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Golub, Leon

Collection Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Container:
Box 5, Folder
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galedars-ref69

Golub, Leon

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 18
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
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Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref533

Golub, Leon

Collection Creator::
Smithsonian Astrophysical Observatory. Publications and Information  Search this
Container:
Box 6 of 10
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 16-263, Smithsonian Astrophysical Observatory. Publications and Information, Publication Files
See more items in:
Publication Files
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-263-refidd1e6292

Golub, Leon

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture  Search this
Container:
Box 30 of 35
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 469, Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture, Curatorial Records
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Curatorial Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0469-refidd1e16455

Golub, Leon and Nancy Spero

Collection Creator::
Archives of American Art  Search this
Container:
Box 38 of 55
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2019; Transferring office; 3/2/1988 memorandum, Massa to Fleckner; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 06-089, Archives of American Art, Departmental Records
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Departmental Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-089-refidd1e13498

Golub, Leon: Head XVIII, Irish Museum of Modern Art, (Tour): 07/2000 - 08/2001, L.2000-21

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Office of the Registrar  Search this
Container:
Box 1 of 3
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 09-163, Hirshhorn Museum and Sculpture Garden. Office of the Registrar, Outgoing Loan Files
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Outgoing Loan Files
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa09-163-refidd1e898

Glenn, Connie - Gomez, Mr.

Collection Creator:
Tworkov, Jack  Search this
Container:
Box 2, Folder 45
Type:
Archival materials
Date:
1963-1974
Scope and Contents note:
Glenn, Connie

Golub, Leon

Goldberg, Gary

Goldberg, Mike

Goldberg, Stanleigh and Lorraine

Goldys, Dorothea

Gomez, Mr.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Jack Tworkov papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
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Jack Tworkov papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tworjack2-ref170

Golub, Leon, 1985-1989

Collection Creator:
Smithsonian Institution, Office of Fellowships and Internships.  Search this
Type:
Archival materials
Collection Rights:
Restricted for 15 years; until Jan-01-2028. These records contain sensitive information and will be redacted by SIA before use by researchers. Boxes 1, 6-7, 12-14, and 58-64 contain materials restricted indefinitely; see finding aid.; Transferring office; 8/19/2013 memorandum, Johnstone to Murphy; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 14-099, Smithsonian Institution, Office of Fellowships and Internships. , Program Records
See more items in:
Program Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa14-099-refd1e9792

Galerie Darthea Speyer records

Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Names:
Musée national d'art moderne (France)  Search this
De Forest, Roy, 1930-2007  Search this
Delany, Beauford, 1901-  Search this
Foulkes, Llyn, 1934-  Search this
Gilliam, Sam  Search this
Golub, Leon, 1922-2004  Search this
Luboski, Richard, 1934-  Search this
Paschke, Ed  Search this
Remington, Deborah  Search this
Saul, Peter, 1934-  Search this
Speyer, Darthea  Search this
Weiss, Hugh, 1925-  Search this
Extent:
17.2 Linear feet
1.58 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Visitors' books
Photographs
Date:
1953-2010
Summary:
The records of Galerie Darthea Speyer measure 17.2 linear feet and 1.58 GB and date from 1953 to 2010. The majority of the collection consists of artists' files containing a wide variety of materials documenting the Paris gallery's relationship with American and European artists, as well as gallery exhibitions. Also found are scattered financial records, guestbooks, documentation on the Park Hyatt Paris-Vendome art collection, exhibition announcements, posters, and additional photographs.
Scope and Content Note:
The records of Galerie Darthea Speyer measure 17.2 linear feet and 1.58 GB and date from 1953 to 2010. The majority of the collection consists of artists' files containing a wide variety of materials documenting the Paris gallery's relationship with American and European artists, as well as gallery exhibitions. Also found are scattered financial records, guestbooks, documentation on the Park Hyatt Paris-Vendome art collection, exhibition announcements, posters, and additional photographs.

Artists' files are varied but may contain biographical materials, correspondence and business records, printed materials, photographs, digital photographs, and slides. Correspondence is with artists and others primarily concerning the exhibition or sale of the artists' work. Also filed with the correspondence are other scattered business records regarding the artists' dealing with the gallery including exhibition documents and sales records. Photographs depict artists, artwork, exhibition installations and exhibition openings at Galerie Darthea Speyer. Printed material includes exhibition announcements, catalogs, and extensive press clippings. Files for prominent American artists such as Roy De Forest, Beauford Delaney, Llyn Foulkes, Leon Golub, Sam Gilliam, Richard Luboski, Ed Paschke, Peter Saul, Deborah Remington, and others, document a long relationship between the artist and the gallery.

