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William Anderson Coffin papers

Topic:
Harper's Weekly
New York Post
Creator:
Coffin, William A. (William Anderson), 1855-1925  Search this
Names:
American Artists' Committee of One Hundred  Search this
American Rights Committee  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Société des artistes français  Search this
Benson, Frank Weston, 1862-1951  Search this
Blashfield, Edwin Howland, 1848-1936  Search this
Bouché, Louis, 1896-1969  Search this
Cortissoz, Royal, 1869-1948  Search this
Gay, Walter, 1856-1937  Search this
Gussow, Bernard, 1881-1957  Search this
Mauer, Alfred  Search this
Stella, Joseph, 1877-1946  Search this
Warren, Whitney, 1864-1943  Search this
Zorach, William, 1887-1966  Search this
Extent:
1.6 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
Date:
1886-1924
Summary:
The papers of New York painter and art critic William Anderson Coffin date from 1886-1924 and measure 1.6 linear feet. Found within the papers are scattered biographical materials and correspondence, project files for the Pan-American Exposition in Buffalo, the American Artist's Committee of One Hundred, and the exhibition of works by American Artists at the Luxembourg Museum in Paris, three additional scrapbooks, printed material, and photographs.
Scope and Content Note:
The papers of New York painter and art critic William Anderson Coffin date from 1886 to 1924 and measure 1.6 linear feet. Found within the papers are scattered biographical materials and correspondence; project files for the Pan-American Exposition in Buffalo, the American Artist's Committee of One Hundred, and the exhibition of works by American Artists at the Luxembourg Museum in Paris; three additional scrapbooks; printed material; and photographs.

Scattered biographical material includes membership cards and an autobiographical essay. Correspondence is with colleagues and related generally to receptions and events, including an invitation to the launch of the U. S. Battleship Arizona. There are one or two letters each from Frank W. Benson, Edwin Howland Blashfield, Royal Cortissoz, Walter Gay, and Whitney Warren.

Three series of project files document Coffin's work for the Fine Arts Division of the Pan-American Exposition in Buffalo, the American Artists' Committee of One Hundred that established a relief fund for families of French soldier-artists, and an exhibition of artwork by American Artists at the Luxembourg Museum in Paris. Files contain a variety of materials, such as letters, drafts of reports, meeting minutes, photographs, catalogs and brochures, and other materials. There are two oversized scrapbooks for the Buffalo Pan-American Exposition. The files for the Luxembourg Museum exhibition include a letter signed by Louis Bouché, Bernard Gussow, Alfred H. Maurer, Joseph Stella, and William Zorach protesting the exclusion of their work.

Three additional scrapbooks contain clippings of articles written by Coffin when he was employed as an art critic for The New York Evening Post, Harper's Weekly, and The New York Sun.

Printed material consists of miscellaneous clippings primarily about Coffin, programs from American Rights Committee exercises, a Dixie Club of New York concert, a Lotos Club concert, the Lafayette-Marne Anniversary exercises, and souvenir tickets to various art-related events including several Paris Salon Vernissage events sponsored by the Société des Artistes Francais.

Photographs include an album of photographs of Coffin, various family members, and residences; a photograph of Coffin posing with an unidentified group of his colleagues; and photographs of family friends. Project files also contain photographs.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1916-1922 (2 folders; Box 1)

Series 2: Correspondence, 1915-1924 (8 folders; Box 1)

Series 3: Project File for the Pan-American Exposition in Buffalo, New York, 1900-1901 (0.3 linear feet; Box 1-2)

Series 4: Project File for the American Artists' Committee of One Hundred, 1914-1923 (14 folders; Box 1)

Series 5: Project File for the Exhibition of Works by American Artists at the Luxembourg Museum in Paris, 1919-1920 (11 folders; Box 1)

Series 6: Scrapbooks of Clippings of Articles Written by Coffin, 1886-1913 (0.3 linear feet; Box 2)

Series 7: Printed Material, 1912-1924 (6 folders; Box 1)

Series 8: Photographs, 1905-1923 (10 folders; Box 1)
Biographical Note:
William Anderson Coffin (1855-1925) of New York City was a landscape and figure painter and art critic. He organized several notable exhibitions and art-related charitable events for relief work in post-World War I France.

William Anderson Coffin was born near Pittsburgh in Allegheny, Pennsylvania on January 31, 1855, the son of Isabella C. Anderson and James Gardiner Coffin. Coffin studied art and graduated from Yale University in 1874. Three years later, he left for Paris and studied with academic artist Léon Bonnat. Coffin exhibited in the Paris Salons of 1879, 1880, and 1882.

In 1882, Coffin moved to New York City, participating in many exhibitions, including at the National Academy of Design. He also wrote as an art critic for Scribner's and Harper's Weekly, among other publications. From 1886 to 1891, he was art critic for The New York Evening Post, and was art editor at the New York Sun from 1896 to 1901.

