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Helen Frankenthaler

Artist:
Hans Namuth, 17 Mar 1915 - 13 Oct 1990  Search this
Sitter:
Helen Frankenthaler, 12 Dec 1928 - 27 Dec 2011  Search this
Medium:
Cibachrome print
Dimensions:
Image: 43.3cm x 49.5 cm (17 1/16" x 19 1/2")
Sheet: 40.4cm x 51 cm (15 7/8" x 20 1/16")
Type:
Photograph
Date:
1987
Topic:
Artwork\Painting  Search this
Artist's Effects  Search this
Interior\Studio\Art  Search this
Helen Frankenthaler: Female  Search this
Helen Frankenthaler: Visual Arts\Artist\Printmaker\Etcher  Search this
Helen Frankenthaler: Visual Arts\Artist\Painter  Search this
Helen Frankenthaler: Education\Administrator\University\Trustee  Search this
Helen Frankenthaler: Visual Arts\Art Instructor  Search this
Helen Frankenthaler: Visual Arts\Artist\Printmaker\Lithographer  Search this
Helen Frankenthaler: Visual Arts\Artist\Painter\Abstract Expressionist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; this acquisition was made possible by a generous contribution from the James Smithson Society
Object number:
NPG.94.287
Restrictions & Rights:
© Hans Namuth Ltd.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.94.287

Helen Frankenthaler

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002  Search this
Sitter:
Helen Frankenthaler, 12 Dec 1928 - 27 Dec 2011  Search this
Medium:
Chromogenic print
Dimensions:
Image: 34 x 26.5 cm (13 3/8 x 10 7/16")
Sheet: 35.4 x 27.8 cm (13 15/16 x 10 15/16")
Mount: 40.7 x 33 cm (16 x 13")
Type:
Photograph
Date:
1991
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Artwork  Search this
Helen Frankenthaler: Female  Search this
Helen Frankenthaler: Visual Arts\Artist\Printmaker\Etcher  Search this
Helen Frankenthaler: Visual Arts\Artist\Painter  Search this
Helen Frankenthaler: Education\Administrator\University\Trustee  Search this
Helen Frankenthaler: Visual Arts\Art Instructor  Search this
Helen Frankenthaler: Visual Arts\Artist\Printmaker\Lithographer  Search this
Helen Frankenthaler: Visual Arts\Artist\Painter\Abstract Expressionist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.29
Restrictions & Rights:
© Estate of Yousuf Karsh
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2012.77.29

Fendrick Gallery records, 1952-2001

Creator:
Fendrick Gallery  Search this
Subject:
Bailey, William  Search this
Tenneson, Joyce  Search this
Arneson, Robert  Search this
Cottingham, Robert  Search this
da Conceicao, Maria  Search this
Lalanne, Claude  Search this
Brush, Daniel  Search this
Dusenbery, Walter  Search this
Benes, Barton Lidic  Search this
Gilliam, Sam  Search this
Castle, Wendell  Search this
Raffael, Joseph  Search this
Frankenthaler, Helen  Search this
Lalanne, Fran­cois Xavier  Search this
Dreyfuss, John  Search this
Johns, Jasper  Search this
Woodyard, William  Search this
Drake, James  Search this
Kaskey, Raymond J.  Search this
Summers, Carol  Search this
Paley, Albert  Search this
Barbara Fendrick Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Topic:
Jewelers  Search this
Furniture designers  Search this
Metal-workers  Search this
Sculptors  Search this
Art galleries, Commercial  Search this
Painters  Search this
Art, Modern  Search this
Account books  Search this
Printmakers  Search this
Art  Search this
Artists' books  Search this
Photographs  Search this
Artists  Search this
Record number:
(DSI-AAA_CollID)6271
(DSI-AAA_SIRISBib)216614
AAA_collcode_fendgall
Theme:
The Art Market
Art Gallery Records
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216614
Additional Online Media:

Helen Frankenthaler

Artist:
René Robert Bouché, 20 Sep 1905 - Jul 1963  Search this
Sitter:
Helen Frankenthaler, 12 Dec 1928 - 27 Dec 2011  Search this
Medium:
Oil on canvas
Dimensions:
75.3cm x 68.7cm (29 5/8" x 27 1/16"), Accurate
Type:
Painting
Date:
1955
Topic:
Helen Frankenthaler: Female  Search this
Helen Frankenthaler: Visual Arts\Artist\Printmaker\Etcher  Search this
Helen Frankenthaler: Visual Arts\Artist\Painter  Search this
Helen Frankenthaler: Education\Administrator\University\Trustee  Search this
Helen Frankenthaler: Visual Arts\Art Instructor  Search this
Helen Frankenthaler: Visual Arts\Artist\Printmaker\Lithographer  Search this
Helen Frankenthaler: Visual Arts\Artist\Painter\Abstract Expressionist  Search this
Portrait  Search this
Credit Line:
Owner: Museum of the City of New York
Website: www.mcny.org/
Object number:
62.237.2
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_62.237.2

Fendrick Gallery records

Creator:
Fendrick Gallery  Search this
Names:
Barbara Fendrick Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Arneson, Robert, 1930-1992  Search this
Bailey, William, 1930-  Search this
Benes, Barton Lidic  Search this
Brush, Daniel  Search this
Castle, Wendell, 1932-  Search this
Cottingham, Robert, 1935-  Search this
Drake, James, 1946-  Search this
Dreyfuss, John, 1949-  Search this
Dusenbery, Walter, 1939-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gilliam, Sam  Search this
Johns, Jasper, 1930-  Search this
KaskeyRaymond J., 1943-  Search this
Lalanne, Claude  Search this
Lalanne, François Xavier  Search this
Maria da Conceição  Search this
Paley, Albert  Search this
Raffael, Joseph, 1933-  Search this
Summer, Carol  Search this
Tenneson, Joyce, 1945-  Search this
Woodyard, William  Search this
Extent:
106.4 Linear feet
Type:
Archival materials
Collection descriptions
Account books
Photographs
Date:
1952-2001
Summary:
The records of the Fendrick Gallery measure 106.4 linear feet and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.
Scope and Content Note:
The records of the Fendrick Gallery measure 106.4 linear feet and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relationships with and representation of over 300 contemporary artists, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler, Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

Series 1, Artist's Files, measures almost 42 linear feet and dates from 1962-2001. Found here are files documenting the gallery's relationship with over 300 contemporary artists. Files typically contain correspondence, sales receipts, printed materials, exhibition catalogs and announcements, commission information, photographs, slides, and other materials.

Series 2, Albert Paley, 1970-2001, and undated, provides detailed documentation (14.5 linear feet) of the Fendrick gallery's representation of prominent American metal sculptor Albert Paley. The gallery represented Paley from the early 1980s through the early 1990s and devoted a great deal of its resources promoting Paley's work through exhibitions and commissioned sales. Correspondence between the Fendrick Galleries and Paley Studios is found in this series, along with publicity materials, commission proposals and sketches, exhibition materials, and audio-visual and photographic documentation of Paley's work. Researchers should also consult Series 3 for additional documentation of Paley's commissioned projects.

Series 3, Commissioned Works and Projects, 1972-2000, and undated, documents the variety of commissions and special projects the gallery arranged and managed on behalf of its represented artists. Because privately commissioned work and government-sponsored public art projects represented a significant source of revenue for the Fendrick galleries, the gallery devoted a substantial amount of time and resources towards securing these projects. These files contain applications, proposals, sketches, correspondence, photographs and other material arranged by name of project.

Series 4, Exhibition Files, 1961, 1970-1996, and undated, houses files relating to exhibitions organized by Fendrick Gallery. Found here are exhibition announcements, invitations, and catalogs; specific named exhibition files; and files concerning special projects or exhibitions, often jointly curated with other galleries or institutions. The Fendrick gallery was also actively involved in various governmental programs, such as Art in the Embassies Program, and organized traveling exhibits or loaned artwork to them.

The gallery's relationships with other galleries, museums, institutions, and art organizations is documented in Series 5, Museums and Galleries Files, 1952-2000, and undated. Many of the files concern loans, exhibition venues, and joint exhibitions or projects.

Series 6, Subject Files, 1952, 1960-2001, and undated contain numerous files arranged by subject heading. Here, researchers will find information collected and maintained by the gallery on various art medium, artists of interest, exhibition catalogs from museums and other galleries, information about small and fine art presses. Of particular interest are several folders entitled "Fine Art Printers & Publishers." Barbara Fendrick's early years in the art business centered upon exhibiting, promoting, and selling prints produced by young, emerging American artists. The information found here documents her growing personal relationships with some of the most prominent artists and printmakers of this era.

