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Artwords and bookworks : an international exhibition of recent artists' books and ephemera : Los Angeles Institute of Contemporary Art, 28 February-30 March 1978 ... [et al.] / co-curated by Judith A. Hoffberg and Joan Hugo

Author:
Hoffberg, Judith A  Search this
Hugo, Joan  Search this
Crane, Michael 1948-  Search this
Los Angeles Institute of Contemporary Art  Search this
Physical description:
[42] p. ; 29 cm
Type:
Bibliography
Artists' books
Date:
1978
Topic:
Artists' books  Search this
Mail art  Search this
Call number:
N7433.3 .H69
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_118695

Marvin Harden papers

Creator:
Harden, Marvin, 1935-  Search this
Names:
California State University, Northridge -- Faculty  Search this
Dobrick Gallery  Search this
Eugenia Butler Gallery  Search this
Gloria Cortella, Inc.  Search this
Hank Baum Gallery  Search this
Jan Turner Gallery  Search this
Los Angeles County Museum of Art  Search this
Los Angeles Institute of Contemporary Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Anderson, Eugene Newton  Search this
Ballatore-Nelson, Sandy  Search this
Brice, William, 1921-2008  Search this
Chicago, Judy, 1939-  Search this
Conwill, Houston, 1947-2016  Search this
Everts, Connor  Search this
Fine, Jud  Search this
Lerner Levine, Marion  Search this
Miller, Lura Harden  Search this
Plagens, Peter  Search this
Riegelman, Nancy  Search this
Stussy, Jan, 1921-  Search this
Toon, Caroll  Search this
Wilson, Willam, 1934-2013  Search this
Extent:
2.2 Linear feet
Type:
Archival materials
Collection descriptions
Etchings
Scrapbooks
Sketches
Visitors' books
Photographs
Date:
circa 1936-2005
Summary:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).
Scope and Contents:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Artwork includes a book of etchings Natural Selections (1991).

Biographical material includes papers pertaining to Harden's education and family history, including an essay written by his sister Lura Harden Miller.

Correspondence is with artists, colleagues, and organizations, including Eugene Anderson, Sandy Ballatore-Nelson, William Brice, Judy Chicago, Houston Conwill, Connor Everts, Jud Fine, Marion Lerner Levine, Pleter Plagens, Nancy Lee Riegelmen, Jan Stussy, Caroll Toon, William Wilson, Dobrick Gallery, Eugenia Butler Gallery, Gloria Cortella, Inc., Hank Baum Gallery, Jan Turner Gallery, Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

Teaching files primarily document Harden's career as an art educator at California State University, Northridge. Materials include teaching awards, assignments, course outlines, notes, and miscellaneous writings by Harden about his teaching philosophy. The files also contain correspondence and photographs with students, a student exhibition guest register, committee notes, memorandums, and evidence pertaining to an employment-related grievance with the university.

Exhibition files include announcements, correspondence, exhibition catalogs, floor plans, insurance documents, loan agreements, photographs, press releases, and price lists.

Printed material consists of announcements and invitations, exhibition catalogs, and a loose clippings scrapbook with articles and reviews about Harden's artwork and exhibitions. Also found is a copy of the first volume of the Journal published by the Los Angeles Institute of Contemporary Art, which includes a photograph of Harden and references to his involvement in developing the organization.

Artwork includes two sketches and an artists' book entitled natural selections which contains 12 aquatint etchings by Marvin Harden.

Among the black and white and color photographs are portraits and snapshots of Marvin Harden, family members, and colleagues, as well as Harden's home, studio, and land at Inwardness Ranch located near Cambria, California.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1950-1991 (Box 1; 5 folders)

Series 2: Correspondence, 1964-2005 (Box 1; 0.6 linear feet)

Series 3: Teaching Files, circa 1964-2003 (Box 1; 0.4 linear feet)

Series 4: Exhibition Files, 1966-2004 (Boxes 1-2; 0.6 linear feet)

Series 5: Printed Material, circa 1964-2003 (Box 2; 0.6 linear feet)

Series 6: Artwork, 1989-2000 (Box 2; 2 folders)

Series 7: Photographs, circa 1936-2001 (Box 2; 7 folders)
Biographical / Historical:
Marvin Harden (1935- ) is an African American painter, printmaker, and educator living and working in California. Harden received a Master of Fine Arts from the University of California, Los Angeles (UCLA) in 1963. While there, Harden studied under John Paul Jones, Jan Stussy, and William Brice. He also became friends with UCLA classmate and feminist artist, Judy Chicago.

