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Dehn, Adolf, 1895-1968

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
2 photographs
Container:
Binder 13
Type:
Archival materials
Photos
photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref157

Abraham Walkowitz [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Dehn, Adolf 1895-1968  Search this
Subject:
Walkowitz, Abraham  Search this
Type:
Photograph
Date:
1944
Topic:
Portrait male--Full length  Search this
Portrait male--Occupation--Artist  Search this
Occupation--Art--Painter  Search this
Image number:
JUL J0010644
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_10644

Mountain Landscape with Trees [art work] / (photographed by Walter Rosenblum)

Artist:
Dehn, Adolf 1895-1968  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
American Art  Search this
Landscape--Mountain  Search this
Landscape--Tree  Search this
Image number:
ROS R0000115
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_129584

Winter Landscape [art work] / (photographed by Walter Rosenblum)

Artist:
Dehn, Adolf 1895-1968  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Silberman  Search this
Landscape--Season--Winter  Search this
Landscape--Mountain  Search this
Image number:
ROS R0001729
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_131182

Minnesota in August, [photomechanical print]

Artist:
Dehn, Adolf 1895-1968  Search this
Photographic firm:
Living American Art, Inc.  Search this
Type:
Photomechanical prints
Date:
Copyrighted 1939, 1940
Topic:
Landscape--Minnesota  Search this
Landscape--Season--Summer  Search this
Landscape--Farm  Search this
Image number:
LOC LC000619
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_137886

Adolf Dehn papers

Creator:
Dehn, Adolf, 1895-1968  Search this
Names:
American Artists Group  Search this
Associated American Artists  Search this
Atelier Desjobert  Search this
Kennedy Galleries  Search this
University of Missouri Press  Search this
Bohrod, Aaron  Search this
Castellón, Federico, 1914-1971  Search this
Christ-Janer, Albert, 1910-1973  Search this
Dehn, Mura  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Eastman, Max, 1883-1969  Search this
Freeman, Joseph  Search this
Gag, Wanda, 1893-1946  Search this
Goetsch, Gustav F. (Gustav Frederick), 1877-1969  Search this
Grosz, George, 1893-1959  Search this
Hayter, Stanley William, 1901-1988  Search this
Kuh, Frederick, 1895-1978  Search this
Lake, Eileen Hall  Search this
Marsh, Reginald, 1898-1954  Search this
Mitchell, Olivia Dehn  Search this
Olds, Elizabeth, 1896-1991  Search this
Rattner, Abraham  Search this
Robinson, Boardman, 1876-1952  Search this
Shane, Fred, 1906-  Search this
Smith, William Arthur, 1918-1989  Search this
Spruance, Benton, 1904-1967  Search this
Thayer, Scofield, b. 1889  Search this
Zigrosser, Carl, 1891-  Search this
Photographer:
Kertész, André  Search this
Extent:
6.6 Linear feet
Type:
Archival materials
Collection descriptions
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Date:
1912-1987
Summary:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Scope and Content Note:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

Found within the biographical materials are several address books, official travel documents, exhibition price lists, and a biographical sketch.

Correspondence, both personal and business, makes up the bulk of this collection. Dehn maintained long friendships with many fellow artists and his correspondence includes letters from Aaron Bohrod, Federico Castellon, Albert Christ-Janer, Wanda Gág, Gustav Goetsch, George Grosz, Reginald Marsh, Elizabeth Olds, Abraham Rattner, Boardman Robinson, Frederick Shane, William Smith, and Benton Spruance. Additional notable correspondents include print dealer and curator Carl Zigrosser; journalists Max Eastman, Joseph Freeman, Frederick Kuh; editor Scofield Thayer, and his former wife, the Russian dancer Mura Dehn (neé Tsiperovitch). Business correspondence includes letters from art schools, associations, museums, and galleries affiliated with Dehn, including the Weyhe Gallery; Associated American Artists, a gallery that promoted American art to the middle classes; and the Kennedy Gallery, which represented the Dehn estate upon the artist's death. There is also correspondence from companies and organizations that commissioned commercial work from Dehn, such as greeting card publisher, American Artists Group . Finally the correspondence of Virginia Dehn includes letters to and from the University of Missouri Press related to the publication of Adolf Dehn Drawings and condolence cards and letters from friends and associates after the Adolf Dehn's death in May 1968.

