Skip to main content Smithsonian Institution

Search Results

Collections Search Center
37 documents - page 1 of 2

Interview with Stanley William Hayter

Creator:
Hayter, Stanley William, 1901-1988  Search this
Roberts, Colette Jacqueline, 1910-1971  Search this
Type:
Sound Recording
Date:
1969 July 16
Record number:
(DSI-AAA)10812
See more items in:
Colette Roberts papers and interviews with artists, 1918-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10812

Fred Becker papers

Creator:
Becker, Fred, 1913-2004  Search this
Names:
Atelier 17  Search this
Mary Ryan Gallery (New York, N.Y.)  Search this
United States. Office of War Information  Search this
Burlin, Paul, 1886-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hugo, Ian, 1898-1985  Search this
Nin, Anaïs, 1903-1977  Search this
Singer, Gail  Search this
Todd, Ruthven, 1914-1978  Search this
Van Duyn, Mona  Search this
Extent:
3.4 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Lectures
Photographs
Prints
Sketchbooks
Sketches
Sound recordings
Video recordings
Transcripts
Date:
1913-2004
bulk 1940-2000
Summary:
The papers of printmaker and educator Fred Becker measure 3.4 linear feet and date from 1913 to 2004, with the bulk from 1940-2000. The collection documents Becker's work as a professional artist and educator through biographical material, personal and professional correspondence, writings, interviews, personal business records, gallery and exhibition files, project files, photographic material, printed material, and artwork.
Scope and Contents:
The papers of printmaker and educator Fred Becker measure 3.4 linear feet and date from 1913 to 2004, with the bulk from 1940 to 2000. The collection documents Becker's work as a professional artist and educator through biographical material, personal and professional correspondence, writings, interviews, personal business records, gallery and exhibition files, project files, photographic material, printed material, and artwork.

Biographical material includes a birth certificate and announcement, résumés and other biographical writings, as well as memorial materials and obituaries. Also included are letters and photographs concerning Becker's WWII appointment with the Office of War Information in China. Correspondence reflects relationships with colleagues and friends including Stanley William Hayter, Gail Singer, and Mona Van Duyn, professional organizations, museums and galleries, as well as family. The Writings series contains essays and artist statements written by Becker, articles and essays written about Becker by others, and writings by poets Ruthven Todd and Mona Van Duyn. Lectures are featured in written form, as well as audio recordings. Interviews include transcripts and audio and video recordings.

Personal business records include various studio artwork inventories and information regarding artwork donation and sale at auction, in addition to documents related to Becker's role as an art instructor. In the gallery and exhibition files are detailed records of gallery and museum exhibitions, as well as correspondence with specific galleries including the Mary Ryan Gallery. Project files include documentation of various residencies and government art programs Becker participated in, a symposium on Atelier 17, as well as significant bodies of work.

Photographic materials document Becker's artwork, including images of works by fellow artists S.W. Hayter and Paul Burlin. Photograph formats include slides, transparencies, negatives, and black and white prints. Printed material includes exhibition catalogs, clippings and invitations. Also found are various artworks including sketchbooks, loose sketches, prints, and a partial letterpress mock-up of Winter of Artifice, printed by author Anaïs Nin, with various etching illustrations by Ian Hugo.
Arrangement:
The collection is arranged in 10 series:

Series 1: Biographical Material, circa 1913-2004 (0.1 linear feet; Box 1)

Series 2: Correspondence, circa 1940s-2001 (0.7 linear feet; Box 1)

Series 3: Writings, circa 1940s-1993 (0.1 linear feet; Box 1)

Series 4: Interviews, circa 1976-2004 (0.2 linear feet; Boxes 1-2)

Series 5: Personal Business Records, circa 1939-1990s (0.1 linear feet; Box 2)

Series 6: Exhibition and Gallery Records, circa 1950-2002 (0.2 linear feet; Box 2)

Series 7: Project Files, circa 1957-1993 (0.1 linear feet; Box 2)

Series 8: Photographic Material, circa 1930s-1999 (0.3 linear feet; Box 2)

