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Colonized through art : American Indian schools and art education, 1889-1915 / Marinella Lentis

Title:
American Indian schools and art education, 1889-1915
Author:
Lentis, Marinella  Search this
Physical description:
xxvii, 421 pages : illustrations ; 24 cm
Type:
Books
History
Place:
United States
Date:
2017
Topic:
Education--History  Search this
Art--Study and teaching--History  Search this
Indians of North America--Vocational education--History  Search this
Indians of North America--Cultural assimilation  Search this
Off-reservation boarding schools  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081651

Pueblo Paintings: An Exhibition of the Art of The American Indian of the Southwest

Creator:
Ferargil Galleries  Search this
Subject:
Awa Tsireh  Search this
Coriz, Santiago  Search this
Herrera, Velino  Search this
Kabotie, Fred Nakayoma  Search this
Martinez, Julian  Search this
Ogwa Pi  Search this
Peña, Tonita  Search this
Polelonema, Otis  Search this
Toya, Patricio  Search this
Ferargil Galleries  Search this
Type:
Printed Materials
Place:
New York, N.Y.
Date:
24 January to 7 February 1927
Topic:
Native American  Search this
Record number:
(DSI-AAA)17595
See more items in:
William Penhallow Henderson papers, 1876-1987, (bulk 1876-1943)
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17595
Additional Online Media:

Kimowan (Metchewais) McLain collection

Creator:
McLain, Kimowan (Metchewais)  Search this
Names:
Cold Lake First Nations  Search this
University of New Mexico  Search this
University of North Carolina at Chapel Hill  Search this
McNeil, Larry, 1950-  Search this
Extent:
871 negatives (photographic)
1918 slides (photographs)
989 polaroid prints
15 Notebooks
0.8 Linear feet
1,496 Photographic prints
Type:
Archival materials
Collection descriptions
Negatives (photographic)
Slides (photographs)
Polaroid prints
Notebooks
Photographic prints
Sketchbooks
Negatives
Slides
Place:
Alberta
North Carolina -- Chapel Hill
Date:
1991-2011
Summary:
The collection of Kimowan McLain, significant First Nations artist, contains materials related to his artistic practice and his personal life. The materials include not only photographs of his art, completed and in-progress, but also sketchbooks and journal entries that give important context to his major works and artistic practices. The materials range from his early career in the early 1990s as a magazine editor to his solo and group exhibitions to his time as an art professor at various universities and images of his final works in 2011. McLain balanced both Western and Native artistic methods and history in his work, his archive provides valuable insight into the swiftly evolving and often contested world of contemporary Native American art.
Scope and Contents:
The Kimowan (Metchewais) McLain collection spans the majority of McLain's artistic career from 1991 to 2011, beginning with his work as a comic illustrator and ending with one of his final pieces, Raincloud. Series 1: Works contains materials relating to his artistic works, mainly consisting of 4X6 color photographs, slides, and negatives of his completed works. There are also images of the works in progress, sources of inspiration for various pieces, and several items reflecting the various processes he used to create the final work, be it painting, "paper wall," installation, or a mixed media piece. Works of note include: After (1999), Map of Moths (2001), Cold Lake (2004), and Raincloud (2010). Series 2: Polaroids is McLain's collection of Polaroid prints. These prints were used as a reference collection by the artist, and reflect all aspects of his life and work: from intimate personal portraits of the artist, friends and family, to color studies, to documentation of nature and everyday items, the series is glimpse into the heart of the collection.

Series 3: Sketchbooks, is an equally revealing look into McLain's artistic practice and personal life. Documenting everything from his struggle with a smoking addiction, his thoughts on art history and teaching, designing his website, the creative process of exhibit planning, and numerous sketches in pen, pencil, and charcoal, the sketchbooks are an invaluable resource for understanding both the man and the work he created. Series 4: Personal Materials contains materials related to McLain's personal life- his travels around the U.S. and abroad, the works by other artists he felt were important to collect, published material related to his work and also his decisions on where to go to graduate school and where to apply for teaching positions. Series 5: Teaching Materialscontains materials concerning his teaching career- mainly slides of his student's work, and slides he used in his lectures. He taught art classes at both the University of New Mexico and the University of North Carolina at Chapel Hill, on subjects ranging from "Drawing I" to "Native American Art in the 1980s."

The collection contains 4X6 color photographic prints, 35 mm color negatives, 3X5 Polaroid prints, and 35 mm color slides, noted if otherwise. Some titles are bracketed, this reflects a title that has been constructed during processing, titles not bracketed were generally assigned by the creator.
Arrangement:
Collection is arranged by subject. Series 1: Works is arranged chronologically within the subseries, excepting the Works, General subseries. Series 2: Polaroids, retains the original order created by the artist. Images are separated by subject and arranged alphabetically. Series 3: Sketchbooks, is arranged chronologically when date is known. Series 4: Personal Materials, is arranged by subject and occasionally by format. Series 5: Teaching Materials contains slides which are arranged chronologically and by subject.
Biographical / Historical:
Kimowan McLain was a significant figure in the Native art world. He was born in Oxbow, Saskatchewan, October 2, 1963. He used his step-father Bruce's name- McLain, until later in life when he began to go by his mother Ada's maiden name - Metchewais. He spent his childhood and early adulthood on the Cold Lake First Nations reserve in Alberta. He began his artistic career working as an illustrator and later editor at Windspeaker Native Newspaper from 1983 to 1989. From 1992 to 1996 he attended the University of Alberta in Edmonton, receiving his Bachelors of Fine Arts. It was during this time, in 1993, at age 29, that he was diagnosed with oligodendroglioma, a rare form of brain tumor. The surgery to remove the tumor and following radiation left McLain with a permanent bald spot on the back of his head would feature in his art in later years. He was told that life expectancy for this condition was 11-12 years. Despite his illness, in 1995 McLain received the Ellen Battel Stoekel Fellowship to spend the summer at Yale University and in 1996 he received a National Award from the Canadian Native Arts Foundation. He continued on to complete his Master of Fine Arts at the University of New Mexico, Albuquerque, New Mexico, from 1996 to 1999. It was there he met life-long friend Larry McNeil. McLain then made the move to Chapel Hill, North Carolina where he began teaching in the Art Department at the University of North Carolina, and continuing to exhibit his own work in both solo exhibitions and group exhibitions.

