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Oral history interview with Kenneth Noland, 1987 July 1-16

Interviewee:
Noland, Kenneth, 1924-2010  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Smith, David  Search this
Greenberg, Clement  Search this
Kainen, Jacob  Search this
Topic:
Painters  Search this
Painting  Search this
Interviews  Search this
Sound recordings  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)12192
(DSI-AAA_SIRISBib)212192
AAA_collcode_noland87
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212192
Additional Online Media:

Peter A. Bradley papers

Creator:
Bradley, Peter, 1940-  Search this
Names:
Perls Galleries  Search this
Calder, Alexander, 1898-1976  Search this
Gelfman, Robert  Search this
Lowenthal, Karl S.  Search this
Noland, Kenneth, 1924-2010  Search this
Extent:
0.3 Linear feet
Type:
Archival materials
Collection descriptions
Date:
1966-1976
2003
2014
Summary:
The papers of African American painter and former art dealer Peter A. Bradley measure 0.3 linear feet and date from 1966 to 1976 with additional material dating from 2003 and 2014. The papers include correspondence from Klaus Perls, Anthony Caro, Robert Gelfman and attorney Karl S. Lowenthal. Included with correspondence is a recommendation for Bradley written by Klaus Perls. The papers include photographs of Alexander Calder and his family, as well as a photograph of Bradley with Calder's work at Perls Galleries, Bradley with Kenneth Noland and Bradley with Steven Cannon. Printed material consists of a 1971 Picasso exhibition catalog and a 2014 issue of Gulf Coast. Also included are architectural plans and notes for Bradley's studio designed by John Johansen as well as personal financial information.
Scope and Contents:
The papers of African American painter and former art dealer Peter A. Bradley measure 0.3 linear feet and date from 1966 to 1976 with additional material dating from 2003 and 2014. The papers include correspondence from Klaus Perls, Anthony Caro, Robert Gelfman and attorney Karl S. Lowenthal. Included with correspondence is a recommendation for Bradley written by Klaus Perls. The papers include photographs of Alexander Calder and his family, as well as a photograph of Bradley with Calder's work at Perls Galleries, Bradley with Kenneth Noland and Bradley with Steven Cannon. Printed material consists of a 1971 Picasso exhibition catalog and a 2014 issue of Gulf Coast. Also included are architectural plans and notes for Bradley's studio designed by John Johansen as well as personal financial information.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Peter A. Bradley (1940–) is an African American painter and former art dealer in New York. He served as the associate director of the Perls Galleries in New York from 1968 to 1975.

Bradley was born in Connellsville, Pennsylvania and grew up alongside celebrated jazz musicians such as Miles Davis and Thelonious Monk, whose music influenced the colorful abstract work he is known for. He is credited with influencing the "New New Painters" movement in the late 1970s and curated The Deluxe Show in 1971, which is viewed as one of the earliest racially integrated modernist art exhibitions. His work is held in the permanent collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, as well as The Museum of Fine Arts Houston, among others. He is a recipient of an Andy Warhol Foundation Exhibition Grant and a two-time recipient of the Pollock Krasner Award.
Provenance:
The papers were donated to the Archives of American Art by Peter A. Bradley in 2009 and 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Citation:
Peter A. Bradley papers, 1966-1976, 2003, 2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bradpete
See more items in:
Peter A. Bradley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bradpete

Oral history interview with Kenneth Noland, 1971 Oct. 9-Dec. 21

Interviewee:
Noland, Kenneth, 1924-2010  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Topic:
Painters  Search this
Art, American  Search this
Interviews  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12261
(DSI-AAA_SIRISBib)212989
AAA_collcode_noland71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212989

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Merle Schipper papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art critics -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schimerl

Kenneth Noland: artist file, [photographs]

Artist:
Noland, Kenneth 1924-2010  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002159
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140784

Kenneth Noland papers relating to David Smith, [ca. 1952-1984]

Creator:
Noland, Kenneth, 1924-2010  Search this
Subject:
Smith, David  Search this
Olitski, Jules  Search this
Topic:
Sculptors  Search this
Steel sculpture  Search this
Sound recordings  Search this
Sculpture, Modern  Search this
Photographs  Search this
Record number:
(DSI-AAA_CollID)9700
(DSI-AAA_SIRISBib)211928
AAA_collcode_nolakenn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211928

