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Fontana : [Exposition du 23 mars au 23 avril, 1966 à la Galerie Alexandre Iolas, Paris]

Title:
Fontana
Artist:
Fontana, Lucio 1899-1968  Search this
Author of introduction:
Dorfles, Gillo 1910-2018  Search this
Book producer:
Tosi, Sergio 1939-  Search this
Photographer:
Mulas, Ugo  Search this
Wolleh, Lothar  Search this
Event place:
Galerie Alexandre Iolas (Paris, France)  Search this
Subject:
Fontana, Lucio 1899-1968  Search this
Physical description:
32 unnumbered pages : color illustrations, portraits ; 22 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1966
Call number:
N40.1.F672 D6
N6923.F6 A4 1966
N40.1.F672D6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_113236

Alexander Liberman papers, circa 1912-2003

Creator:
Liberman, Alexander Semeonovitch, 1912-1999  Search this
Subject:
Kline, Franz  Search this
Dalí, Salvador  Search this
Frankenthaler, Helen  Search this
De Kooning, Willem  Search this
Motherwell, Robert Burns  Search this
Dietrich, Marlene  Search this
Barr, Alfred H.  Search this
Picasso, Pablo  Search this
Newton, Helmut  Search this
Vreeland, Diana  Search this
Klein, William  Search this
Chernow, Burt  Search this
Steichen, Edward  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones  Search this
Beaton, Cecil Walter Hardy  Search this
Parks, Gordon  Search this
Vogel, Lucien  Search this
Emmerich, Andre  Search this
Penn, Irving  Search this
Newman, Barnett  Search this
Hopps, Walter  Search this
Parsons, Betty  Search this
Namuth, Hans  Search this
Greenberg, Clement  Search this
Cartier-Bresson, Henri  Search this
Leibovitz, Annie  Search this
Mulas, Ugo  Search this
Museum of Modern Art (New York, N.Y.)  Search this
André Emmerich Gallery  Search this
Bennington College  Search this
Solomon R. Guggenheim Museum  Search this
Topic:
Video recordings  Search this
Drafts (documents)  Search this
Graphic designers  Search this
Sound recordings  Search this
Sketches  Search this
Publishers  Search this
Scrapbooks  Search this
Fashion photography  Search this
Photography  Search this
Painters  Search this
Photographers  Search this
Transcripts  Search this
Sculptors  Search this
Drawings  Search this
Photographs  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)15871
(DSI-AAA_SIRISBib)295430
AAA_collcode_libealex
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_295430
Additional Online Media:

Ugo Mulas. Immagini e testi. Con una nota critica di Arturo Carlo Quintavalle

Author:
Mulas, Ugo  Search this
Quintavalle, Arturo Carlo  Search this
Physical description:
157 p. 72 plates. 23 x 23 cm
Type:
Exhibitions
Date:
1973
Topic:
Photography, Artistic  Search this
Call number:
TR647.M95 Q7
TR647.M95Q7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_189271

New York; the new art scene. Photograph [sic] by Ugo Mulas. Text by Alan Solomon. Design by Michele Provinciali

Author:
Mulas, Ugo  Search this
Solomon, Alan R  Search this
Physical description:
337 p. (chiefly illus.) 34 cm
Type:
Books
Place:
New York (State)
New York
Date:
1967
[1967]
Topic:
Art  Search this
Artists  Search this
Call number:
N6535.N5 M95
N6535.N5M95
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_31764

Marcel Duchamp Looking At Hat Rack

Artist:
Ugo Mulas, 28 Aug 1928 - 2 Mar 1973  Search this
Sitter:
Marcel Duchamp, 28 Jul 1887 - 2 Oct 1968  Search this
Medium:
Gelatin silver print
Dimensions:
Sheet: 33 x 27 cm (13 x 10 5/8")
Culture:
Marcel Duchamp: European\French  Search this
Type:
Photograph
Date:
1964
Topic:
Artwork\Sculpture  Search this
Interior\Art gallery  Search this
Marcel Duchamp: Visual Arts\Artist  Search this
Marcel Duchamp: Male  Search this
Portrait  Search this
Credit Line:
Owner: Archives Marcel Duchamp
Object number:
EXH.MD.55
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_EXH.MD.55

