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Jim Nutt to Don Baum

Creator:
Nutt, Jim, 1938-  Search this
Baum, Don, 1922-2008  Search this
Type:
Correspondence
Date:
between 1966 and 1990
Record number:
(DSI-AAA)5714
See more items in:
Don Baum papers, circa 1940-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5714
Additional Online Media:

Jim Nutt letter to Don and Alice Baum

Creator:
Nutt, Jim, 1938-  Search this
Baum, Don, 1922-2008  Search this
Type:
Correspondence
Date:
1969 May 1
Topic:
Illustrated letters  Search this
Record number:
(DSI-AAA)15058
See more items in:
Don Baum papers, circa 1940-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15058
Additional Online Media:

Jim Nutt letter to Whitney Halstead

Creator:
Nutt, Jim, 1938-  Search this
Halstead, Whitney, 1926-1979  Search this
Type:
Correspondence
Date:
1973 Dec.
Record number:
(DSI-AAA)15059
See more items in:
Whitney B. Halstead papers, 1920-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15059
Additional Online Media:

Oral History interview with Jim Nutt, 1979

Interviewee:
Nutt, Jim, 1938-  Search this
Interviewer:
Ranoff, I. Michael  Search this
Topic:
Interviews  Search this
Art, American  Search this
Painters  Search this
Sound recordings  Search this
Draftsmen (artists)  Search this
Record number:
(DSI-AAA_CollID)12587
(DSI-AAA_SIRISBib)212963
AAA_collcode_nutt79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212963

Whitney Halstead papers

Creator:
Halstead, Whitney  Search this
Names:
Art Institute of Chicago. School  Search this
Hyde Park Art Center (Chicago, Ill.)  Search this
Nutt, Jim, 1938-  Search this
Yoakum, Joseph, 1886-1972  Search this
Extent:
7.1 Linear feet
Type:
Archival materials
Collection descriptions
Sketchbooks
Photographs
Sketches
Sound recordings
Journals (accounts)
Drawings
Place:
Chicago (Ill.)
Date:
1920-1982
Summary:
The Whitney Halstead papers measure 7.1 linear feet and date from 1920 to 1982. They document the career of art historian, educator, critic, author, and artist Whitney Halstead. Found within the papers are scattered biographical material; a diary and travel journals; writings and notes (almost one-half of the collection); scattered correspondence; miscellaneous records and printed materials documenting Halstead's tenure at the Art Institute of Chicago; audio-cassette recordings of African and native music; artists files for Jim Nutt and Joseph E. Yoakum; exhibition files; art work by Halstead and others; and photographs of Halstead, friends and colleagues, and art projects. Also found are numerous photographs, slides, and negatives of primitive art, including American Indian art by Southwest tribes.
Scope and Content Note:
The Whitney Halstead papers measure 7.1 linear feet and date from 1920 to 1982. They document the career of art historian, educator, critic, author, and artist Whitney Halstead. Found within the papers are scattered biographical material; a diary and travel journals; writings and notes (almost one-half of the collection); scattered correspondence; miscellaneous records and printed materials documenting Halstead's tenure at the Art Institute of Chicago; audio-cassette recordings of African and native music; artists files for Jim Nutt and Joseph E. Yoakum; exhibition files; art work by Halstead and others; and photographs of Halstead, friends and colleagues, and art projects. Also found are numerous photographs, slides, and negatives depicting primitive art, mostly native American Indian art by Southwest tribes.
Arrangement:
The collection is arranged into 11 series by either type of material or subject file, and chronologically within each series. Oversized material from various series has been housed in OV folder 8 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references.