Kenneth Noland : early circle paintings

Author:
Noland, Kenneth 1924-2010  Search this
Siegel, Jeanne  Search this
Noland, Kenneth 1924-2010  Search this
Visual Arts Gallery (New York, N.Y.)  Search this
Subject:
Noland, Kenneth 1924-2010  Search this
Physical description:
1 folded sheet ([6] p.) : ill ; 22 cm
Type:
Exhibitions
Place:
United States
New York (N.Y.)
Date:
1975
[1975?]
Topic:
Circle in art  Search this
Painting, Abstract  Search this
Call number:
ND237.N594 A4 1975c
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_940207

Kenneth Noland : Paintings 1975-2003 / Kenneth Noland ; text by William C. Agee

Artist:
Noland, Kenneth 1924-2010  Search this
Author:
Agee, William C.  Search this
Author:
Pace Gallery  Search this
Subject:
Noland, Kenneth 1924-2010  Search this
Physical description:
75 pages : color illustrations ; 27 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1024622

Kenneth Noland circles : September 10-October 17, 1998

Title:
Circles
Author:
Noland, Kenneth 1924-2010  Search this
Wilkin, Karen 1940-  Search this
Subject:
Noland, Kenneth 1924-2010  Search this
Physical description:
[4] p. : col. ill. ; 23 x 24 cm
Type:
Exhibitions
Date:
1998
Topic:
Circle in art  Search this
Call number:
ND237.N594 A4 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_829814

Morris Louis and Morris Louis Estate papers

Artist:
Louis, Morris, 1912-1962  Search this
Names:
André Emmerich Gallery  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Robert Pierce/Films, Inc  Search this
Bocour, Leonard, 1910-1993  Search this
Brenner, Marcella, 1912-2007  Search this
Faatz, Anita J. (Anita Josephine)  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Noland, Kenneth, 1924-2010  Search this
Truitt, Anne, 1921-2004  Search this
Extent:
17.8 Linear feet
Type:
Archival materials
Collection descriptions
Video recordings
Sound recordings
Interviews
Photographs
Date:
circa 1910s-2007
bulk 1965-2000
Summary:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.
Scope and Contents:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Within the Morris Louis papers (circa 3 linear feet) are scattered biographical materials for Morris Louis and Marcella Brenner. Correspondence is with family friends, artists, and galleries, the bulk of which consists of photocopies. Of note are letters from Helen Frankenthaler, Clement Greenberg, Leonard Bocour, Kenneth Noland, and Anne Truitt. Business records include lists of artwork, receipts for art supplies, and scattered tax records. Six notebooks belonging to Morris Louis contain miscellaneous notes about students, studio rental payments, addresses, travel expenses, and a short list of paintings. There is one notebook of Marcella Brenner's containing notes about expenses and addresses. Also found are printed materials, one canvas sample, and one embossing stamp. Photographs are of Morris Louis, Marcella Brenner, and the Bernstein family.

The majority of the collection (circa 15 linear feet) consists of records created and maintained by Marcella Brenner in the course of managing Louis' estate and posthumous exhibitions and projects. There are numerous gallery exhibition records for many posthumous and retrospective exhibitions between 1965 through 2002, including those held at the Andre Emmerich Gallery, the Hirshhorn Museum, and numerous other U.S. and international galleries and museums. Louis' artwork is documented in highly detailed inventory lists and cards. Legal records document the lawsuit brought by the Bernstein family against Marcella Brenner which began in 1964 and ended in 1970 in favor of Brenner. Financial records document sales.

Printed materials include clippings, exhibition catalogs and announcements, and other miscellaneous materials. Writings include essays about Louis and manuscript copies of the book Trustee for the Human Race: Litigation over the Morris Louis Paintings written by Ruth S. Blau under contract for Marcella Brenner. Photographs are primarily of artwork depicted in exhibition installations. Project files are found for several posthumous documentary film projects and a catalog raisonne, and include a series of audio recordings of interviews of 27 artists conducted by Anita Faatz in 1970-1971. Artists interviewed include Clement Greenberg, Leonard Bocour, Andre Emmerich, Helen Frankenthaler, Kenneth Noland, and many others.
Arrangement:
This collection is arranged as 2 series.

