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Ken Rattenbury Collection

Composer:
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Collector:
Rattenbury, Ken, 1920-  Search this
Interviewee:
Anderson, William "Cat", 1916-1981 ((musician))  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
0.16 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Transcriptions
Audiotapes
Theses
Date:
1967-1991.
Scope and Contents:
Five cassette audiotapes, master's degree thesis, and Billy Strayhorn music transcription to Duke Ellington's "Lotus Blossom.",Material documents the career and compositional techniques of Duke Ellington, and interviews with Duke Ellington and Cat Anderson.
Arrangement:
1 series. Unarranged.
Biographical / Historical:
Professional musician, author of "Duke Ellington Jazz Composer", editor of "Crescendo International", and member/organizer of the music group "Jazz Five."
Provenance:
Collection donated by Ken Rattenbury, 1991, June 15.
Restrictions:
Collection is open for research.
Rights:
Copyright restrictions. Contact staff for information.
Topic:
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
Genre/Form:
Transcriptions
Audiotapes
Theses
Citation:
Ken Rattenbury Collection, 1967-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0432
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0432

Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copy prints]

Creator:
Driggs, Frank, 1930-  Search this
Office of Printing and Photographic Services (later, Office of Imaging, Printing, and Photography), Smithsonian Institution  Search this
Names:
Ellington, Duke, 1899-1974  Search this
Extent:
0.5 Cubic feet (1 box )
Type:
Archival materials
Collection descriptions
Photographs
Copy prints
Reproductions
Date:
1923-1972
Scope and Contents note:
Collection consists of 157 8" x 10" black-and-white photographic copy prints of photographs in Frank Driggs's collection: Duke Ellington and his orchestra. Some copy prints have Smithsonian negative numbers.
Arrangement:
Collection arranged into ten series.
Biographical/Historical note:
Photographer and collector.
Related Materials:
Materials at Other Organizations

Jazz at Lincoln Center

The Frank Driggs Jazz Photograph Collection was acquired by Jazz at Lincoln Center in 2013. The collection also includes posters, sheet music, records and Frank Driggs' personal papers.
Provenance:
Collection donated by Frank Driggs, January 11, 1991.
Restrictions:
Collection is open for research.
Rights:
The Archives Center does not own rights to these photographs. Contact respository for details.
Topic:
Musicians -- United States  Search this
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Jazz  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000
Photographs -- 20th century
Copy prints
Reproductions
Citation:
Frank Driggs Collection of Duke Ellington Photographic Reference Prints, 1923-1972, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0389
See more items in:
Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copy prints]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0389
Additional Online Media:

New York Chapter of the Duke Ellington Society Collection

Creator:
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Duke Ellington Society, New York Chapter  Search this
Names:
Ellington, Duke, 1899-1974  Search this
Extent:
1.1 Cubic feet (5 boxes)
Type:
Archival materials
Collection descriptions
Newsletters
Oral history
Audiotapes
Interviews
Date:
1960-1991
Scope and Contents note:
68 cassette audiotape recordings of oral history interviews and presentations, and 55 newsletters compiled by the New York Chapter of the Duke Ellington Society, 1960-1991.

Audiotapes and Newsletters from the New York Chapter of the Duke Ellington Society Meetings.
Arrangement:
1 series. Unarranged.
Biographical / Historical:
The New York Chapter of the Duke Ellington Society is located in New York and focuses on the life and career of musician and composer, Edward "Duke" Ellington.
Provenance:
Collection donated by Morris Hodara, February 4, 1992.
Restrictions:
Unrestricted research use on site, by appointment, but collection is unprocessed.
Rights:
Certain restrictions on usage: Any use of these recordings for publication (in electronic or print form) must provide a credit line with the name of the speaker or interviewee, the name of the person conducting the interview, and the date (when available). The credit line also must contain the following statement: "original recording in the Duke Ellington Society Archives at the Schomburg Center for Research in Black Culture, New York Public Library, New York, New York." Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz -- 1950-2000  Search this
Music -- 20th century -- United States  Search this
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Genre/Form:
Newsletters -- 1950-2000
Oral history -- 1950-2000
Audiotapes -- 1950-2000
Interviews -- 1950-2000
Citation:
New York Chapter of the Duke Ellington Society Collection, 1960-1991, Archives Center, National Museum of American History. (See "Reproductions" for additional credit line information.
Identifier:
NMAH.AC.0390
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0390