This collection also includes scattered financial records from 2000 to 2002. Eight gallery guestbooks, and documentation on the Park Hyatt Paris-Vendome art collection, which was organized by Darthea Speyer.

Printed material consists of posters and Galerie Darthea Speyer exhibition announcements. Included with the exhibition announcements are lists of exhibitions by year. Many of the posters advertise exhibitions organized by Darthea Speyer at the Musee National D'Art Moderne and Centre Culturel Americain, including 12 Modern American Painters and Sculptors (1953). Additional posters advertize exhibitions at Galerie Darthea Speyer and elsewhere for artists such as Leon Golub, Beauford Delaney, Ed Paschke, Peter Saul, Hugh Weiss, and several others.

Photographs include an unidentified exhibition opening, exhibition installations at Galerie Darthea Speyer, and artwork.
Arrangement:
The collection is arranged as 6 series:

Series 1: Artists' Files, 1955-2010 (Boxes 1-15; 14.8 linear feet, ER01-ER07; 1.58 GB)

Series 2: Financial Records, 2000-2002 (Box 15; 6 folders)

Series 3: Guestbooks, 1997-2009 (Box 16; 8 folders)

Series 4: Park Hyatt Paris-Vendome Art Collection, circa 1980s-2009 (Box 16; 4 folders)

Series 5: Printed Material, 1953-2008 (Boxes 16, 17, OV 19-22; 0.8 linear feet)

Series 6: Photographs, circa 1960s-1970s (Boxes 17-18; 0.7 linear feet)
Historical Note:
Galerie Darthea Speyer was founded in 1968 by Darthea Speyer at 6, rue Jacques Callot, Paris, France. The gallery was notable for promoting American painting and sculpture in France until it closed in 2009.

Born in Pittsburgh, Pennsylvania, Darthea Speyer began collecting art at the age of 15. She studied art history at the Institute of Fine Arts, New York University, and in 1950 went to Paris as a cultural attaché for the United States Information Services (USIS). In 1953 she helped organize the exhibition 12 Modern American Painters and Sculptors at the Musee National D'Art Moderne, a show that initiated a change in the way Europeans viewed American Art. While working for the USIS, Speyer founded the Centre Culturel Americain where she gave many American artists their first European exhibition. She continued to work for the USIS until 1965.

Speyer opened Galerie Darthea Speyer during the May 1968 riots in Paris with an inaugural show of works by Deborah Remington. The gallery was designed by her brother, A. James Speyer, and primarily exhibited sculpture and paintings by Americans, as well as works by some European artists. Over the next 40 years Darthea Speyer remained a powerful advocate for American artists in the European market.
Related Material:
Also found in the Archives of American Art is an oral history interview with Darthea Speyer conducted by Paul Cummings, June 28, 1976.
Provenance:
Records were donated in 2010 by Emmanuelle Gelzer, owner of Galerie Darthea Speyer.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- France -- Paris  Search this
Genre/Form:
Visitors' books
Photographs
Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.galedars
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-galedars
Additional Online Media:

Nancy Spero papers

Creator:
Spero, Nancy, 1926-2009  Search this
Names:
A.I.R. Gallery (New York, N.Y.)  Search this
Golub, Leon, 1922-2004  Search this
Extent:
27.5 Linear feet
Type:
Archival materials
Collection descriptions
Slides
Sound recordings
Interviews
Transcripts
Photographs
Video recordings
Date:
1940s-2009
Summary:
The papers of painter, collage artist, and printmaker Nancy Spero measure 27.5 linear feet and are dated 1940s-2009. Biographical materials, correspondence, interviews, writings, subject files, personal business records, printed material, and photographic materials provide an overview of her exhibitions, major projects, and personal life. Also documented is her interest and participation in political movements and social issues including anti-war, women's rights, animal rights, repressive regimes, and the treatment of political prisoners.
Scope and Contents:
The papers of painter, printmaker, and collage artist Nancy Spero measure 27.5 linear feet and are dated 1940s-2009. Biographical materials, correspondence, interviews,writings, subject files, personal business records, printed material, and photographic materials provide an overview of her exhibitions, major projects, and personal life. Also documented is her interest and participation in political and social movements including anti-war, women's rights, animal rights, and raising awareness about repressive regimes, and the treatment of political prisoners.

Biographical materials include 29 audiovisual recordings about Nancy Spero and her work. Also found are biographical notes, resumes, and her passport. Correspondence concerns exhibitions, projects, travel, general news of family and friends, social events, and fundraising for political and social causes that Spero supported.