Series 1: Morris Louis Papers, circa 1910s-1998 (2.9 linear feet; Boxes 1-3)

Series 2: Morris Louis Estate Papers, 1947-2007 (14.9 linear feet; Boxes 3-19, OV 20)
Biographical / Historical:
Morris Louis (1912-1962) was one of the earliest American Color Field painters, and, along with other Washington, D.C., painters, formed the movement known as the Washington Color School.

Born in Baltimore, M.D., to Russian immigrants Louis Bernstein and Cecelia Luckman, Morris Louis attended the Maryland Institute of Fine and Applied Arts from 1927-1932 and served as president of the Baltimore Artists' Association in 1935. During the Depression, he worked in New York City on the steering committee of the Easel Division of the Federal Arts Projects of the Works Project Administration (WPA). He exhibited Broken Bridge at the WPA Pavilion of the New York World's Fair in 1939.

In 1947, Louis married Marcella (Siegel) Brenner, and moved to Silver Spring, Maryland, a close suburb of Washington, D.C., where he taught private art classes and continued painting, using his apartment bedroom as a studio. In 1948, Louis participated in the Maryland Artists, 16th Annual Exhibition at the Baltimore Museum of Art, and began using Leonard Bocour's Magna acrylic paint, which he would use exclusively for the rest of his painting career.

In 1952, Morris Louis and Marcella Brenner moved to Washington, D.C. and set up a studio in his home where he would complete his most notable canvases. He began teaching at the Washington Workshop Center for the Arts and met artist Kenneth Noland who was also exploring Color Field painting. Through Noland, Louis met art critic Clement Greenberg in 1953, and they visited artist studios in New York City to study abstract expressionist works, including those by Helen Frankenthaler, Jackson Pollock, and Franz Kline. Louis and Noland were greatly influenced by Frankenthaler's staining technique, and Louis began experimenting with staining methods upon his return to Washington. Clement Greenberg became a life-long advocate for Louis and, in 1954, included Louis in the seminal group exhibition, "Emerging Talent," organized by Greenberg for the Kootz Gallery. In 1960, Andre Emmerich became his dealer in the United States and Lawrence Rubin represented him in Paris.

Using thinned Magna paint and unstretched, unprimed canvases, Louis created his works by rotating the canvas as the paint moved across and soaked in. Between 1958 and 1962 Louis produced three major series of paintings—the Veils, the Unfurleds, and the Stripes. Each series numbered more than one hundred canvases. Louis never documented his exact painting methods and would not allow anyone to watch him work, including his wife. His own worst critic, Louis destroyed many of his paintings that did meet his standards, including a large number of his earliest works and many created between 1954 and 1957. He also designated numerous surviving works for destruction prior to his death.

Louis was diagnosed with lung cancer on July 1, 1962 and died a few months later. The Andre Emmerich Gallery held a previously scheduled exhibition as planned, a month following Louis' death, as a memorial exhibition.
Related Materials:
Also found at the Archives of American Art are the Marcella Brenner journals, 1962-2000. The Maryland Institute College of Art (MICA) also holds papers of Morris Louis and the Morris Louis Estate in their Morris Louis Study Collection.
Provenance:
The Morris Louis and Morris Louis Estate papers were donated by Marcella Brenner in several installments in 1976, 1986, and 1988. Subsequent donations in 2009 and 2012 were donated by Marcella Brenner via Ann M. Garfinkle, Executor. The Anita Faatz interviews were donated in 1976 by Marcella Brenner.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Many of the audio recordings and transcripts of interviews with 26 artists conducted by Anita Faatz in 1970-1971 are access restricted and written permission is required from the person interviewed. Please contact reference services for more information. Any use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Morris Louis and Morris Louis Estate papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Transcripts  Search this
Washington Color School (Group of artists)  Search this
Painters -- United States  Search this
Law and art -- United States  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Abstract expressionism -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Sound recordings
Interviews
Photographs
Citation:
Morris Louis and Morris Louis Estate Papers, circa 1910s-2007, bulk 1965-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louimorr
See more items in:
Morris Louis and Morris Louis Estate papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-louimorr
Additional Online Media:

Kenneth Noland : circles : early + late, 1959-1962, 1999-2002 / [essay by Karen Wilkin]