Writings include manuscripts for Adolf Dehn's manual on painting technique, Watercolor, Gouache, and Casein Painting (Studio Publications, 1955), as well as his entries on technique and watercolor painting for Encyclopedia Britannica. Writings by others includes the catalog Adolf Dehn Drawings, prepared by his wife Virginia Dehn, and published in 1971 by the University of Missouri Press. There is also a journal with handwritten poems attributed to Eileen Hall Lake.

Printed materials consists of exhibition announcements and catalogs from galleries featuring Dehn's work including the Weyhe Gallery and Associated American Artists; art school brochures and newsletters from programs which Dehn attended or taught; and newspaper and magazine clippings including examples of his editorial cartoons, which appeared in The Liberator, The New Yorker, and Vanity Fair, among other publications as well as clippings of news items related to the artist. This series also includes examples of Dehn's commercial work, such as book covers, calendars, and Christmas cards. Additional similar printed materials can be found in the scrapbooks. Artwork consists of only a few sketches attributed to Dehn, others to Eileen Lake Hall, and an etching by S.W. Hayter.

Dehn is well documented through numerous photographs, both alone and with others, including a portrait by the renowned photographer André Kertész. Additional vintage photographs include Dehn with family members, friends, and a series of photographs taken with his wife, Virginia Dehn at Atelier Desjobert, where he had been making lithographs since the 1920s.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Material, circa 1920-1968 (Box 1; 10 folders)

Series 2: Correspondence, 1919-1982 (Boxes 1-4; 3.75 linear feet)

Series 3: Writings, circa 1920-1971 (Boxes 4-5; 0.25 linear feet)

Series 4: Financial Records, 1936-1965 (Box 5; 0.5 linear feet)

Series 5: Printed Materials, circa 1915-1987 (Boxes 5-6; 1.2 linear feet)

Series 6: Scrapbooks, 1912-1968(Boxes 6-7; 0.5 linear feet)

Series 7: Artwork, circa 1920-1945 (Box 6; 3 folders)

Series 8: Photographs, circa 1912-1961 (Boxes 6 and 8; 7 folders)
Biographical Note:
Adolf Dehn (1895-1968) was well-known for his drawings, lithographs and watercolors which satirically chronicled the social and political milieu of his times, as well as poetic landscapes, many of which depicted the rolling hills and farmlands of his native Midwest. Although he worked mostly in New York, Dehn also spent substantial time traveling and working in Europe, the Middle East, South America, and the American mid-west.

Dehn was born on a farm in Waterville, Minnesota on November 22, 1895, he began his formal art education in 1914 at the Minneapolis School of Art (currently known as the Minneapolis College of Art and Design). As a student, his drawings were featured in the school's humor journal, The Minne-Ha-Ha and by 1917 he had published his first drawing in one of his favorite political journals, The Masses. Later that year he and fellow Minneapolis School of Art student Wanda Gág were among a select group of art students nationwide who won scholarships to the Art Students League of New York. After only eight months in New York, however, Dehn was drafted into the Army to serve in the final months of World War I, but he proclaimed himself as a conscientious objector and was sent to Camp Wadsworth in South Carolina for several months.