Series 9: Printed Material, circa 1930s-2002 (0.8 linear feet; Boxes 2-3)

Series 10: Artwork, circa 1940-1989 (0.6 linear feet; Boxes 3-4)
Biographical / Historical:
Fred Becker (1913-2004) was a printmaker and art educator in Amherst, Massachusetts. Becker was born in 1913 in Oakland, California. He attended New York University beginning in 1933, where he enrolled in architecture coursework before focusing on printmaking and drawing. Becker was employed by the Works Progress Administration from 1935 to 1939. His early work of this period often incorporated nightclub scenes depicting jazz musicians. In 1940, Becker was one of the first students to enroll in classes at the New York iteration of Atelier 17, led by printmaker Stanley William Hayter. There Becker engaged with more abstract forms in his art-making, and arrived at an expressionist style by the 1950s. He served in the China Division of the United States Office of War Information (OWI) from 1945 to 1946.

Becker taught at the Tayler School of Art at Temple University in Philadelphia, from 1946 to 1948; at Washington University in St. Louis, Missouri, from 1948 to 1968; and at the University of Massachusetts in Amherst from 1968 until his retirement in 1986. University of Massachusetts, Amherst's Herter Gallery was the site of his retrospective in 1999. Becker and his wife, painter Jean Morrison (1917-1995), had two children Carla and Anton. Fred Becker exhibited widely in print annuals and solo shows, as well as in the context of his participation in the Works Progress Administration and Atelier 17, New York. His prints are represented in a number of museum collections including the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art in New York.
Provenance:
The Fred Becker papers were donated to the Archives of American Art in 2018 by Becker's daughter Carla Becker.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Fred Becker papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- Massachusetts  Search this
Artists -- Massachusetts  Search this
Printmakers -- Massachusetts  Search this
World War, 1939-1945 -- China  Search this
Genre/Form:
Interviews
Lectures
Photographs
Prints
Sketchbooks
Sketches
Sound recordings
Video recordings
Transcripts
Citation:
Fred Becker papers, 1913-2004, bulk 1940-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beckfred
See more items in:
Fred Becker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beckfred

Piri Halasz papers

Creator:
Halasz, Piri  Search this
Names:
Caro, Anthony, 1924-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hayter, Stanley William, 1901-1988  Search this
Lipsky, Pat, 1941-  Search this
Louis, Morris, 1912-1962  Search this
Olitski, Jules, 1922-2007  Search this
Picasso, Pablo, 1881-1973  Search this
Poons, Larry  Search this
Rattner, Abraham  Search this
Reinhardt, Ad, 1913-1967  Search this
Tofel, Jennings, 1891-1959  Search this
Truitt, Anne, 1921-2004  Search this
Extent:
1.8 linear feet
Type:
Archival materials
Collection descriptions
Drafts (documents)
Lectures
Greeting cards
Manuscripts
Interviews
Photographs
Transcripts
Writings
Date:
1969-2009
Summary:
The papers of Piri Halasz are dated 1966-2009, and measure 1.8 linear feet. The collection consists of correspondence with Clement Greenberg and a number of well-known artists, manuscripts of articles, complete and partial drafts and transcripts of lectures and talks, interview transcripts, exhibition reviews, research, biographical material, photographs and printed material documenting her activities as an art critic, writer and curator. An unprocessed addition donated in 2017 includes biographical material, writings, 19 audio cassette tapes of interviews with various artists, curators, and critics, and two CDs containing images related to her lectures.
Scope and Content Note:
The papers of Piri Halasz are dated 1966-2009, and measure 1.8 linear feet. Correspondence with Clement Greenberg and a number of well-known artists, manuscripts of articles, drafts and transcripts of lectures and talks, interview transcripts, exhibition reviews, research, biographical material, photographs and printed material documenting her activities as an art critic, writer and curator. An unprocessed addition donated in 2017 includes biographical material, writings, 19 audio cassette tapes of interviews with various artists, curators, and critics, and two CDs containing images related to her lectures.

The series titled "Greenbergiana" contains various materials related to Greenberg, including an interview Halasz conducted with Greenberg in 1991, a questionnaire filled out by artist Pat Lipsky Sutton concerning Greenberg's ideas about her work, and items concerning his death and memorial services.

