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Riva Castleman papers, 1871, 1930-2013

Creator:
Castleman, Riva, 1930-2014  Search this
Subject:
Grosman, Tatyana  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Topic:
Art museum curators  Search this
Sound recordings  Search this
Art historians  Search this
Record number:
(DSI-AAA_CollID)17584
(DSI-AAA_SIRISBib)395675
AAA_collcode_castriva
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_395675
Additional Online Media:

Oral history interview with Henry Sayles Francis, 1974 Mar. 28-1975 July 11

Interviewee:
Francis, Henry Sayles, 1902-1994  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Sayles, Henry  Search this
Cleveland Museum of Art  Search this
Topic:
Art museums  Search this
Art museum curators  Search this
Interviews  Search this
Sound recordings  Search this
Art historians  Search this
Record number:
(DSI-AAA_CollID)13137
(DSI-AAA_SIRISBib)215192
AAA_collcode_franci74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215192

Robert Rosenblum papers, circa 1927-2009, bulk 1950-2006

Creator:
Rosenblum, Robert, 1927-2006  Search this
Subject:
Rosenquist, James  Search this
Rockwell, Norman  Search this
Ingres, Jean-Auguste-Dominique  Search this
Becraft, Melvin E.  Search this
Kramer, Hilton  Search this
Los Angeles County Museum of Art  Search this
New York University  Search this
National Museum of American Art (U.S.)  Search this
Columbia University  Search this
Princeton University  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan  Search this
Yale University  Search this
Harry N. Abrams, Inc  Search this
Musée d'Orsay  Search this
Topic:
Art historians  Search this
Sound recordings  Search this
Sketches  Search this
Dogs in art  Search this
Transcripts  Search this
Portraits  Search this
Art  Search this
Painting, Modern  Search this
Interviews  Search this
Art museum curators  Search this
Photographs  Search this
Painting, French  Search this
Video recordings  Search this
Educators  Search this
Collages  Search this
Record number:
(DSI-AAA_CollID)8191
(DSI-AAA_SIRISBib)210362
AAA_collcode_roserobe
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210362
Additional Online Media:

Leon Golub papers, 1930s-2009

Creator:
Golub, Leon, 1922-2004  Search this
Subject:
Spero, Nancy  Search this
Topic:
Art historians  Search this
Video recordings  Search this
Educators  Search this
Art dealers  Search this
Sound recordings  Search this
Painters  Search this
Transcripts  Search this
Art  Search this
Painting, Modern  Search this
Art museum curators  Search this
Photographs  Search this
Art critics  Search this
Interviews  Search this
Political activists  Search this
Record number:
(DSI-AAA_CollID)8979
(DSI-AAA_SIRISBib)211166
AAA_collcode_goluleon
Theme:
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211166
Additional Online Media:

Leon Golub papers

Creator:
Golub, Leon, 1922-2004  Search this
Names:
Spero, Nancy, 1926-2009  Search this
Extent:
16.5 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sound recordings
Interviews
Transcripts
Video recordings
Date:
1930s-2009
Summary:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings by Golub and other authors, subject files, printed material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and wife Nancy Spero. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.
Scope and Contents:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings, subject files, printed material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and his art work. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.

Biographical materials consist largely of video documentaries about Leon Golub and his work, obituaries, and information about his 2004 memorial service and a larger memorial tribute held later. Also found are educational records, passports, curricula vitae.

Correspondence is mostly of a professional nature, focusing on exhibitions, projects, collectors, articles submitted for publication, Golub's work, speaking engagements, awards, gifts of artwork, studio visits, and travel arrangements. Correspondents include dealers, curators, art historians, critics, collectors, writers, and editors. Scattered throughout are a small number of letters concerning personal business and politics.

Interviews with Leon Golub and joint interviews with Leon Golub and Nancy Spero were conducted for a variety of purposes. They are preserved as transcripts, video, and sound recordings. Writings by Golub include manuscripts and notes for articles, catalog essays, and miscellaneous writings. Notes and texts for talks, lectures, and panel discussions, include some transcripts and recordings. Among the writings by other authors are a dissertation, a thesis, academic papers, notes, texts of speeches, and a recording of a lecture by an unidentified speaker.