Dehn returned to New York, where his friend and mentor Boardman Robinson introduced him to lithography through the master printer George Miller and brought him to the Weyhe Gallery to meet Carl Zigrosser, an avid supporter of American printmakers. However, he soon left New York for Europe in September 1921 where he spent most of the following eight years. There he traveled with his sketchbooks to the cafes and opera houses of Berlin, Paris, and Vienna, as well as on hiking trips in the Alps. He became friends with the poet E.E. Cummings, Scofield Thayer, editor of The Dial, who published many of his drawings, and met the German artist, George Grosz, whose work he so admired. In addition to The Dial, his satirical drawings of jazz-age entertainments and European cafe life also appeared in , The Liberator, Jugend, Vanity Fair, and Simplicissimus. Finally during his stint in Europe, Dehn met and married the Russian dancer Mura Tsiperovitch. They were married in Vienna in 1926, but divorced sometime in the early 1930s.

Unfortunately Dehn's return to the United States coincided with the Great Depression of 1929 and sales of his work were slim. However in the 1930s, The New Yorker and Vogue began to publish his work. He continued to work in lithography and returned to Paris to work at the Atelier Desjobert, the print studio with whom he worked most closely throughout his life. In the late 1930s, Dehn began working in watercolors, mostly rural landscapes, and had a one man show of works in his new medium at Weyhe Gallery in 1938. In 1939 Dehn traveled through the Southwest and Mexico on his first Guggenheim Fellowship (he was awarded his second in 1951).

By the 1940s Dehn was an active member of both the American Artists Group and Associated American Artists; both organizations sought to popularize contemporary American Art, primarily through reproductions of fine art prints and commercial use of artists' designs on greeting card, calendars, and even wall paper. Appreciation for his lithographs and watercolors grew, and along with it his recognition. He also taught art classes a few summers; in the late 1930s at Stephens College, Columbia, Missouri where his friend Albert Janner-Christ was head of the art department and in the early 1940s at the Colorado Springs Fine Arts Center, where friend and mentor Boardman Robinson was the director. In 1955 he published Watercolor, Gouache, and Casein Painting, a manual on technique. Throughout the rest of his life he continued to travel, not only returning to Europe, but also visiting Afganistan, Cuba, Haiti, and a trip to Venuzuala on assignment from Standard Oil to document the oil industry there. On many of his later trips, he was accompanied by his wife, fellow artist, Virginia Engleman Dehn, whom he had married in November 1947.

Near the end of his long career, Dehn was elected in 1961 to the National Academy of Design as a full academician. He was later elected to the National Academy of Arts and Letters. After his death in 1968, his wife Virginia worked with the University of Missouri Press on the catalog Adolf Dehn Drawings (Columbia: University of Missouri, 1971).
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 287 contains printed materials, including exhibition announcements, catalogs, magazines, and newspaper and magazine clippings. After filming, these materials were transferred to the Smithsonian American Art Museum/National Portrait Gallery Library. Reels 2938-2939 include 750 letters from Adolf Dehn to various family members. This material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Adolf Dehn papers were donated in several installments from 1966 to 1985 by Adolf Dehn and his wife Virginia. Dehn's sisters, Viola Dehn Tiala and Olivia Dehn Mitchell, separately donated additional materials in 1971 and 1972. Olivia Dehn Mitchell also loaned the Archives letters from Adolf in 1983 for microfilming. Finally in 1989, Lillian Morrison, a friend and editor, donated a published book of Mura Dehn's poetry and a four page draft of a letter signed by Adolf Dehn.
Restrictions:
Use of originals requires an appointment.
Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting -- Technique  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Graphic arts -- New York (State) -- New York  Search this
Genre/Form:
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dehnadop
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dehnadop

Isabella Howland papers

Creator:
Howland, Isabella, 1895-1974  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Bywaters, Jerry  Search this
Dehn, Adolf, 1895-1968  Search this
Force, Juliana, 1876-1948  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Strater, Henry, 1896-  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
1.1 Linear Feet
Type:
Archival materials
Collection descriptions
Sketches
Photographs
Sketchbooks
Date:
1899-1979
Summary:
The papers of artist Isabella Howland measure 1.1 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.
Scope and Contents:
The papers of painter, sculptor, caricaturist, and portraitist Isabella Howland measure 1.1 linear feet and date from 1899-1979. Correspondence makes up about a third of the collection, with the remainder comprised of biographical material, writings, printed material, photographs, and artworks.