Correspondence contains letters from Anthony Caro, Helen Frankenthaler, Clement Greenberg, Jules Olitski, Larry Poons, Anne Truitt, and others. There is a folder of greeting cards, some with original artwork, from artists of her acquaintance. Also found is correspondence with publishers about articles she submitted. Photographs are of Halasz and colleagues.

Writings include drafts of published and unpublished articles about Pablo Picasso, Ad Reinhardt, Abraham Rattner, Jennings Tofel, Larry Poons, Stanley William Hayter, Morris Louis, Manhattan museums, Randy Bloom and other subjects. There are transcripts of lectures and talks given by Halasz, and transcripts of interviews she conducted with Stanley William Hayter and Randy Bloom.

"A Year in the Life of Present Modernism," an exhibition curated by Halasz, was held in 1997-1998 at the Tribes Gallery, New York City. Documentation includes printed material, photographs, and biographical information about Halasz and participating artists.
Arrangement:
The collection is arranged as 4 series:

Series 1: "Greenbergiana," 1989-1996(Box 1; 1 folder)

Series 2: Correspondence, 1969-2007 (Box 1; 0.2 linear ft.)

Series 3: Writings and Related Materials, 1980-2009 (Boxes 1-2; 0.6 linear ft.)

Series 4: "A Year in the Life of Present Modernism," 1996-1998 (Box 2; 1 folder)

Series 5: Unprocessed Addition, 1966-2005 (Box 3)
Biographical Note:
Piri Halasz (b. 1935) is an art critic, writer, lecturer, teacher, curator and blogger who focuses on the New York art scene and politics from the 1940s to the present. She corresponded with a number of well-known artists; her long-standing association with Clement Greenberg is represented in her correspondence, articles and interviews.

Halasz, a native New Yorker, attended Barnard College where she majored in English literature. After her graduation in 1956, Halasz worked at Time magazine for six years as a researcher, primarily in business news, before being promoted to writer. For the next six years, she wrote articles covering a range of subjects including obituaries, celebrities, books, current trends and world affairs. Her 1966 cover story for Time , "Swinging London," was a cultural snapshot of mid-1960s London that resulted in an invitation to write A Swinger's Guide to London. Published by Coward McCann in 1967, it is scheduled for republication in 2010 as part of the Authors Guild "Back in Print" program.

In 1967 Halasz was assigned to write the art page of Time. Her 1969 article about Helen Frankenthaler attracted the attention of Clement Greenberg and they became close friends. Greenberg encouraged her to leave Time, which she did in 1969.

She returned to Columbia in 1974 to pursue graduate studies in art history and obtained her PhD in 1982; a substantial section of Halasz's dissertation was devoted to Greenberg's philosophy. Halasz has since pursued a career as an art critic, writer, lecturer, teacher, curator and blogger. In 1996 she launched "From the Mayor's Doorstep," an online column of art criticism and politics which became a blog in 2010.

Halasz has taught at Columbia University, Hunter College, C. W. Post Center Long Island University, Molloy College, and Bethany College. She has published articles, primarily on art, in The New York Times, Smithsonian Magazine, The Virginia Quarterly Review, Arts Magazine, Art in America, ARTnews and NYArts.

Her self-published book, A Memoir of Creativity: Abstract Painting, Politics and the Media, 1958-2008 (iUniverse, 2009), is an insider's view of the publishing industry, the New York art scene and an explication of her theory of "multi-referential imagery. This theory posits that abstract painting refers to imagery that is unconsciously significant to the artist which then triggers recognition in the viewer.

