[Abbott Handerson Thayer, his home, and studio] [graphic] [ca. 1880-1900]
Subject:
Thayer, Abbott Handerson 1849-1921
Physical description:
6 photographic prints
Type:
Photographs
Date:
1880
ca 1880-1900
Topic:
Artists' studios
Artists' homes
Local number:
AAA 3480
AAA
Notes:
Painter; Dublin, New Hampshire
Summary:
A photograph of Thayer on the porch of his house in Dublin, New Hampshire, and 5 photographs of the exterior of Thayer's house, studio and watertower in Dublin, New Hampshire
2 photographic prints : b&w ; 26 x 21 cm. and 12 x 10 cm
Type:
Photographs
Date:
1930
[ca. 1930- 1949]
Topic:
Ceramicists
Local number:
AAA 1817 (fr. 612-615)
Notes:
Heath was a potter, Sausalito, California. She operated Heath Ceramics with her husband Brian Heath
Summary:
Two photographs of Heath at work on pieces of pottery; one photograph is from 1930 and the other is from 1949 and was taken by Seagull Portrait Studios
Jeweler, art collector, and author Henri Vever was born in Metz, France in 1854. Together with his older brother Paul, Henri Vever managed the family jewelry firm, Maison Vever, from 1881 until Paul's death in 1915 and Henri's retirement in 1921. As an art collector, Vever amassed a large collection of European, Asian, and Islamic art. Through his work as a jeweler, art collector, and author, Henri Vever played an important role in the twentieth-century art world
Summary:
The Henri Vever Papers measure 2.5 linear feet (35 items) and span the years 1875 -1932. The collection contains six diaries, an account ledger, 20 photographs, one guest list, one ceremonial pommel, and six original oil paintings by Henri Vever
Cite as:
Henri Vever Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of François Mautin, 1988
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Far Eastern art writer, curator, and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art
Summary:
The Benjamin March Papers span the years 1923 to 1934 and measure 11.75 linear feet. The collection includes: biographical data included in passports, obituaries, and fifty-seven condolence letters; lecture and course outlines; research notes; four diaries; one scrapbook; four illustrations including sketches for the March bookplate; fourteen photograph albums; printed matter; and 100 personal and artistic photographs
Cite as:
Benjamin March Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
"Ernst Emil Herzfeld (1879-1948) was an orientalist whose many talents led him to explore all phases of Near Eastern culture, from the prehistoric period to Islamic times and from linguistics and religion to art and architecture." [Margaret Cool Root, 1976: "The Herzfeld Archive of the Metropolitan Museum of Art. Metropolitan Museum Journal, Vol. 11, pp. 119-124."]
Summary:
- Ernst Herzfeld Papers, Series 1: Travel journals
- Ernst Herzfeld Papers, Series 2: Sketchbooks
- Ernst Herzfeld Papers, Series 3: Notebooks
- "Ernst Herzfeld Papers, Series 4: Photographic Files" contains 3,790 glass negatives, of which Herzfeld had blueprints made. There are also 21 binders made of photographic prints and three albums. In addition to the glass negatives and the photo files, there is a large number of cut films and a package of duplicate prints which are, for the most part, unpublished
- "Ernst Herzfeld Papers, Series 5: Drawings and Maps" comprises 1,562 drawings and 70 maps, published and unpublished, with observations on topography, landscape, archaeological remains, architecture, and artifacts
- "Ernst Herzfeld Papers, Series 6: Paper Squeezes of Inscriptions" is organized into three subdivisions: FSA A.6 06.A, 100 items, inscriptions in Arabic language; FSA A.6 06.C, 129 items, inscriptions in Cuneiform writing; FSA A.6 06.M, 164 items, Middle-Persian and Parthian inscriptions. The paper squeezes relate primarly to several archaeological expeditions carried out by Ernst Herzfeld in the Middle East, from 1908 to 1934; to a trial excavation and an excavation campaign carried out by Ernst Herzfeld in Persepolis and several nearby sites, from 1923 to 1934; and to three expeditions to Paikuli (Iraq), in 1911, 1913, and 1923
- "Ernst Herzfeld Papers, Series 7: Records of Samarra Expeditions" is organized into 135 units of original materials (drawings, sketches, sketchbooks, correspondence, notebooks, photographs, blueprints, notes, diaries, prints, journals, publications, articles, clippings, rubbings) from two campaigns of excavation at Samarra in Iraq, carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin between the years 1911 and 1913
Publications:
Herzfeld, Ernst, 1907: "Samarra, Aufnahmen und Untersuchungen zur Islamischen Archaeologie. Behrend & Co, Berlin."