Series 1: Biographical Material, 1966-1977 (Box 1; 1 folder)

Series 2: Personal Correspondence, circa 1933-1978 (Box 1; 6 folders)

Series 3: Diary and Travel Journals, 1957-1975 (Box 1; 3 folders)

Series 4: School of the Art Institute of Chicago Files, circa 1920-1982 (Box 1-2; 1.1 linear feet)

Series 5: Notes and Writings, circa 1923-1978 (Box 2-5; 3.4 linear feet)

Series 6: Artist Files, 1967-1977 (Box 5-6, OV 8; 36 folders)

Series 7: Hyde Park Art Center File, circa 1960-1977 (Box 6; 4 folders)

Series 8: Exhibition Files, 1966-1975 (Box 6, OV 8; 17 folders)

Series 9: Art Work, circa 1932-1970 (Box 6, OV 8; 21 folders)

Series 10: Photographs, circa 1949-1976 (Box 7; 0.9 linear feet)

Series 11: Printed Material, 1966-1975 (Box 7; 5 folders)
Biographical Note:
Art historian, educator, critic, author, and artist Whitney Halstead was born in 1926. After receiving a B.F.A. and an M.F.A. from the School of the Art Institute of Chicago, Halstead worked as an assistant in the Field Museum's anthropology department. He also taught art history at several Chicago-area universities, including the Art Institute, where he developed a series of courses on primitive art. Some historians have indicated that these courses were an important influence on the work of several artists of the "Chicago School" who studied with Halstead, including Roger Brown, Phil Hanson, Gladys Nilsson, Jim Nutt, and Karl Wirsum, among others. Halstead also played a prominent role in the 1965 Art Institute's faculty strike that resulted in better working conditions for the instructors, and by 1967, he had become Chairman of the Division of Fine Arts. In 1970, he assumed the position of Graduate Advisor.

Halstead wrote critical reviews for Artforum, the Chicago Daily News, and numerous articles and essays promoting local and primitive art, including the work of Jim Nutt and naïve artist Joseph E. Yoakum. He also curated several exhibitions, including Made In Chicago and Ulu/Inua: Form and Fantasy in Eskimo Art. Halstead's own art work, exhibitied primarily during the 1950s and early 1960s, was in a variety of media and reflected his interest in Dadaism and Surrealism.

Whitney Halstead died in 1979.
Related Material:
Additional Whitney Halstead papers are held by the Art Institute of Chicago.
Provenance:
The Whitney Halstead papers were donated by Theodore Halkin, the executor of Halstead's estate in 1986.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Whitney Halstead papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art historians -- Illinois -- Chicago  Search this
Works of art  Search this
Art critics -- Illinois -- Chicago  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Sound recordings
Journals (accounts)
Drawings
Citation:
Whitney Halstead papers, 1920-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halswhit
See more items in:
Whitney Halstead papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halswhit
Additional Online Media:

John F. Turner research material on Howard Finster

Creator:
Turner, John F.  Search this
Names:
Arient, Beth, 1946-  Search this
Arient, James, 1946-  Search this
Camp, Jeffrey Thomas, 1944-  Search this
Dickinson, Eleanor, 1931-  Search this
Esman, Rosa  Search this
Finster, Beverly  Search this
Finster, Howard, 1916-2001  Search this
Finster, Pauline  Search this
Ginsberg, Allen, 1926-  Search this
Hartigan, Lynda Roscoe  Search this
Hemphill, Herbert Waide  Search this
Jabbour, Alan  Search this
Kind, Phyllis  Search this
Kirwin, Liza  Search this
Lancaster, Clay  Search this
Nasisse, Andy S., 1946-  Search this
Nutt, Jim, 1938-  Search this
Volkerz, Willem  Search this
Extent:
6.9 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Sound recordings
Photographs
Transcriptions
Video recordings
Date:
circa 1928-2015
bulk 1978-1990
Summary:
The John F. Turner collection of research material on visionary self-taught artist Howard Finster measures 6.9 linear feet and dates from circa 1928 to 2015, with the bulk of the materials dating from 1978 to 1990. John Turner is a California-based curator who compiled this collection in preparation for his book Howard Finster: Man of Visions (1989). Found within the collection are correspondence; numerous interviews with Finster and Finster family members, curators and historians, collectors, and artists; draft manuscripts and research notes; compiled research files on other topics; printed materials and commercial broadcast video recordings; and photographic material, including polaroids annotated by Finster. There is also one series of Howard Finster's papers that include writings by Finster, sound and video recordings of Finster exhibitions and talks by Finster related to those exhibitions, recordings of other speaking engagements, sermons, and other events, a scattering of personal business records that includes a ledger and price list of artwork, and artwork.
Scope and Contents:
The John F. Turner collection of research material on visionary self-taught artist Howard Finster measures 6.9 linear feet and dates from circa 1928 to 2015, with the bulk of the materials dating from 1978 to 1990. John Turner is a California-based curator who compiled this collection in preparation for his book Howard Finster: Man of Visions (1989). Found within the collection are correspondence; numerous interviews with Finster and Finster family members, curators and historians, collectors, and artists; draft manuscripts and research notes; compiled research files on other topics; printed materials and commercial broadcast video recordings; and photographic material, including polaroids annotated by Finster. There is also one series of Howard Finster's papers that include writings by Finster, sound and video recordings of Finster exhibitions and talks by Finster related to those exhibitions, recordings of other speaking engagements, sermons, and other events, a scattering of personal business records that includes a ledger and price list of artwork, and artwork.