Ms. Halasz lives and works in New York City.
Provenance:
Donated 2010 and 2017 by Piri Halasz.
Restrictions:
Use of original material requires an appointment.
Rights:
The Piri Halasz papers papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art critics -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Drafts (documents)
Lectures
Greeting cards
Manuscripts
Interviews
Photographs
Transcripts
Writings
Citation:
Piri Halasz papers, 1969-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halapiri
See more items in:
Piri Halasz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halapiri

Stanley William Hayter: artist file, [photographs]

Artist:
Hayter, Stanley William 1901-1988  Search this
Type:
Photograph
Artist files
Topic:
Art, British  Search this
Image number:
VFM VF001370
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_139832

Oral history interview with Stanley William Hayter, 1971 Mar. 11

Interviewee:
Hayter, Stanley William, 1901-1988  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Tamarind Lithography Workshop  Search this
Tamarind Institute  Search this
New School Art Center (New York, N.Y.)  Search this
Topic:
Prints  Search this
Interviews  Search this
Printmakers  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)11923
(DSI-AAA_SIRISBib)211942
AAA_collcode_hayter71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211942

Stanley William Hayter in America : paintings, drawings and prints, 1940-1950

Author:
Hayter, Stanley William 1901-1988  Search this
Rosenthal, Deborah  Search this
Francis M. Naumann Fine Art  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Hayter, Stanley William 1901-1988  Search this
Physical description:
1 v. (unpaged) : ill. (some col.) ; 26 cm
Type:
Books
Exhibitions
Interviews
Date:
2009
C2009
Call number:
N6797.H378 A4 2009
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_940136

Stanley William Hayter : the graphics, April 7-30, 1970, Emily Lowe Gallery, Hofstra University

Author:
Hayter, Stanley William 1901-1988  Search this
Emily Lowe Gallery  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
[8] p. : ill. ; 28 cm
Type:
Exhibitions
Date:
1970
Topic:
Automatism (Art movement)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_776606

S.W. Hayter : early and recent etchings and engravings : a comparative exhibition : an exhibition 30th October-21st November at Christopher Drake ltd

Author:
Hayter, Stanley William 1901-1988  Search this
Christopher Drake, Ltd  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
[32] p. : chiefly ill. ; 25 cm
Type:
Books
Date:
1973
[1973]
Call number:
NE642.H35 A4 1973
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_641311

Stanley William Hayter : the prints to 1960

Author:
Hayter, Stanley William 1901-1988-  Search this
Hirschl & Adler Galleries  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
1 sheet : ill. ; 26 x 90 cm
Type:
Books
Exhibitions
Date:
1993
[1993]
Call number:
NE642.H35 A4 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_691170

The prints of Stanley William Hayter : a complete catalogue / Peter Black and Désirée Moorhead

Author:
Black, Peter 1960-  Search this
Moorhead, Désirée  Search this
Hayter, Stanley William 1901-1988  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
400 p. : ill. (some col.) ; 30 cm
Type:
Books
Catalogs
Date:
1992
Call number:
N40.1.H425y B6 1992
N40.1.H425yB6 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_440615

S. W. Hayter : peintures, 1940-1975

Author:
Hayter, Stanley William 1901-1988  Search this
Galerie de Seine  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
55 p. : ill. (some col.) ; 21 cm
Type:
Books
Date:
1976
[1976]
Call number:
N40.1.H425 G15
N40.1.H425G15
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_320740

Adolf Dehn papers

Creator:
Dehn, Adolf, 1895-1968  Search this
Names:
American Artists Group  Search this
Associated American Artists  Search this
Atelier Desjobert  Search this
Kennedy Galleries  Search this
University of Missouri Press  Search this
Bohrod, Aaron  Search this
Castellón, Federico, 1914-1971  Search this
Christ-Janer, Albert, 1910-1973  Search this
Dehn, Mura  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Eastman, Max, 1883-1969  Search this
Freeman, Joseph  Search this
Gag, Wanda, 1893-1946  Search this
Goetsch, Gustav F. (Gustav Frederick), 1877-1969  Search this
Grosz, George, 1893-1959  Search this
Hayter, Stanley William, 1901-1988  Search this
Kuh, Frederick, 1895-1978  Search this
Lake, Eileen Hall  Search this
Marsh, Reginald, 1898-1954  Search this
Mitchell, Olivia Dehn  Search this
Olds, Elizabeth, 1896-1991  Search this
Rattner, Abraham  Search this
Robinson, Boardman, 1876-1952  Search this
Shane, Fred, 1906-  Search this
Smith, William Arthur, 1918-1989  Search this
Spruance, Benton, 1904-1967  Search this
Thayer, Scofield, b. 1889  Search this
Zigrosser, Carl, 1891-  Search this
Photographer:
Kertész, André  Search this
Extent:
6.6 Linear feet
Type:
Archival materials
Collection descriptions
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Date:
1912-1987
Summary:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Scope and Content Note:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

Found within the biographical materials are several address books, official travel documents, exhibition price lists, and a biographical sketch.

