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Portrait Head of George Grey Barnard, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Subject:
Barnard, George Grey  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 61
Topic:
Portrait male--Head  Search this
Portrait male  Search this
Occupation--Art--Sculptor  Search this
Control number:
IAS 12580010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294140

The Refugee, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Marble
Type:
Sculptures
Owner/Location:
University of Delaware University Gallery Newark Delaware 19716 Accession Number: 79.18
Topic:
Allegory--Other--Survival  Search this
Control number:
IAS 65220002
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291696

Maiden With Shell, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901
Topic:
Figure female  Search this
Object--Other--Shell  Search this
Control number:
IAS 12580014
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294144

Cain After He Killed Abel, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 24
Topic:
Religion--Old Testament--Cain & Abel  Search this
Figure male  Search this
Control number:
IAS 12580002
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294132

The Harlot, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 52
Topic:
Figure female  Search this
Occupation--Other--Prostitute  Search this
Control number:
IAS 12580006
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294136

Soldier Lying in State, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 12
Topic:
Figure male  Search this
Occupation--Military--Soldier  Search this
State of Being--Death  Search this
Control number:
IAS 12580027
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294157

Soldier Lying in State, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 13
Topic:
Figure male  Search this
Occupation--Military--Soldier  Search this
State of Being--Death  Search this
Control number:
IAS 12580028
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294158

The Builder, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 16
Topic:
Figure male--Nude  Search this
Allegory--Arts & Sciences--Industry  Search this
Control number:
IAS 12580030
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294160

Youthfull (sic) Figure, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901 Accession Number: 45
Topic:
Figure  Search this
Allegory--Life--Youth  Search this
Control number:
IAS 12580034
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294164

Head of Lincoln, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Subject:
Lincoln, Abraham  Search this
Type:
Sculptures
Owner/Location:
Kankakee County Historical Society South Eighth Avenue & Water Street Kankakee Illinois 60901
Topic:
Portrait male--Head  Search this
Occupation--Political--President  Search this
Occupation--Law--Lawyer  Search this
Control number:
IAS 12580012
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294142

History, (sculpture)

Sculptor:
Barnard, George Grey 1863-1938  Search this
Carver:
Donnelly, John 1867-1947  Search this
Fabricator:
Donnelly & Ricci  Search this
Medium:
Sculpture: marble
Type:
Sculptures-Pediment
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of New York Department of General Services One Centre Street New York New York 10007
Located New York Public Library Fifth Avenue & 42nd Street North pediment New York New York 10018
Date:
Ca. 1913-1917
Topic:
Figure group  Search this
Allegory--Arts & Sciences--History  Search this
Allegory--Life  Search this
Allegory--Civic--Peace  Search this
Allegory--Death--Sleep  Search this
Animal--Bird--Dove  Search this
Object--Written Matter--Book  Search this
Control number:
IAS 36370005
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_296838

Barnard, George Grey

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 176, Folder 14
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 2: Collectors Files / 2.1: Collectors
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref12993

Ba-Bi

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1920-1922
Scope and Contents note:
Bache, Jules S.

Bailey, Edith (Mrs. Vernon Howe)

Bakewell-Green, Estelle

Barnard, George Grey

Barney (Charles D.) & Co.

Batterson & Eisele

Baule, J. B.

Bauman, Jack

Bayer, Edwin S.

Bechtinger, E. F.

Becker & Co.

Benguiat, Benjamin

Bergfeldt, J. V. P.

Bermuth, Edith S.

Bernard, Judae & Company

Berolzheimer, Mrs. A.

Berthelot, S. E. Philippe

Bescoby, Mrs. B. A.

Biddle, Mrs. Antony J. Drexel, Jr.

Bigelow, Mrs. David
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.1: New York Office Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref8652

B

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 6, Folder 2
Type:
Archival materials
Date:
1917-1929
Scope and Contents note:
Bache, Jules S.

Baker, George F.

Baldwin, Charles

Barnard, George Grey

Barney Estate Company

Bayer, Mr. and Mrs. Edwin S.

Bayer, Laura

Becker, Margaret

Berenson, Bernard

Biddle, Antony J. Drexel, Jr.

Bigelow, Henry Forbes

Blair, C. Ledyard

Bliss, Susan Dwight

Blum, Albert

Blumenthal, Mr. and Mrs. George

Boswell, Peyton

Bosworth, W. W.