Paquito D'Rivera Papers

Creator:
D'Rivera, Paquito, 1948-  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Photographs
Manuscripts
Date:
1988-2000
Summary:
The collection consists of three music manuscripts created by Paquito D'Rivera, Cuban-born musician and composer and a photograph.
Scope and Contents:
The collection consists of three music manuscripts created by D'Rivera including A Song of Peace commissioned by the New York Festival of Songs for its annual concert series in 2000. Annie Colina wrote the lyrics for this song. There are also two other music manuscripts including I Remember Diz written by D'Rivera for Dizzy Gillespie shortly after his death. A photograph of D'Rivera's birthday celebration with Dizzy Gillespie in 1988 can also be found among these materials. The materials are arranged in chronological order.
Arrangement:
The collection is arranged in three folders.
Biographical / Historical:
Paquito D'Rivera, born in 1948, is a Cuban musician and composer of both jazz and classical music. He plays both the clarinet and the alto saxophone. In his teen years, D'Rivera became a founding member of the Orquesta Cubana de Musica Moderna, directing the group for two years. At the same time, he played both the clarinet and saxophone with the Cuban National Symphony Orchestra. D'Rivera was also a founding member and co-director of the musical group Irakere, a band that played a mixture of jazz, rock, classical and traditional Cuban music. In 1980, he sought asylum in Spain at the United States Embassy. He moved to New York and played with Dizzy Gillespie's last big band. D'Rivera has won several Grammy awards, including Best Latin Jazz Album in 2003 and 2008 and best classical album at the Latin Grammy awards in 2003 and 2005. In addition, D'Rivera was nominated for Grammy awards in 1979 and 1980. He received the National Medal for the Arts in 2005 and was named one of the 2005 National Endowment for the Arts Jazz Masters.

D'Rivera is also a composer of music. In 2007, he received a John Simon Guggenheim Fellowship in Music Composition. He also received the 2007-2008 appointment as Composer-in-Residence at the Caramoor Center for Music and the Arts. D'Rivera's compositions reflect his widespread musical interests combining Afro-Cuban rhythms and melodies with classical origins.
Related Materials:
The collection complements materials in the Latino Music Collection, Tito Puente Papers, Chico O'Farrill Papers, Mongo Santamaria Papers and Dizzy Gillespie Collection.
Separated Materials:
The Museum's Division of Culture and the Arts holds artifacts related to this collection including a Panama hat, white tuxedo, and D'Rivera's first clarinet. See accession number: 2005.3048.
Provenance:
Paquito D'Rivera donated the collection to the Archives Center in 2005.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Jazz musicians -- United States  Search this
Jazz  Search this
Music -- 20th century  Search this
Musicians -- United States  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000
Manuscripts -- Music -- 20th century
Citation:
Paquito D'Rivera Music Manuscripts and Photograph, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0891
See more items in:
Paquito D'Rivera Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0891
Additional Online Media:

Chico O'Farrill Papers

Creator:
O'Farrill, Chico, 1921-  Search this
O'Farrill, Lupe  Search this
Stravinsky, Igor, 1882-1971  Search this
Extent:
1 Cubic foot (5 boxes)
Type:
Archival materials
Collection descriptions
Photographs
Videotapes
Scores
Date:
1975 - 1975
1999 - 1999
1949
Summary:
The collection documents the professional career of Chico O'Farrill, Cuban-born trumpet player, composer and arranger of Afro Cuban, bebop, and other styles of jazz.
Scope and Contents:
The collection consists of materials documenting the musical career of Chico O'Farrill. There are no personal papers, and there is very little information about his life.
Arrangement:
The collection is arranged into two series.

Series 1, Music Manuscripts, undated

Series 2, Other Materials, 1949, 1975, 1999
Biographical / Historical:
: Arturo (Chico) O' Farrill was born October 28, 1921, into an Irish-German Cuban family in Havana, Cuba. He learned to play trumpet while attending Riverside Military Academy in Gainesville, Georgia. O'Farrill later returned to Havana and studied composition. He arranged and composed classical music and jazz for mainstream and Latin musicians. He played trumpet throughout the mid-forties with various Cuban bands, including the Lecuna Cuban Boys. In 1948, O'Farrill moved to New York to study at The Julliard School. Later he composed and arranged music for Benny Goodman, Count Basie, Machito, Stan Kenton, Dizzy Gillespie, and Gato Barbieri. He collaborated with impresario Norman Granz, who helped put together a recording session including Machito, alto saxophonist Charlie Parker, tenor saxophonist Flip Phillips and drummer Buddy Rich. They recorded Afro Cuban Jazz Suite in 1950, a successful blend of the bebop sound he arranged for Benny Goodman and Latin jazz rhythms. O'Farrill formed his own band and toured the United States and Cuba, returning to Havana around 1955, subsequently relocating to Mexico City. O'Farrill moved to Los Angeles in 1965. He recorded Afro Cuban Moods with Dizzy Gillespie in 1975. Around this time, he began to compose commercial music for advertising and television. From 1998 until 2000, he conducted the Lincoln Center Latin Jazz Orchestra and the Chico O'Farrill Afro-Cuban Jazz Big Band in New York. O'Farrill died on June 27, 2001 in New York City.
Materials in the Archives Center, National Museum of American History:
Paquito D'Rivera Music Manuscripts and Photograph (AC0891)