Correspondence mostly consists of letters to John Turner from Howard Finster and Finster family members, folklorist Alan Jabbour, Clay Lancaster, Andy Nasisse, and others. There are also letters to Howard Finster from miscellaneous correspondents.

Numerous interviews with and about Howard Finster are found on 47 sound cassettes, and one partial transcript. In addition to interviews conducted by Turner, there are interviews with Finster conducted by Liza Kirwin and Willem Volkerz. Most of the interviews are with others about Finster, including family members, collectors, curators and art historians, and other artists. Interviewees include Jim and Beth Arient, Jeffrey Camp, Eleanor Dickinson, Rosa Esman, Beverly and Pauline Finster, Allen Ginsberg, Lynda Hartigan, Herbert Waide Hemphill, Alan Jabbour, Phyllis Kind, Jim Nutt, and others.

Writings consist of Turner's research notebooks and a typescript draft for his book Howard Finster: Man of Visions. There are some curator's statements and loose notes possibly written by others. Research files include printed material compiled by John Turner on various artists and subjects not directly related to Finster, except for bibliographies.

Papers and other materials created by Howard Finster are arranged into one separate series. These include writings; exhibition files, including video and sound recordings; personal business records; artwork, including album covers and posters; and sound recordings of Finster's public and private talks, sermons, and events. Many of the sound recordings were recorded by Finster himself.

Printed material consists of newspaper and magazine clippings about Howard Finster, exhibition catalogs, announcements, magazines, and art periodicals. There are also 2 videocassettes of commercially released television appearances and music videos.

Photographic material includes photographs, slides, negatives, and transparencies of Howard Finster and his artwork. There are images of Finster and his family, artwork, exhibitions, openings, and events. Some of the images are annotated by Finster.
Arrangement:
The collection is arranged as 7 series.

Series 1: Correspondence, 1967-2005 (0.3 linear feet; Box 1)

Series 2: Interviews, 1977-circa 1989 (1.5 linear feet; Boxes 1-2)

Series 3: Writings, circa 1980-circa 1989 (0.4 linear feet; Boxes 2-3)

Series 4: Research Files, circa 1971-2015 (0.5 linear feet; Box 3)

Series 5: Howard Finster Files and Sound and Video Recordings, circa 1970-2001 (1.6 linear feet; Boxes 3-5, OV 9, 11)

Series 6: Printed Material, circa 1975-2010 (1.2 linear feet; Boxes 5-6, OV 10)

Series 7: Photographic Material, circa 1928-circa 2000 (1.4 linear feet; Boxes 6-8)
Biographical / Historical:
John F. Turner is a writer and curator who lives in California. Turner has written books on photography and folk art and is an adjunct curator at the San Francisco Craft and Folk Art Museum. He has also worked for NBC news and documented the lives of folk artists for many years.