Boulanger, Marcel

Bouy, Jules

Bradley, Edson

Breck, Joseph

Buckingham, Kate S.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.2: Paris Office Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref8734

Barnard, George Grey

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 12, Folder 28
Type:
Archival materials
Date:
1923-1928
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref8945

Mary Fanton Roberts papers

Creator:
Roberts, Mary Fanton, 1871-1956  Search this
Names:
Barnard, George Grey, 1863-1938  Search this
Borglum, Gutzon, 1867-1941  Search this
Carman, Bliss, 1861-1929  Search this
Coburn, Charles Douville  Search this
Enters, Angna, 1907-  Search this
Fanton, Belle  Search this
Glackens, William J., 1870-1938  Search this
Guilbert, Yvette, 1865-1944  Search this
Haggin, Ben Ali, 1882-1951  Search this
Henri, Robert, 1865-1929  Search this
Herford, Oliver, 1863-1935  Search this
Kroll, Leon, 1884-1974  Search this
Le Gallienne, Eva, 1899-  Search this
Muray, Nickolas, 1892-1965  Search this
Osbourne, Lloyd, 1868-1947  Search this
Remington, Frederic, 1861-1909  Search this
Rerikh, Nikolai Konstantinovich, 1874-1947  Search this
Roberts, Dorothy, 1906-  Search this
Roberts, Goodridge, 1904-  Search this
Roberts, William C.  Search this
Seton, Ernest Thompson, 1860-1946  Search this
Sloan, John, 1871-1951  Search this
Troubetzkoy, Pierre, 1864-1936  Search this
Yeats, John Butler, 1839-1922  Search this
Extent:
3.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1880-1956
Summary:
The papers of art writer and editor Mary Fanton Roberts measure 3.8 linear feet and are dated 1880 to 1956. The bulk of this collection is Roberts' correspondence with numerous important artists, dancers, actors, writers, and musicians of the day. Also found are scattered biographical materials, family correspondence, writings, printed material, photographs and artwork.
Scope and Content Note:
The papers of art writer and editor Mary Fanton Roberts measure 3.8 linear feet and are dated 1880 to 1956. The collection is comprised mainly of correspondence with family members, artists, dancers, actors, writers, musicians, and visual and performing arts organizations. Also found are scattered biographical materials, writings, printed material, photographs and artwork.

The collection contains a small amount of biographical material about Mary Fanton Roberts and her husband, William Carman Roberts, including his journal of a vacation with Ernest Thompson Seton and his wife. Personal Correspondence is with her husband and sister Belle Fanton, and with friends. Business and political correspondence documents her career as a magazine editor and writer, her participation in political organizations and events, her participation in radio talks, and her correspondence regarding war issues.

Art correspondence/subject files include correspondence with and collected materials on artists, photographers, art patrons, critics, and wives of artists, as well as arts organizations, museums, and schools. Correspondence of note is with George Gray Barnard, Gutzon Borglum, Ben Ali Haggin, Leon Kroll, Frederic Remington, W. Goodridge Roberts, Nicholas Roerich, Pierre Troubetzkoy, illustrator Oliver Herford, John Butler Yeats, and Ashcan school artists Robert Henri, John Sloan, and William Glackens, as well as many others. Dance and theatre correspondence/subject files include correspondence with actors, dancers, playwrights, patrons, organizations and theatres. Correspondence of note in this series is with Charles "Orlando" Coburn, Eva Le Gallienne, Angna Enters, and the "Duncan Dancers." Literary and music orrespondence/subject files include correspondence with authors, poets, critics, singers, publishers, and musicians, such as Bliss Carman, Yvette Guilbert, and Lloyd Osbourne. Additional material found in these subject files, other than letters, includes invitations, photographs, calling cards, artwork, news clippings, and printed material.

Writings by Roberts include an autobiographical essay about her youth and early career, guest lists and notes concerning hosted events, and typescripts of poems by her niece Dorothy Gostwick Roberts. Printed material is comprised of art exhibition catalogs, published articles and trade bulletins written by Roberts, and newsclippings. Photographs are of Roberts, her family, friends, and places she lived, and include autographed portraits given to her, primarily from actors and actresses. Also found are photographs taken by Nickolas Muray of art models. Scattered artwork in this collection includes several small drawings by unidentified artists, as well as a pencil portrait of Roberts by John Butler Yeats.
Arrangement:
The collection is arranged into 11 series:

Series 1: Biographical Material, 1906, 1912-1941, undated (Box 1; 2 folders)