Coffin directed the Fine Arts Division of the Pan-American Exposition in Buffalo from 1900 to 1901, and participated as a member of the New York Advisory Board of the Panama-Pacific Exposition in 1915. Coffin was also president of the American Artists' Committee of One Hundred that established a relief fund for families of French soldier-artists. For this charitable work, Coffin received the medal of the Legion of Honor from the French government in 1917.

Coffin was a member of various arts organizations including the Lotos Club, the Architectural League of New York, and the National Academy of Design. His artwork is in the collections of the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Municipal Gallery of Venice, Italy, the Albright Art Gallery, and the Brooklyn Museum.

William Anderson Coffin died on October 26, 1925 in New York City.
Provenance:
The William Anderson Coffin papers were donated in 1970 by Stewart Klonis to whom the papers were given by Mrs. DeWitt M. Lockman of Manorville, Long Island, New York.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The William Anderson Coffin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art Exhibitions France Paris  Search this
Art critics -- New York (State) -- New York  Search this
Painters  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918 -- Civilian relief -- France  Search this
Art critics -- France -- Paris  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
William Anderson Coffin papers, 1886-1924. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coffwill
See more items in:
William Anderson Coffin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coffwill
Additional Online Media:

Daniel Putnam Brinley and Kathrine Sanger Brinley papers

Creator:
Brinley, Putnam  Search this
Names:
Blashfield, Edwin Howland, 1848-1936  Search this
Brinley, Kathrine Sanger  Search this
Bruce, Edward, 1879-1943  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Erskine, John, 1879-1951  Search this
Euwer, Anthony  Search this
Gabay, Esperanza  Search this
Henri, Robert, 1865-1929  Search this
Meiere, M. Hildreth, d. 1961  Search this
Peixotto, Ernest, b. 1869  Search this
Troy, Hugh  Search this
Extent:
14.3 Linear feet
Type:
Archival materials
Collection descriptions
Sketchbooks
Sketches
Diaries
Photographs
Writings
Poetry
Date:
1879-1984
Summary:
The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.
Scope and Content Note:
The papers of painter and muralist Daniel Putnam Brinley and his wife, linguist and writer Kathrine Sanger Brinley, date from 1879 to 1984 and measure 14.3 linear feet. The Brinleys' careers and lives are documented in biographical materials, as well as extensive correspondence with one another, family, friends, art galleries, organizations, publishers, and others. Also found within the papers are writings by both, including 16 diaries (1 by Daniel Putnam Brinley and the rest by Kathrine), essays, manuscripts, typescripts, notes and notebooks, poetry, and various other writings. There are mural commission files, files for organizations of which the Brinleys were members, financial and legal records, exhibition catalogs, news clippings, and other printed material. Also found are photographs of the Brinleys, family, friends, travels, and artwork, and six sketchbooks and original artwork by Daniel Putnam Brinley.

Biographical material consists of biographical sketches and professional summaries for both Daniel Putnam Brinley and Kathrine Sanger Brinley, passports, personal mementos, award certificates, two radio interview transcripts, and military records documenting Daniel Putnam Brinley's service in the American Expeditionary Forces and the Camouflage Corps.

The papers contain extensive correspondence (4.6 linear feet) divided into family correspondence and general correspondence. Family correspondence includes letters between Daniel Putnam Brinley and Kathrine Sanger Brinley and with their parents and siblings. General correspondence primarily includes the Brinley's personal correspondence with friends and extended family. These letters discuss travel, mutual acquaintances, social events, and general news. Also found is professional correspondence regarding the exhibition and commission of artwork by Daniel Putnam Brinley and the publication of writings by Kathrine Sanger Brinley. Also discussed in the letters are the Brinleys' participation in art, social, and religious organizations. Correspondence of note is with Edwin Blashfield, Edward Bruce, William A. Coffin, Charles H. Davis, John Erskine, Anthony Euwer, Esperanza Gabay, Robert Henri, Hildreth Meiere, Ernest Peixotto, and Hugh Troy.

Writings and notes are by Daniel Putnam Brinley and Kathrine Sanger Brinley. Included among their writings are one diary by Daniel Putnam Brinley, 15 diaries by Kathrine Sanger Brinley, essays, notebooks and notes, manuscripts, and typescripts. Subjects of their writings include essays about religion, poetry, and autobiographical and travel essays. Also found among Daniel Putnam Brinley's writing are lecture notes, fictional stories and plays, essays about art, and historical research for his mural projects.

Mural commission files include correspondence, lists, contracts, financial agreements, notes, plans, sketches, and photographs for specific murals. There is extensive documentation on murals Brinley completed for the Metropolitan Life Insurance Company in New York and the Liberty War Memorial in Kansas City Missouri. Organization files document the Brinleys' participation in art and social organizations.

Scattered financial and legal records include receipts, account books, leases, estate and power of attorney documents, and records regarding their house and property in New Canaan, Connecticut. Printed material consists of published items documenting the careers, social activities and personal interest of the Brinleys, and includes books, exhibition catalogs and announcements, news clippings, newsletters, and items from their travels abroad.