Calder / photographs and design by Ugo Mulas ; introduction by H. Harvard Arnason ; with comments by Alexander Calder

Author:
Calder, Alexander 1898-1976  Search this
Mulas, Ugo  Search this
Arnason, H. H. 1909-1986  Search this
Subject:
Calder, Alexander 1898-1976  Search this
Physical description:
216 pages : illustrations, portraits ; 31 cm
Type:
Books
Date:
1971
Call number:
N40.1.C14 M9
N40.1.C14M9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_7895

David Smith in Italy / photos by Ugo Mulas ; [curated by Candida Smith]

Author:
Smith, David 1906-1965  Search this
Mulas, Ugo  Search this
Smith, Candida N  Search this
PradaMilanoarte (Gallery)  Search this
Subject:
Smith, David 1906-1965  Search this
Physical description:
107 p. : chiefly ill. (some col.) ; 32 cm
Type:
Books
Exhibitions
Date:
1995
C1995
Call number:
N40.1.S65 S519 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_488277

Alik Cavaliere

Author:
Cavaliere, Alik 1926-  Search this
Ballo, Guido 1914-2010  Search this
Mulas, Ugo  Search this
Galleria Schwarz  Search this
Subject:
Cavaliere, Alik 1926-  Search this
Physical description:
97 p. illus., 2 plates on endpapers. 32 cm
Type:
Books
Date:
1967
Call number:
NB623.C245 A4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_668867

Una città piena di sculture : Spoleto 1962 / Giovanni Carandente ; fotografie di Ugo Mulas

Title:
Spoleto 1962
Author:
Carandente, Giovanni  Search this
Mulas, Ugo  Search this
Festival of Two Worlds  Search this
Physical description:
116 p. : chiefly ill. (some col.), facsims., ports. ; 24 cm
Type:
Books
Place:
Italy
Spoleto
Spoleto (Italy)
Date:
1992
C1992
Topic:
Sculpture  Search this
Public sculpture  Search this
Pictorial works  Search this
Call number:
NB618 .F44 1962
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_637132

Alan R. Solomon papers, 1907-1970, bulk 1944-1970

Creator:
Solomon, Alan R.  Search this
Subject:
Stella, Frank  Search this
Fahlström, Öyvind  Search this
Paxton, Steve  Search this
Frankenthaler, Helen  Search this
Louis, Morris  Search this
Childs, Lucinda  Search this
Johns, Jasper  Search this
Hay, Deborah  Search this
Dunn, Judith  Search this
Scull, Robert C.  Search this
Kron, Joan  Search this
Rainier, Yvonne  Search this
Moore, Peter  Search this
McElroy, Robert R.  Search this
Newman, Barnett  Search this
Finkelstein, Nat  Search this
Rosenquist, James  Search this
Oldenburg, Patty  Search this
Bontecou, Lee  Search this
Poons, Larry  Search this
Provinciali, Michele  Search this
Lichtenstein, Roy  Search this
Segal, George  Search this
Warhol, Andy  Search this
Novick, Elizabeth  Search this
Greenberg, Jeanine  Search this
Scull, Ethel  Search this
Noland, Kenneth  Search this
Sabol, Audrey  Search this
Reed, Lou  Search this
Mulas, Ugo  Search this
Schute, Terry  Search this
Grisi, Laura  Search this
Chamberlain, John Angus  Search this
Duchamp, Marcel  Search this
Sisler, Mary  Search this
Oldenburg, Claes  Search this
Morris, Robert  Search this
Castelli, Leo  Search this
Greenberg, Clement  Search this
Dine, Jim  Search this
Redon, Odilon  Search this
Namuth, Hans  Search this
Sonnabend, Ileana  Search this
Picasso, Pablo  Search this
Hay, Alex  Search this
Rauschenberg, Robert  Search this
Whitman, Robert  Search this
Solomon, Alan R.  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Leo Castelli Gallery  Search this
San Francisco Art Institute  Search this
Harvard University. Germanic Museum  Search this
Pasadena Art Museum  Search this
Jewish Museum (New York, N.Y.)  Search this
Albright-Knox Art Gallery  Search this
Artforum  Search this
Cornell University  Search this
Velvet Underground (Musical group)  Search this
Amsterdam (Netherlands).Stedelijk Museum  Search this
University of California (1868-1952)  Search this
Art Gallery of Ontario  Search this
Centro de Artes Visuales (Instituto Torcuato Di Tella)  Search this
Once Group  Search this
Galerie Rive Droite  Search this
Biennale di Venezia  Search this
Expo 67  Search this
Topic:
Curators  Search this
Art, Modern  Search this
Educators  Search this
Museum directors  Search this
Lithographs  Search this
Art historians  Search this
Abstract expressionism  Search this
Transcripts  Search this
Art  Search this
Painters  Search this
Authors  Search this
Pop art  Search this
Photographs  Search this
Interviews  Search this
Art, Abstract  Search this
Drawings  Search this
Performance art  Search this
Sculptors  Search this
Theater  Search this
Record number:
(DSI-AAA_CollID)7165
(DSI-AAA_SIRISBib)209301
AAA_collcode_soloalan
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209301
Additional Online Media:

Calder : sculptor of air / edited by Alexander S.C. Rower ; [translations, Arianna Ghilardotti, Sylvia Adrain Notini]

Author:
Calder, Alexander 1898-1976  Search this
Rower, A. S. C  Search this
Mulas, Ugo  Search this
Castagnoli, Pier Giovanni  Search this
Palazzo delle esposizioni (Rome, Italy)  Search this
Subject:
Calder, Alexander 1898-1976  Search this
Physical description:
263 p. : ill. (some col.) ; 29 x 31 cm
Type:
Books
Exhibitions
Ausstellung
Rom (2009)
Date:
2009
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_947576

Alexander Calder/David Smith

Artist:
Calder, Alexander 1898-1976  Search this
Smith, David 1906-1965  Search this
Author:
Turner, Elizabeth Hutton 1952- Alexander Calder, David Smith, and the inventor's fantasy  Search this
Hamill, Sarah Ugo Mulas and the photography of modern sculpture  Search this
Host institution:
Galerie Hauser & Wirth  Search this
Subject:
Calder, Alexander 1898-1976  Search this
Smith, David 1906-1965  Search this
Mulas, Ugo  Search this
Physical description:
80 pages : illustrations (some color); 35 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1096629

Alan R. Solomon papers

Creator:
Solomon, Alan R., 1920-1970  Search this
Names:
Albright-Knox Art Gallery  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Art Gallery of Ontario  Search this
Artforum  Search this
Biennale di Venezia  Search this
Centro de Artes Visuales (Asunción, Paraguay)  Search this
Cornell University. -- Faculty  Search this
Expo 67 (Montréal, Québec)  Search this
Harvard University -- Students  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Jewish Museum (New York, N.Y.)  Search this
Leo Castelli Gallery  Search this
Los Once (Artists' group)  Search this
Pasadena Art Museum  Search this
San Francisco Art Institute  Search this
University of California (System)  Search this
Velvet Underground (Musical group)  Search this
Bontecou, Lee, 1931-  Search this
Castelli, Leo  Search this
Chamberlain, John, 1927-2011  Search this
Childs, Lucinda  Search this
Dine, Jim, 1935-  Search this
Duchamp, Marcel, 1887-1968  Search this
Dunn, Judith  Search this
Fahlström, Öyvind, 1928-1976  Search this
Finkelstein, Nat  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Greenberg, Jeanine  Search this
Grisi, Laura  Search this
Hay, Alex  Search this
Hay, Deborah  Search this
Johns, Jasper, 1930-  Search this
Kron, Joan  Search this
Lichtenstein, Roy, 1923-1997  Search this
Louis, Morris, 1912-1962  Search this
MacElroy, Robert R.  Search this
Moore, Peter  Search this
Morris, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-2010  Search this
Novick, Elizabeth  Search this
Oldenburg, Claes, 1929-  Search this
Oldenburg, Patty  Search this
Paxton, Steve  Search this
Picasso, Pablo, 1881-1973  Search this
Poons, Larry  Search this
Provinciali, Michele  Search this
Rainier, Yvonne  Search this
Rauschenberg, Robert, 1925-2008  Search this
Redon, Odilon, 1840-1916  Search this
Reed, Lou  Search this
Rosenquist, James, 1933-  Search this
Sabol, Audrey, 1922-  Search this
Schute, Terry  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Segal, George, 1924-2000  Search this
Sisler, Mary  Search this
Sonnabend, Ileana  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-  Search this
Whitman, Robert  Search this
Extent:
9.9 Linear Feet
Type:
Archival materials
Collection descriptions
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Date:
1907-1970
bulk 1944-1970
Summary:
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
Scope and Contents:
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

Biographical material includes résumés, an engagement book, and a monthly planning book from 1965, identification cards, and educational transcripts.