Series 2: Personal Correspondence, 1902-1951, undated (Box 1; 7 folders)

Series 3: Business and Political Correspondence, 1903-1959, undated (Box 1; 6 folders)

Series 4: Art Correspondence/Subject Files, 1898-1956, undated (Box 1-2; 0.8 linear feet)

Series 5: Dance and Theatre Correspondence/Subject Files, 1902-1953, undated (Box 2-3; 0.8 linear feet)

Series 6: Literary and Music Correspondence/Subject Files, 1900-1952, undated (Box 3; 0.6 linear feet)

Series 7: General Correspondence, 1898-1946, undated (Box 3-4; 0.4 linear feet)

Series 8: Writings, 1915-1926, 1952, undated (Box 4; 3 folders)

Series 9: Printed Material, 1899, 1909-1947, undated (Box 4-5; 0.3 linear feet)

Series 10: Photographs, 1880-circa 1943, undated (Box 5; 0.2 linear feet)

Series 11: Artwork, 1906, undated (Box 5; 3 folders)
Biographical Note:
Mary Fanton Roberts was born in Brooklyn, New York in 1864. When she was a young girl her family moved to Deadwood, in the Montana territory, where her father had mining prospects. When she was old enough, she and her sister were sent back to New York to attend the Albany Female Academy. After finishing school, Roberts pursued journalism and became a staff writer for four years for the Herald Tribune, the Journal, and the Sun in New York. During her long career she was editor of Demorest Magazine, editor-in-chief of New Idea Woman's Magazine, managing editor of The Craftsman, and creator and editor of The Touchstone Magazine and Decorative Arts magazine. Her longest period at one publication was seventeen years as editor of Arts and Decoration. She often wrote articles on the topic of decorative arts and home decorating, and published two books, Inside 100 Homes, and 101 Ideas for Successful Interiors.

In 1906 she married William Carman Roberts, writer and editor of Literary Digest for thirty years. They lived in Manhattan and Waterford, Connecticut.

Roberts was very involved in the artistic, theatrical, and literary circles in New York City, and met and became friends with many young avant garde American artists, including Robert Henri and John Sloan. Through her husband she met many writers and poets, including Theodore Dreiser and Bliss Carman. Roberts was active in organizations such as the Women's City Club, Pen and Brush, and the MacDowell Society and also attended countless art openings, theater performances, and other social events. As an avid supporter of modern dance, she became friends with many performers, including Isadora Duncan and Angna Enters. After her husband's death in 1941, Roberts moved to the Chelsea Hotel, where she lived for the rest of her life. She maintained lifelong relationships with a wide circle of friends and continued to correspond with them and attend social events until her death in 1956 at the age of 92.
Provenance:
The collection was donated in 1957 by Phoebe DuBois and Violet Organ.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Mary Fanton Roberts papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Ashcan school of art  Search this
Works of art  Search this
Editors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Mary Fanton Roberts papers, 1880-1956. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robemary
See more items in:
Mary Fanton Roberts papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robemary
Additional Online Media:

George Grey Barnard papers

Creator:
Barnard, George Grey, 1863-1938  Search this
Extent:
11.6 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Diaries
Photographs
Sketches
Date:
circa 1860-1969
bulk 1880-1938
Summary:
The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.
Scope and Contents note:
The papers of New York sculptor, collector, and dealer George Grey Barnard measure 11.6 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.
Arrangement note:
The collection is arranged as 10 series:

Series 1: Biographical Material, circa 1888-1955 (Boxes 1 and 15; 0.25 linear feet)

Series 2: Correspondence, 1896-1965 (Box 1; 0.7 linear feet)

Series 3: Diaries and Daily Journals, 1900-1938 (Boxes 1-2; 1.0 linear feet)

Series 4: Writings and Notes, circa 1881-1963 (Boxes 2-4; 1.6 linear feet)

Series 5: Medieval Art and Collections, circa 1905-1958 (Boxes 4, 15 and OV 17; 0.9 linear feet)

Series 6: Business Records, circa 1900-1938 (Boxes 4-5; 0.9 linear feet)

Series 7: Financial Records, circa 1920-1941 (Boxes 5-7; 1.3 linear feet)

Series 8: Printed Materials, circa 1890-1969 (Boxes 7-8, 15-16 and BV 25; 1.5 linear feet)

Series 9: Photographs, circa 1860-1963 (Boxes 8-13, 15, and OV 17-24; 4.5 linear feet)

Series 10: Artwork, circa 1880-1938 (Boxes 11, 14, 16 and OV 17; 0.5 linear feet)
Biographical/Historical note:
George Grey Barnard (1863-1938) was an American sculptor, collector, and dealer, whose collection of medieval art formed the nucleus of the Cloisters, the branch of the Metropolitan Museum of Art dedicated to the art of the middle ages. Barnard was born to a Presbyterian minister and his wife in Bellefonte, Pennsylvania in 1863. While he was still a young boy, the family left Pennsylvania for the Midwest, eventually settling in Muscatine, Iowa. He married Edna Monroe in 1895 and had three children: Monroe, Vivia, and Barbara.