Subject files reflect Golub's professional and personal activities, interests and relationships. Of note are many files of "Images (source material)" used for a variety of artwork and projects. Personal business records documenting Golub's artistic output include many inventories and lists, and a comprehensive register of work, information about consignments, loans, photo permissions, and gifts or donations. Also found are extensive mailing lists.

Printed material includes clippings, exhibition catalogs and announcements, and a variety of miscellaneous printed items. Most material is about/mentions Golub, and/or includes reproductions of his work. Scattered throughout are items concerning topics of interest to Golub, and articles written by him.

The majority of the photographic materials are color digital prints of Golub's artwork. There are photographs of Leon Golub and Nancy Spero, family members, and friends and colleagues at exhibition events. Also found are a few photographs of Golub's plexibox sculptures.
Arrangement:
The collection is arranged in 8 series:

Series 1: Biographical Material, 1930s-2006 (Boxes 1-2; 1.4 linear feet)

Series 2: Correspondence, 1955-2004 (Boxes 2-3; 0.9 linear foot)

Series 3: Interviews, 1967-2004 (Boxes 3-4; 0.8 linear foot)

Series 4: Writings, 1948-2003 (Boxes 4-5, 21; 1.1 linear foot)

Series 5: Subject Files, 1959-2005 (Boxes 5-11, OV 18; 6.2 linear feet)

Series 6: Personal Business Records, 1965-2009 (Boxes 11-12; 1.4 linear feet)

Series 7: Printed Material, circa 1950s-2009 (Boxes 12-16, 21, OV 19; 3.9 linear feet)

Series 8: Photographs, 1940s-2004 (Boxes 16-17, OV 20; 0.6 linear foot)
Biographical / Historical:
Leon Golub (1922-2004) was a painter in New York City known for figurative work with political content, an anti-war activist, and professor of art at Rutgers University.

Chicago native Leon Golub studied art history at the University of Chicago (BA 1942) before serving as a cartographer with the U.S. Army Corps of Engineers in Europe during World War II. Upon returning home, Golub became identified with Monster Roster, a group of Chicago artists who believed art must be grounded in real events in order to be relevant to the viewer and society, an idea he held throughout his life. At the School of the Art Institute of Chicago, Golub pursued his interest in painting (BFA 1949, MFA 1950) and met fellow student Nancy Spero whom he married in 1951. After graduation he began teaching at local colleges, exhibited in Chicago and New York, and served as chair of "Exhibition Momentum" (1950). The couple and their two sons lived in Italy from 1956-1957. In 1959 they moved to Paris and, while there, a third son was born. Upon returning to New York City in 1964, Golub became actively involved with the Artists and Writers Protest Against the War in Vietnam, other anti-war groups, and civil liberties organizations. While his painting style changed with time, Golub continued to explore power, violence and conflict, often working in series with titles such as Combats, Napalm, Mercenaries, Interrogation, and Riot.

He first participated in a group show with other veterans at the School of the Art Institute of Chicago in 1947, and soon was included in group and solo exhibitions throughout the United States and in Europe, including the Guggenheim Museum's influential national traveling exhibition "Younger American Painters" (1954-1956). Golub and Spero exhibited their work in tandem and collaborated on installations. He continued to participate in group shows including "Documenta IX" (2002). Golub's work is included in the permanent collections of museums throughout the world.

Golub began his teaching career soon after graduation, first at a junior college in Chicago. In the later 1950s he served briefly on the faculties of Illinois Institute of Technology School of Design and Indiana University; in the 1960s at the Tyler School of Art in Philadelphia, and Fairleigh Dickinson University in New Jersey. He began a long tenure at Rutgers University, School of Visual Arts in 1970 and retired in 1991. In the early 1990s, both Golub and Spero were affiliated with Sommerakademie in Salzburg. Golub wrote and spoke on art, politics, and social issues; he also published many articles, statements, and book reviews, as well as contributing introductions and essays for exhibition catalogs.