Photographs depict Daniel Putnam Brinley and Kathrine Sanger Brinley, individually and with family and friends, and include photographs of Daniel Putnam Brinley working on mural commissions. Also found are photographs of their travels, their homes, Daniel Putnam Brinley's artwork, and reference photographs for his murals. Artwork in this collection includes six of Daniel Putnam Brinley's sketchbooks, primarily from his travels in Europe and Canada, loose drawings and mural studies, drawings by Albert Sterner and Reinhold Palenske, and a lithograph by John Steuart Curry.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Material, 1879-1970s (Box 1, OV 16; 0.8 linear feet)

Series 2: Correspondence, 1879-1984 (Box 1-6; 4.6 linear feet)

Series 3: Writings and Notes, circa 1895-1964 (Box 6-9; 3.3 linear feet)

Series 4: Commission Files, 1920-1979 (Box 9-10; 0.8 linear feet)

Series 5: Organization Files, 1909-1964 (Box 10-11; 0.9 linear feet)

Series 6: Financial and Legal Records, 1896-1965 (Box 11; 0.4 linear feet)

Series 7: Printed Material, 1895-1979 (Box 11-13, OV 16-17; 1.8 linear feet)

Series 8: Photographs, 1881-1971 (Box 13-14, OV 22; 0.8 linear feet)

Series 9: Artwork, 1891-1950s (Box 14-15, OVs 18-21; 0.9 linear feet)
Biographical Note:
Daniel Putnam Brinley (1879-1963) was a muralist and painter in New York City and New Canaan, Connecticut. Brinley was born in Newport, Rhode Island, and studied from 1900 to 1902 at the Art Student's League under Kenyon Cox and John Henry Twachtman. Influenced by Twachtman, he became an impressionist landscape painter for a time. In 1904, he married his childhood friend, writer Kathrine Gordon Sanger (1877-1966). For the next four years they traveled throughout Europe and lived in Paris, where Brinley studied art independently and became a member of the modernist circle of painters.

In 1908 the Brinleys returned to the United States and Daniel established a studio in New York City. During this period his work was heavily influenced by the modernist movement, with flattened forms and a deeper hued palette. Brinley had his first one-man show at Madison Avenue Galleries in 1910, exhibited at Alfred Stieglitz's gallery at 291, and helped organized the 1913 Armory Show. He was also a founding member of the Association of American Painters and Sculptors and the Grand Central Art Galleries. In 1914 the Brinleys built a home, Datchet House, in New Canaan, Connecticut, and spent part of each year there for the remainder of their lives.

In 1917 Daniel Putnam Brinley trained with the American Expeditionary Forces and went to France as the Director of Decoration for the Foyers Du Soldat (YMCA), remaining there until 1919. After returning to the United States he became a mural painter and received numerous commissions for memorials, office buildings, churches, and public spaces over the next forty years. Perhaps most notable of these commissions was the Liberty War Memorial in Kansas City, Missouri, for which Brinley painted 24 decorative maps showing the history of World War I. He remained active in the art community as a member of the Architectural League of New York, the National Academy of Design, and the Silvermine Guild of Artists, among others.

Kathrine Sanger Brinley was a writer and linguist who worked in Europe, New York City, and Connecticut. She lived in Europe from 1904 to 1908 where she studied the arts and crafts of the middle ages and became an expert on English writing and language of the 14th century. She published articles and books on these subjects and during the 1920s had a successful career touring as a dramatic recitalist of the works of Geoffrey Chaucer. From 1934 to 1938 the Brinley's spent their summers traveling throughout Canada, and Kathrine published four travel books which were illustrated by Daniel Putnam Brinley. Kathrine Sanger Brinley published and wrote professionally under the name Gordon Brinley.
Related Material:
Also found in the Archives of American Art is the Elizabeth Loder research material on Daniel Putnam Brinley, 1919-1990.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1427, including select family photographs. Loaned material was returned to the lender is not described in the collection container inventory.
Provenance:
The Daniel Putnam Brinley and Kathrine Sanger Brinley papers were lent for microfilming by their niece, Elizabeth Loder, in 1978-1979. Loder subsequently donated all but select family photographs in 1991 and additional material in 1992.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Daniel Putnam Brinley and Kathrine Sanger Brinley papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- Connecticut -- New Canaan  Search this
Mural painting and decoration -- United States  Search this
Authors -- Connecticut -- New Canaan  Search this
Painters -- Connecticut -- New Canaan  Search this
Works of art  Search this
Genre/Form:
Sketchbooks
Sketches
Diaries
Photographs
Writings
Poetry
Citation:
Daniel Putnam Brinley and Kathrine Sanger Brinley papers, 1879-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brindani
See more items in:
Daniel Putnam Brinley and Kathrine Sanger Brinley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brindani
Additional Online Media:

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