- Herzfeld, Ernst, 1910: "Iranische felsreliefs; aufnahmen und untersuchungen von denkmälern aus alt- und mittelpersischer zeit. Berlin, E. Wasmuth A.-G."
Herzfeld, Ernst and Sarre, Friedrich, 1911: "Archäologische Reise im Euphrat- und Tigris-Gebiet, Band I. Verlag von Dietrich Reimer / Ernst Vohsen, Berlin."
Herzfeld, Ernst and Sarre, Friedrich, 1911: "Archäologische Reise im Euphrat- und Tigris-Gebiet, Band III. Verlag von Dietrich Reimer / Ernst Vohsen, Berlin."
Herzfeld, Ernst, 1912: "Erster Vorläufiger Bericht über die Ausgrabungen von Samarra. Dietrich Reimer (Ernst Vohsen), Berlin."
Herzfeld, Ernst, 1914: "Die Aufnahme des Sasanidischen Denkmals von Paikuli. Verlag der Konigl. Akademie der Wissenschaften, Berlin."
Herzfeld, Ernst and Sarre, Friedrich, 1920: "Archäologische Reise im Euphrat- und Tigris-Gebiet, Band II. Verlag von Dietrich Reimer / Ernst Vohsen, Berlin."
Herzfeld, Ernst and Sarre, Friedrich, 1920: "Archäologische Reise im Euphrat- und Tigris-Gebiet, Band IV. Verlag von Dietrich Reimer / Ernst Vohsen, Berlin."
- Herzfeld, Ernst, 1920: "Am Tor Von Asien, Felsdenkmale aus Irans Heldenzeit. Dietrich Reimer, Ernst Vohsen, A.-G., Verlag in Berlin."
Herzfeld, Ernst, 1923: "Ausgrabungen von Samarra I, Der Wandschmuck der Bauten von Samarra und Seine Ornamentik. Verlag Dietrich Reimer, Ernst Vohsen, Berlin."
- Herzfeld, Ernst, 1923-31: "Archaeologische Mitteilunen aus Iran; Band II and III. Verlag von Dietrich Reimer, Ernst Vohsen, Berlin."
- Herzfeld, Ernst, 1924: "Paikuli: Monument and Inscription of the Early History of the Sasanian Empire; Volume II, containing 228 plates. Berlin: D. Reimer, Ernst Vohsen."
Friedrich Sarre, 1925: "Ausgrabungen von Samarra II, Die Keramik von Samarra. Verlag von Dietrich Reimer, Berlin."
Herzfeld, Ernst, 1927: "Ausgrabungen von Samarra III, Die Malereien von Samarra. Verlag von Dietrich Reimer, Berlin."
Lamm, Carl Johan, 1928: "Ausgrabungen von Samarra IV, Das Glas von Samarra. Verlag von Dietrich Reimer, Berlin."
Herzfeld, Ernst, 1930: "Ausgrabungen von Samarra V, Die Vorgeschichtlichen Töpfereien von Samarra. Verlag von Dietrich Reimer, Berlin."
- Herzfeld, Ernst, 1935: "Archaeologische Mitteilunen aus Iran; Band VII. Verlag von Dietrich Reimer, Ernst Vohsen, Berlin."