Turner befriended visionary, self-taught artist and Baptist minister Howard Finster sometime in the late 1970s. The research material in this collection was compiled over a decade for Turner's book Howard Finster: Man of Vision (Alfred A. Knopf, 1989).
Related Materials:
The Archives of American Art also has the Barbara Shissler Nosanow materials relating to Howard Finster, circa 1981; an oral history interview with Howard Finster conducted on June 11, 1984 by Liza Kirwin; and an interview with Howard Finster conducted by James Arient and Howard Finster's own sound recordings of himself from 1981-1982.
Provenance:
The John F. Turner research material on Howard Finster was donated by John F. Turner in 1987 and 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival visual recordings with no duplicate access copy requires advance notice.
Rights:
The John F. Turner research material on Howard Finster are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

The U-matic videocassette of Howard Finster's exhibition opening at Braunstein Gallery (1981) requires permission from John F. Turner to reproduce for publication.
Topic:
Curators -- California  Search this
Authors -- California  Search this
Folk artists -- California  Search this
Folk art  Search this
Self-taught artists  Search this
Genre/Form:
Interviews
Sound recordings
Photographs
Transcriptions
Video recordings
Citation:
John F. Turner research material on Howard Finster, circa 1928-2015, bulk dates 1978-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.turnjohn
See more items in:
John F. Turner research material on Howard Finster
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-turnjohn

Ray Yoshida papers

Creator:
Yoshida, Ray  Search this
Names:
Art Institute of Chicago. School -- Faculty  Search this
Phyllis Kind Gallery  Search this
Berdich, Vera, 1915-2003  Search this
Blackshear, Kathleen, 1897-1988  Search this
Brown, Roger, 1941-1997  Search this
Ito, Miyoko, 1918-1983  Search this
Kapsalis, Thomas Harry, 1925-  Search this
Kim, Jin Soo, 1950-  Search this
Nilsson, Gladys, 1940-  Search this
Nutt, Jim, 1938-  Search this
Ramberg, Christina  Search this
Rossi, Barbara, 1940-  Search this
Spears, Ethel, 1903-1974  Search this
Wirsum, Karl, 1939-  Search this
Extent:
10 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sketchbooks
Scrapbooks
Collages
Drawings
Interviews
Prints
Sketches
Transcripts
Video recordings
Date:
circa 1895-2010
bulk 1950-2005
Summary:
The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.
Scope and Contents:
The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

Biographical material about Ray Yoshida includes award certificates, identification records, student records, and interview transcripts. Also found is one video recording of a documentary short about Yoshida's art and object collection at his Chicago home.

Correspondence includes letters, postcards, and greeting cards from friends, colleagues, and artists, including Roger Brown, Jim Nutt, Gladys Nilsson, Christina Ramberg, Karl Wirsum, Miyoko Ito, Jin Soo Kim, Barbara Rossi, Vera Berdich, and Tom Kapsalis.

Notebooks contain notes on art history, art technique, Japanese language, travel, and other subjects. Many of the notebooks include sketches and contain loose items.

Writings by Yoshida consist of college papers, fragments of writings on art and other subjects, and notes. Writings by others include essays by Yoshida's students, exhibition essay drafts, and poetry.

Teaching records primarily document Yoshida's tenure as a professor at the School of the Art Institute of Chicago, though a few records of guest professorships at other schools are included. These records include course evaluations, employment records, teaching notes, and letters of recommendation for students. Miscellaneous teaching records include department memos, course summaries, correspondence, and notes.

Personal business records consists of documentation regarding the sale, exhibition, and loan of artwork by Ray Yoshida, including his business dealings with the Phyllis Kind Gallery. Additionally there are several files regarding the estate of artist Roger Brown.

