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Michael Lucero, New York, N.Y. letter to Patti Warashina

Creator:
Lucero, Michael, 1953-  Search this
Warashina, Patti, 1940-  Search this
Type:
Correspondence
Place:
New York, N.Y.
Date:
1979 Nov.
Topic:
Decorative arts  Search this
Fashion  Search this
Record number:
(DSI-AAA)220
See more items in:
Patti Warashina papers, circa 1900]-1991, bulk, 1970-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_220
Additional Online Media:

Michael Lucero postcard to Daniel Jacobs, New York, N.Y.

Creator:
Lucero, Michael, 1953-  Search this
Jacobs, Daniel, 1959-2005  Search this
Type:
Correspondence
Place:
Calif.
Date:
1981 Aug. 11
Topic:
Vacations  Search this
Record number:
(DSI-AAA)7750
See more items in:
Daniel Jacobs and Derek Mason papers, [circa 1970-1993]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7750
Additional Online Media:

Michael Lucero letter to Patti Warashina

Creator:
Lucero, Michael, 1953-  Search this
Warashina, Patti, 1940-  Search this
Type:
Correspondence
Date:
ca. 1983
Topic:
Holidays  Search this
Record number:
(DSI-AAA)197
See more items in:
Patti Warashina papers, circa 1900]-1991, bulk, 1970-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_197
Additional Online Media:

Oral history interview with Michael Lucero, 2008 February 26

Interviewee:
Lucero, Michael, 1953-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Topic:
Interviews  Search this
Sculptors  Search this
Ceramicists  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)13693
(DSI-AAA_SIRISBib)276096
AAA_collcode_lucero08
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_276096

Linda Farris Gallery records

Creator:
Linda Farris Gallery  Search this
Farris, Linda  Search this
Names:
Barry, Lynda, 1956-  Search this
Bruskin, Grisha, 1945-  Search this
Clough, Charles, 1951-  Search this
Landfield, Ronnie, 1947-  Search this
Luce, Charles, 1947-  Search this
Lucero, Michael, 1953-  Search this
Markovitz, Sherry  Search this
Nevelson, Louise, 1899-1988  Search this
Noah, Barbara  Search this
Pepper, Beverly  Search this
Extent:
13.4 Linear Feet (13 Boxes, 1 sol, 1 ov folder)
Type:
Archival materials
Collection descriptions
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Date:
1969-1995
Summary:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.
Scope and Contents:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials. Business correspondence is with galleries, dealers, publishers, museums, and other businesses. Administrative files are varied and include advertising and promotion materials, exhibition schedules, mailing lists, guest books, a scrapbook, and gallery history.

Artists' files are found for many contemporary American artists that interested Linda Farris or were represented by the gallery. The contents of each file vary but many include photographs and slides, writings, correspondence, and printed materials. Files for Lynda Barry, Grisha Brusking, Charles Clough, Ronnie Landfield, Charles Luce, Michael Lucerno, Sherry Markovitz, Louise Nevelson, Barbara Noah, and Beverly Pepper are particularly rich. Exhibition files are for Linda Farris Gallery exhibitions and include printed materials, correspondence, loan and consignment agreements, and photographs.

Event files cover anniversary celebrations, lectures, panel discussions, and receptions. There are 17 sound cassette recordings of "Art Now" lectures and "Focus" panel discussions. Scattered reference files contain collected materials on subjects of interest to the gallery. There are scattered financial, sales, and legal files. Sales records cover 1970-1979.

Linda Farris' personal papers contain printed materials about her and the gallery and other materials concerning her professional and curatorial work outside of the gallery. There is also a transcript of an oral history with Farris and a news interview.

Printed materials include published books and magazines, clippings and exhibition catalogs and announcements.

Photographs are scattered throughout adminstrative files, exhibition files, event files, and Linda Farris' personal papers.
Arrangement:
The collection is arranged as 8 series.

Series 1: Correspondence, 1975-1991, undated (Box 1; .7 linear feet)

Series 2: Administrative files, 1970-1995, undated (Box 1-2; 1 linear feet)

Series 3: Artists and Exhibition files, 1969-1995, undated (Box 2-9; 6.6 linear feet)

Series 4: Events files, 1971-1990, undated (Box 9; 0.6 linear feet)

Series 5: Reference files, 1969-1994, undated (Box 9-10; 0.6 linear feet)

Series 6: Financial, Sales and Legal files, 1970-1995 (Box 10; 0.4 linear feet)

Series 7: Linda Farris Papers, 1972-1995 (Box 10-11; .9 linear feet)

Series 8: Printed Materials, 1970-1995 (Box 11-13; 2 linear feet)
Biographical / Historical:
The Linda Farris Gallery was Seattle's leading venue for contemporary art during its twenty-five years of operation.