- Herzfeld, Ernst, 1938: "Archaeologische Mitteilunen aus Iran; Band IX. Verlag von Dietrich Reimer, Ernst Vohsen, Berlin."
- Herzfeld, Ernst, 1941: "Iran in the Ancient East. Archaeological Studies Presented in the Lowell Lectures at Boston. London: Oxford University Press."
Herzfeld, Ernst. "Ars Islamica, IX, 'Damascus:Studies in Architecture, I. The Mukarnas Dome. The Madrasa'. Published by Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan."
Herzfeld, Ernst. "Ars Islamica, X (1943). Damascus: Studies in Architecture, II. 'The Cruciform Plan. Syrian Architecture, Period of Nūr ad-Dīn'. Published by Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan."
Herzfeld, Ernst: "Ars Islamica, XI-XII (1946). Damascus: Studies in Architecture, III. 'The Ayyubid Madrasa. The Turba'. Published by Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan."
Herzfeld, Ernst. "Ars Islamica, XIII-XIV. Damascus: Studies in Architecture, IV. 'The Mosque'. Published by Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan."
Herzfeld, Ernst, 1948: "Ausgrabungen von Samarra VI, Geschichte der Stadt Samarra. Hamburg, Eckardt & Messtorff; Buchhändlerischer Vertrieb durch D. Reimer, Andrews & Steiner, Berlin."
Herzfeld, Ernst. "Matériaux pour un Corpus Inscriptionum Arabicarum, Deuxième Partie : Syrie du Nord, Inscriptions et Monuments d'Alep. Tome II. Le Caire; Imprimerie de L'Institut Francais d'Archaéologie Orientale, 1954."
Northedge, Alastair, 1993: "An Interpretation of the Palace of the Caliph at Samarra (Dar Al-Khilafa or Jawsaq Al-Khaqani). In Ars Orientalis, Vol. 23."
Leisten, Thomas, 2003: "Excavation of Samarra, v. I. Architecture : Final report of the first campaign 1910-1912. Verlag Philipp von Zabern, Mainz am Rhein."
Ann C. Gunter and Stefan R. Hauser, 2004: "Ernst Herzfeld and the development of Near Eastern Studies, 1900-1950. Boston, Massasuchetts: Brill."
Cite as:
Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946
Museum director and art historian. Director of the Freer Gallery of Art from 1962 to 1971
Summary:
Biographical data, subject files containing correspondence and photographs, research files including materials related to his study of Chinese porcelains, files regarding the Freer Gallery of Art where Pope served as director from 1962-1971, writings and notes, printed materials, photographs, and 2 ceramic bowls
Cite as:
John Alexander Pope Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Annamarie H. Pope, 1988-1990
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
John Calvin Ferguson Family Papers, 1889-1962, (bulk 1890-1944)
Creator:
Ferguson, John Calvin 1866-1945
Subject:
Ferguson, John Calvin 1866-1945
Physical description:
7 linear feet
Type:
Letters (correspondence)
Collection descriptions
Photographs
Newspaper clippings
Photograph albums
Speeches
Place:
China, Shanghai, Shanghai
China
Nanjing (Jiangsu Sheng, China)
Shanghai (China)
Date:
1899
1889-1962
bulk 1890-1944
19th century
20th century
Local number:
A1999.28
Notes:
John Calvin Ferguson was an advisor to the Executive Yüan of the National Government of China, college president, author, and art collector. Born in Napanee, Ontario, Canada in 1866, Ferguson was ordained to the ministry of the Methodist Episcopal church in 1885, and awarded a Ph.D. degree from Boston University in 1902. Following his marriage to Mary E. Wilson, he went to China in 1887 as a missionary, where he founded a Methodist school, the Hui wen shu yüan, which eventually became the University of Nanking. He assumed the position of first president of Nanyang Public School (Nan-yang kung hsüeh) at Shanghai from 1897-1902. Subsequently, he became a member of the Treaty Commission, secretary to the Chinese Ministry of Commerce and later chief secretary of the Imperial Chinese Railway Administration while being concurrently advisor to the Viceroys of Nanking and Wu-ch'ang. In Shanghai Dr. Ferguson was honorary secretary of the North China Branch of the Royal Asiatic Society, proprieter of the Shanghai Times (daily), and editor of Sin Wan Pao, the leading daily newspaper, which he owned until 1929. During his last year in Shanghai, he became chairman of the Central