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Chief S.O. Alonge photographic collection

Photographer:
Alonge, Solomon Osagie, Chief, 1911-1994  Search this
Names:
Alexandra, Princess, 1936- (granddaughter of George V, King of Great Britain)  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921-  Search this
Extent:
100 photographic prints (black and white, hand-colored.)
4 photographic albums
1,800 negatives (photographic) (120 mm.)
150 negatives (photographic) (glass plate)
Container:
Item EEPA.2009-007
Culture:
Bini (African people)  Search this
Type:
Archival materials
Collection descriptions
Photographic prints
Black-and-white photographs
Albums
Negatives
Portraits
Hand coloring
Place:
Benin (Kingdom)
Africa
Nigeria
Date:
1926-1989
Summary:
The collection consists of approximately 1,950 glass plate and large format film negatives,100 hand-tinted and black-and-white prints and four photographic albums containing prints of various sizes, taken by Chief Solomon Osagie Alonge, the royal photographer to the Oba of Benin, Akenzua II (1933-1978). These images span six decades (1926 - 1989) and represent a dynamic, continuous record of the Benin Royal Court in Nigeria. Alonge documented the pageantry, ritual and regalia of the Obas, their wives and retainers for over a half-century, including the coronation of the King and the Iyoba, or queen mother. The collection also documents historic visits to Benin by Queen Elizabeth and Prince Philip (1956), Princess Alexandra (1960), foreign dignitaries, traditional rulers, political leaders and celebrities. The collection preserves an important historical record of Benin art and culture during the periods of British colonial rule and Nigerian independence in the 20th century. The rarity and historical value of the collection are enhanced by Alonge's privileged access to the Palace as a chief in the Iwebo Palace Society, a position which presents a unique insider's view of Benin royalty. The quality of the collection is testament to Alonge's technological skills in photography and his professionalism in keeping the collection ordered and well-preserved despite the heat, humidity and tropical climate of Nigeria.
Arrangement note:
Arrangement of negatives reflects the original order established by the photographer.
Biographical/Historical note:
Chief Solomon Osagie Alonge (1911-1994) was the first indigenous photographer of the Royal Court of Benin and one of the premier photographers of Nigeria. His significance as one of the earliest indigenous photographers in West Africa has been documented in detail by anthropologist Flora Kaplan. Alonge learned the craft of photography as a youth in Lagos during the 1920s and saw his profession as an honorable and distinguished calling. He clearly demonstrated an inclusive documentary perspective in his efforts to photograph many aspects of the world around him. In 1942, Alonge established the Ideal Photography Studio in Benin City and documented colonial society, the establishment of churches and businesses, and the formation of new civic organizations and social groups like the Benin Social Club (1940s). As a commercial photographer, Alonge photographed individual and group portraits, preserving a visual record of the everyday lives and peoples of Benin City. Alonge's studio portraits illustrate how local Africans presented themselves to the camera and engaged with the practice of photography during the early to mid-twentieth century.
General note:
Title provided by EEPA staff.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Diplomats  Search this
Kings and rulers  Search this
Coronations  Search this
Cultural landscapes  Search this
Royal households  Search this
Rites and ceremonies  Search this
Genre/Form:
Photographic prints
Black-and-white photographs
Albums
Negatives
Portraits
Hand coloring
Citation:
Chief S.O. Alonge Photographic Collection, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2009-007
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2009-007

Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Chester Dale papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Art dealers -- France -- Paris  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-daleches
Additional Online Media:

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-  Search this
Dickinson, Edwin Walter, 1891-  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Archival materials
Collection descriptions
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Katharine Kuh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art festivals  Search this
Women museum curators -- Illinois -- Chicago  Search this
Women art critics -- New York (State) -- New York  Search this
Authors -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Art galleries, Commercial -- Illinois -- Chicago  Search this
Women art historians -- Illinois -- Chicago  Search this
Women art dealers -- Illinois -- Chicago  Search this
Women art dealers -- New York (State) -- New York  Search this
Women art critics -- Illinois -- Chicago  Search this
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhkath

1953 coronation issue / by Giles Allen ; series editor, Douglas N Muir

Title:
Nineteen fifty three coronation issue
Author:
Allen, Giles  Search this
Subject:
Elizabeth II Queen of Great Britain 1926- Coronation On postage stamps  Search this
Physical description:
48 p. : ill. (some col.) ; 21 cm
Type:
Books
Place:
Great Britain
Date:
1997
Topic:
Kings and rulers on postage stamps  Search this
Commemorative postage stamps  Search this
Call number:
HE6183.E4 A45 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_562267

Bronze reliefs from ancient Benin : and two from Benin City of today Wilhelm Östberg

Author:
Östberg, Wilhelm  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Akenzua II Oba of Benin 1899-1978  Search this
Elizabeth II Queen of Great Britain 1926-  Search this
Ovonramwen King of Benin -1914  Search this
Omodamwen, Uyi 1974-  Search this
Omodamwen family  Search this
Type:
Articles
Portraits
Place:
Nigeria
Benin City
Date:
2010
21st century
Topic:
Benin bronze plaques  Search this
Art metal-work  Search this
Call number:
N7399.N52 B377 2010
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_989720