Barnard began studying sculpture in his late teens, first with Leonard Volk, then at the Art Institute of Chicago, where he studied from 1882 until he left for Paris the following year. In Paris he received training from Pierre-Jules Cavelier at the Ecole des Beaux-Arts. In 1900 he earned a gold medal at the Salon of the Champs de Mars in Paris.

While in France, Bernard began scavenging the countryside for discarded medieval antiques. He was in debt most of his life, and sold these pieces to support his family and fund his work. He retained the best finds which eventually formed his two medieval collections. The first was the Cloisters, which he sold to John D. Rockefeller Jr. in 1925. The second was the Abbaye, which he completed in 1937. This collection was sold by his estate to the Philadelphia Museum of Art in 1945.

Returning to America, he completed both public and private commissions. In 1902, he was commissioned to create sculptures for the new state capitol building in Harrisburg, Pennsylvania. In 1915, he was commissioned by Charles P. Taft to create an Abraham Lincoln statue for Cincinnati. The statue was erected in 1917 and portrayed Lincoln as gangly, frail, and emotional. A second casting was to be given to Westminster Abbey, but controversy over this representation eventually led to its transfer to Manchester.

George Grey Barnard was deeply affected by the devastation of World War I. He devoted the rest of his life to building a memorial to peace, called the Rainbow Arch. It would have been dedicated to the Mothers of America and paid for solely from his own funds and coins contributed by children. Although he spent all his resources on the arch, he only completed a plaster model before his death. George Grey Barnard died of a heart attack in 1938.
Related Archival Materials note:
Additional George Grey Barnard papers are available at the Philadelphia Museum of Art.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 3658-3664) including correspondence, exhibition files, and sketches. Originals of microfilmed items can be found at the Philadelphia Museum of Art. This material has not been described in the collection container inventory.
Provenance:
The bulk of the George Grey Barnard papers were transferred from the Smithsonian American Art Museum (formerly the National Collection of Fine Arts) in 1975 and 2003, where the artist's son, Monroe Barnard, had given it in 1970. In 1971, Monroe donated the Archives of American Art additional papers, the Pennsylvania State University Archives gave more material in 1976, and the Philadelphia Museum of Art loaned 4.0 linear feet of material for microfilming in 1985.
Restrictions:
Use of original papers requires an appointment.
Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State)  Search this
Art, Medieval  Search this
Sculptors -- New York (State)  Search this
Sculpture, American  Search this
Art dealers -- New York (State)  Search this
Genre/Form:
Notebooks
Diaries
Photographs
Sketches
Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barngeor
See more items in:
George Grey Barnard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barngeor
Additional Online Media:

Medieval Objects in Bishops Garden, National Catherdral, Washington, D.C.

Collection Creator:
Barnard, George Grey, 1863-1938  Search this
Container:
Box 4, Folder 25
Type:
Archival materials
Date:
1926-1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
See more items in:
George Grey Barnard papers
George Grey Barnard papers / Series 5: Medieval Art and Collections
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barngeor-ref100

Medieval Objects in Bishops Garden (duplicates), National Catherdral, Washington, D.C.

Collection Creator:
Barnard, George Grey, 1863-1938  Search this
Container:
Box 4, Folder 26
Type:
Archival materials
Date:
1926-1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
See more items in:
George Grey Barnard papers
George Grey Barnard papers / Series 5: Medieval Art and Collections
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barngeor-ref101

Proposal for George Grey Barnard's "Abbaye" at the National Cathedral, Washington, D.C.

Collection Creator:
Barnard, George Grey, 1863-1938  Search this
Container:
Box 4, Folder 27
Type:
Archival materials
Date:
1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
See more items in:
George Grey Barnard papers
George Grey Barnard papers / Series 5: Medieval Art and Collections
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barngeor-ref102

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