China Famine Relief Committee. Moving to Peking in 1911, he became vice-president of the Red Cross Society and was appointed foreign secretary for the Ministry of Posts and Communications until 1912. From 1915 he became counselor of the department of state in China, and later served as advisor to the president of the Republic until 1928. During 1923-1931 Ferguson was joint-editor of The China Journal. Ferguson's art collection was temporarily placed in the Wen hua tien in the Palace in 1935, before going to the University of Nanking. Leaving Peking in 1943, Ferguson and his daughter Mary traveled back to the United States, where he died in 1945. Among his publications were Outlines of Chinese Art, 1919; Chinese Painting, 1927; Noted Porcelains of Successive Dynasties, 1931; Catalogue of Recorded Paintings, 1934; and Catalogue of Recorded Bronzes, 1934
Summary:
Papers (some are photocopies), portions in Chinese, of John Calvin Ferguson, his daughter Mary, and grandson Peter Ferguson and Peter's wife Jean. The bulk of the papers, 1890-1944, concern John C. Ferguson and include one holograph dated 1902 to Headland; typescripts of addresses given to the University of Nanking, 1909-1929, and a eulogy by Fu Tseng-hsi, a translation of his address to a public school in Shanghai, a mimeographed description of 55th anniversary of the University of Nanking, two newspaper clippings, and a 1936 issue of Caravan; and still prints and four photograph albums, 1890-1937, portraying Ferguson, his wife and family, Chinese officials, members of the Treaty Commission, landscape painting by T'ang Tai (1637-?), and works given to the University of Nanking. Additional papers mostly concern family members attempting to acquire documentation of Dr. Ferguson and to retrieve portions of his estate that remained in China
Cite as:
John Calvin Ferguson Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Peter Ferguson, 1999
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000
Summary:
The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic
Cite as:
The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Jeweler, art collector, and author Henri Vever was born in Metz, France in 1854. Together with his older brother Paul, Henri Vever managed the family jewelry firm, Maison Vever, from 1881 until Paul's death in 1915 and Henri's retirement in 1921. As an art collector, Vever amassed a large collection of European, Asian, and Islamic art. Through his work as a jeweler, art collector, and author, Henri Vever played an important role in the twentieth-century art world
Summary:
A photograph album with photographs, dated 1881-1930, of various Vever family members and the family estate in Noyers, France
Cite as:
Vever Family Photograph Album. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Jacqueline Mautin, 1988
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Asian art dealer and merchant Yatsuhashi Harumichi (1886- 1982) was born in Tano, Japan, on December 15, 1886. Upon completion of his studies in Osaka, Mr. Yatsuhashi secured employment in the Osaka office of the prestigious Asian antiquities firm, Yamanaka & Company. In 1907 he joined Yamanka & Company's branch office in Boston, Massachusetts, as its general manager and treasurer of the company's Asian division. Located at 424 Boylston Street, the store was a center for Chinese art, as well as for Japanese assorted goods. In 1913 Yatsuhashi married Shigeki. They produced two sons (Michio and Masao) and two daughters (Sumiko and Kukiye). (Harumichi Yatsuhashi, Oriental art authority and Brookline resident. (1982 December 3). The Boston Globe, obituaries.) Following the United States' entrance into World War II, the Alien Property Custodian seized the Yamanaka shops in New York, Boston, and Chicago. The holdings were sold at auction in May and June, 1944. In 1945, Yatsuhashi Harumichi and his son Michio opened their own Asian art dealership at 420 Boylston Street in Boston. Yatsuhashi Harumichi fostered exchange between his native and adopted homeland. He was a member and officer (president in 1931) of the Japan Society of Boston since 1921, an avid supporter of the Boston Marathon, and a founder of the Boston-Kyoto Sister City Foundation. (Boston Globe, 1982 December 4. ) Michio Yatsuhashi, who helped his father open the Yatsuhashi antique shop, died prematurely as a result of cancer in 1981. One year later, Mr. Yatsuhashi died in Boston at the age of 96. He was survived by his daughters, Sumiko and Kikuye and one son, Masao
