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Dorothy Goldeen Gallery records

Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Names:
Abakanowicz, Magdalena  Search this
Altoon, John, 1925-  Search this
Ben Tré, Howard, 1949-  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Carnwath, Squeak, 1947-  Search this
Chihuly, Dale, 1941-  Search this
Cho, Tŏk-hyŏn, 1957-  Search this
De Forest, Roy, 1930-2007  Search this
Fasnacht, Heide, 1951-  Search this
Hudson, Robert, 1938-  Search this
La Noue, Terence  Search this
Lipski, Donald, 1947-  Search this
Paik, Nam June, 1932-2006  Search this
Paschke, Ed  Search this
Rath, Alan, 1959-  Search this
Raymond, Zizi, 1960-  Search this
Reinoso, Pablo, 1955-  Search this
Extent:
16.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Sound recordings
Video recordings
Date:
1960-circa 2014
bulk 1987-1996
Summary:
The records of Dorothy Goldeen Gallery, based in Southern California, measure 16.2 linear feet and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed materials, and photographic materials.
Scope and Contents:
The records of Dorothy Goldeen Gallery, based in Southern California, measure 16.2 linear feet and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed materials, and photographic materials.

Correspondence is with artists, museums, galleries, and collectors regarding exhibitions, sales, and acquisitions of artwork. Administration records include appraisals, mailing lists, materials related to gallery events, a rolodex, and a list of artist contracts. Exhibition files are found for only a few of the gallery's exhibitions, including American Artists in Jewelry (1987), Private Reserve (1988), Fresh Visions 1 (1989), Fresh Visions 2 (1989), and Multiple Parts (1994).

There are extensive artists' files containing correspondence, printed material, resumes, slides, and photographs documenting the gallery's relationship with and exhibitions of many prominent artists. This files also contain numerous audio and video recordings of interviews with artists, exhibitions, documentaries, and video art.

Financial and legal records mostly consist of sales records of artwork by various artists, in addition to materials on a lawsuit, a sublease for exhibition space, and a few invoices.

Printed materials include Dorothy Goldeen Gallery press releases, exhibition announcements, press reviews, newsletters, clippings, and one videocassette of a broadcast news program.

Photographic materials mostly consist of slides and transparencies of artwork by artists represented by the gallery. There are a few images of the gallery building.
Arrangement:
This collection is arranged as 7 series.

Series 1: Correspondence, 1979-2012 (1.1 linear feet; Box 1-2)

Series 2: Administration Records, circa 1987-circa 2010 (0.6 linear feet; Box 2)

Series 3: Exhibition Files, 1987-1995 (0.4 linear feet; Boxes 2-3)

Series 4: Artists' Files, 1961-2007 (12.1 linear feet; Boxes 3-14, OV 17-18)

Series 5: Financial and Legal Records, 1987-2005 (0.8 linear feet; Box 15)

Series 6: Printed Material, 1986-2014 (0.4 linear feet; Boxes 15-16)

Series 7: Photographic Material, 1960-2005 (0.8 linear feet; Box 16)
Biographical / Historical:
The Dorothy Goldeen Gallery (1987-1996) was an art gallery in Santa Monica, California, founded by Dorothy Goldeen.

Dorothy Goldeen graduated from the University of California, Berkeley, where she studied sculpture and textile design. In 1973, Goldeen began her career in the arts working in San Francisco, California at the Hansen Fuller Gallery which later became Fuller Goldeen Gallery.

In 1987, Goldeen moved to Los Angeles and founded the Dorothy Goldeen Gallery. Historically significant artists such as Magdalena Abakanowicz and Nam June Paik were represented by her gallery as well as influential, emerging Los Angeles artists. Other notable artists include Robert Arneson, Paul Kos, Ed Paschke, and Alan Rath.