Correspondence documents Solomon's education at Harvard College and Harvard University, and his teaching appointments at Cornell University. Correspondence also provides some documentation of his involvement with museums and arts organizations, including the Jewish Museum, Stedlijk Museum, the San Francisco Art Institute, the University of California, and Centro de Artes Visuales; his submission of writings for publications including Artforum, Art International, and Konstrevy; and his relationships with artists and colleagues including Jim Dine, Joan Kron, Audrey Sabol, and Ileana Sonnabend. Also found is correspondence related to Solomon's work for Mary Sisler, who employed Solomon to sell her collection of artwork by Marcel Duchamp in the late 1960s.

One series comprises transcripts of interviews with many of the artists who were central to the transition from Abstract Expressionism to later modern movements that occurred in the 1950s and 1960s, such as Neo-Dada and Pop art. Artists represented in the interviews include Jim Dine, Helen Frankenthaler, Jasper Johns, Barnett Newman, Kenneth Noland, Claes Oldenburg, Robert Rauschenberg, Frank Stella, and Andy Warhol.

Solomon's writings include many of his essays for exhibition catalogs, magazines, and journals, and are in a combination of annotated manuscript and published formats. There are writings on Jim Dine, Barnett Newman, Robert Rauschenberg, and Jasper Johns, and on the new movements in theater and performance art of the 1960s. His writings also document the art history education which informed all of his later work, with the inclusion of papers written as a student and teacher, his honors thesis on Odilon Redon, and his dissertation on Pablo Picasso. This material is supplemented by notes, and teaching and study files, documenting courses taken and taught at Harvard and Cornell universities. Also found is the manuscript of the text for New York: The New Art Scene, accompanied by a partial published copy of the book and photographs by Ugo Mulas.

Solomon's subject files augment several of the other series, comprising material on various art related subjects and individual painters and sculptors, arranged alphabetically. Material found here includes printed matter documenting exhibitions and other events, scattered letters from artists, related writings, and photographs.

One series documents Solomon's involvement with the First New York Theater Rally, which he co-produced with Steve Paxton in 1965. This material includes a drawing each by Jim Dine and Alex Hay, pieces of a combine by Robert Rauschenberg, and photographs of the group including Dine, Hay, and Rauschenberg, as well as Lucinda Childs, Judith Dunn, Deborah Hay, Robert Morris, Claes Oldenburg, the Once Group, Steve Paxton, Yvonne Rainier, Alan Solomon, and Robert Whitman. The series includes multiple contact sheets of photos of First New York Theater Rally events, by Peter Moore, Elizabeth Novick, and Terry Schute.

Exhibition files document Solomon's role as an organizer and curator for some of his most well-known exhibitions, including American Painting Now (1967) for Expo '67 in Montreal; Andy Warhol (1966) at the Institute of Contemporary Art in Boston; Dine-Oldenburg-Segal (1967) at the Art Gallery of Ontario and Albright-Knox Gallery; the American exhibition at the 1964 Venice Biennale; Young Italians (1968) at the Institute of Contemporary Art; and Painting in New York 1944-1969, a major retrospective installed for the opening of the new Pasadena Art Museum in fall, 1969. Records include correspondence, lists and notes, financial records, printed material, and photographs of artists and installations, including a series by Ugo Mulas taken at the Venice Biennale.