Tito Puente Papers (AC0894)

Mongo Santamaria Papers (AC0893)

Charismic Productions Records of Dizzy Gillespie (AC0979)

Latino Music Collection (AC0852)
Provenance:
Guadalupe Valero O'Farrill, widow of Chico O'Farrill, donated the collection in 2005.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Musicians -- United States  Search this
Genre/Form:
Photographs -- 20th century
Videotapes
Scores
Citation:
Chico O'Farrill Papers, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0892
See more items in:
Chico O'Farrill Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0892
Additional Online Media:

Mongo Santamaria Papers

Creator:
Santamaria, Mongo, 1917-  Search this
Extent:
2 Cubic feet (4 boxes)
Type:
Archival materials
Collection descriptions
Articles
Passports
Photographs
Manuscripts
Concert programs
Date:
1950s-1996
Summary:
Collection includes music manuscripts, articles and clippings, concert programs, passports, and photographs.
Scope and Contents:
This collection documents, mostly in photographs, the musical career of Mongo Santamaria. Other materials include music manuscripts, magazine and newspaper articles, flyers, posters, and passports.

Series 1, Photographs, circa 1950s–1990s, includes primarily black and white and some color images of Mongo Santamaria. There is a photograph of Santamaria with the first Congo he brought from Cuba to the United States. Of particular interest is Santamaria performing with Tito Puente and Cal Tjada's bands. Some of the earlier photographs document performances at the Palladium Nightclub and Apollo Theatre. There are publicity photographs of Santamaria and his band created by the recording studios. The photographs also include award ceremonies, bar scenes and concert appearances. The materials are arranged in chronological order.

Series 2, Music Manuscripts, 1958-1985; undated, includes music created by Santamaria and music performed by him but written by other composers. Escena Afro-Cubanas composed and arranged by Valerie Capers (1985), Just Say Good-by by Rodgers Grant, Mambo Olga Pachanga by Nicolas Martinez (1961) and Peace by Horace Silver are included among these materials. The materials are arranged in alphabetical order by title.

Series 3, Personal and Background Information, 1945-1996; undated, include a profile of Santamaria and other musicians written in Japanese. There are also magazine articles documenting the development of Santamaria's career and his public appearances. Articles from the Miami Herald and the Chicago Tribune are also included among the materials. Personal items consist of Santamaria's Cuban and American passports. The materials are arranged in alphabetical order by type.

Series 4, Performance Materials, 1977-1996; undated, includes the National Academy of Recording Arts and Sciences Certificate to Mongo Santamaria and his Latin-Jazz Orchestra in recognition of nomination for the Best Tropical Latin Performance for Free Spirit, Espirito Libre, 1985. There are also flyers and an entertainment guide, some in Spanish, advertising public appearances for concert performances. A program in French for a jazz festival in Vienna includes profiles of the performers. There are posters including a black and white drawing of jazz musicians by Robert Leonard (1985) and appearances at the Miami Jazz and Heritage Festival, Apollo Theatre, Oberlin College and the Blue Note. Materials are arranged in alphabetical order by type.
Arrangement:
The collection is divided into 4 series.

Series 1: Photographs, circa 1950s-1990

Series 2, Music Manuscripts, 1958-1985 and undated

Series 3, Personal and Background Information, 1945-1996 and undated

Series 4, Performance Materials, 1977-1996 and undated
Biographical / Historical:
Cuban-born percussionist, composer, arranger, and bandleader.
Related Materials:
The materials in this collection complement the Latino Music Collection, Tito Puente Papers, Chico O'Farrill Papers, Dizzy Gillespie Collection and Paquito d'Rivera Music Manuscripts and Photograph.
Provenance:
Donated to the Archives Center by Mongo Santamaria's daughter, Nancy Anderson.
Restrictions:
Collection is open for research.
Rights:
Fees for commercial reproduction. Reproduction restricted due to copyright or trademark.
Topic:
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Jazz  Search this
Drummers (Musicians)  Search this
Musicians -- United States  Search this
Genre/Form:
Articles
Passports
Photographs -- 1950-2000
Manuscripts -- Music -- 20th century
Concert programs
Citation:
Mongo Santamaria Papers, 1965-2001, Archives Center, National Museum of American History. Gift of Nancy Anderson.
Identifier:
NMAH.AC.0893
See more items in:
Mongo Santamaria Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0893
Additional Online Media:

John Levy Papers

Performer:
Lincoln, Abbey, 1930 -  Search this
Adderly, Nat, 1931-  Search this
Wilson, Nancy, 1937-  Search this
Mbulu, Letta  Search this
Adderley, Cannonball  Search this
Montgomery, Wes, 1925-1968  Search this
Horn, Shirley, 1934-  Search this
Donor:
Levy, Devra Hall  Search this
Creator:
Levy, John, 1912-2012  Search this
Extent:
23.6 Cubic Feet (24 boxes)
Type:
Archival materials
Collection descriptions
Financial records
Interviews
Press releases
Schedules
Contracts
Correspondence
Itineraries
Articles
Scrapbooks
Business records
Videotapes
Audiotapes
Professional papers
Photographs
Date:
ca. 1940s-2001
Scope and Contents:
The collection documents Levy's short career as a musician, his longer career as a manager, and the careers of some of his clients. The client most well represented in the collection is Nancy Wilson, with recordings, photographs, correspondence, financial statements, and contracts included. Papers relating to other clients include business records such as ledgers, scheduling information, itineraries, and contracts; publicity materials such as articles, press kits, photographs, and videotapes; personal correspondence; photographs; oral history interviews; scrapbook pages; recordings, some commercial and some non-commercial; and miscellany. The non-commercial recordings feature artists including Nancy Wilson, Cannonball Adderley, Nat Adderly, Abbey Lincoln, Wes Montgomery, Shirley Horn, Letta Mbulu, and others. Also included are some of Wes Montgomery's music manuscripts.
Arrangement:
1 series.
Biographical / Historical:
Born in New Orleans, Levy worked for a while as a jazz bassist, and played with many jazz notables. Levy changed careers in the late 1940s, handling the business end of the careers of numerous performers, one of the first African Americans to fill this role. Among the people he managed were: Nat and Cannonball Adderley, Betty Carter, Herbie Hancock, Shirley Horn, Freddie Hubbard, Ahmad Jamal, Ramsey Lewis, Abbey Lincoln, Herbie Mann, Wes Montgomery, Joe WIlliams, and Nancy Wilson. He also managed the comedian Arsenio Hall.
Provenance:
Donated to the Archives Center in 2011 by Devra Hall Levy.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark.
Topic:
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Music trade -- 20th century -- United States  Search this
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
African American musicians  Search this
Genre/Form:
Financial records -- 20th century
Interviews
Press releases
Schedules
Contracts
Correspondence -- 20th century
Itineraries
Articles
Scrapbooks
Business records -- 20th century
Videotapes
Audiotapes
Professional papers -- 20th century
Photographs -- 20th century
Citation:
John Levy Papers, ca. 1940s-2001, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1221
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1221

James Moody Papers

Creator:
Gillespie, Dizzy, 1917-1993  Search this
Moody, James, 1925-2010  Search this
Donor:
Moody, Linda  Search this
Extent:
14 Cubic feet
Type:
Archival materials
Collection descriptions
Contracts
Itineraries
Posters
Programs
Music
Correspondence
Articles
Business records
Personal papers
Awards
Photographs
Clippings
Date:
1989 - 2008
Scope and Contents:
This collection documents the life and career of musician James Moody, and includes: Moody's compositions and arrangements, including parts for various instruments; correspondence, some personal, some business; business records such as contracts, copyright and royalty statements, and tour itineraries; photographs, some personal, and some documenting Moody's musical activities, some featuring other musicians, especially Dizzy Gillespie; programs from jazz shows in which Moody participated; awards; and numerous articles and clippings.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
James Moody was born in Savannah, Georgia, and grew up in Reading, Pennsylvania and Newark, New Jersey, where he learned to play the saxophone. He added the flute later in life. He served in the Air Force during World War II, where he belonged to a military band, and during this time he met Dizzy Gillespie, who was giving a performance at his base. He joined Gillespie's band for a couple of years after getting out of the service in 1946, and the two developed a strong friendship and working collaboration that lasted until Gillespie died in 1993. In addition to his frequent recording and tours with Gillespie, Moody had a series of jazz acts with whom he recorded and toured; he performed as a back-up act in Las Vegas, and worked with many notables, including Dinah Washington, Benny Golson, Tito Puente and Quincy Jones. His credits include over fifty albums, such as the highly acclaimed Henry Mancini tribute album "Moody Plays Mancini," and a small role in the 1997 film, "Midnight in the Garden of Good and Evil." His honors include Grammy nominations (1985 and 1990) and a posthumous Grammy award in 2010, induction into the International Jazz Hall of Fame, and his selection as a 1998 NEA Jazz Master.
Provenance:
Donated by Linda Moody, 2016.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
African American musicians  Search this
Flute players  Search this
Topic:
Saxophone  Search this
Jazz -- 20th century -- United States  Search this
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Music -- 20th century -- United States  Search this
Saxophonists  Search this
Genre/Form:
Contracts
Itineraries
Posters
Programs
Music -- Manuscripts
Correspondence
Articles
Business records
Personal papers -- 20th century
Personal papers -- 21st century
Awards
Photographs -- 1960-2000
Clippings
Citation:
James Moody Papers, ca. 1989-2008, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1405
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1405