Title:
Circles: early + late
Artist:
Noland, Kenneth 1924-2010  Search this
Author:
Wilkin, Karen 1940-  Search this
Host institution:
Yares Art (Gallery)  Search this
Subject:
Noland, Kenneth 1924-2010  Search this
Physical description:
30 pages : illustrations, portraits ; 30 x 30 cm
Type:
Books
Exhibitions
Date:
2017
Call number:
N40.1.N78 Y25 2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1087662

Noland's Nolands : a retrospective selection from the artist's collection, 1959-1991 : November 8-December 15, 1993 : William H. Van Every, Jr. Gallery, Davidson College Visual Arts Center, Davidson, North Carolina

Author:
Noland, Kenneth 1924-2010  Search this
Smith, Shaw  Search this
William H. Van Every, Jr. Gallery  Search this
Subject:
Noland, Kenneth 1924-2010  Search this
Physical description:
1 folded sheet ([6] p.) : col. ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1993
1993]
Call number:
ND237.N594 A4 1993b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_925616

Kenneth Noland : paintings 1958-1968 / [essay by] Paul Hayes Tucker

Title:
Paintings 1958-1968
Author:
Noland, Kenneth 1924-2010  Search this
Tucker, Paul Hayes 1950-  Search this
Mitchell-Innes & Nash  Search this
Subject:
Noland, Kenneth 1924-2010  Search this
Physical description:
75 p. : ill. (chiefly col.) ; 31 cm
Type:
Exhibitions
Date:
2011
C2011
Topic:
Circle in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_960814

Untitled, (sculpture)

Sculptor:
Noland, Kenneth 1924-2010  Search this
Medium:
Bronze
Type:
Sculptures
Owner/Location:
Philbrook Museum of Art 2727 South Rockford Road Tulsa Oklahoma 74114
Topic:
Abstract  Search this
Control number:
IAS 43610025
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26691

A dialogue : Donald Judd, Roy Lichtenstein, Kenneth Noland / essay by Miguel de Baca

Artist:
Judd, Donald 1928-1994  Search this
Lichtenstein, Roy 1923-1997  Search this
Noland, Kenneth 1924-2010  Search this
Writer of added commentary:
Baca, Miguel de 1980-  Search this
Publisher:
Leo Castelli Gallery  Search this
Subject:
Judd, Donald 1928-1994  Search this
Lichtenstein, Roy 1923-1997  Search this
Noland, Kenneth 1924-2010  Search this
Physical description:
36 pages : illustrations (some color) ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2016
20th century
Topic:
Art, American  Search this
Minimal art  Search this
Pop art  Search this
Call number:
N6512 .D517 2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1075660

Via Limbus, (painting)

Painter:
Noland, Kenneth 1924-2010  Search this
Medium:
Polymer on canvas
Type:
Paintings
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019
Date:
1969
Topic:
Abstract  Search this
Control number:
IAP 36240025
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_458934

Brown Stretched, (painting)

Painter:
Noland, Kenneth 1924-2010  Search this
Medium:
Acrylic on canvas
Type:
Paintings
Owner/Location:
National Gallery of Art Fourth Street & Constitution Avenue, N.W Washington District of Columbia 20565
Date:
1966
Topic:
Abstract  Search this
Control number:
IAP 08261161
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_461209

Rose, (painting)

Painter:
Noland, Kenneth 1924-2010  Search this
Medium:
Acrylic on canvas
Type:
Paintings
Owner/Location:
Stanford University Anderson Collection at Stanford University Stanford California 94305 Accession Number: 1972.047
Date:
1961
Topic:
Abstract--Geometric  Search this
Control number:
IAP 04920191
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_465732

Lebron, (sculpture)

Sculptor:
Noland, Kenneth 1924-2010  Search this
Medium:
Acrylic and canvas
Acrylic and canvas
Type:
Sculptures
Owner/Location:
Stanford University Anderson Collection at Stanford University Stanford California 94305 Accession Number: 1971.092
Date:
1962
Topic:
Abstract--Geometric  Search this
Control number:
IAS 04920056
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_465804

Yellow Half, (painting)

Painter:
Noland, Kenneth 1924-2010  Search this
Medium:
Acrylic on canvas
Type:
Paintings
Owner/Location:
Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo New York 14222 Accession Number: K64:6
Date:
1963
Topic:
Abstract  Search this
Control number:
IAP 33660130
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_466478

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