Solomon's business records include lists, notes, contracts, expense forms, vouchers, purchase orders, and receipts. They provide scattered documentation of exhibition-related expenses and purchases of artwork, as well as Solomon's income from teaching appointments, lectures, honorariums, and writings. Amongst Solomon's general business records is an American Federation of Musicians agreement between the Institute of Contemporary Art and "Louis Reed," with booking agent Andy Warhol, for a performance by the Velvet Underground and Nico, performing as The Exploding Plastic Inevitable on October 29, 1966. This seemingly mundane item documents an event that accompanied Solomon's landmark Warhol exhibition of nearly forty iconic works, and the accompanying show by The Exploding Plastic Inevitable was hailed by the Boston Phoenix newspaper as one of the greatest concerts in Boston history.

Printed material includes announcements, catalogs, and posters for exhibitions and art related events, including two Jasper Johns lithographs for a 1960 exhibition at Galerie Rive Droite, and a 1963 exhibition at Leo Castelli Gallery. Also found are news clippings, press releases, and other publications.

Photographs are of Solomon, artists, friends and colleagues, exhibitions and other events, and artwork. They include snapshots of Solomon, and a series of photographs of him at various events and parties, many taken by Ugo Mulas, as well as a photo taken by Robert Rauschenberg of Ugo Mulas, Michele Provinciali, and Solomon. Additional photos by Ugo Mulas include some which were probably taken for New York: The New Art Scene, and a series of photos of Robert Rauschenberg and others at the Venice Biennale. Photos of artists include Lee Bontecou, John Chamberlain, Jim Dine, Marcel Duchamp, Öyvind Fahlström, Laura Grisi, Jasper Johns, Roy Lichtenstein, Morris Louis, Barnett Newman, Kenneth Noland, Claes and Patty Oldenburg, Larry Poons, James Rosenquist, George Segal, Frank Stella, and Andy Warhol and The Factory. Photos of others include Leo Castelli, Clement and Jeanine Greenberg, and Ethel and Robert Scull. Also found are photos of the exhibition Toward a New Abstraction (1963), at The Jewish Museum, photos of Venice, and photos of artwork by many of the above named, and other, artists. In addition to Ugo Mulas, photographers represented in this series include Nat Finkelstein, Robert R. McElroy, and Hans Namuth.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, 1938-1968 (5 folders; Box 1)

Series 2: Correspondence, 1930-1970 (0.66 linear feet; Box 1)

Series 3: Interviews, 1965-1969 (0.25 linear feet; Box 1)

Series 4: Writings and Notes, 1945-1969 (1.35 linear feet; Boxes 1-3, 11)

Series 5: Teaching and Study Files, 1944-1958 (0.25 linear feet; Box 3)

Series 6: Subject Files, 1907-1969 (2.92 linear feet; Boxes 3-6, 1, OV 12)

Series 7: First New York Theater Rally, 1963-1965 (0.15 linear feet; Boxes 6, 11)

Series 8: Exhibition Files, 1954-1969 (1.42 linear feet; Boxes 6-7, 11, OV 12)

Series 9: Business Records, 1945-1970 (0.3 linear feet; Boxes 7-8)

Series 10: Printed Material, 1914-1970 (0.8 linear feet; Boxes 8-9, OV 12)

Series 11: Photographs, circa 1951-circa 1970 (1.7 linear feet; Boxes 9-11, OV 13)
Biographical / Historical:
New York art historian, museum director, art consultant, educator, writer, and curator, Alan R. Solomon (1920-1970), organized over two hundred exhibitions in the course of his career. He was known for his skill in exhibition design, and for bringing the perception and understanding of an art historian to the field of contemporary art.

Solomon was born in Quincy, Massachusetts, and educated at Harvard College and Harvard Graduate School. In 1953, during his 1952-1962 tenure with the Cornell University department of art history, he established the Andrew Dickson White Museum of art. Solomon served as the museum's first director until 1961, whilst simultaneously pursuing his doctorate, which he received from Harvard University in 1962.