Harden's first solo exhibition was in 1964 at Ceeje Galleries in Los Angeles, California. His drawings, paintings, and prints have been exhibited widely in museums, galleries, and universities in southern California, and also in New Mexico, New York, and Texas, among other locations. Harden has also been the recipient of artists' fellowships awarded by the National Endowment for the Arts, John Simon Guggenheim Memorial Foundation, and Southeastern Center for Contemporary Art.

Harden became a Professor of Art at California State University, Northridge (CSUN) in 1968, and in 1984 he received a Distinguished Teaching Award and Exceptional Merit Service Award. During his career at CSUN, Harden established the art department's graduate teaching assistant program.
Provenance:
The Marvin Harden papers were donated to the Archives of American Art by Marvin Harden in 2005.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Marvin Harden papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- California  Search this
Painters -- California  Search this
African American artists  Search this
Art -- Study and teaching  Search this
Art -- Study and teaching -- Philosophy  Search this
Educators -- California  Search this
Genre/Form:
Etchings
Scrapbooks
Sketches
Visitors' books
Photographs
Citation:
Marvin Harden papers, circa 1936-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hardmarv
See more items in:
Marvin Harden papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hardmarv

Visitors at the Nine Senior California artists exhibition

Creator:
Los Angeles Institute of Contemporary Art  Search this
Subject:
Los Angeles Institute of Contemporary Art  Search this
Type:
Photographs
Date:
1974 or 1975
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)12731
See more items in:
Los Angeles Institute of Contemporary Art records, 1973-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12731

Several people in an exhibition planning meeting at the Los Angeles Institute of Contemporary Art

Photographer:
Asher, Michael  Search this
Subject:
Los Angeles Institute of Contemporary Art  Search this
Type:
Photographs
Date:
1977
Topic:
Museum administration  Search this
Record number:
(DSI-AAA)12732
See more items in:
Los Angeles Institute of Contemporary Art records, 1973-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12732

Exhibition poster for Hermann Nitsch's Orgies mysteries theatre

Creator:
Los Angeles Institute of Contemporary Art  Search this
Subject:
Nitsch, Hermann  Search this
Type:
Printed Materials
Date:
not after 1978 Apr. 08
Topic:
Exhibitions  Search this
Performance art  Search this
Record number:
(DSI-AAA)12733
See more items in:
Los Angeles Institute of Contemporary Art records, 1973-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12733

Los Angeles Institute of Contemporary Art exhibit catalog for Foundations in Clay

Creator:
Los Angeles Institute of Contemporary Art  Search this
Subject:
Frimkess, Michael  Search this
Mason, John  Search this
Nagle, Ron  Search this
Price, Kenneth Martin  Search this
Soldner, Paul Edmund  Search this
Voulkos, Peter  Search this
Los Angeles Institute of Contemporary Art  Search this
Type:
Printed Materials
Date:
1977
Topic:
Ceramics  Search this
Record number:
(DSI-AAA)14036
See more items in:
Los Angeles Institute of Contemporary Art records, 1973-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14036
Additional Online Media:

Los Angeles Institute of Contemporary Art. Exterior view

Subject:
Los Angeles Institute of Contemporary Art  Search this
Type:
Photographs
Date:
ca. 1980
Topic:
Art galleries, Commercial  Search this
Art schools  Search this
Record number:
(DSI-AAA)9007
See more items in:
Los Angeles Institute of Contemporary Art records, 1973-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9007