In Chapel Hill he lived in the neighborhood of Carrboro, a small, relaxed community attached to the larger college town. At this time, McLain developed an interest in "hooping" – hula-hooping as a spiritual activity--founding a collective and developing many close friendships through the hobby. He also began making trips home to Cold Lake and documenting the people and places there. In 2005, following symptoms of his tumor returning, McLain underwent a relatively complication-free surgery that allowed him to return directly to work, including participation in the well-received Loom exhibition. In 2007 McLain underwent surgery once again but due to complications from the surgery, McLain was left partially paralyzed. For a year, McLain worked diligently at rehabilitation, even developing his own rehab program he called "Kimochi," and was eventually able to return both to work and hooping. During his time at the hospital he met his eventual fiancée, Antje Thiessen.

Following his return to work, McLain continued to evolve his artistic practice – producing what some called his magnum opus - Cold Lake in 2004 and the evocative self-portrait Raincloud in 2010. Both pieces are examples of the space McLain gracefully navigated, between Native and Western sensibilities and artistic practices in his work. In 2011 his symptoms returned for a final time and he returned to his mother's home in St. Paul, Alberta, with Thiessen, for palliative care. He passed away on July 29, 2011. A retrospective of his work Horizon: Kimowan Metchewais (McLain) was shown that fall at the John and June Allcott Gallery, University of North Carolina.
Separated Materials:
The National Museum of the American Indian has 185 of Kimowan McLain's works in their Modern and Contemporary Arts collection. These pieces have catalog numbers 26/9426 - 26/9610. To view these pieces, an Object Collections Research Request must be made two months in advance, using the form found at http://www.nmai.si.edu/explore/collections/accessing/. Kimowan Metchewais McLain also has an artist file held by the Vine Deloria Jr. Library, containing material relevant to this collection. It can be accessed by contacting the library by phone: (301) 238-1376 or email: AskALibrarian@si.edu.
Provenance:
Bequest of Kimowan (Metchewais) McLain in 2015.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Art -- American Indian  Search this
Indian art -- 21st century  Search this
Powwows  Search this
Genre/Form:
Photographic prints
Sketchbooks
Negatives
Slides
Citation:
Identification of specific item; Date (if known); Kimowan (Metchewais) McLain Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.084
See more items in:
Kimowan (Metchewais) McLain collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-084
Additional Online Media:

Service of Indian Applied Arts

Creator:
Eastern Association on Indian Affairs  Search this
Culture:
American Indian  Search this
Type:
Archival materials
Date:
1899
Topic:
Applied arts--American Indian  Search this
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_87875

Prospectus

Creator:
Exposition of Indian Tribal Arts, inc  Search this
Type:
Archival materials
Date:
1899
Topic:
Art exhibits--American Indian  Search this
Exhibits--art--American Indian  Search this
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_87879

The Heard Museum : history & collections / Ann E. Marshall, Mary H. Brennan, Nicole Haas

Title:
History & collections
History and collections
Author:
Marshall, Ann E  Search this
Brennan, Mary H  Search this
Haas, Nicole 1977-  Search this
Heard Museum  Search this
Subject:
Heard Museum  Search this
Heard Museum History  Search this
Physical description:
48 p. : ill. (some col.), ports. (some col.) ; 26 cm
Type:
Books
Place:
Arizona
North America
Date:
2006
C2006
Topic:
Museums  Search this
Indian art  Search this
Antiquities  Search this
Call number:
E78.A7 M296 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_901533

Kindred spirits : Native American influences on 20th century art / texts by Carter Ratcliff and Paul Chaat Smith

Author:
Ratcliff, Carter  Search this
Smith, Paul Chaat  Search this
Blum, Peter  Search this
Peter Blum Gallery  Search this
Physical description:
211 p. : col. ill. ; 27 cm
Type:
Exhibitions
Place:
North America
Southwest, New
Date:
2011
20th century
Topic:
Indian art--Influence  Search this
Art, Modern--Indian influences  Search this
Art, Modern  Search this
Art, American--Indian influences  Search this
Art, American  Search this
Indians in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_985929

Pottery by American Indian women : the legacy of generations / Susan Peterson

Author:
Peterson, Susan 1925-2009  Search this
National Museum of Women in the Arts (U.S.)  Search this
Heard Museum  Search this
Physical description:
224 pages : illustrations (some color), color map ; 29 cm
Type:
Exhibitions
Exhibition catalogs
Place:
North America
Date:
1997
©1997
Topic:
Indian pottery  Search this
Indian women potters  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_533302

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