Awards and honors included the Skowhegan Medal for Painting (1988), Chicago Committee to Defend the Bill of Rights Award (1989), Dickinson College Arts Award (1992), National Foundation of Jewish Culture Visual Arts Award (1995), and Hiroshima Art Prize shared with Nancy Spero (1996). Golub was awarded honorary doctorates of Fine Arts by the School of the Art Institute of Chicago (1982), Swarthmore College (1985), College of St. Rose (1995), Trinity College (1999), and Pratt Institute (2000). He was elected a member of the American Academy of Arts and Letters (2002).

Leon Golub died in New York City August 8, 2004 from complications following surgery.
Related Materials:
Also among the holdings of the Archives of American Art are oral history interviews with Leon Golub conducted for the Archives of American Art by Bruce Hooten 1965 and Irving Sandler 1968 October 28-November 18. The Nancy Spero papers, 1940s-2009, bulk 1970-2009, include documentation of many of the couple's collaborative projects, joint exhibitions, their family, and shared interests.
Provenance:
The Leon Golub papers were donated by Leon Golub in 1978; the majority of the papers were given in 2013 by The Nancy Spero and Leon Golub Foundation for the Arts via their sons Stephen, Philip and Paul Golub. Material loaned for microfilming in 1969 is included with the 2013 donation.
Restrictions:
Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Leon Golub papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art dealers  Search this
Art -- Collectors and collecting  Search this
Political activists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art historians  Search this
Art critics  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Transcripts
Video recordings
Citation:
Leon Golub papers, 1930s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goluleon
See more items in:
Leon Golub papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goluleon
Additional Online Media:

Robert Rosenblum Papers

Creator:
Rosenblum, Robert  Search this
Names:
Columbia University -- Faculty  Search this
Harry N. Abrams, Inc.  Search this
Los Angeles County Museum of Art  Search this
Musée d'Orsay  Search this
National Museum of American Art (U.S.)  Search this
New York University -- Faculty  Search this
Princeton University -- Faculty  Search this
Solomon R. Guggenheim Museum  Search this
University of Michigan -- Faculty  Search this
Yale University -- Faculty  Search this
Becraft, Melvin E.  Search this
Ingres, Jean-Auguste-Dominique, 1780-1867  Search this
Kramer, Hilton  Search this
Rockwell, Norman, 1894-1978  Search this
Rosenquist, James, 1933-  Search this
Extent:
38.3 Linear feet
Type:
Archival materials
Collection descriptions
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Date:
circa 1927-2009
bulk 1950-2006
Summary:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed material; photographs; and artwork.
Scope and Contents:
The papers of art historian, curator, and professor Robert Rosenblum measure 38.3 linear feet and date from circa 1927 to 2009, with the bulk dating from 1950 to 2006. They include biographical material, extensive personal and professional correspondence; lectures, writings, and writing project files by Rosenblum and others; exhibition files; research reference files; teaching files; personal business records; printed material; photographs; and artwork.

Biographical materials include Rosenblum's bibliography and resume materials, various school related ephemera and diplomas, a transcript of an interview with Amy Newman for Artforum, and digital sound and video recordings with unverified content. Extensive personal and professional correspondence is with friends, family, colleagues, publishers, museums, and others. Some of the correspondents include Melvin Becraft, the Guggenheim, Harry Abrams, Inc., Hilton Kramer, the Los Angeles County Museum of Art, and the National Museum of American Art. Also found are numerous postcards.

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, photographs, and lists of photographs. There are manuscript, notes, and other materials related to many of Rosenblum's notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and others. Also found are Rosenblum's dissertation and other student writings. There is also a series containing writings by or about others, such as students and colleagues.

Rosenblum planned and facilitated numerous exhibitions that are well-documented within the exhibition files, including French Painting, 1774-1830: The Age of Revolution (1974), 1900: Art at the Crossroads (2000), Norman Rockwell: Pictures for the American People (2001), Best in Show: Dogs in Art from the Renaissance to the Present (2006), and Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 (2007), among many others. Contents of each exhibition file vary considerably but often include correspondence, lists of artwork, proposals, notes, catalog drafts and outlines (see also series 3), and printed materials. There are a few sound cassettes and electronic discs, including a recorded interview with James Rosenquist with transcripts.