Correspondence is found between Isabella Howland and other artists or dealers. Among these are Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn and Dorothea Greenbaum. Letters from Juliana Force, the first director of the Whitney Museum of American Art, are present. Many invitations to exhibit are included. The collection includes a small number of letters with Howland's family. She maintained written communication with several individuals over decades.

The biographical material contains Isabella Howland's handwritten notes and typed documents about her life. Some legal documents and financial records are present. The writing series includes her story 'Willy Nilly' with accompanying illustrations of animals, in addition to some other writings. The artwork series includes sketches and sketchbooks from childhood into adulthood. Photographs include images of Howland as well as her paintings and portraits.
Arrangement:
Series 1: Biographical Material, 1901-1972 (4 folders; Box 1)

Series 2: Correspondence, 1917-1973 (22 folders; Box 1)

Series 3, Writings, 1935-1964 (8 folders; Box 1)

Series 4: Printed Material, 1928-1976 (5 folders; Box 1)

Series 5: Photographs, circa 1900-1979 (4 folders; Box 1, OV 2)

Series 6: Artwork, 1899-circa 1940s (8 folders; Box 1, OV 2)
Biographical / Historical:
Isabella Howland (1895-1974) lived and worked in New York City. She drew portraits, painted on canvas, sketched on paper, and sculpted caricature busts of people in the art world. She wrote that she could do anything with her hands.

Howland was born in Brookline, Massachusetts. From her youth she knew she wanted to be an artist. She had her earliest artistic training at age 16. Her art education included time at the Boston Museum School and the Art Students League in New York City. She completed her secondary education in France and Germany, moved back to the United States afterwards, and in 1920 travelled again to Europe. In 1922 she settled in Greenwich Village and spent summers in Woodstock to paint landscapes and still-lifes. She actively painted in the 1920s, and had three shows in 1927, 1929, and 1931. During the Depression she worked for the Public Works of Art Project and the Works Progress Administration. In 1934 she married Armando Zegri, and they divorced in 1937. While they were married they owned a club in the West Village named The Café Latino. She began teaching at a private school in the early 1940s while dealing with some personal difficulties. She found religion which comforted her as she dealt with her mother's declining health and her sister's waning mental state.

Howland had many friends in the art world and regularly received requests to exhibit at museums. She became known as an accomplished portrait artist, and she was commissioned many times to execute drawings or sculptures. She dabbled in writing and illustrating stories, and produced a set of 33 Christmas cards featuring two monks.
Provenance:
Donated between 1975-1976 by Mrs. Martha Craig and Barbara Summer. Three photographs of works of art were donated by Eugenie Gershoy in 1979.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Isabella Howland papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donors have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Caricaturists -- New York (State) -- New York  Search this
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Women artists  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Photographs
Sketchbooks
Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.howlisab
See more items in:
Isabella Howland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-howlisab

T

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Date:
circa 1926-1965
Scope and Contents note:
Thayer, Ellen

Thompson, Nat

Tiala, Al

Trounstine, John

Tsiperovitch, Boris

Tsiperovitch, David

Tuckerman, Elise
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref101

U-V

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 3, Folder 4
Type:
Archival materials
Date:
circa 1936-1964
Scope and Contents note:
Uhry, Alene

Ultes, Elizabeth

Untermeyer, Louis

Van Veem, Felicia

Veltman, Joyce

Vereisky, Orest

Vroom, Peter
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref103

W

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 3, Folder 9
Type:
Archival materials
Date:
circa 1931-1968
Scope and Contents note:
Wakita, Kazu

Weedon, Ella Howell

Weinstein, Max

Weithman, Joan

Wengenroth, Stow

West, Clifford

Wilder, M.A.

Wilke, Wyert[?]