Interviews with Spero, conducted for a variety of purposes, include 7 audiovisual recordings, many transcripts, and published versions. Also, there are several joint interviews with Nancy Spero and Leon Golub. Spero's writings consist of notes, artist's statements, and articles. Also included are 7 audiovisual recordings of talks by Spero and her participation in panel discussions.

Subject files document many of Spero's personal and professional projects, relationships, and interests. Especially well documented is A.I.R. Gallery which includes 42 sound cassettes of talks presented in its "Current Issues and Events" series (1982-1984), gallery correspondence, exhibition documentation, and records of the A.I.R. Partnership.

Personal business records include many inventories and lists. Also documented are gifts, loans, sales, prices, reproduction permissions and fees. Printed material consists of a variety of items such as books, clippings, exhibition catalogs and announcements, periodicals, press releases and reproductions. Many items mention Spero and/or include reproductions of her work. Also found with printed material are 22 commercially produced audiovisual recordings about various subjects.

Photographic materials include photographs, digital images, slides, negatives and color transparencies of artwork, exhibition installations, and people. Artwork is mainly by Spero and exhibition installations record some of her solo shows. Images of people include Nancy Spero, Leon Golub, unidentified friends and family members.
Arrangement:
The collection is arranged in 9 series:

Series 1: Biographical Material, 1950-2009 (Boxes 1-2, FC 31; 1.5 linear feet)

Series 2: Correspondence, 1946-2009 (Boxes 2-4; 2 linear feet)

Series 3: Interviews, 1973-2007 (Boxes 4-5; 0.8 linear foot)

Series 4: Writings, 1950-2003 (Box 5; 0.8 linear foot)

Series 5: Subject Files, circa 1950-2009 (Boxes 6-18, 29, RD 30; 12.6 linear feet)

Series 6: Personal Business Records, circa 1976-2008 (Boxes 18-19; 1 linear foot)

Series 7: Printed Material, 1949-2009 (Boxes 19-25; 6.1 linear feet)

Series 8: Photographic Material, 1940s-2009 (Boxes 25-26, 29; 1.2 linear feet)

Series 9: Video Recordings, 1970s-1990s (Boxes 26-28; 1 linear foot)
Biographical / Historical:
Nancy Spero (1926-2009) was a figurative painter, printmaker, and collage artist in New York City whose multi-media work often incorporated text. She was an ardent feminist and activist whose political and social concerns were expressed in her art.

Born in Cleveland, Nancy Spero lived in Chicago from the time she was a very young child until completing her studies at the School of the Art Institute of Chicago (BFA 1949) where she met her future husband, painter Leon Golub (1922-2004). She studied briefly in Paris and lived in New York City, returning to Chicago after her marriage in 1951. The couple and their two sons lived in Italy from 1956 to 1957. In 1959, after a few years in New York, the family moved to Paris where Spero developed an interest in existentialism and produced a series of black paintings. When Spero and Golub returned to New York in 1964, their family consisted of three sons.

Nancy Spero was strongly affected by the war in Vietnam and the many social changes of the period. She became a social activist and feminist, joined various organizations, and participated in a variety of demonstrations. Work such as the War series began to include political and sexual imagery. Spero was among the founding members of the women's cooperative A.I.R. Gallery established in 1972. In 1974 she decided to make women in mythology, history, art, and literature the exclusive subject of her work. Included in this vein are major series and installations, among them Torture of Women, Notes in Time on Women, The First Language, and her 66th Street/Lincoln Center subway station mosaic mural Artemis, Acrobats, Divas and Dancers.

Spero exhibited in the 1950 Salon des Independents and her first solo exhibition (in tandem with Leon Golub) was held at Indiana University in 1958. Thereafter, she showed sporadically until nearly 30 years later when her career flourished and she enjoyed international stature. Beginning in 1986, each year brought multiple solo exhibitions at galleries and museums in the United States and internationally. In addition, she continued to participate in group shows such as "Documenta" and the Venice Biennale. Her work is included in the permanent collections of museums throughout the world.

Awards and honors included the Skowhegan Medal for Works on Paper (1995), Hiroshima Art Prize shared with Leon Golub (1996), The Women's Caucus for Art award for Outstanding Achievement in Visual Arts (2003), and The Women's Caucus for Art Distinguished Artist Award for Lifetime Achievement (2005). Spero was awarded honorary Doctorates of Fine Arts by The School of the Art Institute of Chicago (1991) and Williams College (2001), and was elected a member of the American Academy of Arts and Letters (2006).