Los Angeles Institute of Contemporary Art records

Creator:
Los Angeles Institute of Contemporary Art  Search this
Names:
Marks, Ben  Search this
Plagens, Peter  Search this
Smith, Robert Lewis  Search this
Spence, Judy  Search this
Extent:
18 Linear feet
Type:
Archival materials
Collection descriptions
Sound recordings
Photographs
Slides (photographs)
Date:
1973-1988
Summary:
The records of the Los Angeles Institute of Contemporary Art measure 18 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides.
Scope and Content Note:
The Los Angeles Institute of Contemporary Art records measure 18 linear feet, date from 1973 to 1988, and document the founding of the organization, board activities, general operations and administration, exhibitions, programs, events, and publications.

Founding documents and Board of Director's files contained in the collection include the articles of confederation, by-laws, constitution, director's reports, board meeting minutes, and scattered correspondence of Peter Plagens and Judy Spence, both of whom served as Chair of the Board. These records detail the mission, organization, objectives, and goals of LAICA.

More than half of the records are comprised of exhibition, program, and event files covering LAICA's entire history of operation. Included are exhibition announcements and catalogs; correspondence with artists, curators, and organizers; press releases and other publicity; grant applications and proposals; and photographs, contact sheets, negatives, and slides which depict the exhibition's installation and works of art.

Two series of photographs and slides provide additional visual documentation of LAICA's exhibitions and events, including the installations and work of LAICA's Artists-in-Residence program. Slides depicting LAICA's buildings, offices, and staff activities are also found.

LAICA's production of its publications, including material related to their regular periodical, Journal, is well-documented through correspondence, manuscripts, and editorial files. Also found are unedited transcripts of interviews and material that was not used for publication. Meeting minutes and correspondence represent the activities of the publication committee from the mid 1970s to 1987.

The correspondence of LAICA directors Robert Smith (18 folders) and Ben Marks (one folder) contain information on almost all of the organization's activities, including exhibitions, events, funding, staffing, and general operations. General Operations files include Administrative Files and Financial Files that document members and donors, staff, financial activities, fundraising efforts, income, expenses, and grants.
Arrangement:
The collection is arranged into 8 series.

Slides were separated from Series 1-6, and filed in Series 8 for better preservation housing.

Series 1: Board of Directors, 1973-1987 (Box 1; 0.5 linear feet )

Series 2: Correspondence, early 1970s-1987 (Boxes 1-2; 0.75 linear feet )

Series 3: General Operations, 1974-1988, undated (Boxes 2-3; 1.25 linear feet)

Series 4: Publicity, 1974-1986 (Box 3; 15 folders)

Series 5: Exhibitions and Programs, 1974-1987 (Boxes 3-13; 9.5 linear feet)

Series 6: Publications, 1974-1987 (Boxes 13-15; 2.75 linear feet)

Series 7: Photographs, mid-1970s-1983 (Box 15; 11 folders)

Series 8: Slides, 1974-1987 (Boxes 16-18; 3.0 linear feet)
Historical Note:
The Los Angeles Institute of Contemporary Art was formed between 1973-1974 to provide a permanent exhibition venue for the visual contemporary arts in the Los Angeles area. The founding principle was to establish an arts organization that operated democratically and spoke with a multiplicity of voices. In order to remain flexible and minimize operating expense, LAICA did not establish a permanent collection.

Members of the Board of Directors included Peter Alexander, John Baldessari, Rosamund Felsen, Peter Plagens, Judy Spence, and other artists, gallery owners, and members of the art community. Committees that supervised exhibition programming and LAICA's published Journal were elected by members, and the duties of exhibition curator and periodical editor rotated among members, rather than being the responsibility of permanent staff. A registry of slides and biographical materials, begun in 1971, was open to submission by any Southern California artist. LAICA's first exhibitions were held in the fall of 1974, under founding director Robert Smith, a former curator at the Brand Library and Art Center in Glendale, California. The first issue of Journal was published in June of the same year.