Correspondence, both personal and business, makes up the bulk of this collection. Dehn maintained long friendships with many fellow artists and his correspondence includes letters from Aaron Bohrod, Federico Castellon, Albert Christ-Janer, Wanda Gág, Gustav Goetsch, George Grosz, Reginald Marsh, Elizabeth Olds, Abraham Rattner, Boardman Robinson, Frederick Shane, William Smith, and Benton Spruance. Additional notable correspondents include print dealer and curator Carl Zigrosser; journalists Max Eastman, Joseph Freeman, Frederick Kuh; editor Scofield Thayer, and his former wife, the Russian dancer Mura Dehn (neé Tsiperovitch). Business correspondence includes letters from art schools, associations, museums, and galleries affiliated with Dehn, including the Weyhe Gallery; Associated American Artists, a gallery that promoted American art to the middle classes; and the Kennedy Gallery, which represented the Dehn estate upon the artist's death. There is also correspondence from companies and organizations that commissioned commercial work from Dehn, such as greeting card publisher, American Artists Group . Finally the correspondence of Virginia Dehn includes letters to and from the University of Missouri Press related to the publication of Adolf Dehn Drawings and condolence cards and letters from friends and associates after the Adolf Dehn's death in May 1968.

Writings include manuscripts for Adolf Dehn's manual on painting technique, Watercolor, Gouache, and Casein Painting (Studio Publications, 1955), as well as his entries on technique and watercolor painting for Encyclopedia Britannica. Writings by others includes the catalog Adolf Dehn Drawings, prepared by his wife Virginia Dehn, and published in 1971 by the University of Missouri Press. There is also a journal with handwritten poems attributed to Eileen Hall Lake.

Printed materials consists of exhibition announcements and catalogs from galleries featuring Dehn's work including the Weyhe Gallery and Associated American Artists; art school brochures and newsletters from programs which Dehn attended or taught; and newspaper and magazine clippings including examples of his editorial cartoons, which appeared in The Liberator, The New Yorker, and Vanity Fair, among other publications as well as clippings of news items related to the artist. This series also includes examples of Dehn's commercial work, such as book covers, calendars, and Christmas cards. Additional similar printed materials can be found in the scrapbooks. Artwork consists of only a few sketches attributed to Dehn, others to Eileen Lake Hall, and an etching by S.W. Hayter.

Dehn is well documented through numerous photographs, both alone and with others, including a portrait by the renowned photographer André Kertész. Additional vintage photographs include Dehn with family members, friends, and a series of photographs taken with his wife, Virginia Dehn at Atelier Desjobert, where he had been making lithographs since the 1920s.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Material, circa 1920-1968 (Box 1; 10 folders)

Series 2: Correspondence, 1919-1982 (Boxes 1-4; 3.75 linear feet)

Series 3: Writings, circa 1920-1971 (Boxes 4-5; 0.25 linear feet)

Series 4: Financial Records, 1936-1965 (Box 5; 0.5 linear feet)

Series 5: Printed Materials, circa 1915-1987 (Boxes 5-6; 1.2 linear feet)

Series 6: Scrapbooks, 1912-1968(Boxes 6-7; 0.5 linear feet)

Series 7: Artwork, circa 1920-1945 (Box 6; 3 folders)

Series 8: Photographs, circa 1912-1961 (Boxes 6 and 8; 7 folders)
Biographical Note:
Adolf Dehn (1895-1968) was well-known for his drawings, lithographs and watercolors which satirically chronicled the social and political milieu of his times, as well as poetic landscapes, many of which depicted the rolling hills and farmlands of his native Midwest. Although he worked mostly in New York, Dehn also spent substantial time traveling and working in Europe, the Middle East, South America, and the American mid-west.