Printed material includes exhibition catalogs, announcements, news clippings, newsletters and press releases documenting Yoshida's career and other subjects.

Source material consists of material that Yoshida gathered and intended to use for his art. Collected printed material includes postcards, comics and comic books, mail order catalogs, magazines, product labels, and advertisements. Also found are many small clippings from comics collected for collages.

Photographs depict Ray Yoshida, friends, students, travel, and artwork. Also found are a few photographs of Karl Wirsum's studio, as well as photographs of various subjects collected by Yoshida. Additionally, there is one photograph album from the early 1910s of an unidentified family.

Sketchbooks include pencil and ink sketches of various subjects.

Artwork by Ray Yoshida includes collages on paper, pencil sketches, and ink drawings. Artworks by others include numerous prints by Kathleen Blackshear, Ethel Spears, and Vivian Mayers, and collages, drawings, and prints given to Yoshida by students and friends. Some work by unidentified artists is included as well. Other artwork, such as handmade picture and alphabet books, appears to have been created by children and collected by Yoshida.

Scrapbooks include volumes that were created by Yoshida as well as books created by others. Three of the scrapbooks containing source images, clippings, and comics appear to have been created by Yoshida. Additional scrapbooks were created by others and collected by Yoshida.
Arrangement:
The collection is arranged as 12 series.

Series 1: Biographical Material, 1950-2005 (0.5 Linear feet; Box 1)

Series 2: Correspondence, 1952-2009 (2 Linear feet; Boxes 1-3, 11, 15)

Series 3: Notebooks, circa 1956-circa 2000 (0.3 Linear feet; Box 3)

Series 4: Writings, circa 1950-2003 (0.3 Linear feet; Box 3)

Series 5: Teaching Records, circa 1960-2003 (0.6 Linear feet; Boxes 3-4)

Series 6: Personal Business Records, circa 1960-2010 (0.4 Linear feet; Box 4)

Series 7: Printed Material, 1906-2010 (1.8 Linear feet; Boxes 4-6, 11, OV 14)

Series 8: Source Material, circa 1940-circa 2005 (0.7 Linear Feet; Boxes 6-7, 11)

Series 9: Photographs, circa 1910-circa 2005 (0.5 Linear feet; Box 7)

Series 10: Sketchbooks, circa 1960-circa 2000 (1.1 Linear feet; Boxes 7-8, 11-13)

Series 11: Artwork, 1903-2009 (0.7 Linear feet; Boxes 8, 13)

Series 12: Scrapbooks, circa 1895-circa 2005 (1 Linear feet; Boxes 8-10, 13)
Biographical / Historical:
Ray Yoshida (1930-2009) was a painter, collagist, and educator in Chicago, Illinois.

Raymond Kakuo Yoshida was born in Kapaa, Hawaii, in 1930. He attended the University of Hawaii for two years and completed a B.A. in Arts Education at the Art Institute of Chicago in 1953. He also served in the U.S. Army for two years during the Korean War. In 1957 he recieved his M.F.A from Syracuse University and became a faculty member at the School of the Art Institute of Chicago in 1959. He was named Frank Harold Sellers Professor in the Department of Painting and Drawing in 1971, retired as professor emeritus in 1998, and continued to teach until 2003.

Yoshida was a member of the Chicago Imagists, a loose and informal group of representational artists from the late 1960s to early 1970s who were influenced by Surrealism and connected to the School of the Art Institute of Chicago. Yoshida's friends and contemporaries among this group include but are not limited to Roger Brown, Ed Paschke, Christina Ramberg, and Barbara Rossi. Yoshida was an inspiring teacher and he mentored many of the later Chicago Imagists such as Gladys Nilsson, Jim Nutt, and Karl Wirsum.

