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Interview with Eric Orr

Creator:
Orr, Eric, 1939-1998  Search this
Butterfield, Jan, 1937-2000  Search this
Type:
Sound Recording
Date:
1979 February 26
Record number:
(DSI-AAA)15956
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15956

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Jan Butterfield papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art historians -- California  Search this
Authors -- California -- San Francisco  Search this
Art critics -- California -- San Francisco  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-buttjan
Additional Online Media:

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Merle Schipper papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art critics -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schimerl

Emit, (sculpture)

Title:
Time, (sculpture)
Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Sculpture: bronze; Foundation: concrete and rock
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by State of California Employment Development Department 1416 9th Street, Room 105 Sacramento California 95814
Located State of California Employment Development Department Annex 8th & O Streets Sculpture terrace, on roof of subterranean building Sacramento California
Date:
Commissioned 1982. 1986
Topic:
Abstract--Geometric  Search this
Allegory--Time  Search this
Allegory--Other--Nature  Search this
Allegory--Element--Water  Search this
Control number:
IAS CA000084
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_315026

Galleria Fountain, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Fabricator:
Wet Design  Search this
Medium:
Italian marble in black, gray, and white with sound, light and water
Type:
Sculptures-Fountain
Sculptures
Owner/Location:
Scottsdale Galleria Ltd Partnership 4343 North Scottsdale Road Atrium Scottsdale Arizona 85251
Date:
Completed 1992
Topic:
Abstract  Search this
Control number:
IAS AZ000204
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318695

L. A. Prime Matter, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Architect:
Martin, David C.  Search this
Architectural firm:
Albert C. Martin and Associates  Search this
Medium:
Sculpture: bronze; Base: ceramic
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Figueroa at Wilshire Inc Property Management 601 South Figueroa Los Angeles California 90017
Located Sanwa Bank Plaza Figueroa & Wilshire Boulevard Los Angeles California
Date:
Commissioned 1987-1988. Design approved Dec. 5, 1988. 1991. Dedicated May 9, 1991
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA000324
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318879

Untitled, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Black Andes granite
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
John Douglas Realtors 11900 Olympic Santa Monica California
Date:
1989 or 1990
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA000327
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318882

MacArthur Park Singularity, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Sculpture: copper; Base: concrete
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Los Angeles Public Art Division 433 South Spring Street, 10th floor Los Angeles California 90013
Located MacArthur Park Los Angeles California
Lent by Orr, Eric
Topic:
Architecture--Detail--Column  Search this
Abstract--Geometric  Search this
Control number:
IAS CA000365
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_318931

North of Yesterday, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Fountain: metal; Pool: marble
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures
Owner/Location:
Cedars-Sinai Medical Center Cedars-Sinai Arts Council 8700 Beverly Boulevard, Room A740 Los Angeles California 90048
Date:
1988. Dedicated April 14, 1988
Topic:
Abstract--Geometric  Search this
History--Europe--Holocaust  Search this
Control number:
IAS CA000931
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_331171

Untitled, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Sculpture: onyx; Base: metal
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures-Site-specific
Sculptures
Owner/Location:
Located 8942 Wilshire Boulevard Beverly Hills California
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA001292
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_336916

Snake, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Stone, iron rebar
Type:
Sculptures-Outdoor Sculpture
Sculptures-Site-specific
Sculptures
Owner/Location:
Administered by City of Los Angeles Public Art Division 433 South Spring Street, 10th floor Los Angeles California 90013
Located Barnsdall Art Park 4800 Hollywood Boulevard Los Angeles California
Topic:
Animal--Reptile--Snake  Search this
Abstract  Search this
Control number:
IAS CA001360
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_337241

Sounds : December 8, 1975 - January 11, 1976

Title:
4 LAINOC
Author:
Brewster, Michael  Search this
John Doe Co. 1942-  Search this
McMillen, Michael 1946-  Search this
Orr, Eric 1939-1998  Search this
Newport Harbor Art Museum  Search this
Subject:
Brewster, Michael  Search this
John Doe Co. 1942-  Search this
McMillen, Michael 1946  Search this
Orr, Eric 1939-1998  Search this
Physical description:
1 v. (unpaged) : ill. ; 28 cm
Type:
Exhibitions
Date:
1975
Topic:
Sound in art  Search this
Installations (Art)  Search this
Call number:
N8243.S68 S68 1975
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_815326

Eric Orr, a twenty-year survey : University Art Gallery, San Diego State University, April 14-May 12, 1984 / sponsored by the S.D.S.U. Art Council

Author:
Orr, Eric 1939-1998  Search this
San Diego State University University Art Gallery  Search this
Subject:
Orr, Eric 1939-1998  Search this
Physical description:
457 p. : ill. (some col.) ; 18 cm
Type:
Books
Exhibitions
Date:
1984
Call number:
N6537.O69 A4 1984
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_943609

Eric Orr : time's shadow : 7 November-3 December, 1987

Title:
Time's shadow
Author:
Orr, Eric 1939-1998  Search this
Scott Hanson Gallery  Search this
Subject:
Orr, Eric 1939-1998  Search this
Physical description:
[32] p. : col. ill. ; 22 cm
Type:
Books
Exhibitions
Date:
1987
Call number:
N6537.O69 A4 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_943652

Lumiere, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Xenon laser, fluorescent light, halogen light
Type:
Sculptures-Outdoor Sculpture
Sculptures-Site-specific
Sculptures
Owner/Location:
Administered by Cushman Management Management Services 111 West Ocean Boulevard, #1717 Long Beach California 90802
Located Landmark Square 111 West Ocean Boulevard Long Beach California
Date:
1991. Dedicated May 8, 1991
Topic:
Undetermined  Search this
Control number:
IAS CA002015
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_341232

Water Spout, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Type:
Sculptures-Fountain
Sculptures
Owner/Location:
City of Los Angeles Public Art Division 433 South Spring Street, 10th floor Los Angeles California 90013
Date:
Ca. 1986
Topic:
Abstract  Search this
Control number:
IAS 74960010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_359931

Ocean of Thought, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Granite
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Mark O. Hatfield Federal Courthouse 1000 SW 3rd Portland Oregon
Date:
1997
Topic:
Abstract  Search this
Allegory--Other--Thought  Search this
Control number:
IAS 88960039
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_368952

Passage of Time, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Granite
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Mark O. Hatfield Federal Courthouse 1000 SW 3rd Portland Oregon
Date:
1997
Topic:
Abstract  Search this
Allegory--Time  Search this
Control number:
IAS 88960040
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_368953

Portland Water Veil, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Granite
Type:
Sculptures-Fountain
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Mark O. Hatfield Federal Courthouse 1000 SW 3rd Portland Oregon
Date:
1997
Topic:
Abstract  Search this
Allegory--Place--Portland  Search this
Control number:
IAS 88960041
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_368954

Cheekwood Prime Matter, (sculpture)

Sculptor:
Orr, Eric 1939-1998  Search this
Medium:
Copper with water and fire
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Cheekwood Botanical Garden and Museum of Art Nashville Tennessee Accession Number: 1999.2
Date:
1997-1998
Topic:
Abstract  Search this
Control number:
IAS 49590014
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_382975

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