Dehn was born on a farm in Waterville, Minnesota on November 22, 1895, he began his formal art education in 1914 at the Minneapolis School of Art (currently known as the Minneapolis College of Art and Design). As a student, his drawings were featured in the school's humor journal, The Minne-Ha-Ha and by 1917 he had published his first drawing in one of his favorite political journals, The Masses. Later that year he and fellow Minneapolis School of Art student Wanda Gág were among a select group of art students nationwide who won scholarships to the Art Students League of New York. After only eight months in New York, however, Dehn was drafted into the Army to serve in the final months of World War I, but he proclaimed himself as a conscientious objector and was sent to Camp Wadsworth in South Carolina for several months.

Dehn returned to New York, where his friend and mentor Boardman Robinson introduced him to lithography through the master printer George Miller and brought him to the Weyhe Gallery to meet Carl Zigrosser, an avid supporter of American printmakers. However, he soon left New York for Europe in September 1921 where he spent most of the following eight years. There he traveled with his sketchbooks to the cafes and opera houses of Berlin, Paris, and Vienna, as well as on hiking trips in the Alps. He became friends with the poet E.E. Cummings, Scofield Thayer, editor of The Dial, who published many of his drawings, and met the German artist, George Grosz, whose work he so admired. In addition to The Dial, his satirical drawings of jazz-age entertainments and European cafe life also appeared in , The Liberator, Jugend, Vanity Fair, and Simplicissimus. Finally during his stint in Europe, Dehn met and married the Russian dancer Mura Tsiperovitch. They were married in Vienna in 1926, but divorced sometime in the early 1930s.

Unfortunately Dehn's return to the United States coincided with the Great Depression of 1929 and sales of his work were slim. However in the 1930s, The New Yorker and Vogue began to publish his work. He continued to work in lithography and returned to Paris to work at the Atelier Desjobert, the print studio with whom he worked most closely throughout his life. In the late 1930s, Dehn began working in watercolors, mostly rural landscapes, and had a one man show of works in his new medium at Weyhe Gallery in 1938. In 1939 Dehn traveled through the Southwest and Mexico on his first Guggenheim Fellowship (he was awarded his second in 1951).

By the 1940s Dehn was an active member of both the American Artists Group and Associated American Artists; both organizations sought to popularize contemporary American Art, primarily through reproductions of fine art prints and commercial use of artists' designs on greeting card, calendars, and even wall paper. Appreciation for his lithographs and watercolors grew, and along with it his recognition. He also taught art classes a few summers; in the late 1930s at Stephens College, Columbia, Missouri where his friend Albert Janner-Christ was head of the art department and in the early 1940s at the Colorado Springs Fine Arts Center, where friend and mentor Boardman Robinson was the director. In 1955 he published Watercolor, Gouache, and Casein Painting, a manual on technique. Throughout the rest of his life he continued to travel, not only returning to Europe, but also visiting Afganistan, Cuba, Haiti, and a trip to Venuzuala on assignment from Standard Oil to document the oil industry there. On many of his later trips, he was accompanied by his wife, fellow artist, Virginia Engleman Dehn, whom he had married in November 1947.

Near the end of his long career, Dehn was elected in 1961 to the National Academy of Design as a full academician. He was later elected to the National Academy of Arts and Letters. After his death in 1968, his wife Virginia worked with the University of Missouri Press on the catalog Adolf Dehn Drawings (Columbia: University of Missouri, 1971).
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 287 contains printed materials, including exhibition announcements, catalogs, magazines, and newspaper and magazine clippings. After filming, these materials were transferred to the Smithsonian American Art Museum/National Portrait Gallery Library. Reels 2938-2939 include 750 letters from Adolf Dehn to various family members. This material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Adolf Dehn papers were donated in several installments from 1966 to 1985 by Adolf Dehn and his wife Virginia. Dehn's sisters, Viola Dehn Tiala and Olivia Dehn Mitchell, separately donated additional materials in 1971 and 1972. Olivia Dehn Mitchell also loaned the Archives letters from Adolf in 1983 for microfilming. Finally in 1989, Lillian Morrison, a friend and editor, donated a published book of Mura Dehn's poetry and a four page draft of a letter signed by Adolf Dehn.
Restrictions:
Use of originals requires an appointment.
Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting -- Technique  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Graphic arts -- New York (State) -- New York  Search this
Genre/Form:
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dehnadop
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dehnadop

