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Robert Rosenblum papers, circa 1927-2009, bulk 1950-2006

Creator:
Rosenblum, Robert, 1927-2006  Search this
Subject:
Rosenquist, James  Search this
Rockwell, Norman  Search this
Ingres, Jean-Auguste-Dominique  Search this
Becraft, Melvin E.  Search this
Kramer, Hilton  Search this
Los Angeles County Museum of Art  Search this
New York University  Search this
National Museum of American Art (U.S.)  Search this
Columbia University  Search this
Princeton University  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan  Search this
Yale University  Search this
Harry N. Abrams, Inc  Search this
Musée d'Orsay  Search this
Topic:
Art historians  Search this
Sound recordings  Search this
Sketches  Search this
Dogs in art  Search this
Transcripts  Search this
Portraits  Search this
Art  Search this
Painting, Modern  Search this
Interviews  Search this
Art museum curators  Search this
Photographs  Search this
Painting, French  Search this
Video recordings  Search this
Educators  Search this
Collages  Search this
Record number:
(DSI-AAA_CollID)8191
(DSI-AAA_SIRISBib)210362
AAA_collcode_roserobe
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210362
Additional Online Media:

Leon Golub papers, 1930s-2009

Creator:
Golub, Leon, 1922-2004  Search this
Subject:
Spero, Nancy  Search this
Topic:
Art historians  Search this
Video recordings  Search this
Educators  Search this
Art dealers  Search this
Sound recordings  Search this
Painters  Search this
Transcripts  Search this
Art  Search this
Painting, Modern  Search this
Art museum curators  Search this
Photographs  Search this
Art critics  Search this
Interviews  Search this
Political activists  Search this
Record number:
(DSI-AAA_CollID)8979
(DSI-AAA_SIRISBib)211166
AAA_collcode_goluleon
Theme:
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211166
Additional Online Media:

Leon Golub papers

Creator:
Golub, Leon, 1922-2004  Search this
Names:
Spero, Nancy, 1926-2009  Search this
Extent:
16.5 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sound recordings
Interviews
Transcripts
Video recordings
Date:
1930s-2009
Summary:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings by Golub and other authors, subject files, printed material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and wife Nancy Spero. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.
Scope and Contents:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings, subject files, printed material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and his art work. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.

Biographical materials consist largely of video documentaries about Leon Golub and his work, obituaries, and information about his 2004 memorial service and a larger memorial tribute held later. Also found are educational records, passports, curricula vitae.

Correspondence is mostly of a professional nature, focusing on exhibitions, projects, collectors, articles submitted for publication, Golub's work, speaking engagements, awards, gifts of artwork, studio visits, and travel arrangements. Correspondents include dealers, curators, art historians, critics, collectors, writers, and editors. Scattered throughout are a small number of letters concerning personal business and politics.

Interviews with Leon Golub and joint interviews with Leon Golub and Nancy Spero were conducted for a variety of purposes. They are preserved as transcripts, video, and sound recordings. Writings by Golub include manuscripts and notes for articles, catalog essays, and miscellaneous writings. Notes and texts for talks, lectures, and panel discussions, include some transcripts and recordings. Among the writings by other authors are a dissertation, a thesis, academic papers, notes, texts of speeches, and a recording of a lecture by an unidentified speaker.

Subject files reflect Golub's professional and personal activities, interests and relationships. Of note are many files of "Images (source material)" used for a variety of artwork and projects. Personal business records documenting Golub's artistic output include many inventories and lists, and a comprehensive register of work, information about consignments, loans, photo permissions, and gifts or donations. Also found are extensive mailing lists.

Printed material includes clippings, exhibition catalogs and announcements, and a variety of miscellaneous printed items. Most material is about/mentions Golub, and/or includes reproductions of his work. Scattered throughout are items concerning topics of interest to Golub, and articles written by him.

The majority of the photographic materials are color digital prints of Golub's artwork. There are photographs of Leon Golub and Nancy Spero, family members, and friends and colleagues at exhibition events. Also found are a few photographs of Golub's plexibox sculptures.
Arrangement:
The collection is arranged in 8 series:

Series 1: Biographical Material, 1930s-2006 (Boxes 1-2; 1.4 linear feet)

Series 2: Correspondence, 1955-2004 (Boxes 2-3; 0.9 linear foot)

Series 3: Interviews, 1967-2004 (Boxes 3-4; 0.8 linear foot)

Series 4: Writings, 1948-2003 (Boxes 4-5, 21; 1.1 linear foot)

Series 5: Subject Files, 1959-2005 (Boxes 5-11, OV 18; 6.2 linear feet)

Series 6: Personal Business Records, 1965-2009 (Boxes 11-12; 1.4 linear feet)

Series 7: Printed Material, circa 1950s-2009 (Boxes 12-16, 21, OV 19; 3.9 linear feet)

Series 8: Photographs, 1940s-2004 (Boxes 16-17, OV 20; 0.6 linear foot)
Biographical / Historical:
Leon Golub (1922-2004) was a painter in New York City known for figurative work with political content, an anti-war activist, and professor of art at Rutgers University.