Maria von Matthiessen Photoprints

Printmaker:
Acevedo, Edwin  Search this
Acevedo, Gilbert  Search this
Photographer:
Von Matthiessen, Maria  Search this
Extent:
2 Cubic feet (4 boxes)
paper,,Silver gelatin on,matted.
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1990-1998
Summary:
Photographic prints depicting Country and Western musicians. Many of the photographs are humorous, whimsical, or even surrealistic.
Scope and Contents:
Photographs of country and Western musicians from the portfolio and book, "Songs from the Hills".
Arrangement:
1 series.
Biographical / Historical:
Edwin Acevedo served as printer for the photographer in the 1980s until his death from cancer. His brother, Gil Acevedo, printed for Ms. von Matthiessen afterward.
Provenance:
Collection donated by Maria von Matthiessen, date unknown.
Restrictions:
UNPROCESSED COLLECTION.
Unrestricted research access on site by appointment.,Unprotected photographs must be handled with gloves.
Rights:
Reproduction restricted due to copyright or trademark. Artist retains copyright.
Topic:
Country music  Search this
Portraits -- 1980-2000  Search this
Musicians -- United States  Search this
Genre/Form:
Photographs -- 1980-2000
Citation:
Maria von Matthiessen Photoprints, ca 1990-1998, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0622
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0622
Additional Online Media:

Photographic print of W.C. Handy

Photograph by:
Charles "Teenie" Harris, American, 1908 - 1998  Search this
Subject of:
W.C. Handy, American, 1873 - 1958  Search this
Medium:
silver and photographic gelatin on photographic paper
Dimensions:
H x W: 9 15/16 × 8 in. (25.2 × 20.3 cm)
Type:
gelatin silver prints
Date:
September 1952
Topic:
African American  Search this
Blues (Music)  Search this
Composers (Musicians)  Search this
Instrumentalists (Musicians)  Search this
Photography  Search this
United States--History--1945-1953  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from Charles A. Harris and Beatrice Harris in memory of Charles "Teenie" Harris
Object number:
2014.302.46
Restrictions & Rights:
© Carnegie Museum of Art, Charles "Teenie" Harris Archive
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2014.302.46
Additional Online Media:

Annual International Conference of the Duke Ellington Study Group

Creator:
Hodora, Morris  Search this
Duke Ellington Society  Search this
TDES, Inc.  Search this
Names:
Ellington, Duke, 1899-1974  Search this
Extent:
2 Cubic feet (7 boxes)
Type:
Archival materials
Collection descriptions
Audiotapes
Videotapes
Programs
Date:
1981-1993
Scope and Contents:
Eight conference programs, seventeen videotapes, and eighty-six cassette audio tapes documenting the proceedings of the International Conference of the Duke Ellington Study Group.
Arrangement:
Collection is unarranged.
Biographical / Historical:
Collector, president and board member of the New York chapter of the Duke Ellington Society (TDES).
Provenance:
Collection donated by Morris Hodora, July 16, 1990.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musicians -- United States  Search this
Music -- 20th century  Search this
Jazz -- 20th century -- United States  Search this
Genre/Form:
Audiotapes -- 1980-1990
Audiotapes -- 1990-2000
Videotapes
Programs -- 1980-2000
Citation:
Annual International Conference of the Duke Ellington Study Group Proceedings, 1981-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0385
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0385

Jay McCarter Phonograph Records

Collector:
McCarter, Jay  Search this
Composer:
Ellington, Duke, 1899-1974  Search this
Extent:
0.5 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Sound recordings
Phonograph records
Test pressings
Date:
1940s-1950s.
Scope and Contents:
A collection of 78 r.p.m. recordings of jazz artists, including many by Duke Ellington, many of them test pressings.
Arrangement:
1 series.
General:
Discs, 78 r.p.m.
Provenance:
Donated by Jay McCarter in 2003.
Restrictions:
UNPROCESSED COLLECTION.
Unrestricted research access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Jazz  Search this
Genre/Form:
Sound recordings -- Phonograph records -- Discs
Phonograph records
Test pressings
Citation:
Jay McCarter Phonograph Record Collection, 1940s-1950s, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0541
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0541