Linda Farris opened Gallery East in Bellevue in 1970, and a year later moved to Pioneer Square in Seattle, changing the name to Linda Farris Gallery in 1973. The gallery continued to present contemporary art there until closing in December 1995. Art dealer Linda Farris began representing a group of promising artists, all graduates of the University of Washington. Greg Kucera of the Greg Kucera Gallery noted in an article for the Seattle Weekly, "Their work could be loosely seen as a movement, complete with aesthetic interrelationships, convenient marriages, an unintelligible manifesto in the form of Dennis Evans' quirky pronouncements…" From the same article he states, "Her avant-garde gallery changed forever the nature of being an art dealer in Seattle." It was among the three or four most influential galleries in the Pacific Northwest.

The gallery held exhibitions of many nationally known contemporary artists, including Sam Francis, Louise Nevelson, and Robert Rauschenberg, as well as Northwest artists Jeffrey Bishop, Dennis Evans, Sherry Markovitz, Nancy Mee, Norie Sato, and Patti Warashina. The latter group started with the gallery and remained loyal at the time of its closing in 1995.

Art dealer, collector and free-lance curator Linda B. Farris (1944-2005), a native of San Francisco and a graduate of the University of California, Berkeley (1966), was an active participant in and style setter for the Seattle art world for the twenty-five years she was in business. As a member of the art community she actively supported the Henry Art Gallery at the University of Washington, Pilchuck Glass School, and Seattle Art Museum's Contemporary Art Council, and served on the boards of directors of Henry Art Gallery and Factory Visual Arts. Farris curated "Eight Seattle Artists" in 1981 for the Los Angeles Institute of Contemporary Art and "Self Portraits" in 1983 for the Los Angeles Municipal Art Gallery. She also led the movement to keep Henry Moore's "Vertebrae" from leaving Seattle, and instituted a series of talks, panel discussions, performances, and tours in her gallery, and in and around Seattle.

This note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
An oral history interview with Linda Farris conducted in 1975 by Sally Swenson, is located in the University of Washington University Libraries Digital Collections.
Provenance:
The Linda Farris Gallery records were donated to the Archives of American Art by owner Linda Farris in 1995 at the time she closed the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Linda Farris Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Avant-garde (Aesthetics)  Search this
Art galleries, Commercial -- Washington (State) -- Seattle  Search this
Art -- Washington (State) -- Exhibitions  Search this
Art, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Artists -- Northwestern States  Search this
Transcripts  Search this
Genre/Form:
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Citation:
Linda Farris Gallery records, 1969-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindfarr
See more items in:
Linda Farris Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lindfarr

Patti Warashina papers

Creator:
Warashina, Patti, 1940-  Search this
Names:
Lee Nordness Galleries  Search this
Currier, Anne, 1950-  Search this
Kottler, Howard, 1930-1989  Search this
Lipofsky, Marvin, 1938-  Search this
Lucero, Michael, 1953-  Search this
Sperry, Robert, 1927-1998  Search this
Extent:
4.8 Linear Feet
Type:
Archival materials
Collection descriptions
Video recordings
Photographs
Date:
circa 1900-1991
bulk 1970-1989
Summary:
The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
Scope and Content Note:
The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.

Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, MarĂ­a Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.
Arrangement:
The Patti Warashina papers are arranged as seven series based primarily on type of material. The correspondence in Series 2 is arranged chronologically for exhibitions and projects and general letters received. Additional letters received are arranged by name of author.

Series 1: Biographical Material, 1974-1991, undated (Box 1; 3 folders)

Series 2: Correspondence, 1957, 1967-1991, undated (Boxes 1-3; 2.0 linear feet)

Series 3: Photographs, circa 1900- circa 1959, 1971, undated (Box 3; 3 folders)

Series 4: Printed Material, 1961-1990, undated (Boxes 3-6, OV 7; 2.0 linear feet)

Series 5: Writings and Notes, 1984, 1986, 1989, undated (Box 6; 4 folders)

Series 6: Artwork, 1986, undated (Box 6; 2 folders)

Series 7: Miscellany, 1987, undated (Box 6; 2 folders)
Biographical Note:
Ceramicist and sculptor Patti Warashina was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.

Influences in Warashina's art include California funk and sculptural ceramics. Her work is best known for its whimsical themes expressed through low-fire highly colored figurative images. Together with fellow artists Robert Sperry, Howard Kottler and Fred Bauer, she brought national recognition to the department of ceramics at the University of Washington's School of Art beginning in the 1980s.