In 1962 Solomon was hired by the Jewish Museum in New York, New York, and immediately began to take the institution in a more contemporary direction, mounting Robert Rauschenberg's first retrospective in 1963, and a major Jasper Johns retrospective in 1964. Also, in 1963, Solomon was appointed the United States Commissioner for the 1964 Venice Biennale. He was determined to show "the major new indigenous tendencies, the peculiarly America spirt of the art" in works by two consecutive generations of artists, including Jasper Johns, Morris Louis, Kenneth Noland, and Robert Rauschenberg. With this in mind, and given the inadequacy of the existing space to house the installation he envisaged, Solomon secured a verbal agreement from Biennale officials to approve additional space for the American exhibition in an annex at the former American Consulate. The agreement was never formalized, however, and a series of administrative problems and controversies over the eligibility of the American submissions threatened to undermine Solomon's efforts. Nevertheless, Robert Rauschenberg became the first American to take the Grand Prize for foreign artist, and the attention garnered by the American exhibition monopolized press coverage of the Biennale. In response, Solomon stated publicly that "it is acknowledged on every hand that New York has replaced Paris as the world art capital."

Solomon subsequently left the Jewish Museum, having engendered resistance to leading the museum in a more experimental direction, away from the traditional Jewish educational aspects of its mission. In the mid-sixties he worked as a consultant and writer for a National Educational Television series entitled "U. S. A. Artists," which drew on artist interviews, many conducted by Solomon. He also wrote the text for Ugo Mulas's classic photographic study, New York: The New Art Scene (1967: Holt Rinehart and Winston).

In 1966 Solomon was hired by the United States Information Agency to organize the United States contribution to the Canadian World Exhibition in Montreal, known as Expo '67. His stunning American Painting Now installation placed large scale paintings by twenty-three artists, including Jim Dine, Ellsworth Kelly, Roy Lichtenstein, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist, inside Buckminster Fuller's twenty-story Biosphere of Montreal.

Other important exhibitions organized by Solomon included Andy Warhol (1966) at the Institute of Contemporary Art, Boston, which was only the second of two exhibitions dedicated to the artist; Dine-Oldenburg-Segal (1967) at the Art Gallery of Ontario and the Albright-Knox Art Gallery; and Young Italians (1968) at the Institute of Contemporary Art.

Solomon was also interested in contemporary theater and organized the First New York Theater Rally with Steve Paxton in 1965, a series of performances which combined new dance and a revival of the Happenings of the early 1960s, in which Claes Oldenburg, Jim Dine and others were involved.

Following a six-week appointment as a senior lecturer at the University of California, Irvine, in spring 1968, Solomon became chairman of the University's art department and director of the art gallery. His last exhibition, Painting in New York, 1944-1969 (1969-1970), was held at the Pasadena Art Museum and closed in January 1970, just a few weeks before Solomon's sudden death at the age of forty-nine.
Provenance:
The Leo Castelli Gallery served as executor of Solomon's estate, and donated his papers to the Archives of American Art in 1974 and 2007.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Alan R. Solomon papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art historians -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Painters  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.soloalan
See more items in:
Alan R. Solomon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-soloalan
Additional Online Media:

Minnesota Museum of Art - Murch, Katharine (Mrs. Walter T.)

Collection Creator:
Gray, Cleve  Search this
Container:
Box 3, Folder 30
Type:
Archival materials
Date:
1967-1989
Scope and Contents note:
Minnesota Museum of Art

Modena, Bruno

Montclair Art Museum

Morgan, Ken

Motherwell, Robert (See also: Correspondence, Personal, Box 1, F 21)

Mulas, Ugo

Murch, Katharine (Mrs. Walter T.)
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Cleve Gray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Cleve Gray papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-grayclev-ref185

[Photographs of sculpture by David Smith], 1965 July

Creator:
Mulas, Ugo, 1928-1973  Search this
Subject:
Smith, David  Search this
Topic:
Artists' studios  Search this
Photographers  Search this
Photographs  Search this
Sculpture, Modern  Search this
Record number:
(DSI-AAA_CollID)6068
(DSI-AAA_SIRISBib)216154
AAA_collcode_mulaugo
Theme:
Audio - Visual
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216154