Yoshida's paintings and collages were strongly influenced by comics as well as his own collection of folk and outsider art. He regularly exhibited at Phyllis Kind Gallery in Chicago from 1975 to 1996, and a major retrospective of his work was organized by the Contemporary Museum of Honolulu in 1998. He retired to Hawaii in 2005 where he lived until his death in 2009 due to cancer. The School of the Art Institute of Chicago's Sullivan Galleries held a posthumous retrospective exhibition of Yoshida's work from 2010-2011 and the John Michael Kohler Art Center had an exhibition of Yoshida's personal collection of art and artifacts in 2013.
Provenance:
The collection was donated in 2012 by Ray Yoshida via Terri Yoho of the Kohler Foundation, representing Yoshida's estate, and in 2013 and 2015-2016 by Jennifer Sabas and Shayle Miller, estate executors.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate copy requires advance notice. One box of letters from Jim Nutt are ACCESS RESTRICTED; use requires written permission.
Rights:
The Ray Yoshida papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Educators -- Illinois -- Chicago  Search this
Collagists -- Illinois -- Chicago  Search this
Topic:
Folk art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Painters -- Illinois -- Chicago  Search this
Art -- History  Search this
Art -- Technique  Search this
Artists' studios -- Photographs  Search this
Asian American artists  Search this
Genre/Form:
Photographs
Sketchbooks
Scrapbooks
Collages
Drawings
Interviews
Prints
Sketches
Transcripts
Video recordings
Citation:
Ray Yoshida papers, circa 1895-2010, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.yoshray
See more items in:
Ray Yoshida papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-yoshray
Additional Online Media:

Jim Nutt: artist file, [photographs]

Artist:
Nutt, Jim 1938-  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002171
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140796

Jim Nutt : recent work : May 4-June 18, 1983

Author:
Nutt, Jim 1938-  Search this
Mayor Gallery  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
[19] p
Type:
Books
Exhibitions
Date:
1983
C1983
Call number:
ND237.N88 A4 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_657537

Jim Nutt, paintings : Phyllis Kind Gallery, Chicago, May 10 to June 11, New York, Sept. 14 to Oct. 15, 1991

Author:
Nutt, Jim 1938-  Search this
Phyllis Kind Gallery  Search this
Phyllis Kind Gallery (Chicago, Ill.)  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
[20] p. : chiefly col. ill. ; 22 cm
Type:
Books
Exhibitions
Date:
1991
Call number:
ND237.N88 A4 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635960

Jim Nutt / [essays by Russell Bowman, Lynda Roscoe Hartigan, and Robert Storr]

Author:
Nutt, Jim 1938-  Search this
Bowman, Russell 1946-  Search this
Hartigan, Lynda Roscoe  Search this
Storr, Robert  Search this
Milwaukee Art Museum  Search this
National Museum of American Art (U.S.)  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
172 p. : ill. (some col.) ; 26 cm
Type:
Books
Exhibitions
Date:
1994
C1994
Call number:
N40.1.N9793 M6 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_470211

Jim Nutt : portraits / organized by Lynne Warren ; essay by Robert Storr

Title:
Portraits
Author:
Nutt, Jim 1938-  Search this
Warren, Lynne  Search this
Storr, Robert  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
32 p. : col. ill. ; 26 cm
Type:
Books
Exhibitions
Date:
1999
C1999
Call number:
ND237.N88 A4 1999
N40.1.N9793 M8 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_566727

Jim Nutt, interview with Lynda Hartigan [videorecording] : 2/7/95

Author:
Nutt, Jim 1938-  Search this
Hartigan, Lynda Roscoe  Search this
Broun, Elizabeth  Search this
National Museum of American Art (U.S.)  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
1 videocassette (55 min., 31 sec.) : sd., col. ; 1/2 in
Type:
Videorecordings
Date:
1995
1995?]
Call number:
video 000401
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_614946

Jim Nutt. An exhibition organized by Museum of Contemporary Art, Chicago, March 9 through April 28, 1974. In collaboration with Walker Art Center, Minneapolis, June through July 28, 1974 and Whitney Museum of American Art, New York September 6 through October 23, 1974