Earl Newman Collection of Monterey Jazz Festival Posters

Donor:
Newman, Earl  Search this
Names:
Monterey Jazz Festival  Search this
Extent:
0.6 Cubic feet (12 folders)
Type:
Archival materials
Collection descriptions
Posters
Screen prints
Date:
1963-2009
Summary:
Collection contains sixty-two posters commemorating the Monterey Jazz Festival, created, designed, and signed by Earl Newman.
Scope and Contents:
The collection consists of a set of sixty-two posters designed and created by Earl Newman to publicize the Monterey Jazz Festival. The prints are numbered and signed by Mr. Newman and feature Ray Charles, BB King, Etta James, Dizzy Gillespie, Duke Ellington, Louis Armstrong and others. They are arranged in chronological order by date. Folders one through eleven contain the prints. Advertising and the cloth-covered portfolio to hold the poster collection are in folder twelve.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
add
Provenance:
The collection was donated to the Archives Center by Earl Newman, 1992 and 2010.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Art and music  Search this
Jazz  Search this
Music -- 20th century  Search this
Genre/Form:
Posters -- 1950-2000
Screen prints
Citation:
Earl Newman Collection of Monterey Jazz Festival Posters, 1963-2009, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1207
See more items in:
Earl Newman Collection of Monterey Jazz Festival Posters
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1207

Sarah Vaughan Memorial Program

Donor:
Morton, Azariah  Search this
Author:
Mount Zion Baptist Church (Newark (N.J.))  Search this
Names:
Vaughan, Sarah, 1924-1990  Search this
Extent:
0.1 Cubic feet (1 folder)
Type:
Archival materials
Collection descriptions
Programs
Date:
1990
Summary:
The collection consists of a single memorial program documenting the April 9, 1990 funeral of Sarah Vaughan at the Mount Zion Baptist Church, Newark, New Jersey.
Scope and Contents:
The collection consists of a single memorial program documenting the April 9, 1990 funeral of Sarah Vaughan that took place at the Mount Zion Baptist Church located in Newark, New Jersey. A brief biography of Vaughan's music career, photograph, and the order of the funeral service are included in the memorial program.
Arrangement:
The collection consists of a single item.
Biographical / Historical:
Sarah [Sassy] Vaughan, a leading female jazz vocalist between the 1940s and 1980s, was born in Newark, New Jersey on March 27, 1924 and died on April 3, 1990. In 1942 she won an amateur contest at the Apollo Theatre and by 1943 was working as a singer and second pianist for Earl Hines band. During her long career Sarah Vaughan performed with such leaders in the field of American jazz like Billy Eckstine, Dizzy Gillespie, Charlie Parker and Miles Davis.
Provenance:
Collection donated by Azariah Morton,1991 May 21.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Jazz  Search this
African American singers  Search this
Singers  Search this
Funeral rites and ceremonies -- 1990-2000  Search this
Music -- 20th century  Search this
Memorial service -- 1990-2000  Search this
Genre/Form:
Programs
Citation:
Sarah Vaughan Memorial Program, 1990, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0384
See more items in:
Sarah Vaughan Memorial Program
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0384
Additional Online Media:

Robert Udkoff Collection of Duke Ellington Ephemera

Collector:
Udkoff, Robert, 1918- (businessman)  Search this
Names:
Swedish Music Academy  Search this
Ellington, Duke, 1899-1974  Search this
Ellington, Mercer Kennedy, 1919-1996 ((musician))  Search this
Extent:
1.33 Cubic feet (4 boxes)
Type:
Archival materials
Collection descriptions
Audiotapes
Photographs
Clippings
Programs
Correspondence
Television scripts
Date:
1924-1990
Scope and Contents:
Photographs, event programs, periodicals, cassette audio tapes, correspondence, TV program scripts and pamphlets documenting Duke Ellington's career as a musician, 1924-1974, and his legacy after his death.
Arrangement:
Divided into five series.

Series 1; Photographs, 1964-1968

Series 2: Publications, 1944-1990

Series 3: Memorabilia, 1965-1981

Series 4: Correspondence and sketches, 1958-1990

Series 5; Cassette audio tapes, 1924-1933
Biographical / Historical:
Businessman and Ellington enthusiast, Robert Udkoff was born in Chicago and first heard Duke Ellington perform at Chicago's Oriental Theater in 1928. In 1932 he established a cordial relationship with Ellington that lasted until Ellington's death in 1974.
Provenance:
Collection donated by Robert Udkoff, 1991, January 29.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Periodicals  Search this
Music -- 20th century  Search this
Jazz -- 20th century -- United States  Search this
Jazz musicians -- United States  Search this
Genre/Form:
Audiotapes -- 1920-1940
Photographs -- 1960-1970
Clippings
Programs
Correspondence -- 1940-2000
Television scripts
Citation:
Robert Udkoff Collection of Duke Ellington Ephemera, 1924-1990, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0388
See more items in:
Robert Udkoff Collection of Duke Ellington Ephemera
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0388
Additional Online Media:

Audrey Wells "Women in Jazz" Radio Series

Creator:
Young, Martha  Search this
Wilson, Nancy, 1937-  Search this
Williams, Mary Lou, 1910-  Search this
Teagarden, Norma, 1911-  Search this
Rushen, Patrice  Search this
Purim, Flora, 1942-  Search this
Parker, Chan  Search this
McRae, Carmen, 1922-  Search this
McPartland, Marian  Search this
Lincoln, Abbey, 1930 -  Search this
Maria, Tania, 1948-  Search this
Kral, Roy, 1921  Search this
Lieb, Sandra  Search this
Keane, Helen  Search this
KJAZ radio station (San Francisco, California)  Search this
Jones, Etta, 1928-  Search this
Jordan, Sheila, 1928-  Search this
Fitzgerald, Ella  Search this
Humes, Helen, 1913-1981  Search this
Donald, Barbara, 1942-  Search this
Escovedo, Sheila  Search this
Dearie, Blossom, 1926-  Search this
Dodgion, Dottie, 1925-  Search this
Carter, Betty, 1930-  Search this
Coltrane, Alice, 1937-  Search this
Brackeen, Joanne, 1938-  Search this
Bloom, Jane Ira  Search this
Carroll, Barbara, 1925-  Search this
Cain, Jackie, 1928-  Search this
Anderson, Ernestine, 1928-  Search this
Akiyoshi, Toshiko, 1929-  Search this
Donor:
Wells, Audrey  Search this
Extent:
2 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Interviews
Oral history
Audiotapes
Date:
1981-1982.
Scope and Contents:
Thirty-four tapes of radio shows Wells did on radio station KJAZ in San Francisco on the subject of women in jazz. Some of the sessions featured interviews, while others featured recorded music. The performers and interviewees are listed below.
Arrangement:
1 series.
Biographical / Historical:
Film director and producer, Wells was once a disc jockey on radio station KJAZ in San Francisco.
Provenance:
Donated by Audrey Wells to the Archives Center in 2005.
Restrictions:
UNPROCESSED COLLECTION.
Unrestricted research access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio programs, Musical  Search this
Musicians -- United States  Search this
Jazz musicians -- United States  Search this
Music -- 20th century  Search this
Jazz  Search this
Women in music  Search this
Women musicians  Search this
Genre/Form:
Interviews -- 1990-2000
Oral history -- 1990-2000
Audiotapes -- 1990-2000
Citation:
Audrey Wells "Women in Jazz" Radio Series, 1981-1982, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0899
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0899

Benny Goodman Ephemera Collection

Creator:
Edelson, Rachel Goodman  Search this
Brahms, Johannes, 1833-1897  Search this
Source:
Division of Musical History, NMAH  Search this
Former owner:
Division of Musical History, NMAH  Search this
Names:
Goodman, Benny (Benjamin David), 1909-1986  Search this
Extent:
1 Item (1 oversize file folder)
Type:
Archival materials
Collection descriptions
Sheet music
Broadsides
Posters
Place:
Japan -- 1960-1970
Date:
circa 1964
Scope and Contents note:
A poster documenting Goodman's 1964 tour to Japan and the published sheet music for Brahms's QUINTET FOR CLARINET IN A and SONATA FOR CLARINET IN B.
Arrangement:
1 series. Unarranged.
Biographical/Historical note:
Goodman was a big band jazz musician and classically trained clarinetist who studied with James Sylvester and Franz Schoepp; toured Europe, Asia, North and South America, and Russia (1950-64). Recipient of 1982 Kennedy Center Honors Award for his major contribution to "big band"and "swing" jazz and its impact on 20th-century popular American music.
Related Archival Materials:
Related materials accessioned by Division of Musical History as accession no. 1990.0058.
Provenance:
Collection donated by Ms. Rachael Goodman Edelson,and Benjie Goodman Lasseau, May 25, 1990.
Restrictions:
Unrestricted research use on site.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Big bands  Search this
Jazz musicians -- United States  Search this
Clarinetists -- 20th century  Search this
Genre/Form:
Sheet music
Broadsides -- 1940-1980
Posters -- 1960-1980
Citation:
Benny Goodman Ephemera Collection, ca. 1964, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0381
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0381