Chicago native Leon Golub studied art history at the University of Chicago (BA 1942) before serving as a cartographer with the U.S. Army Corps of Engineers in Europe during World War II. Upon returning home, Golub became identified with Monster Roster, a group of Chicago artists who believed art must be grounded in real events in order to be relevant to the viewer and society, an idea he held throughout his life. At the School of the Art Institute of Chicago, Golub pursued his interest in painting (BFA 1949, MFA 1950) and met fellow student Nancy Spero whom he married in 1951. After graduation he began teaching at local colleges, exhibited in Chicago and New York, and served as chair of "Exhibition Momentum" (1950). The couple and their two sons lived in Italy from 1956-1957. In 1959 they moved to Paris and, while there, a third son was born. Upon returning to New York City in 1964, Golub became actively involved with the Artists and Writers Protest Against the War in Vietnam, other anti-war groups, and civil liberties organizations. While his painting style changed with time, Golub continued to explore power, violence and conflict, often working in series with titles such as Combats, Napalm, Mercenaries, Interrogation, and Riot.

He first participated in a group show with other veterans at the School of the Art Institute of Chicago in 1947, and soon was included in group and solo exhibitions throughout the United States and in Europe, including the Guggenheim Museum's influential national traveling exhibition "Younger American Painters" (1954-1956). Golub and Spero exhibited their work in tandem and collaborated on installations. He continued to participate in group shows including "Documenta IX" (2002). Golub's work is included in the permanent collections of museums throughout the world.

Golub began his teaching career soon after graduation, first at a junior college in Chicago. In the later 1950s he served briefly on the faculties of Illinois Institute of Technology School of Design and Indiana University; in the 1960s at the Tyler School of Art in Philadelphia, and Fairleigh Dickinson University in New Jersey. He began a long tenure at Rutgers University, School of Visual Arts in 1970 and retired in 1991. In the early 1990s, both Golub and Spero were affiliated with Sommerakademie in Salzburg. Golub wrote and spoke on art, politics, and social issues; he also published many articles, statements, and book reviews, as well as contributing introductions and essays for exhibition catalogs.

Awards and honors included the Skowhegan Medal for Painting (1988), Chicago Committee to Defend the Bill of Rights Award (1989), Dickinson College Arts Award (1992), National Foundation of Jewish Culture Visual Arts Award (1995), and Hiroshima Art Prize shared with Nancy Spero (1996). Golub was awarded honorary doctorates of Fine Arts by the School of the Art Institute of Chicago (1982), Swarthmore College (1985), College of St. Rose (1995), Trinity College (1999), and Pratt Institute (2000). He was elected a member of the American Academy of Arts and Letters (2002).

Leon Golub died in New York City August 8, 2004 from complications following surgery.
Related Materials:
Also among the holdings of the Archives of American Art are oral history interviews with Leon Golub conducted for the Archives of American Art by Bruce Hooten 1965 and Irving Sandler 1968 October 28-November 18. The Nancy Spero papers, 1940s-2009, bulk 1970-2009, include documentation of many of the couple's collaborative projects, joint exhibitions, their family, and shared interests.
Provenance:
The Leon Golub papers were donated by Leon Golub in 1978; the majority of the papers were given in 2013 by The Nancy Spero and Leon Golub Foundation for the Arts via their sons Stephen, Philip and Paul Golub. Material loaned for microfilming in 1969 is included with the 2013 donation.
Restrictions:
Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Leon Golub papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art dealers  Search this
Art -- Collectors and collecting  Search this
Political activists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art historians  Search this
Art critics  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Transcripts
Video recordings
Citation:
Leon Golub papers, 1930s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goluleon
See more items in:
Leon Golub papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goluleon
Additional Online Media:

Robert Rosenblum Papers

Creator:
Rosenblum, Robert  Search this
Names:
Columbia University -- Faculty  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Musée d'Orsay  Search this
National Museum of American Art (U.S.)  Search this
New York University -- Faculty  Search this
Princeton University -- Faculty  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan -- Faculty  Search this
Yale University -- Faculty  Search this
Becraft, Melvin E.  Search this
Ingres, Jean-Auguste-Dominique, 1780-1867  Search this
Kramer, Hilton  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenquist, James, 1933-  Search this
Extent:
38.3 Linear feet
Type:
Archival materials
Collection descriptions
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Date:
circa 1927-2009
bulk 1950-2006
Summary:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed material; photographs; and artwork.
Scope and Contents:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed material; photographs; and artwork.