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Doug, Ashford  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E., 1906-1985 (Richard Emmett)  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.9 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.9 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.9 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The New York Artists Equity Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to the public for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Artists -- United States  Search this
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Hayter e l'atelier 17 : [mosta, Roma, Calcografia, Accademia di San Luca, 10 maggio-1 luglio 1990] / a cura di Carla Esposito

Author:
Esposito, Carla  Search this
Hayter, Stanley William 1901-1988  Search this
Atelier 17  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Atelier 17  Search this
Physical description:
272 p. : ill. (mostly col.) ; 28 cm
Type:
Exhibitions
Date:
1990
C1990
20th century
Topic:
Prints  Search this
Call number:
N40.1.H425y E87 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_603359

Stanley William Hayter : acqueforti e bulini dal 68 al 78 : Istituto nazionale per la grafica, Calcografia, Roma / S. W. Hayter ; [catalogo a cura di Onofrio Speciale, Pasquale Santoro] ; introduzione di Rudolf Arnheim

Author:
Hayter, Stanley William 1901-1988  Search this
Calcografia nazionale (Italy)  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
66 p. : ill. (some col.) ; 22 x 24 cm
Type:
Books
Exhibitions
Date:
1978
Call number:
N40.1.H425 C35 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_607187

S.W. Hayter og hans norske elever : [utstilling] : Kunstnernes Hus, 25. august - 16. september 1979 ; Ibsenhuset 20. - 30. september 1979

Author:
Hayter, Stanley William 1901-1988-  Search this
Breivik, Anne 1932-  Search this
Subject:
Hayter, Stanley William 1901-1988-  Search this
Kunstnernes hus (Oslo, Norway)  Search this
Ibsenhuset  Search this
Physical description:
28 p. : ill. ; 21 cm
Type:
Exhibitions
Date:
1979
1979?]
20th century
Topic:
Art, Norwegian  Search this
Call number:
ND497.H44 A4 1979
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_645925

The Renaissance of gravure : the art of S.W. Hayter : (incorporating the catalogue of the retrospective exhibition at the Ashmolean Museum, Oxford, 11 October-27 November 1988) / edited by P.M.S. Hacker

Author:
Hacker, P. M. S (Peter Michael Stephan)  Search this
Hayter, Stanley William 1901-1988  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
x, 125 p., [40] p. of plates : ill. (some col.), ports. ; 25 cm
Type:
Books
Date:
1988
Topic:
Intaglio printing--Exhibitions  Search this
Prints--Technique  Search this
Call number:
NE627.H42 R39 1988
NE627.H42R39 1988
N40.1.H425A8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_361981

Interview with Stanley William Hayter

Creator:
Marxer, Donna, 1934-  Search this
Hayter, Stanley William, 1901-1988  Search this
Subject:
Brancusi, Constantin  Search this
Type:
Sound Recording
Date:
1977 January 7
Record number:
(DSI-AAA)10499
See more items in:
Donna Marxer interviews of artists, 1977-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10499

Hayter / Georges Limbour

Author:
Limbour, Georges 1900-1970  Search this
Subject:
Hayter, Stanley William 1901-1988  Search this
Physical description:
77 p. : ill. (some col.) ; 19 cm
Type:
Books
Date:
1962
C1962
Call number:
N40.1.H425 L56 1962
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_613436

New ways of gravure. Pref. by Herbert Read

Author:
Hayter, Stanley William 1901-1988  Search this
Physical description:
274 p. illus., col. plates. 26 cm
Type:
Books
Date:
1949
[1949]
Topic:
Engraving--Technique  Search this
Call number:
NE850.H4X 1949
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_409152

Modify Your Search






or


Narrow By