Patti Warashina is a recipient of several awards for achievements in the field of crafts, most recently the Twining Humber Award granted by Seattle's Artists Trust in 2002. She received the Governor's Award of Special Commendation for the Arts in 1980 in addition to grants from the National Endowment for the Arts in both 1975 and 1986. In 1978, Warashina was awarded a World Craft Council Travel Grant which allowed her to conduct research on the ceramic arts process in Japan, Hong Kong, Singapore, Thailand, Bali and the Philippines. Warashina's teaching career spans over 30 years and includes positions at the University of Wisconsin, Eastern Michigan University, and at her alma mater where she has taught for over 25 years. Her work is featured in several museum collections in both the U.S. and abroad including the American Craft Museum in New York, the Seattle Art Museum and Henry Art Gallery, the Smithsonian American Art Museum's Renwick Gallery (Washington, DC), the Art Gallery of Western Australia, and the Ichon World Ceramic Center in Korea. Since her marriage to ceramicist Robert Sperry in 1976, she has used Patti Warashina as her professional name. Patti Warashina is a resident of Seattle, Washington.
Provenance:
The Patti Warashina papers were donated by the artist to the Archives of American Art in 1991.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Patti Warashina papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women sculptors -- Washington (State) -- Seattle  Search this
Women artists -- Washington (State) -- Seattle  Search this
Asian American women artists  Search this
Ceramicists -- Washington (State) -- Seattle  Search this
Sculptors -- Washington (State) -- Seattle  Search this
Japanese American families -- Photographs  Search this
Japanese American sculptors  Search this
Genre/Form:
Video recordings
Photographs
Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warapatt
See more items in:
Patti Warashina papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warapatt

Exhibition Records, 1994-1999

Creator:
Smithsonian American Art Museum Office of Design and Production  Search this
Subject:
Adams, Ansel 1902-1984  Search this
Cook, Lia 1942-  Search this
Gross, Chaim 1904-1991  Search this
Hopper, Edward 1882-1967  Search this
Lucero, Michael 1953-  Search this
Thayer, Abbott Handerson 1849-1921  Search this
Vedder, Elihu 1836-1923  Search this
Abbott Thayer: The Nature of Art (Exhibition) (1999: Washington, D.C.)  Search this
American Photographs: The First Century from the Isaacs Collection in the National Museum of American Art (Exhibition) (1996-1997: Washington, D.C.)  Search this
Ansel Adams, A Legacy: Masterworks from the Friends of Photography Collection (Exhibition) (1997-1998: Washington, D.C.)  Search this
Bard Brothers: Painting America Under Steam and Sail (Exhibition) (1997: Washington, D.C.)  Search this
Chaim Gross Sculpture (Exhibition) (1996: Washington, D.C.)  Search this
Contemporary Crafts and the Saxe Collection (Exhibition) (1994: Washington, D.C.)  Search this
Contemporary Printmaking: Collaborative Prints and Presses (Exhibition) (1996: Washington, D.C.)  Search this
Edward Hopper: The Watercolors (Exhibition) (1999-2000: Washington, D.C.)  Search this
Elihu Vedder's Drawings from the Rubaiyat (Exhibition) (1995-1996: Washington, D.C.)  Search this
Gilded Age: Treasures from the Smithsonian American Art Museum (Traveling exhibition) (2000-2003)  Search this
Lia Cook: Material Allusions (Exhibition) (1996: Washington, D.C.)  Search this
Michael Lucero: Sculpture (Exhibition) (1997: Washington, D.C.)  Search this
Posters American Style (Exhibition) (1998: Washington, D.C.)  Search this
Silver and Gold: Photographs of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)  Search this
Thomas Wilmer Dewing: Beauty Reconfigured (Exhibition) (1996: Washington, D.C.)  Search this
White House Collection of American Crafts (Exhibition) (1995: Washington, D.C.)  Search this
Physical description:
3 cu. ft. (3 record storage boxes)
Type:
Manuscripts
Collection descriptions
Floppy disks
Floor plans
Drawings
Black-and-white negatives
Color transparencies
Color negatives
Black-and-white photographs
Date:
1994
1994-1999
Topic:
Art museums  Search this
Exhibitions  Search this
Local number:
SIA Acc. 05-186
Restrictions & Rights:
Restricted for 15 years, until Jan-01-2015; Transferring office; 7/26/1996 memorandum, Nichols to Rielly; Contact reference staff for details
See more items in:
Exhibition Records 1963-2000 [Smithsonian American Art Museum Office of Design and Production]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_259008

Michael Lucero

Author:
Lucero, Michael 1953-  Search this
ACA Contemporary (Gallery)  Search this
Subject:
Lucero, Michael 1953- Exhibitions  Search this
Physical description:
31 p. : ill. (some col.) ; 31 cm
Type:
Books
Date:
1988
Call number:
NB237.L82 A4 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644464

Untitled (Reclining Blue Nude), (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Medium:
Ceramic with glazes
Type:
Sculptures
Date:
1984
Topic:
Figure female--Nude  Search this
Control number:
IAS 9C500038
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297835