Alexander Liberman papers

Creator:
Liberman, Alexander, 1912-1999  Search this
Names:
André Emmerich Gallery  Search this
Bennington College  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Cartier-Bresson, Henri, 1908-  Search this
Chernow, Burt  Search this
Dalí, Salvador, 1904-  Search this
De Kooning, Willem, 1904-  Search this
Dietrich, Marlene  Search this
Emmerich, André  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hopps, Walter  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Leibovitz, Annie, 1949-  Search this
Motherwell, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Newton, Helmut, 1920-  Search this
Parks, Gordon, 1912-2006  Search this
Parsons, Betty  Search this
Penn, Irving  Search this
Picasso, Pablo, 1881-1973  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones, Earl of, 1930-  Search this
Steichen, Edward, 1879-1973  Search this
Vogel, Lucien  Search this
Vreeland, Diana  Search this
Extent:
59 Linear feet
Type:
Archival materials
Collection descriptions
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Date:
circa 1912-2003
Summary:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
Scope and Contents:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Biographical materials include awards, biographies and chronologies, family history materials, membership cards, writings by Liberman's mother, and a scrapbook about his father.

Correspondence is extensive and concerns both personal and professional affairs. It is with artists and photographers, art magazines, organizations and museums, art collectors, businesses, and family. Notable correspondents include Cecil Beaton, Henri Cartier-Bresson, Burt Chernow, Salvador Dali, Robert Motherwell, Helen Frankenthaler, Barnett and Annalee Newman, Additional correspondence is found within the subject files compiled and organized by Liberman (series 6).

There are sound and video recordings and transcripts of interviews with and by Liberman, most completed for broadcast television and radio shows. Of particular interest are sound cassettes, a sound tape reel, and a transcript of an interview with Walter Hopps by Liberman.

Writings by Liberman include essays, short stories, and a play entitled 2+1. Writing project files were organized by Liberman for writing projects for which he was the author, collaborator, or subject. There are numerous files concerning Barbara Rose's book about Liberman Alexander Liberman that also include recorded interviews with Liberman and transcripts. Other books for which there are files include The Art and Technique of Color Photography, The Artist in His Studio, Vogue: The First 100 Years, Vogue History of Fashion Photography, and others.

Subject files were organized by Liberman for a wide variety of work projects, activities, topics, and entities of interest. Files cover commissions, the filming and distribution of the 1981 documentary film Alexander Liberman: A Lifetime Burning, Liberman's personal collection of art, gifts of artwork, and his relationship with galleries and dealers, particularly André Emmerich Gallery.

Exhibition files document exhibitions of Liberman's artwork, and include those held at André Emmerich Gallery, Bennington College, the Guggenheim, Museum of Modern Art, among other venues. Files contain correspondence, contracts, photographs, plans and drawings, notes, etc. Also found are inventory records of Liberman's artwork in the form of lists, index cards, bound registers, and notes.

Ten linear feet of printed materials include exhibition announcements and catalogs, books and book flyers, brochures, calendars, clippings, postcards, posters, press releases, and other materials.

There are scattered drawings and sketches found within the papers, some of which are sketches of sculpture pieces.

Nearly one-half of the collection is comprised of photographs of Liberman and his artwork, and of artists and colleagues, many of which were taken by noted photographers, including Cecil Beaton, Henri Cartier-Bresson, William Klein, Henri Lartique, Annie Leibowitz, Inge Morath, Ugo Mulas, Hans Namuth, Helmut Newton, Gordon Parks, Irving Penn, Herb Ritts, and Lord Snowden, among others. Subjects of note found in the photographs include Alfred Barr, Salvador Dali, Marlene Dietrich, Willem de Kooning, Andre Emmerich, Helen Frankenthaler, Clement Greenberg, Franz Kline, Robert Motherwell, Barnett Newman, Betty Parsons, Pablo Piccaso, Edward Steichen, Lucien Vogel, and Diana Vreeland, among many others.
Arrangement:
The collection is arranged into twelve series. Photographs retain Liberman's original numerical and alpha schemas and the corresponding indexes are found in the Inventory Records in Series 8.