James Lee Byars telegram to Queen Elizabeth II

Creator:
Byars, James Lee, 1932-1997  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Subject:
Documenta (5th : 1972 : Kassel, Germany)  Search this
Type:
Correspondence
Date:
1972 Sept. 20
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)15438
See more items in:
Samuel Wagstaff papers, 1932-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15438

James Lee Byars telegram to Queen Elizabeth II

Creator:
Byars, James Lee, 1932-1997  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Subject:
Documenta (5th : 1972 : Kassel, Germany)  Search this
Type:
Correspondence
Date:
1972 Sept. 20
Record number:
(DSI-AAA)15439
See more items in:
Samuel Wagstaff papers, 1932-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15439

Princess Elizabeth with leader of the Girls' Life Brigade greeting crowds, Lobatse (Botswana)

Photographer:
Larrabee, Constance Stuart  Search this
Collection Photographer:
Larrabee, Constance Stuart  Search this
Extent:
1 negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Date:
1947
General:
Strip number: 7602, 7603; Larrabee's description on negative sleeve: Bechaunaland Royal Visit 1947; Original negative number: 74-c
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Lobatse (Botswana)  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1998-006, Item EEPA 1998-067603
See more items in:
Constance Stuart Larrabee Collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1998-006-ref10318

Princess Elizabeth with leader of the Girls' Life Brigade greeting crowds, Lobatse (Botswana)

Photographer:
Larrabee, Constance Stuart  Search this
Collection Photographer:
Larrabee, Constance Stuart  Search this
Extent:
1 negatives (photographic) (black and white, 120mm)
Type:
Archival materials
Negatives (photographic)
Date:
1947
General:
Strip number: 7604; Larrabee's description on negative sleeve: Bechaunaland Royal Visit 1947; Original negative number: 78-c
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Lobatse (Botswana)  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1998-006, Item EEPA 1998-067604
See more items in:
Constance Stuart Larrabee Collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1998-006-ref10319

Catalogue of Queen Elizabeth II postage stamps 1972

Title:
John Lister Queen Elizabeth II, British Commonwealth postage stamp catalogue 1972
Queen Elizabeth stamp catalogue
Author:
Lister, John 1920-2013  Search this
Publisher:
John Lister (Firm)  Search this
Subject:
Elizabeth II Queen of Great Britain 1926- On postage stamps  Search this
Physical description:
292 pages : illustrations ; 24 cm
Type:
Catalogs
Place:
Great Britain
Commonwealth countries
Date:
1972
Topic:
Postage stamps  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1105145

The Commonwealth catalogue of Queen Elizabeth II postage stamps : including Ireland and South Africa

Title:
Catalogue of Queen Elizabeth II postage stamps
Subject:
Elizabeth II Queen of Great Britain 1926- On postage stamps  Search this
Physical description:
8, 368, 8 pages : illustrations ; 24 cm
Type:
Catalogs
Place:
Commonwealth countries
Date:
1971
Topic:
Postage stamps  Search this
Call number:
HE6185.G6 C66 1971
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1102404

The Commonwealth catalogue of King George VI and Queen Elizabeth II postage stamps

Author:
Commonwealth Stamp Company  Search this
Physical description:
volumes illustrations 19 cm
Type:
Periodicals
Place:
Great Britain
Topic:
Postage stamps--Topics--George VI, King of Great Britain, 1895-1952  Search this
Postage stamps--Topics--Elizabeth II, Queen of Great Britain, 1926-  Search this
Postage stamps--Colonies  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_182282

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10 ;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8513-02A]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396612

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Hope diamond  Search this
Mineralogy  Search this
Exhibitions  Search this
Gems  Search this
Local number:
SIA RU000371 [76-8514-25A]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396613

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Burger, Warren E. 1907-1995  Search this
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, Mary Livingston  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Burger, Elvera Stromberg  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Smithsonian Institution Office of Public Affairs  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8515-11A]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396614

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Wallace, Jim (James H.)  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Burger, Warren E. 1907-1995  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8514-12A]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396618

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Hofmeister, Richard K  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Perrot, Paul N  Search this
Wheeler, T. Ames  Search this
Challinor, David  Search this
Blitzer, Charles  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8526-05]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396619

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Hofmeister, Richard K  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Burger, Warren E. 1907-1995  Search this
Ramsbotham, Peter 1919-2010  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
10 x 8;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8525-18A]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396620

Visit of Queen Elizabeth II to the Smithsonian Institution

Creator:
Hofmeister, Richard K  Search this
Subject:
Elizabeth II Queen of Great Britain 1926-  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Rockefeller, Nelson A (Nelson Aldrich) 1908-1979  Search this
Burger, Warren E. 1907-1995  Search this
Smithsonian Institution Office of Public Affairs  Search this
Smithsonian Institution Building (Washington, D.C.)  Search this
Physical description:
8 x 10;
Type:
Black-and-white photographs
Date:
1976
July 8, 1976
Topic:
Special events  Search this
Local number:
SIA RU000371 [76-8526-28A]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Public Domain
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_396621

Lonely boy is becoming a fine sculptor / Dugal I. Smith

Author:
Smith, Dugal I  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Enwonwu, Ben 1917-1994  Search this
Elizabeth II Queen of Great Britain 1926- Portraits  Search this
Physical description:
p. 35-37 : ill., port
Type:
Books
Date:
1958
Call number:
VF-- Enwonwu, Ben
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_755742

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