LAICA's first exhibition space consisted of 4,200 square feet on the fifth floor of the Century City complex. During the mid-1970s, the organization hosted numerous exhibitions and events - all were were well attended, despite the lack of parking and restrooms. Exhibitions focused on a wide variety of contemporary painting, sculpture, decorative arts, fashion, performance art, video, music, architecture, social issues, and public art. Exhibitions were curated by both LAICA staff and guest curators, including Walter Hopps. Desiring to expand their space, LAICA had hopes of Frank Gehry redesigning the Century City space. The institute, however, was forced to relocate after losing their lease.

In March of 1977, LAICA reopened in an 8,000 square foot facility on 2020 South Robertson Boulevard. In addition to their public programming, the organization created an Artist-in-Residence program with funding made available by the Comprehensive Employment Training Act (CETA). By the end of the 1970s, LAICA was flourishing with increased budget and staff, and, by 1980, opened a second exhibition space at 815 Traction Avenue, referred to as the "Downtown Gallery." An additional storefront exhibition space in the Eastern Columbia building was donated by State Senator Alan Sieroty.

A decrease in public funding in the early 1980s forced LAICA to cut some of its public programs. The organization, however, still staged ambitious exhibitions, including one of contemporary Italian art that traveled to nine different venues, and a show of nine contemporary Australian artists in connection with the 1984 Olympics Art Festival.

Robert Smith resigned from his position as director in early 1985. Ben Marks, the former director of the Center of Contemporary Art in Seattle, was hired that summer. By March of 1986, however, Marks had resigned and the Board of Directors decided to sell LAICA's South Robertson location. Faced with financial burdens and the lack of a permanent exhibition space, LAICA staged exhibits at temporary spaces around Los Angeles. The Los Angeles Institute of Contemporary Art officially closed in 1987 after thirteen years of operation.
Related Material:
Found in the Archives of American Art are the Peter Plagens papers, 1941-1987, which include meeting minutes and correspondence relating to LAICA.
Provenance:
The bulk of the Los Angeles Institute of Contemporary Art records were donated by Judy Spence, the former Chair of the LAICA Board of Directors, in 1986. Additional material was donated in 1997 by her husband, Stuart Spence.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors  Search this
Art, Modern -- 20th century  Search this
Photographers  Search this
Painters  Search this
Art, Modern -- 20th century -- California, Southern -- Exhibitions  Search this
Art centers -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Slides (photographs)
Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangin
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-losangin
Additional Online Media:

Interactive Video

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Container:
Box 4, Folder 48
Type:
Archival materials
Date:
December 1977-January 1978
Scope and Contents note:
Wendy Clarke
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref228

Kim Jones, Paul McCarthy, Linda Motano, and Martha Rosler

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Container:
Box 4, Folder 59
Type:
Archival materials
Date:
December 1977-January 1978
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref244

Program Files

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Type:
Archival materials
Date:
1975-1986
Scope and Contents note:
Found here are files documenting LAICA's public programming and special events, such as lectures, conferences, fund-raising events, films, dinners, concerts, and book sales. Individual files for each program or event include a wide variety of materials, including flyers, pamphlets and brochures, announcements, press releases, resumes, budgets, sales records, grant applications, and correspondence.

Files documenting LAICA's CETA-funded Artist-in-Residence program are found here. Among the participating artists were Peter Alexander, Vija Celmins, and Allen Ruppersberg. Files for LAICA's Artist Registry of Southern California artists typically consist of biographical information and representative slides and/or photographs of representative artwork.

Program files have been arranged in chronological order by the month the event took place. Slides have been filed in Series 8, Slides.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangin, Subseries 5.3
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref649

Special Events

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Container:
Box 11, Folder
Type:
Archival materials
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref650

Lowell Darling

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Container:
Box 11, Folder 83
Type:
Archival materials
Date:
April 1978
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref668