Biographical materials include Rosenblum's bibliography and resume materials, various school related ephemera and diplomas, a transcript of an interview with Amy Newman for Artforum, and digital sound and video recordings with unverified content. Extensive personal and professional correspondence is with friends, family, colleagues, publishers, museums, and others. Some of the correspondents include Melvin Becraft, the Guggenheim, Harry Abrams, Inc., Hilton Kramer, the Los Angeles County Museum of Art, and the National Museum of American Art. Also found are numerous postcards.

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, photographs, and lists of photographs. There are manuscript, notes, and other materials related to many of Rosenblum's notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and others. Also found are Rosenblum's dissertation and other student writings. There is also a series containing writings by or about others, such as students and colleagues.

Rosenblum planned and facilitated numerous exhibitions that are well-documented within the exhibition files, including French Painting, 1774-1830: The Age of Revolution (1974), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2001), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007), among many others. Contents of each exhibition file vary considerably but often include correspondence, lists of artwork, proposals, notes, catalog drafts and outlines (see also series 3), and printed materials. There are a few sound cassettes and electronic discs, including a recorded interview with James Rosenquist with transcripts.

Research reference files cover a wide variety of art related topics, but are arranged within a separate series because they are not related to specific named projects as are the files in Series 3. These files contain research notes, bibliographies, and syllabi kept by Rosenblum presumably for a variety of publications, research interests, and teaching references.

Teaching files and class notes document Rosenblum's professorial career at Columbia University, New York University, Princeton University, University of Michigan, Yale College, and Yale University, and include a variety of course materials.

Personal business records consist of various financial and legal documents, expense and income records, publishing and speaking contracts, and royalties received.

The papers also include a variety of printed materials, photographs, student sketches by Rosenblum, and an unidentified collage.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1927-2006 (0.5 linear feet; Box 1)

Series 2: Correspondence, circa 1927-2006 (4.5 linear feet; Boxes 1-5)

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006 (13.5 linear feet; Boxes 5-16, OV 39-41)

Series 4: Writings by Others, circa 1954-2006 (2.9 linear feet; Boxes 16-19)

Series 5: Exhibition Files, circa 1965-circa 2006 (5.2 linear feet; Boxes 19-24)

Series 6: Research Files, circa 1927-2006 (2.9 linear feet; Boxes 24-27)

Series 7: Teaching Files and Class Notes, 1955-2006 (4.3 linear feet; Boxes 27-31)

Series 8: Personal Business Records, 1951-2009 (4.4 linear feet; Boxes 31-36)

Series 9: Printed Material, 1927-2009 (2.4 linear feet; Boxes 36-38)

Series 10: Photographs, circa 1950s-circa 2000 (0.3 linear feet; Box 38, OV 41)

Series 11: Artwork, circa 1940s-circa 1980s (0.1 linear feet; Box 38)
Biographical / Historical:
Robert Rosenblum (1927-2006) was an art historian, curator, and professor who worked primarily in New York City.

Rosenblum received his B.A. from Queens College, his M.A. from Yale, and his Ph.D. from the Institute of Fine Art at New York University in 1956. He spent a year teaching art at the University of Michigan before becoming an associate professor at Princeton, ultimately accepting a Professor of Fine Arts position at NYU in 1966, where he spent the rest of his professorial career interspersed with visiting professorships at Oxford University and Yale University. Rosenblum was named Henry Ittleson, Jr. Professor of Modern European Art at NYU in 1976, and received the Frank Jewett Mather Award for Distinction in Art Criticism in 1981. After being appointed Stephen and Nan Swid Curator of 20th-Century Art at the Solomon R. Guggenheim Museum in 1996, Rosenblum went on to curate such exhibitions as 1900: Art at the Crossroads (2000) and Norman Rockwell: Pictures for the American People (2001). Prior to this appointment, he was one of the organizers of the Metropolitan Museum of Art's French Painting, 1774-1830: The Age of Revolution (1974). He received a Distinguished Teaching Award from NYU in 2005, and continued to curate, lecture, teach, and write.

Rosenblum was a prolific author, and his seminal works include: Cubism and Twentieth-Century Art (1959), Transformations in Late Eighteenth-Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1975), and 19th-Century Art (co-authored with H.W. Janson, 1984).