The Emperor Moth, (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Medium:
Glazed ceramic and painted wood
Type:
Sculptures
Owner/Location:
Everson Museum of Art of Syracuse and Onondaga County 401 Harrison Street Syracuse New York 13202 Accession Number: 86.29
Date:
1986
Topic:
Animal--Insect--Moth  Search this
Control number:
IAS 38140189
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_292772

Chameleon, (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Medium:
White earthenware, glazed
Type:
Sculptures
Owner/Location:
Kemper Museum of Contemporary Art 4420 Warwick Boulevard Kansas City Missouri 64111 Accession Number: 1998.2a-b
Date:
1986
Topic:
Abstract  Search this
Control number:
IAS 67690037
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_371965

Greenhouse, (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Medium:
Iron and patinated bronze
Type:
Sculptures
Owner/Location:
Smithsonian Institution Hirshhorn Museum and Sculpture Garden Independence Avenue at 8th Street, S.W Washington District of Columbia 20560 Accession Number: 89.16
Date:
1988
Topic:
Abstract  Search this
Control number:
IAS 61570505
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_415935

Michael Lucero, Italo Scanga, James Surls : [Exhibition / text by William Zimmer.]

Author:
Zimmer, William 1946-2007  Search this
Lucero, Michael 1953-  Search this
Scanga, Italo 1932-  Search this
Surls, James 1943-  Search this
Delahunty (Gallery)  Search this
Texas Gallery  Search this
Physical description:
18 p. : ill. ; 27 cm
Type:
Exhibitions
Date:
1982
C1982
20th century
Topic:
Sculpture, Modern  Search this
Call number:
NB212 .M53 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_646810

Reclining Nude Dreamer, (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Medium:
Ceramic with glazes
Type:
Sculptures
Owner/Location:
Administered by Virlane Foundation 1055 St. Charles Avenue New Orleans Louisiana 70130
Located at K & B Corporation New Orleans Louisiana
Date:
1984
Topic:
Figure male--Head  Search this
Figure female--Nude  Search this
State of Being--Phenomenon--Dream  Search this
Landscape--Imaginary  Search this
Animal--Insect--Moth  Search this
Control number:
IAS 64820051
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_31370

Man with Frog, (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Founder:
Tallix  Search this
Medium:
Sculpture: bronze with green patina; Base: Cor-Ten steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Polar-Bek International Park 1900 International Park Drive Birmingham Alabama 35243
Located 2100 International Park Drive Birmingham Alabama
Date:
Ca. 1987-1988 (?). Cast 1988. Dedicated 1989
Topic:
Figure male--Head  Search this
Animal--Amphibian--Frog  Search this
Landscape  Search this
Control number:
IAS AL000201
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_320451

Anthropomorphic Form with Hen, (sculpture)

Sculptor:
Lucero, Michael 1953-  Search this
Medium:
Wheel-thrown and altered white earthenware, glazed, and with a pre-Columbian head
Type:
Sculptures
Owner/Location:
Kemper Museum of Contemporary Art 4420 Warwick Boulevard Kansas City Missouri 64111 Accession Number: 1997.9
Date:
1997
Topic:
Abstract  Search this
Figure  Search this
Animal--Bird--Chicken  Search this
Animal--Elephant  Search this
Figure--Fragment--Hand  Search this
Control number:
IAS 67690036
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_371964

Michael Lucero : sculpture 1976-1995 / Mark Richard Leach and Barbara J. Bloemink ; with an essay by Lucy R. Lippard

Author:
Leach, Mark Richard  Search this
Bloemink, Barbara J  Search this
Lippard, Lucy R  Search this
Renwick Gallery  Search this
Mint Museum of Art  Search this
Subject:
Lucero, Michael 1953-  Search this
Physical description:
159 p. : ill. (some col.) ; 32 cm
Type:
Exhibitions
Place:
United States
Date:
1996
C1996
20th century
Topic:
Ceramic sculpture  Search this
Call number:
N40.1.L92965 L4 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_501802

Natural settings : Julie Bozzi, April Gornik, Mike Kelley, Cheryl Laemmle, Michael Lucero, Jim Sanborn, Jan Staller : January 11-March 2, 1986, the Corcoran Gallery of Art, Washington, D.C / exhibition organized and text written by Ned Rifkin

Title:
SPECTRUM : natural settings
Author:
Corcoran Gallery of Art  Search this
Subject:
Bozzi, Julie  Search this
Gornik, April 1953-  Search this
Kelley, Mike 1954-2012  Search this
Laemmle, Cheryl 1947-  Search this
Lucero, Michael 1953-  Search this
Sanborn, Jim 1945-  Search this
Staller, Jan 1952-  Search this
Physical description:
[8] p. : ill ; 25 cm
Type:
Exhibitions
Date:
1986
1986]
20th century
Topic:
Art, American  Search this
Nature in art  Search this
Call number:
N6512 .N38 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_795292

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