Los Angeles Institute of Contemporary Art records, 1973-1988

Creator:
Los Angeles Institute of Contemporary Art  Search this
Subject:
Marks, Ben  Search this
Smith, Robert Lewis  Search this
Spence, Judy  Search this
Plagens, Peter  Search this
Topic:
Photographs  Search this
Sculptors  Search this
Slides (photographs)  Search this
Art, Modern  Search this
Art centers  Search this
Sound recordings  Search this
Photographers  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)5495
(DSI-AAA_SIRISBib)211797
AAA_collcode_losangin
Theme:
Latino and Latin American
Communities, Organizations, Museums
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211797
Additional Online Media:

Marvin Harden papers, circa 1936-2005

Creator:
Harden, Marvin, 1935-  Search this
Subject:
Lerner Levine, Marion  Search this
Wilson, Willam  Search this
Ballatore-Nelson, Sandy  Search this
Chicago, Judy  Search this
Miller, Lura Harden  Search this
Stussy, Jan  Search this
Conwill, Houston  Search this
Brice, William  Search this
Riegelman, Nancy  Search this
Everts, Connor  Search this
Fine, Jud  Search this
Toon, Caroll  Search this
Plagens, Peter  Search this
Anderson, Eugene Newton  Search this
Los Angeles Institute of Contemporary Art  Search this
Los Angeles County Museum of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
California State University, Northridge  Search this
Dobrick Gallery  Search this
Eugenia Butler Gallery  Search this
Gloria Cortella, Inc  Search this
Hank Baum Gallery  Search this
Jan Turner Gallery  Search this
Topic:
Visitors' books  Search this
Photographs  Search this
Educators  Search this
African American artists  Search this
Etchings  Search this
Sketches  Search this
Art  Search this
Painters  Search this
Printmakers  Search this
Scrapbooks  Search this
Record number:
(DSI-AAA_CollID)13380
(DSI-AAA_SIRISBib)256376
AAA_collcode_hardmarv
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_256376
Additional Online Media:

Oral history interview with Jean Milant, 2015 July 20

Interviewee:
Milant, Jean Robert, 1943-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Ruscha, Edward  Search this
Cointet, Guy de  Search this
Blum, Irving  Search this
Overby, Robert  Search this
Kauffman, Craig  Search this
de Beauvau-Craon, Minnie  Search this
Viva  Search this
Price, Kenneth Martin  Search this
Goodman, Marian  Search this
Inch, Terry  Search this
Francis, Sam  Search this
Egelston, Robert  Search this
Gehry, Frank O.  Search this
Carson, Karen  Search this
Mizuno, Riko  Search this
Auder, Michel  Search this
Rivière, Alain  Search this
Kanemitsu, Matsumi  Search this
Wood, Jonas  Search this
Trowbridge, David  Search this
Leiber, Steven  Search this
Wayne, June Claire  Search this
Burden, Chris  Search this
Sturman, Eugene  Search this
Moses, Ed  Search this
Baldessari, John  Search this
Marron, Donald B.  Search this
Nauman, Bruce  Search this
Hill, Charles Christopher  Search this
Antreasian, Garo Z. (Garo Zareh)  Search this
Card, Greg S.  Search this
Irwin, Robert  Search this
Rosen, Gerry  Search this
Tyler, Kenneth E.  Search this
Harrison, Newton  Search this
Los Angeles Institute of Contemporary Art  Search this
Tamarind Institute  Search this
University of Wisconsin  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
University of New Mexico  Search this
Cirrus Gallery  Search this
Cirrus Editions  Search this
Los Angeles Visual Arts (Organization)  Search this
Topic:
Interviews  Search this
Art galleries, Commercial  Search this
Prints  Search this
Sound recordings  Search this
Publishers  Search this
Art  Search this
Art dealers  Search this
Record number:
(DSI-AAA_CollID)16293
(DSI-AAA_SIRISBib)373759
AAA_collcode_milant15
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_373759
Additional Online Media:

Oral history interview with Joni Gordon, 2002 July 8-Sept 23

Interviewee:
Gordon, Joni, 1936-  Search this
Interviewer:
Karlstrom, Paul J., 1941-  Search this
Subject:
Asher, Betty M.  Search this
Los Angeles Institute of Contemporary Art  Search this
Topic:
Interviews  Search this
Art galleries, Commercial  Search this
Gallery owners  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12888
(DSI-AAA_SIRISBib)236021
AAA_collcode_gordon02
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_236021
Additional Online Media:

Exhibitions and Programs

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Extent:
(Boxes 3-13; 9.5 linear feet)
Type:
Archival materials
Date:
1974-1987
Scope and Contents note:
Found within this series are the records documenting LAICA's exhibition and public programming. Exhibition Committee Files and Exhibition Files provide comprehensive documentation of LAICA's exhibition history, including exhibitions curated by LAICA staff and notable guest curators Walter Hopps, Llyn Foulks, and Mike Kelley. Focusing on broad and varied contemporary visual arts, the exhibitions included established and emerging artists of the Los Angeles area, the West Coast, Europe, and Asia. Contemporary Italian and Japanese artists were widely exhibited. Contemporary social and environmental issues were also covered in exhibitions, such as The James Bay Project, which documented the impact of hydroelectric stations in northwestern Quebec.

Extensive files are found for several significant LAICA exhibitions, such as Nine Senior California Painters, 1974-1975, which featured the work of Florence Arnold, Nick Brigante, Hans Burkhardt, Annita Delano, Lorser Feitelson, Peter Krasnow, Helen Lundeberg, John McLaughlin, and Emerson Woelffer, an exhibition of Leroy Neiman and Andy Warhol, 1981-1982, Cabin, Temple, Trailer curated by Charles Moore in 1983, Il Modo Italiano, 1984 that featured the work of 10 contemporary Italian artists, and Australia: Nine Contemporary Artists, 1984. The organization provided opportunities for emerging artists as well, including a "painting of the month" exhibition series.

Program Files document LAICA's public programming, including lecture series, workshops, and conferences. This series contains files for innovative fundraising events, such as fashion shows, film screenings, and "LAICA Sells Out", an innovative program that invited donors and artists to purchase portions of LAICA's exhibition space to display their artwork. Extensive documentation of LAICA's Artist Registry of Southern California artists and the CETA-funded Artist-in-Residence program is found here as well.

Also found in this series are LAICA's Artist Files, comprised of printed materials, photographs, and resumes of artists, as well as scattered correspondence.
Arrangement note:
The Exhibition and Programs series is arranged into 4 subseries:

5.1: Exhibition Committee Files, mid 1970s-1987

5.2: Exhibition Files, 1974-1987

5.3: Program Files, 1975-1986

5.4: Artist Files, circa 1980s
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangin, Series 5
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref106

Exhibition Files

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Type:
Archival materials
Date:
1974-1987
Scope and Contents note:
LAICA's exhibition files are comprehensive and form the bulk of this collection. However, the extent of documentation for each exhibition varies - most are represented with one or two folders, although a few have numerous folders of documentation. Each exhibition file may contain a wide variety of materials, typically budgets; correspondence with artists, curators, and organizers; grant applications; loan agreements; and resumes. Visual documentation includes photographs, contact sheets, and negatives of artwork, installation views, and events. The file for Lecto Divina also contains audio documentation. Files also include printed materials such as press releases, clippings, announcements and invitations, and catalogs. Of special interest are questionnaires completed by ceramicists working in California which were collected for the exhibition Foundations In Clay. Files for proposed, but unrealized, exhibitions are also found here.

Exhibition Files have been arranged chronologically by date of exhibition opening. Proposed exhibition files are filed under "P". For preservation housing, slides from the exhibition files have been removed and are now housed in Series 8, Slides. Photographs, however, have not been separated and remain within the exhibition files.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangin, Subseries 5.2
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref121

Clay Works in Progress

Collection Creator:
Los Angeles Institute of Contemporary Art  Search this
Container:
Box 3, Folder 49
Type:
Archival materials
Date:
July 1975-August 1975
Scope and Contents note:
Tom Colgrove, George Geyer, Tom McMillin, Larry Shep, Roger Sweet
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Los Angeles Institute of Contemporary Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangin-ref138

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