Wunderlich, Paul
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref106

Z

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 3, Folder 12
Type:
Archival materials
Date:
circa 1960-1968
Scope and Contents note:
Zecher, Alice

Zellmer, Rev. N.W. (Nel)

Zeitt, Elizabeth

Zinders, Earl

Zucker, Paul

Zuckers, Jacques and Nina
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref110

B

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 3, Folder 31
Type:
Archival materials
Date:
1950-1966
Scope and Contents note:
Bay Head Cultural Center

Balfe, Jim

Baltimore Museum of Art

Birmingham Museum of Art

Bisonte

Book-of-the-Month Club

Brooklyn Museum

Brown and Bigelow

Brown, Gladys

Butler Institute of American Art
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref131

G

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 3, Folder 44
Type:
Archival materials
Date:
circa 1956-1966
Scope and Contents note:
Gallant, Mrs. W.E.

Gallery of Modern Art

General Theological Seminary

Geo. Nix Gallery

Gimbel Brothers

Glassboro State College

Granrud, Carl F.

Grier, William H.
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref142

H

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 2
Type:
Archival materials
Date:
circa 1929-1968
Scope and Contents note:
Haley, Anne

Harmon Foundation

Harry Salpeter Gallery, Inc.

Hendrika Hobbelink Kaastra Gallery

Horner, Peter

Houghton Mifflin Company

Huntington Township Art League
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref145

I-J

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 5
Type:
Archival materials
Date:
1958-1968
Scope and Contents note:
Indiana Bank and Trust Company

International Art Publishing Co.

Ithaca College

J.J. Little and Ives Co.

John Simon Guggenheim Memorial Foundation

John Price Jones Company
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref149

K-L

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 8
Type:
Archival materials
Date:
1923, 1943-1970
Scope and Contents note:
Keady, Joseph (G.J.)

Kenneth W. Brooks, A.I.A.

Ketterlinus Lithographic Manufacturing Company

Kircher, Helton and Collett, Inc.

Krasner Gallery

Le Sueur Country Historical Society

Lezius and Hiles Co.

The Liberater

Library of Congress

Living American Art

Look

Loring's Art Gallery

Louis Comfort Tiffany Foundation

Louisiana State University

Low, Sanford B.

Lutheran Brotherhood
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref152

M

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 10
Type:
Archival materials
Date:
1945-1968
Scope and Contents note:
Macy's New York

Mark Twain Journal

Maxwell Galleries

McCormick, Madelaine

Michigan State College

Mickelson Gallery

Milch Galleries

Miller, Frank

Minneapolis (City of)

The Minneapolis Star and Tribune

Minneapolis School of Art

Minnetonka Center of Arts and Education

Mitch Morse Gallery

Montclair Art Museum

Mostro Internazionale di Lugano di Bianco e Nero

Mulert, Johan

Museum of Modern Art, New York
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref155

P-R

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 16
Type:
Archival materials
Date:
1934-1974
Scope and Contents note:
Pepsi-Cola

Palm Springs Desert Museum

Pennsylvania Academy of the Fine Arts

Peter M. David Gallery

Philadelphia Art Alliance

Philadelphia Museum of Art

Pratt Center for Contemporary Printmaking

Prentice-Hall

Print Club of Rochester

Rochester Art Center

Rockefeller University

Rosenwald, Lessing J.

Roth and Riseman

Rudolph Galleries
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref163

S

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 20
Type:
Archival materials
Date:
1951-1967
Scope and Contents note:
Sachs Quality Stores

St. Peter's Episcopal Church

Seward, William W.

Sigmund Freud Archives, New York

Smithsonian Institution

Stamford Museum and Nature Center

State Historical Society of Missouri

Staten Island Institute of Arts and Sciences

Styline

Syracuse University
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref168

T-U

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 22
Type:
Archival materials
Date:
1949-1966
Scope and Contents note:
Temple University

Thieme, Lillian B.

UNESCO

University of Maine

University of Minnesota

Union Tipografica Editorial Hispano Americana (UTEHA)
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Adolf Dehn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref171

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