In 1996, Goldeen closed her gallery and launched the Dorothy Goldeen Art Advisory in Santa Monica. Goldeen often travels internationally as an art consultant for private and institutional clients, advising them on the acquisition and resale of art.
Related Materials:
The Archives of American Art also has an oral history interview with Dorothy Goldeen conducted by Hunter Drohojowska-Philp in 2014.
Provenance:
The Dorothy Goldeen Gallery records were donated by Dorothy Goldeen to the Archives of American Art in 2 installments in 2003 and 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Topic:
Art galleries, Commercial -- California -- Santa Monica  Search this
Jewelry  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Video recordings
Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dorogolg
See more items in:
Dorothy Goldeen Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dorogolg
Additional Online Media:

Bergman, Ciel (also known as Cheryl Bowers)

Collection Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Collection Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Collection Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Goldeen Gallery records
Dorothy Goldeen Gallery records / Series 4: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dorogolg-ref295

Correspondence and Resume

Collection Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Container:
Box 4, Folder 18
Type:
Archival materials
Date:
1987-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Collection Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Collection Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Goldeen Gallery records
Dorothy Goldeen Gallery records / Series 4: Artists' Files / Bergman, Ciel (also known as Cheryl Bowers)
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dorogolg-ref296

Printed Material

Collection Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Container:
Box 4, Folder 19-20
Type:
Archival materials
Date:
1974-1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Collection Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Collection Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Goldeen Gallery records
Dorothy Goldeen Gallery records / Series 4: Artists' Files / Bergman, Ciel (also known as Cheryl Bowers)
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dorogolg-ref297

Photographic Material

Collection Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Container:
Box 4, Folder 21
Type:
Archival materials
Date:
1986-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Permission to publish, quote or reproduce all correspondence must be obtained from Dorothy Goldeen.
Collection Rights:
The Dorothy Goldeen Gallery Records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws. Permission to publish, quote, or reproduce any correspondence must be obtained from Dorothy Goldeen.
Collection Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Goldeen Gallery records
Dorothy Goldeen Gallery records / Series 4: Artists' Files / Bergman, Ciel (also known as Cheryl Bowers)
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dorogolg-ref298

Peter Howard Selz papers, 1929-2018, bulk 1950-2005

Creator:
Selz, Peter Howard, 1919-2019  Search this
Subject:
Bury, Pol  Search this
Paris, Harold Persico  Search this
Lipchitz, Jacques  Search this
Golub, Leon  Search this
Baykam, Bedri  Search this
Guston, Philip  Search this
Dubuffet, Jean  Search this
Rothko, Mark  Search this
Lindner, Richard  Search this
Giacometti, Alberto  Search this
Graves, Morris  Search this
O'Keeffe, Georgia  Search this
Tinguely, Jean  Search this
Hadzi, Dimitri  Search this
Reinhardt, Ad  Search this
Conner, Bruce  Search this
Petlin, Irving  Search this
Chase-Riboud, Barbara  Search this
Lebrun, Rico  Search this
Onslow-Ford, Gordon  Search this
Bergman, Ciel  Search this
Benton, Fletcher Chapman  Search this
Beckmann, Max  Search this
Feininger, Lyonel  Search this
Calder, Alexander  Search this
Christo  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Institute of Design (Chicago, Ill.)  Search this
Marlborough Gallery  Search this
San Francisco Bay Area Rapid Transit District (Calif.)Art Council  Search this
University of California, Berkeley.University Art Museum  Search this
College Art Association (U.S.)  Search this
Pomona College (Claremont, Calif.)  Search this
Topic:
Ceramics  Search this
Art historians  Search this
Sound recordings  Search this
Political cartoons  Search this
Painting, Abstract  Search this
Art  Search this
Authors  Search this
Scrapbooks  Search this
Pop art  Search this
Photographs  Search this
Realism in art  Search this
Environmental art  Search this
Art, Modern  Search this
Video recordings  Search this
Record number:
(DSI-AAA_CollID)8464
(DSI-AAA_SIRISBib)210640
AAA_collcode_selzpete
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210640
Additional Online Media:

Dorothy Goldeen Gallery records, 1960-circa 2014, bulk 1987-1996

Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Subject:
Ben Tré, Howard  Search this
Lipski, Donald  Search this
Bergman, Ciel  Search this
Reinoso, Pablo  Search this
Benton, Fletcher Chapman  Search this
Paik, Nam June  Search this
Chihuly, Dale  Search this
Hudson, Robert H.  Search this
La Noue, Terence  Search this
Cho, Tµok-hyµon  Search this
De Forest, Roy  Search this
Carnwath, Squeak  Search this
Rath, Alan  Search this
Paschke, Ed  Search this
Raymond, Zizi  Search this
Altoon, John  Search this
Fasnacht, Heide  Search this
Abakanowicz, Magdalena  Search this
Topic:
Jewelry  Search this
Video recordings  Search this
Art galleries, Commercial  Search this
Sound recordings  Search this
Photographs  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)11094
(DSI-AAA_SIRISBib)242221
AAA_collcode_dorogolg
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_242221
Additional Online Media:

Peter Howard Selz papers

Creator:
Selz, Peter Howard, 1919-  Search this
Names:
College Art Association of America  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
Marlborough Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
University of California, Berkeley. University Art Museum  Search this
Baykam, Bedri, 1957-  Search this
Beckmann, Max, 1884-1950  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Bury, Pol, 1922-2005  Search this
Calder, Alexander, 1898-1976  Search this
Chase-Riboud, Barbara  Search this
Christo, 1935-  Search this
Christo, 1935- (Running fence)  Search this
Conner, Bruce  Search this
Dubuffet, Jean, 1901-  Search this
Feininger, Lyonel, 1871-1956  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Graves, Morris, 1910-  Search this
Guston, Philip, 1913-1980  Search this
Hadzi, Dimitri, 1921-2006  Search this
Lebrun, Rico, 1900-1964  Search this
Lindner, Richard, 1901-  Search this
Lipchitz, Jacques, 1891-1973  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Onslow-Ford, Gordon  Search this
Paris, Harold, 1925-  Search this
Petlin, Irving, 1934-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Tinguely, Jean, 1925-  Search this
Extent:
31.5 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Date:
1929-2014
bulk 1950-2005
Summary:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed materials, and nine scrapbooks.
Scope and Contents:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz. There is 1 sound disc, 1 CD, and 1 floppy disc.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed material, and writings. There are also 11 CDs and 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. There are 4 CDs.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.
Arrangement:
This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)
Biographical / Historical:
Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berleley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.
Related Materials:
The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.
Provenance:
The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- California -- Berkeley  Search this
Topic:
Realism in art -- Germany  Search this
Political cartoons  Search this
Pop art -- Exhibitions  Search this
Environmental art  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art historians -- California -- Berkeley  Search this
Art -- Germany  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Video recordings
Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-selzpete
Additional Online Media:

Ciel Bergman, 1938- [Folder]

Alternate name:
Cheryl Bowers  Search this
Additional name:
Cheryl Bowers  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_19210

Bergman, Ciel

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Extent:
Includes 2 sound discs (CD).
Container:
Box 16, Folder 4-7
Type:
Archival materials
Date:
1992-2009
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref476

Bergman, Ciel

Collection Artist:
Ireland, David, 1930-2009  Search this
Container:
Box 18, Folder 5
Type:
Archival materials
Date:
circa 1998-circa 2001
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The David Ireland papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ireldavi-ref211

(Amphitheater), (sculpture)

Sculptor:
Bergman, Ciel  Search this
Kavanaugh, Sheldon  Search this
Medium:
Concrete and tile
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures-Architectural component
Sculptures
Owner/Location:
Paseo Nuevo Shopping Center State Street & Ortega Santa Barbara California
Topic:
Abstract  Search this
Control number:
IAS CA001833
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_341932

Blood milk and water / Ciel Bergman ; [texts, Susi Gablik, Wendy Steiner, Ciel Bergman]

Author:
Bergman, Ciel 1938-  Search this
Gablik, Suzi  Search this
Steiner, Wendy 1949-  Search this
Subject:
Bergman, Ciel 1938-  Search this
Physical description:
68 pages : illustrations (chiefly color) ; 23 x 31 cm
Type:
Books
Catalogs
Date:
2004
©2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1076314

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