Records documenting administrative, business, operating, and financial affairs are arranged in Series 7, Administrative and Financial Files, 1960-2001, and undated. Found here are records of both the Barbara Fendrick Gallery (New York) and the Fendrick Gallery (Washington, D.C.), as well as files that document Barbara Fendrick's role as art consultant, appraiser, lecturer, exhibition juror, and guest curator. Found are numerous inventory cards, insurance records, consignment files, general correspondence, lists, loan files, notebooks, real estate files, card files on artists and clients, and history files. Of particular interest are the Day Books/Dailies maintained by the New York gallery staff consisting of entries and notes regarding prospective clients and their interests. The Telephone Log Books contain details of telephone conversations with artists, clients, dealers, and other art professionals. Series 7 also houses the financial records of both galleries, including invoices, financial statements, expenses, accounts, and tax records.
Arrangement:
The Fendrick Gallery records were processed to the series, subseries, and folder level. The collection is arranged into seven series. Items within folders, for the most part, were not fully sorted or preserved. When possible, materials were generally arranged at least by year. Within Series 1, Artists' Files, each set of folders for a particular artist are only given span dates. Due to the amount and complexity of material compiled on the artist Albert Paley, his files are arranged into a separate series of their own.

Series 1: Artists Files, 1962-2001, undated (Box 1-42, OV 108-110; 41.5 linear ft.)

Series 2: Albert Paley, 1970-2001, undated (Box 42-54; Box 107, OV 111-113, 117-118, FC 119; 14.6 linear ft.)

Series 3: Commissioned Works and Projects, 1972- 2000, undated (Box 54-57; 3.5 linear ft.)

Series 4: Exhibition Files, 1961, 1970-1996, undated (Box 58-63; 5.5 linear feet)

Series 5: Museums and Galleries Files, 1952-200, undated (Box 64-73; 9.25 linear feet)

Series 6: Subject Files, 1952, 1960-2001, undated (Box 73-88, OV 115-116, FC 120; 15.6 linear ft.)

Series 7: Administrative and Financial Files, undated (Box 88-106; OV)
Historical Note:
The Fendrick Gallery was established in 1960 as a "by appointment only" gallery out of Barbara Fendrick's Washington, D.C. area home. Initially the gallery promoted contemporary American and European prints by emerging artists and also commissioned print editions by nationally known artists. During the mid 1960s, the Fendrick Gallery also coordinated and produced art exhibitions on a contract basis for the United States Information Agency. The gallery was responsible for organizing the first large American art exhibition at the Department of State and the Federal Reserve.

In May, 1970 the Fendrick Gallery moved into a three-story townhouse in Georgetown and began presenting regular exhibitions open to the public. The gallery offered many prominent American artists, such as Robert Arneson, Jim Dine, Helen Frankenthaler, Jasper Johns, Louise Nevelson, and Robert Rauschenberg their first solo shows in the nation's capital. The Fendrick Gallery also represented many nationally known sculptors, such as John Dreyfuss, Walter Dusenbery, Raymond Kaskey, and Albert Paley.

Over the years, Fendrick Gallery promoted many emerging artists who were breaking down the barriers between art and craft in the areas of clay, furniture, metal, and book arts. The gallery held the first major show of contemporary ceramics on the East Coast, with the 1976 exhibition, Clay USA. The gallery also received critical acclaim for its exhibitions in the area of "book arts" and held four shows featuring the works of prominent American and international book artists.

In 1987 and 1988, the gallery expanded and opened the Barbara Fendrick Gallery in the Soho section of New York City. The New York location operated as both a gallery space and storage area and was often referred to as "The Warehouse." Both the Fendrick Gallery and the Barbara Fendrick Gallery closed in the summer of 1991, but Barbara Fendrick continues to work as an art consultant, appraiser, exhibition juror, lecturer, and guest curator.
Provenance:
The records of the Fendrick Gallery were donated to the Archives of American Art by Barbara Fendrick in 1999, with an addition to the records in 2001.
Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Rights:
The Fendrick Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Washington (D.C.)  Search this
Furniture designers  Search this
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Sculptors  Search this
Artists' books  Search this
Art galleries, Commercial -- Washington (D.C.)  Search this
Painters  Search this
Printmakers  Search this
Metal-workers  Search this
Jewelers  Search this
Genre/Form:
Account books
Photographs
Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fendgall
See more items in:
Fendrick Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fendgall
Additional Online Media:

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