Series 1: Biographical Materials, circa 1930s-1999 (1 linear foot; Box 1, 56)

Series 2: Correspondence, 1944-1997 (4 linear feet; Boxes 1-5, 56, OV 65)

Series 3: Interviews, 1946-1996 (1.4 linear feet; Boxes 5-7, 56)

Series 4: Writings, 1948-1995 (0.9 linear feet; Boxes 7-8)

Series 5: Writing Project Files, 1951-1997 (1.8 linear feet; Boxes 8-9, 56)

Series 6: Subject Files, 1946-2000 (6 linear feet; Boxes 9-15, 56, OV 66-67)

Series 7: Exhibition Files, 1954-1991 (0.7 linear feet; Boxes 15-16, 56, OV 68)

Series 8: Inventory Records, 1938-1998 (6 linear feet; Boxes 16-22)

Series 9: Printed Materials, 1932-2003 (10 linear feet; Boxes 22-31, 56-57, OV 69)

Series 10: Artwork, circa 1940s-1990s (0.4 linear feet; Boxes 32, 57, OV 70)

Series 11: Photographic Materials, circa 1912-1999 (26 linear feet; Boxes 32-55, 57-64, OVs 71-77)

Series 12: Unidentified Sound and Video Recordings, circa 1941-1999 (0.8 linear feet; Boxes 55, 64)
Biographical / Historical:
Alexander S. Liberman (1912-1999) was a sculptor, painter, photographer, graphic designer, writer, and publishing executive who worked primarily in New York City. He held senior positions at Condé Nast Publications for 32 years.

Alexander Semeonovitch Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. He began his journalistic career in Paris at VU magazine owned by Lucien Vogel and there he befriended photographers Henri Cartier-Bresson, Brassai, Robert Capa, and André Kértesz. He served in the French army for a short time in 1940, but he and his family fled Paris in 1941 to New York City. Condé Nast hired Liberman in 1941 as an assistant to the art director of Vogue magazine. Liberman became art director in 1943 and editorial director of Condé Nast Publications in 1962, a position he held until his retirement in 1994.

Liberman was also a photographer whose subjects included Georges Braque, Alexander Calder, Alberto Giacometti, Henri Matisse, Pablo Picasso, and Marlene Dietrich, among others, many represented in his 1960 book entitled The Artist in his Studio and Marlene: An Intimate Photographic Memoir (1992). He was also the subject of the work of noted photographers Cecil Beaton, Irving Penn, Henri Cartier-Bresson, Gordon Parks, Lord Snowden, Jill Krementz, Henri Lartique, Annie Leibovitz, and Hans Namuth.

Liberman took up painting and sculpting in the 1950s. Although his first exhibition was at the Betty Parsons Gallery, he was primarily associated with the André Emmerich Gallery in New York City. His monumental sculptures were mostly assembled from industrial parts and painted and can be seen in museums and public sites worldwide.

Liberman was briefly married to Hildegarde Sturm. He married his second wife Tatiana Yacovleff du Plessix in 1942. Before their marriage, they fled occupied France together. She was a noted hat designer, working for Henri Bendel and Saks, where she became known as Tatiania of Saks. She died in 1991 and, in 1992, Liberman married Melinda Pechangco, a nurse who had earlier cared for Tatiania. Alexander Liberman died in 1999 in Miami, Florida.
Related Materials:
Related collections found at the Archives of American Art include the Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman and numerous collections of gallery records.
Provenance:
The Alexander Liberman papers were donated to the Archives of American Art by Liberman Art Partners in 2010 via Dodie Kazanjian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Publishers -- New York (State) -- New York  Search this
Graphic designers  Search this
Topic:
Photographers -- New York (State) -- New York  Search this
Photography  Search this
Sculptors -- France -- Paris  Search this
Sculptors -- New York (State) -- New York  Search this
Fashion photography  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- France -- Paris  Search this
Genre/Form:
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.libealex
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-libealex
Additional Online Media:

Beaton, Cecil; Leibowitz, Annie; Mulas, Ugo

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 53, Folder 13
Type:
Archival materials
Date:
circa 1960-1999
Scope and Contents note:
Oversized material housed in Box 63, Folder 2
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-libealex-ref876

Mulas, Ugo

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 54, Folder 5
Type:
Archival materials
Date:
circa 1960-1999
Scope and Contents note:
Oversized material housed in Box 63, Folder 12
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-libealex-ref903

Mulas, Ugo; Namuth, Hans

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 54, Folder 6
Type:
Archival materials
Date:
circa 1950s-1960s
Scope and Contents note:
Oversized material housed in Box 63, Folder 13
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-libealex-ref905

Mulas, Ugo; Milan, Italy

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 15, Folder 13
Type:
Archival materials
Date:
1964-1967
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Leo Castelli Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref8835

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