Skip to main content Smithsonian Institution

Search Results

Collections Search Center
34 documents - page 1 of 2

Fuller, Sue, 1914-2006

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
3 photographs
Container:
Binder 18
Type:
Archival materials
Photos
photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref220

Geometric Collage [collage] / (photographed by Walter Rosenblum)

Artist:
Fuller, Sue 1914-2006  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1957
Topic:
Schaefer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003518
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132966

Collage with Leaves and Writing [collage] / (photographed by Walter Rosenblum)

Artist:
Fuller, Sue 1914-2006  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1957
Topic:
Schaefer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003519
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132967

Collage with Patterns [collage] / (photographed by Walter Rosenblum)

Artist:
Fuller, Sue 1914-2006  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Schaefer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003530
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132978

Oral history interview with Sue Fuller, 1975 April 24-May 8

Interviewee:
Fuller, Sue, 1914-2006  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Arms, John Taylor  Search this
Rattner, Abraham  Search this
Schaefer, Bertha  Search this
Thurn, Ernest  Search this
Hofmann, Hans  Search this
Matta  Search this
Dewey, John  Search this
Schanker, Louis  Search this
D'Amico, Victor  Search this
Lejwa, Madeleine Chalette  Search this
Albers, Josef  Search this
Society of American Etchers  Search this
Carnegie Institute of Technology  Search this
Columbia University.Teachers College  Search this
Topic:
Sound recordings  Search this
Computer art  Search this
Women artists  Search this
Painting  Search this
Sculptors  Search this
Interviews  Search this
Printmakers  Search this
Art, American  Search this
Art  Search this
Calligraphy  Search this
Prints  Search this
Record number:
(DSI-AAA_CollID)13068
(DSI-AAA_SIRISBib)212685
AAA_collcode_fuller75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212685
Additional Online Media:

Priscilla Cunningham papers regarding Sue Fuller

Creator:
Cunningham, Priscilla  Search this
Names:
Atelier 17  Search this
Fuller, Sue (1914-2006)  Search this
Extent:
0.2 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1982-2006
Summary:
Priscilla Cunningham papers regarding Sue Fuller measure 0.2 linear feet and are dated 1982-2006. The friendship between Cunningham and Fuller and Fuller's sculpture are documented by letters and photographs. Also included is a written version of Fuller's reminiscences of Atelier 17 in New York City that she presented at the Pollock-Krasner House and Study Center in 1993.
Scope and Content Note:
Priscilla Cunningham papers regarding Sue Fuller measure 0.2 linear feet and are dated 1982-2006. The friendship between Cunningham and Fuller and Fuller's sculpture are documented by letters and photographs. Also included is a written version of Fuller's reminiscences of Atelier 17 in New York City that she presented at the Pollock-Krasner House and Study Center in 1993.
Arrangement:
The collection is arranged as 4 series:

Series 1: Letters, 1982-2006 (Box 1; 0.1 linear ft.)

Series 2: Writing, 1993 (Box 1; 1 folder)

Series 3: Printed Material, 1982-2004 (Box 1; 1 folder)

Series 4: Photographs, 1983-2005 (Box 1; 1 folder)
Biographical Note:
Art historian and art collector Priscilla Cunningham is the daughter of art museum director Charles Cunningham. For over twenty years, she was a close friend of Sue Fuller. Ms. Cunningham lives in Hampton Bays, New York.

Sue Fuller (1914-2006) was a printmaker and sculptor in New York City and Southampton, New York. She served as Stanley William Hayter's assistant at Atelier 17 in New York City in the mid 1940s. Fuller later became known for three-dimensional constructions composed of string and in the 1960s patented a method for embedding thread constructions in plastic.
Related Material:
Oral history interview with Sue Fuller conducted by Paul Cummings for the Archives of American Art in 1975.
Provenance:
Gift of Priscilla Cunningham, 2007.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Priscilla Cunningham papers regarding Sue Fuller are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State) -- New York  Search this
Women printmakers  Search this
Women artists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Priscilla Cunningham papers regarding Sue Fuller, 1982-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cunnpris
See more items in:
Priscilla Cunningham papers regarding Sue Fuller
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnpris

Worden Day papers

Creator:
Day, Worden, 1916-1986  Search this
Names:
Hans Hofmann School of Fine Arts  Search this
Montclair Art Museum  Search this
State University of Iowa  Search this
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Dehner, Dorothy, 1901-1994  Search this
Fish, Alice  Search this
Foster, Betty  Search this
Fuller, Sue (1914-2006)  Search this
Hofmann, Hans, 1880-1966  Search this
Lasansky, Mauricio, 1914-  Search this
Minewski, Alex, 1917-1979  Search this
Moy, Seong  Search this
Peterdi, Gabor  Search this
Rupprecht, Edgar A.  Search this
Rupprecht, Isabell  Search this
Sarton, May, 1912-  Search this
Schrag, Karl  Search this
Thurn, Ernest  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
2.5 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Date:
1935-1986
Summary:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 2.5 linear feet and date from 1935-1986. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.
Scope and Contents:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 2.5 linear feet and date from 1935-1986. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

Included are biographical material consisting of resumes and an address book. Correspondence is with colleagues, curators, and museum directors including Will Barnet, Carl Zigrosser, May Sarton, Dorothy Dehner, Louise Bourgeois, Sue Fuller, among others. Writings by Day are about sculpture and painting, among them four unpublished manuscripts "Pop Art as an American Cultural Phenomenon," "What is a Print," "The Found Dimension- Aspects in the Development of Modern American Sculpture," and "New Expressions of Woodcut," and reviews for exhibitions written by Day for Art News. Also found in the collection are printed materials; scrapbooks; photographs of Day, her works and photograph albums; and three sketchbooks. Audiovisual material is arranged with biographical material and includes a taped interview on audio cassette with Day and one reel of motion picture film (also available as digital files), "Printmakers," presented by United States Information Service, 1961, showing American printmakers Mauricio Lasansky, Day, Karl Schrag, Seong Moy and Gabor Petredi at work and students in the School of Graphic Arts at the State University of Iowa, founded by Lasansky. Also arranged with biographical material is a file relating to an exhibition on the work of painter Vaclav Vytlacil organized by Day in 1975 at the Montclair Art Museum containing correspondence; letter fragments from Alex Minewski; writings by Vytlacil regarding his career and work with Hans Hofmann; an audio cassette; photographs of Vytlacil, Hofmann teaching in Munich, Ed and Isabell Rupprecht, Ernest Thurn, Betty Foster, and Alice Fish at the Hofmann School of Fine Arts, Munich; and the exhibition catalog.
Arrangement:
The collection is arranged as seven series

Series 1: Biographical Material, 1960-1986 (Box 1, FC6; 0.5 linear feet)

Series 2: Correspondence, 1953-1977 (Box 1; 1 folder)

Series 3: Writings, 1955-1985 (Box 1; 0.3 linear feet)

Series 4: Printed Material, 1949-1983 (Box 1; 0.3 linear feet)

Series 5: Scrapbooks, 1940-1984 (Boxes 1, 4; 0.5 linear feet)

Series 6: Photographic Material, 1935-1986 (Boxes 2-3; 0.5 linear feet)

Series 7: Sketchbooks, 1960-1986 (Boxes 3, 5; 0.4 linear feet)
Biographical / Historical:
Worden Day (1916-1986) was a sculptor, painter, printmaker and curator in Montclair, New Jersey. Born in Columbus, Ohio, Day graduated from Randolph-Macon College in 1934. She then moved to New York City, and over the next few decades, studied drawing with Maurice Sterne and George Grosz; drawing, painting, and printmaking with William Von Schlegell, Harry Sternberg, Hans Hofmann, Will Barnet, and Vaclav Vytlacil at the Art Students League; and etching with Stanley William Hayter at the New School for Social Research. After earning her M.A. from New York University in 1966, Day taught as an instructor and lecturer in color theory, drawing, printmaking, sculpture, design, collage, American art history, modern art theory, and women artists. Her written reviews and essays were featured in publications such as Art News, Art Voices, and Impressions, and she had solo exhibitions throughout the United States, including at the Smithsonian Institution, Baltimore Museum of Art, Cincinnati Art Museum, and Montclair Art Museum.
Provenance:
The papers were donated to the Archives of American Art from 1972-1983 by Worden Day. Additional material was donated in 2017 by Constance Duhamel, Day's friend.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art, American  Search this
Women artists  Search this
Prints -- Technique  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors--New Jersey  Search this
Sculpture  Search this
Art, Modern  Search this
Painting  Search this
Pop art  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dayword
See more items in:
Worden Day papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dayword

