yoshimi  Search this

Yuhara, Kimihiro  Search this

Kyōto-shi Kyōsera Bijutsukan  Search this

JAC Project  Search this

Subject:

Kyōto-shi Kyōsera Bijutsukan  Search this

Physical description:

229 pages illustrations (chiefly color), portraits 29 cm

Type:

Books

Exhibitions

Date:

2020

Call number:

TR647.S895 A4 2020

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1166307

Writer of added commentary:

Stiver, Louise  Search this

Thomas, Wesley 1954-  Search this

Publisher:

Museum of Indian Arts and Culture/Laboratory of Anthropology (Museum of New Mexico)  Search this

Physical description:

9 pages illustrations (some color), portraits 28 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Date:

1999

Topic:

Navajo male weavers  Search this

Navajo weavers  Search this

Navajo textile fabrics  Search this

Tisserands navajo  Search this

Textiles et tissus navajo  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1166334