Research reference files cover a wide variety of art related topics, but are arranged within a separate series because they are not related to specific named projects as are the files in Series 3. These files contain research notes, bibliographies, and syllabi kept by Rosenblum presumably for a variety of publications, research interests, and teaching references.

Teaching files and class notes document Rosenblum's professorial career at Columbia University, New York University, Princeton University, University of Michigan, Yale College, and Yale University, and include a variety of course materials.

Personal business records consist of various financial and legal documents, expense and income records, publishing and speaking contracts, and royalties received.

The papers also include a variety of printed materials, photographs, student sketches by Rosenblum, and an unidentified collage.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1927-2006 (0.5 linear feet; Box 1)

Series 2: Correspondence, circa 1927-2006 (4.5 linear feet; Boxes 1-5)

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006 (13.5 linear feet; Boxes 5-16, OV 39-41)

Series 4: Writings by Others, circa 1954-2006 (2.9 linear feet; Boxes 16-19)

Series 5: Exhibition Files, circa 1965-circa 2006 (5.2 linear feet; Boxes 19-24)

Series 6: Research Files, circa 1927-2006 (2.9 linear feet; Boxes 24-27)

Series 7: Teaching Files and Class Notes, 1955-2006 (4.3 linear feet; Boxes 27-31)

Series 8: Personal Business Records, 1951-2009 (4.4 linear feet; Boxes 31-36)

Series 9: Printed Material, 1927-2009 (2.4 linear feet; Boxes 36-38)

Series 10: Photographs, circa 1950s-circa 2000 (0.3 linear feet; Box 38, OV 41)

Series 11: Artwork, circa 1940s-circa 1980s (0.1 linear feet; Box 38)
Biographical / Historical:
Robert Rosenblum (1927-2006) was an art historian, curator, and professor who worked primarily in New York City.

Rosenblum received his B.A. from Queens College, his M.A. from Yale, and his Ph.D. from the Institute of Fine Art at New York University in 1956. He spent a year teaching art at the University of Michigan before becoming an associate professor at Princeton, ultimately accepting a Professor of Fine Arts position at NYU in 1966, where he spent the rest of his professorial career interspersed with visiting professorships at Oxford University and Yale University. Rosenblum was named Henry Ittleson, Jr. Professor of Modern European Art at NYU in 1976, and received the Frank Jewett Mather Award for Distinction in Art Criticism in 1981. After being appointed Stephen and Nan Swid Curator of 20th-Century Art at the Solomon R. Guggenheim Museum in 1996, Rosenblum went on to curate such exhibitions as 1900: Art at the Crossroads (2000) and Norman Rockwell: Pictures for the American People (2001). Prior to this appointment, he was one of the organizers of the Metropolitan Museum of Art's French Painting, 1774-1830: The Age of Revolution (1974). He received a Distinguished Teaching Award from NYU in 2005, and continued to curate, lecture, teach, and write.

Rosenblum was a prolific author, and his seminal works include: Cubism and Twentieth-Century Art (1959), Transformations in Late Eighteenth-Century Art (1967), Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko (1975), and 19th-Century Art (co-authored with H.W. Janson, 1984).

Rosenblum married Jane Kaplowitz in 1978. He died in New York City in 2006.
Provenance:
The papers were donated in multiple accessions by Robert Rosenblum between 1986 and 2003, and by his widow, Jane Kaplowitz between 2010 and 2013.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Rights:
The Robert Rosenblum papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators  Search this
Topic:
Art historians -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art -- 19th century  Search this
Art -- 18th century  Search this
Painting, Modern  Search this
Portraits  Search this
Dogs in art  Search this
Painting, French  Search this
Photographs  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Collages
Sound recordings
Sketches
Interviews
Transcripts
Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roserobe
See more items in:
Robert Rosenblum Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roserobe
Additional Online Media:

Sherman E. Lee papers

Creator:
Lee, Sherman E.  Search this
Names:
Case Western Reserve University -- Faculty  Search this
Cleveland Museum of Art  Search this
Harvard University -- Faculty  Search this
Rockefeller, John D., 1906-  Search this
Extent:
10.3 Linear Feet
Type:
Archival materials
Collection descriptions
Drawings
Travel diaries
Photographs
Date:
1947-1997
Summary:
The papers of Cleveland museum director and art historian Sherman E. Lee measure 10.3 linear feet and date from 1947-1997. The records document Lee's extensive career as an art historian, curator and expert on Asian art, director of the Cleveland Museum of Art, writer, educator, and consultant. His papers include scattered biographical materials, correspondence, writings, travel files, committees and organizations files, consulting files, teaching files, personal business records, printed material, photographs, and one pencil drawing.
Scope and Contents:
The papers of Cleveland museum director and art historian Sherman E. Lee measure 10.3 linear feet and date from 1947-1997. The records document Lee's extensive career as an art historian, curator and expert on Asian art, director of the Cleveland Museum of Art, writer, educator, and consultant. His papers include scattered biographical materials, correspondence, writings, travel files, committees and organizations files, consulting files, teaching files, personal business records, printed material, photographs, and one pencil drawing.

Correspondence is with friends, scholars, editors, collectors, dealers, art societies and organizations, and other museums. Writings consist of articles, lectures, book reviews by Lee and scattered writings by others. Writing project files contain correspondence with publishers, contracts, and printed material relating to the publication of Lee's writings. Travel files document numerous trips to Asian and European countries and include travel diaries, photographs, and lists of works of art viewed. There are files concerning Lee's membership and involvement with various committees, museums, and arts organizations. Consulting files mostly focus on Lee's work advising John D. Rockefeller III on the purchase of art, and with the Permanent Public Areas Advisory Committee of Cleveland, Ohio. Teaching files document classes he taught at Case Western Reserve and Harvard. Personal business records mostly concern Lee's personal art collection. Also found among the papers are general clippings, photographs of Lee and of artwork, and one pencil drawing.
Arrangement:
The collection is arranged as 12 series.

Series 1: Biographical Material, 1947-circa 1983 (0.4 linear feet; Box 1, 11)

Series 2: Correspondence, 1953-1996 (1.5 linear feet; Box 1-2)

Series 3: Writings and Notes, 1962-1983 (1.7 linear feet; Box 2-4)

Series 4: Writing Project Files, 1958-1997 (1.0 linear feet; Box 4-5)

Series 5: Travel Files, 1959-1994 (1.8 linear feet; Box 5-7)

Series 6: Committees and Organization Files, 1971-1997 (1.8 linear feet; Box 7-8)

Series 7: Consulting Files, 1960-1993 (1.1 linear feet; Box 8-9)

Series 8: Teaching Files, 1963-1977 (0.1 linear feet; Box 9)

Series 9: Personal Business Records, 1958-1995 (0.3 linear feet; Box 9)

Series 10: Printed Material, 1962-1987 (0.9 linear feet; Box 10-11)

Series 11: Photographs, circa 1952-1993 (0.2 linear feet; Box 10-11)

Series 12: Artwork, circa 1960s (1 folder; Box 10)
Biographical / Historical:
Sherman Emery Lee (1918-2008) was an recognized expert on Asian art and director of the Cleveland Museum of Art from 1958-1983.

Born in Seattle, Washington in 1918, Sherman E. Lee grew up in New York and received degrees from American University and a Ph.D. from Case Western Reserve University in Cleveland, Ohio. Lee began his art career as a curator at the Detroit Institute of Art and Seattle Art Museum. During World War II, he served with the U. S. Navy and was transferred to the Monuments, Fine Arts and Archives Section in Japan. After the war he continued working as a civilian advisor on the preservation of Japanese artworks.

Sherman Lee accepted a position as curator of Oriental art at the Cleveland Museum of Art in 1952 and became director in 1958, where he remained until 1983. During his long tenure there, he built one of this country's most remarkable collections of Asian art, transforming the museum from a regional presence to one of national significance. In 1973 Lee was chosen as Chairman of the Art and Archeology Delegation to the People's Republic of China, jointly sponsored by the Committee on Scholarly Communication of the People's Republic of China and the Scientific and Technical Association of the People's Republic of China.

