[African American woman] [cellulose acetate photonegative]
Scurlock Studio (Washington, D.C.)
Silver gelatin on cellulose acetate film sheet
1 item, 2.25" x 2.25"
African American women
AC0618.004.0001947.tif (AC Scan)
Photograph by Robert Scurlock. African American woman sitting in a folding chair under a palm tree. No ink on negative, no Scurlock number, ink (text) on enclosure: "RSS [Robert Scurlock] WW II Army/War Scenes". No visble edge imprint.
Scurlock Studio Records, ca. 1905-1994, Archives Center, National Museum of American History
overall: 31 in x 10 in x 3 1/2 in; 78.74 cm x 25.4 cm x 8.89 cm
Music & Musical Instruments
This banjo was made by an unknown maker in the United States around 1835-1865. It has undergone considerable scrutiny and analysis at the Smithsonian because of its attribution to American slave origins. So far, studies have been inconclusive. While the sun design carved on the body may have African origins, the polygonal shape, wood top (instead of a skin), and carved head pegbox lie outside the traditions of banjos brought to America by Africans. Nevertheless, the instrument was likely made by someone familiar with Black culture.
Aeronautics curator Von Hardesty discusses the updated Black Wings exhibit in the "Barron Hilton Pioneers of Flight Gallery," offering a perspective on African American pioneer aviators, past and present. This informal gallery talk was recorded on February 9, 2011 as part of the National Air and Space Museum's "Ask an Expert" lecture series. "Ask an Expert" lectures are presented weekly at the National Air and Space Museum in Washington, DC and biweekly at the Udvar-Hazy Center in Chantilly, VA. For more information & schedule, see http://www.nasm.si.edu/askanexpert/