Author:
Nutt, Jim 1938-  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Walker Art Center  Search this
Whitney Museum of American Art  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
24 p. illus. (part col.) 24 cm
Type:
Books
Date:
1974
1974.]
Call number:
ND237.N88 A4 1974
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_651924

Jim Nutt : drawings and paintings

Author:
Nutt, Jim 1938-  Search this
Dunham, Carroll 1949-  Search this
Nolan/Eckman Gallery  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
46 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Date:
2003
C2003
Topic:
Figurative art, American  Search this
Figurative drawing  Search this
Face in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_958414

Metal Lawn Chair, (sculpture)

Sculptor:
Nutt, Jim 1938-  Search this
Medium:
Mixed media
Type:
Sculptures
Owner/Location:
National Gallery of Art Fourth Street & Constitution Avenue, N.W Washington District of Columbia 20565
Date:
1969
Topic:
Abstract  Search this
Object--Furniture--Chair  Search this
Control number:
IAS 08260095
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_463545

Gladys Nilsson, Jim Nutt, Ed Paschke, Suellen Rocca, Karl Wirsum : octobre-novembre 1983

Author:
Galerie Bonnier  Search this
Galerie Bonnier  Search this
Subject:
Nilsson, Gladys 1940-  Search this
Nutt, Jim 1938-  Search this
Paschke, Ed  Search this
Rocca, Suellen 1943-  Search this
Wirsum, Karl 1939-  Search this
Physical description:
[16] p. : col. ill. ; 24 cm
Type:
Books
Exhibitions
Date:
1983
Call number:
N6535.C5 G53 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_641486

Jim Nutt : coming into character / Lynne Warren ; with essays by Jennifer R. Gross, Alexi Worth

Author:
Warren, Lynne  Search this
Gross, Jennifer R  Search this
Worth, Alexi  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Subject:
Nutt, Jim 1938-  Search this
Physical description:
123 p. : ill. (some col.) ; 30 cm
Type:
Books
Date:
2011
C2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_963370

Recent drawings : William Allan, James Bishop, Vija Celmins, Brice Marden, Jim Nutt, Alan Saret, Pat Steir, Richard Tuttle : an exhibition / organized by the American Federation of Arts ; guest director, Elke M. Solomon

Author:
American Federation of Arts  Search this
Solomon, Elke  Search this
Subject:
Alan, William 1936-  Search this
Bishop, James 1927-  Search this
Celmins, Vija 1938-  Search this
Marden, Brice 1938-  Search this
Nutt, Jim 1938-  Search this
Saret, Alan 1944-  Search this
Steir, Pat 1940-  Search this
Tuttle, Richard 1941-  Search this
Physical description:
[48] p. : ill. ; 21 x 28 cm
Type:
Exhibitions
Date:
1975
Topic:
Drawing  Search this
Call number:
NC15.N5 A512
NC15.N5A512
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_90693

The collected Hairy Who publications 1966-1969 : Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, Karl Wirsum / edited and with an essay by Dan Nadel

Title:
Jim Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, Karl Wirsum
Writer of added commentary:
Nadel, Dan  Search this
Host institution:
Hyde Park Art Center (Chicago, Ill.)  Search this
San Francisco Art Institute  Search this
Corcoran Gallery--Dupont Center  Search this
Matthew Marks Gallery  Search this
Subject:
Falconer, Jim 1943-  Search this
Green, Art 1941-  Search this
Nilsson, Gladys 1940-  Search this
Nutt, Jim 1938-  Search this
Rocca, Suellen 1943-  Search this
Wirsum, Karl 1939-  Search this
Physical description:
167 pages : color illustrations ; 32 cm
Type:
Exhibitions
Place:
Illinois
Chicago
Date:
2015
20th century
Topic:
Hairy Who (Group of artists)  Search this
Comic books, strips, etc., in art  Search this
Art, American  Search this
Call number:
N6512.5.H35 C65 2015
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1055739

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