Rosenblum married Jane Kaplowitz in 1978. He died in New York City in 2006.
Provenance:
The papers were donated in multiple accessions by Robert Rosenblum between 1986 and 2003, and by his widow, Jane Kaplowitz between 2010 and 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Rights:
The Robert Rosenblum papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art historians -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roserobe
Additional Online Media:

A curator's choice, 1942-1963 : a tribute to Dorothy Miller

Author:
Miller, Dorothy Canning 1904-2003  Search this
Rosa Esman Gallery  Search this
Subject:
Miller, Dorothy Canning 1904-2003  Search this
Physical description:
1 folded sheet : ill. ; 21 cm
Type:
Exhibitions
Place:
United States
Date:
1982
20th century
Topic:
Painting, American  Search this
Art museum curators  Search this
Call number:
ND212 .C87 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_810994

Correspondence, 1977-2014

Creator:
Smithsonian American Art Museum Curatorial Office  Search this
Subject:
National Museum of American Art (U.S.) Department of Prints and Drawings  Search this
National Museum of American Art (U.S.) Department of Graphic Arts  Search this
National Collection of Fine Arts (U.S.)  Search this
National Museum of American Art (U.S.) Curatorial Office  Search this
Physical description:
9 cu. ft. unprocessed holdings
Type:
Manuscripts
Electronic records
Electronic mail
Date:
1977
1977-2014
Topic:
Art museums  Search this
Graphic arts  Search this
Painting, American  Search this
Sculpture, American  Search this
Art museum curators  Search this
Local number:
SIA RS00359
Restrictions & Rights:
Materials less than 15 years old Restricted. Contact reference staff for details
See more items in:
Correspondence 1977-2014 [Smithsonian American Art Museum Curatorial Office]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_219812

Correspondence, 1998-2009, 2012-2014

Creator:
Smithsonian American Art Museum Curatorial Office  Search this
Subject:
Truettner, William H  Search this
Catlin, George 1796-1872  Search this
National Museum of American Art (U.S.)  Search this
Type:
Electronic mail
Collection descriptions
Pictorial works
Electronic records
Place:
West (U.S.)
Date:
1998
1998-2009
1998-2009, 2012-2014
18th century
19th century
Topic:
Painting, American  Search this
Museum exhibits  Search this
Art museum curators  Search this
Museums--Collection management  Search this
Sculpture, American  Search this
Local number:
SIA Acc. 16-171
Restrictions & Rights:
Restricted for 15 years; until Jan-01-2030. Records may contain personally identifiable information (PII) that is permanently restricted. Transferring office; 3/26/2001 memorandum, Alers to Angelasto; Contact reference staff for details
See more items in:
Correspondence 1977-2014 [Smithsonian American Art Museum Curatorial Office]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_381382

Imperfections by chance : Paul Feeley retrospective, 1954-1966 / initiated by Janne Sirén ; organized by Douglas Dreishpoon and Tyler Cann ; essays by Tyler Cann, Douglas Dreishpoon, and Raphael Rubinstein ; chronology by Cary Cordova

Title:
Paul Feeley retrospective, 1954-1966
Artist:
Feeley, Paul 1910-1966  Search this
Contributor:
Sirén, Janne  Search this
Author:
Dreishpoon, Douglas  Search this
Cann, Tyler (Art museum curator)  Search this
Writer of added text:
Rubinstein, Raphael 1955-  Search this
Cordova, Cary 1970-  Search this
Author:
Feeley, Paul 1910-1966 Works Selections  Search this
Host institution:
Albright-Knox Art Gallery.  Search this
Columbus Museum of Art  Search this
Subject:
Feeley, Paul 1910-1966  Search this
Physical description:
xvii, 268 pages : illustrations (chiefly color) ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Illustrated works
Date:
2015
20th century
Topic:
Painting, American  Search this
Sculpture, American  Search this
Art, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1062213

Rodney Mcmillian : Landscape paintings / [texts by Rodney McMillian, Heidi Zuckerman, Thomas J. Lax; edited by Sarah Stephenson.]

Artist:
McMillian, Rodney 1969-  Search this
Contributor:
Zuckerman, Heidi  Search this
Lax, Thomas J.  Search this
Author:
Stephenson, Sarah (Editor)  Search this
P.S. 1 Contemporary Art Center  Search this
Issuing body:
Aspen Art Museum (Aspen, Colo.)  Search this
Subject:
McMillian, Rodney 1969-  Search this
Physical description:
151 pages : color illustrations ; 29 cm
Type:
Exhibitions
Date:
2015
21st century
Topic:
Landscape painting  Search this
Painting, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081934

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