Lee wrote or co-wrote a number of books including A History of Far Eastern Art (1964) and numerous articles for journals, magazines, and newspapers. He was the recipient of many honorary degrees, awards, and honors including the Order of the Sacred Treasure from Japan and Chevalier of the Legion d'Honneur. He taught art history courses at the Case Western Reserve University and Harvard and was consultant to John D. Rockefeller III and the Cleveland Permanent Public Advisory Committee. He retired to North Carolina where he taught at the University of North Carolina and was advisor to the University's Ackland Art Museum.

Lee was married to his wife Ruth for sixty-nine years. The two met in college and had three daughters and one son. Lee died July 9, 2008 at Chapel Hill, North Carolina.
Provenance:
Sherman E. Lee donated his papers to the Archives of American Art in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Conract Reference Services for more information.
Rights:
The Sherman E. Lee papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- Ohio -- Cleveland  Search this
Art museum curators -- Ohio -- Cleveland  Search this
Museum directors -- Ohio -- Cleveland  Search this
Educators -- Ohio -- Cleveland  Search this
Topic:
Art, Chinese  Search this
Art, East Asian  Search this
Art, Asian  Search this
Painting, Chinese  Search this
Art, Japanese  Search this
Art -- Study and teaching  Search this
Genre/Form:
Drawings
Travel diaries
Photographs
Citation:
Sherman E. Lee papers, 1947-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leeshere
See more items in:
Sherman E. Lee papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leeshere

Dorothy C. Miller papers, 1853-2013, bulk 1920-1996

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Subject:
Guggenheim, Peggy  Search this
Barr, Alfred H.  Search this
Rauschenberg, Robert  Search this
Copley, Alfred L. (Alfred Lewin)  Search this
Picasso, Pablo  Search this
Gorky, Arshile  Search this
Feininger, Lyonel  Search this
Chryssa  Search this
Nevelson, Louise  Search this
Charlton, Maryette  Search this
Calder, Alexander  Search this
Christo  Search this
Sage, Kay  Search this
Hartigan, Grace  Search this
Canady, John  Search this
Johns, Jasper  Search this
Still, Clyfford E.  Search this
Pereira, I. Rice (Irene Rice)  Search this
Levy, Julien  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Coggeshall, Calvert  Search this
Karpel, Bernard  Search this
Scharf, William  Search this
Newman, Barnett  Search this
Sterne, Hedda  Search this
Cahill, Holger  Search this
Hicks, Edward  Search this
DeFeo, Jay  Search this
Sheeler, Charles  Search this
Feitelson, Lorser  Search this
Noguchi, Isamu  Search this
Matisse, Pierre  Search this
Bontecou, Lee  Search this
Byars, James Lee  Search this
Horwitt, Will  Search this
Rothko, Mark  Search this
Asher, Elise  Search this
Davis, Stuart  Search this
O'Keeffe, Georgia  Search this
Reinhardt, Ad  Search this
Mather, Eleanore Price  Search this
Hirshhorn Museum and Sculpture Garden.  Search this
Betty Parsons Gallery  Search this
World Trade Center  Search this
Chase Manhattan Bank  Search this
Federal Art Project  Search this
Port Authority of New York and New Jersey  Search this
Smith College  Search this
Mark Rothko Foundation  Search this
PepsiCo, inc  Search this
Rockefeller University  Search this
Smith College.Museum of Art  Search this
Municipal Art Exhibition  Search this
Topic:
Art, Modern  Search this
Art historians  Search this
Art  Search this
Sketches  Search this
Christmas cards  Search this
Artists  Search this
Folk art  Search this
Photographs  Search this
Corporations  Search this
Art museum curators  Search this
Drawings  Search this
Record number:
(DSI-AAA_CollID)6469
(DSI-AAA_SIRISBib)215653
AAA_collcode_milldoro
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215653
Additional Online Media:

Gary A. Reynolds papers, 1973-1990

Creator:
Reynolds, Gary A., 1949-1990  Search this
Subject:
Browere, A. D. O. (Alburtis Dell Orient),  Search this
Wiles, Irving Ramsay  Search this
Sargent, John Singer  Search this
Tiffany, Louis Comfort  Search this
Boldini, Giovanni  Search this
Morse, Samuel Finley Breese  Search this
Audubon, John James  Search this
Gay, Walter  Search this
Grey Art Gallery & Study Center  Search this
Topic:
Art historians  Search this
Museum curators  Search this
Art museum curators  Search this
Record number:
(DSI-AAA_CollID)10802
(DSI-AAA_SIRISBib)214528
AAA_collcode_reyngary
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214528

A. Hyatt Mayor papers, 1815-1980

Creator:
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this
Subject:
Ivins, Barbara  Search this
Crawford, Ralston  Search this
Pound, Ezra  Search this
Sanchez, Emilio  Search this
Parrish, Maxfield  Search this
Sachs, Maurice  Search this
Arms, John Taylor  Search this
Mayor, Alfred G.  Search this
Kroll, Leon  Search this
Ivins, Katherine  Search this
Mayor, Joseph Henry  Search this
Biddle, George  Search this
Bacchelli, Mario  Search this
Huntington, Anna Vaughn Hyatt  Search this
Hirsch, Joseph  Search this
Berenson, Bernard  Search this
Kent, Norman  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Moffett & Sheldon  Search this
Topic:
Art historians  Search this
Art museums  Search this
Art  Search this
Ambrotypes  Search this
Art museum curators  Search this
Photographs  Search this
Daguerreotypes  Search this
Diaries  Search this
Tintypes  Search this
Record number:
(DSI-AAA_CollID)9041
(DSI-AAA_SIRISBib)211230
AAA_collcode_mayoa
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211230

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, inc  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milldoro
Additional Online Media:

Riva Castleman papers

Creator:
Castleman, Riva  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Grosman, Tatyana, 1904-1982  Search this
Extent:
10.6 Linear feet
7.83 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Sound recordings
Interviews
Date:
1871
1930-2013
Summary:
The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.
Scope and Contents:
The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1930-2011 (Boxes 1-3; 3 linear feet)

Series 2: Correspondence, circa 1950-2012 (Boxes 4-5, OV 12, 1.5 linear feet; ER01, 0.001 GB)

Series 3: Writing Project Files, circa 1950-2013 (Boxes 5-8, 3.1 linear feet; ER02-ER04, 0.007 GB)

Series 4: Notebooks, 1950-2005 (Box 8; 0.3 linear feet)

Series 5: Interviews, 1980s-1990s (Box 8, 0.2 linear feet; ER05, 7.82 GB)

Series 6: Project Files, 1871, 1977-2003 (Box 9; 0.2 linear feet)

Series 7: Printed Material, 1950-2012 (Boxes 9-10; 1.4 linear feet)

Series 8: Photographic Material, 1960-2011 (Box 10, OV 13; 0.5 linear feet)

Series 9: Artwork, circa 1970-2010 (Box 11, OV 14-15; 0.4 linear feet)
Biographical / Historical:
Riva Castleman (1930-2014) was the Director of Prints and Illustrated Books at the Museum of Modern Art in New York City from 1976-1995. Born in Chicago, Castleman received her B.A. from the University of Iowa in 1951. After graduating, she worked at the Art Institute of Chicago and the California Historical Society. She was hired as a print cataloger at MoMA in 1963 before becoming department head in 1976. Her tenure coincided with the renaissance in American printmaking propelled by Andy Warhol, Robert Rauschenberg, and Jasper Johns, and her exhibitions and publications celebrated these artists along with master printmakers, including Tatyana Grosman of Universal Limited Art Editions.
Provenance:
Donated to the Archives of American Art in 2018 by Kristen Skedgell, Riva Castleman's niece.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Rights:
The Riva Castleman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Riva Castleman papers, 1871, 1930-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.castriva
See more items in:
Riva Castleman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castriva

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