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Doug, Ashford  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E., 1906-1985 (Richard Emmett)  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.8 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The New York Artists Equity Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to the public for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Artists -- United States  Search this
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Sue Fuller: artist file, [photographs]

Artist:
Fuller, Sue 1914-2006  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001136
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138693

New York, New York [art work] / (photographed by Peter A. Juley & Son)

Artist:
Fuller, Sue 1914-2006  Search this
Type:
Photograph
Date:
1950
Image number:
JUL J0028023
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_28024

Owl [art work] / (photographed by Peter A. Juley & Son)

Artist:
Fuller, Sue 1914-2006  Search this
Type:
Photograph
Date:
1949
Topic:
Animal--Bird--Owl  Search this
Image number:
JUL J0059455
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_59456

Sue Fuller letters to Florence Forst, 1950-1994

Creator:
Fuller, Sue, 1914-2006  Search this
Subject:
Forst, Florence  Search this
Topic:
Sculptors  Search this
Women artists  Search this
Feminism and art  Search this
Printmakers  Search this
Photographs  Search this
Record number:
(DSI-AAA_CollID)6516
(DSI-AAA_SIRISBib)215775
AAA_collcode_fullsue
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215775

String Composition, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
String in plastic sculpture
Type:
Sculptures
Owner/Location:
Oklahoma City Museum of Art 415 Couch Drive Oklahoma City Oklahoma 73102
Date:
1966
Topic:
Abstract  Search this
Control number:
IAS 75007292
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_13290

String Embedment, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Red and blue nylon string embedded in lucite form
Type:
Sculptures
Owner/Location:
Marion Koogler McNay Art Museum 6000 North New Braunfels San Antonio Texas 78209 Accession Number: 1968.11
Date:
1968
Topic:
Abstract  Search this
Control number:
IAS 75008207
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_14451

String Composition #537, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Construction of nylon thread embedded in plexiglas
Type:
Sculptures
Owner/Location:
Indianapolis Museum of Art 1200 West 38th Street Indianapolis Indiana 46208-4196 Accession Number: 69.36.5
Topic:
Abstract  Search this
Control number:
IAS 13730042
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_25946

String Composition #357, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Plexiglas and nylon string with aluminum two-part stand
Type:
Sculptures
Owner/Location:
Smith College Smith College Museum of Art Elm Street at Bedford Terrace Northampton Massachusetts 01063 Accession Number: 1978:56-11
Date:
1965
Topic:
Abstract  Search this
Control number:
IAS 22280013
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26342

String Composition #624, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Plexiglas and nylon string; Base: fluorescent light tube embedded in wood
Type:
Sculptures
Owner/Location:
Smith College Smith College Museum of Art Elm Street at Bedford Terrace Northampton Massachusetts 01063 Accession Number: 1978:56-12
Date:
1969
Topic:
Abstract  Search this
Control number:
IAS 22280014
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26343

String Composition #417, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Plexiglas and nylon string; Base: plastic which can be illuminated
Type:
Sculptures
Owner/Location:
Smith College Smith College Museum of Art Elm Street at Bedford Terrace Northampton Massachusetts 01063 Accession Number: 1978:56-13
Date:
1965
Topic:
Abstract  Search this
Control number:
IAS 22280015
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26344

String Composition #407, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Plexiglas and string
Type:
Sculptures
Owner/Location:
Joslyn Art Museum 2200 Dodge Street Omaha Nebraska 68102
Date:
1965
Topic:
Undetermined  Search this
Control number:
IAS 76001418
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_2767

String Composition #336, (sculpture)

Sculptor:
Fuller, Sue 1914-2006  Search this
Medium:
Polypropalene thread embedded in plexiglas
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 776.69
Date:
1965
Topic:
Abstract  Search this
Control number:
IAS 36240180
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_28560

Modify Your Search






or


Narrow By