After several years of declining health, Nancy Spero died from heart failure in New York City, October 18, 2009.
Related Materials:
Also among the holdings of the Archives of American Art an interview of Nancy Spero conducted 2008 Februay 6-July 24, by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.
Provenance:
Gift of Nancy Spero in 1979. The majority of the collection was donated by her sons, Stephen Golub, Philip Golub, and Paul Golub in 2013.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Nancy Spero papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Topic:
Art -- Political aspects  Search this
Feminism  Search this
Collagists -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Peace movements  Search this
Genre/Form:
Slides
Sound recordings
Interviews
Transcripts
Photographs
Video recordings
Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spernanc
See more items in:
Nancy Spero papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-spernanc
Additional Online Media:

Dynamics of the Transition Corona

Author:
Golub, Leon  Search this
Reeves, Katharine K.  Search this
DeLuca, Edward E.  Search this
McCauley, Patrick  Search this
Masson, Sophie  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2014
Topic:
Astronomy  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_127265

Peter Howard Selz papers

Creator:
Selz, Peter Howard, 1919-  Search this
Names:
College Art Association of America  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
Marlborough Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
University of California, Berkeley. University Art Museum  Search this
Baykam, Bedri, 1957-  Search this
Beckmann, Max, 1884-1950  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Bury, Pol, 1922-2005  Search this
Calder, Alexander, 1898-1976  Search this
Chase-Riboud, Barbara  Search this
Christo, 1935-  Search this
Christo, 1935- (Running fence)  Search this
Conner, Bruce  Search this
Dubuffet, Jean, 1901-  Search this
Feininger, Lyonel, 1871-1956  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Graves, Morris, 1910-  Search this
Guston, Philip, 1913-1980  Search this
Hadzi, Dimitri, 1921-2006  Search this
Lebrun, Rico, 1900-1964  Search this
Lindner, Richard, 1901-  Search this
Lipchitz, Jacques, 1891-1973  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Onslow-Ford, Gordon  Search this
Paris, Harold, 1925-  Search this
Petlin, Irving, 1934-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Tinguely, Jean, 1925-  Search this
Extent:
31.5 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Date:
1929-2014
bulk 1950-2005
Summary:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed materials, and nine scrapbooks.
Scope and Contents:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz. There is 1 sound disc, 1 CD, and 1 floppy disc.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed material, and writings. There are also 11 CDs and 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. There are 4 CDs.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.
Arrangement:
This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)
Biographical / Historical:
Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berleley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.
Related Materials:
The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.
Provenance:
The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- California -- Berkeley  Search this
Topic:
Realism in art -- Germany  Search this
Political cartoons  Search this
Pop art -- Exhibitions  Search this
Environmental art  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art historians -- California -- Berkeley  Search this
Art -- Germany  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Video recordings
Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-selzpete
Additional Online Media:

Leon Golub Correspondence

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 18, Folder 12
Type:
Archival materials
Date:
1955-1982
Scope and Contents:
Correspondence between Peter Selz and Leon Golub.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref535

General Correspondence

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 18, Folder 14
Type:
Archival materials
Date:
1955-1960
Scope and Contents:
Correspondence between Selz and others about exhibitions and books on Leon Golub.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref538

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-  Search this
Dickinson, Edwin Walter, 1891-  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Archival materials
Collection descriptions
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Katharine Kuh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art festivals  Search this
Women museum curators -- Illinois -- Chicago  Search this
Women art critics -- New York (State) -- New York  Search this
Authors -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Art galleries, Commercial -- Illinois -- Chicago  Search this
Women art historians -- Illinois -- Chicago  Search this
Women art dealers -- Illinois -- Chicago  Search this
Women art dealers -- New York (State) -- New York  Search this
Women art critics -- Illinois -- Chicago  Search this
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhkath

Biographies and Curriculum Vitae

Collection Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Container:
Box 5, Folder 14
Type:
Archival materials
Date:
1970s-2001
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galedars-ref70

Correspondence and Business Records

Collection Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Extent:
(12 folders)
Container:
Box 5, Folder 15-26
Type:
Archival materials
Date:
1965-1997
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galedars-ref71

Correspondence and Business Records

Collection Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Extent:
(7 folders)
Container:
Box 6, Folder 1-7
Type:
Archival materials
Date:
1998-2005
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galedars-ref72

Photographs

Collection Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Extent:
(3 folders)
Container:
Box 6, Folder 8-10
Type:
Archival materials
Date:
circa 1960s-1990s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galedars-ref73

Printed Material

Collection Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Extent:
(7 folders)
Container:
Box 6, Folder 11-17
Type:
Archival materials
Date:
1960-2007
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Galerie Darthea Speyer records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-galedars-ref74

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