Willie Smith Collection

Composer:
Smith, Willie, 1910-1967 (musician)  Search this
Names:
Harry James Orchestra  Search this
Jimmie Lunceford Orchestra  Search this
Ellington, Duke, 1899-1974  Search this
James, Harry, 1916-  Search this
Lunceford, Jimmie  Search this
Extent:
0.25 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Sheet music
Programs
Photographs
Correspondence
Date:
1945-1987
Scope and Contents:
Correspondence, event programs, photographs, and music manuscripts documenting Smith's career as a jazz musician and arranger.
Arrangement:
1 series. Unarranged.
Divided into 2 series: (1) Music manuscripts, 1945-1947; (2) Ephemera and photographs, 1945-1987.
Biographical / Historical:
A leading alto saxophonist and arranger of the swing period. Born in Charleston, S.C.; performed with the Jimmie Lunceford Orchestra (1929-1942) and Harry James Orchestra (1944-1964). He also performed briefly with Duke Ellington, 1951-1953.
Provenance:
Collection donated by Fischella Smith, 1990, August 14.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Jazz  Search this
Genre/Form:
Sheet music -- Manuscripts -- 20th century
Programs -- 1940-1990
Photographs -- 20th century
Correspondence -- 1940-2000
Citation:
Willie Smith Collection, 1945-1958, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0382
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0382

Billy Strayhorn Ephemera Collection

Collector:
Gregory, Thelma  Search this
Morris, Gregory  Search this
Names:
Copasetic Club  Search this
Ellington, Duke, 1899-1974  Search this
Strayhorn, Billy (William Thomas), 1915-1967  Search this
Extent:
3 Items (3 folders)
Type:
Archival materials
Collection descriptions
Photographs
Clippings
Date:
1965-1969
Summary:
Collection consists of two newsclippings, and an advertising yearbook documenting Strayhorn's career as Duke Ellington's chief arranger, co-composer, lyricist, and emergency fill-in at the piano.
Scope and Contents:
The Billy Strayhorn Ephemera Collection consists of two newsclippings, and an advertising yearbook documenting Strayhorn's career as Duke Ellington's chief arranger, co-composer, lyricist, and emergency fill-in at the piano. The newsclippings document the collaborative relationship that existed between Ellington and Strayhorn. The advertising yearbook was published as a tribute to Strayhorn after his death. It includes numerous commentaries to Billy Strayhorn by some of the period's leading jazz musicians.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Billy Strayhorn, composer and pianist, was born in Dayton, Ohio on November 19, 1915. He joined the Duke Ellington Orchestra in 1939 after a brief period working as the pianist for the Mercer Ellington Orchestra. For nearly three decades Strayhorn served as associate arranger and second pianist for Duke Ellington. Billy Strayhorn remained with the Ellington Orchestra until his death on May 31, 1967.
Provenance:
Collection donated by Gregory & Thelma Morris, May 17, 1991.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Music -- 20th century  Search this
Jazz musicians -- United States  Search this
Genre/Form:
Photographs -- 1960-1970
Clippings
Citation:
Billy Strayhorn Ephemera Collection, 1965-1969, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0383
See more items in:
Billy Strayhorn Ephemera Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0383

Productions

Creator:
Smithsonian Productions  Search this
Extent:
2.5 cu. ft. (1 record storage box) (3 document boxes)
Type:
Archival materials
Collection descriptions
Audiotapes
Compact discs
Videotapes
Date:
1998-1999
Descriptive Entry:
This accession documents the production of "The Mississippi: River of Song." Better known as "River of Song," this project combined a television series, radio series, and 2-disc compact disc. The project as a whole explores the richness and vitality of American music at the close of the twentieth century through live performances and intimate discussions with musicians along the course of the Mississippi River. The 4-part television series aired on the Public Broadcasting Service beginning in January 1999. It takes viewers on a musical journey from the headwaters in northern Minnesota to the river's mouth in the Gulf of Mexico, creating a portrait of the American musician along the way. All scenes were shot live on location and feature musicians that represent the regional culture. The 7-part radio series aired on Public Radio International affiliates beginning in January 1999. The radio series is similar in content to the television series and is hosted by Ani DiFranco. The 2-CD set consists of 36 tracks of live recordings from 1995 through 1997. The CDs feature contemporary musicians who have forged their styles out of the rich musical heritage found along the banks of the Mississippi River. The CDs were distributed through Smithsonian Folkways beginning in 1998. Materials in this accession include originals, production masters, archives, narration, sound mixes, distribution copies, and promotional copies. Additional and detailed information about these productions may be found at The River of Song Project website at http://www.pbs.org/riverofsong/.
Restrictions:
Special restrictions on use of these materials may apply. Viewing/listening copies are not currently available, but can be made for a fee, Transferring office; 4/10/2002 memorandum, Peters to SIA; Contact reference staff for details.
Topic:
The Mississippi: River of Song (Television program : 1999)  Search this
The Mississippi: River of Song (Radio program : 1999)  Search this
Documentary television programs  Search this
Music -- United States  Search this
Musicians -- United States  Search this
Television -- Production and direction  Search this
Video recordings -- Production and direction  Search this
Genre/Form:
Audiotapes
Compact discs
Videotapes
Citation:
Smithsonian Institution Archives, Accession 06-099, Smithsonian Productions, Productions
Identifier:
Accession 06-099
See more items in:
Productions
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa06-099

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