Summary:
The Yatsuhashi Harumichi Family Papers (1906-1976) document the professional and personal lives of a Japanese-American family in Boston during the twentieth century. The patriarch, Yatsuhashi Harumichi (1886-1982), was an influential Asian art dealer and the papers also document the professional experiences of Asian art dealers in the United States during the early and mid 20th century. Mr. Yatsuhashi worked at the antiquities firm of Yamanaka & Company before starting his own Asian antiquities shop in 1945. Included in the papers, portions in Japanese, are correspondence; catalogues relating to the Alien Property Custodian's 1944 liquidation of Yamanaka & Company's New York branch's holdings; photographs depicting art objects and shop interiors, the Yatsuhashi family; Yamanaka & Company, and extended family, friends, and colleagues; and items belonging to Mr. Yatsuhashi's wife, Shigeki, and some of their children
Cite as:
The Yatsuhashi Harumichi Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of James Arthur Marinaccio, 1994
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Charles Lang Freer was a wealthy industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs
Correspondence, ca. 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler' mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer letters and regarding the settlement of his estate
Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910
Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art
Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenellosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society
Cite as:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer
1 photographic print : image 21.4 x 27.9 cm., on mount 21.9 x 28.2 cm
Type:
Photographs
Photographic prints
Place:
Japan
Asia
Date:
1870s
Ca. 1870 - 1879
19th century
Topic:
Photography
Torii
Natural landscapes
Trees
Religion
Local number:
FSA A1999.35.R008
Notes:
Title devised by Henry and Nancy Rosin
Summary:
A path leads to a Shinto Torii that overlooks the lake. An individual squats to the left of the Torii, and others are seated nearby to the left
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 photographic print : hand coloring ; image 25.9 x 20.5 cm., on mount 26.5 x 21.8 cm
Type:
Trade cards
Photographic prints
Place:
Japan
Asia
Date:
1860 - ca 1900
[1860 - ca. 1900]
19th century
Topic:
Photography
Mirrors
Women
Portraits
Local number:
FSA A1999.35.R022
Notes:
Title devised by Henry and Nancy Rosin
Summary:
A young woman is seated in front of a mirror upon tatami mats in the motions of applying makeup. It is in a studio setting, for the mirror is turned at an angle to show the camera the woman's reflection. There is a bowl, small container and box with various things next to the woman
Photographer unidentified
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 cartes-de-visite : image 8.8 x 5.5 cm., on mount 10.2 x 6.3 cm
Type:
Cartes-de-visite
Photographic prints
Place:
Japan
Asia
Date:
1860 - ca 1900
[1860 - ca. 1900]
19th century
Topic:
Photography
Fashion
Swords
Portraits
Local number:
FSA A1999.35.R023
Notes:
Title devised by Henry and Nancy Rosin
Summary:
A seated man dressed in Japanese kimono poses in an indoor studio. He holds a katana (Japanese sword) in his left hand, a folded fan in his right, and has a small sasuga (dagger) tucked in his waist. He is seated upon tatami mats. His attire and the presence of the katana would suggest that he is part of the upper class
Photographer unidentified
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
A bald man stands upon tatami mats in a studio setting. Two katana (Japanese sword) are tucked into his waist, and he holds a folded fan in his right hand. The crest medallions on his sleeves, as well as the presence of the two katana, hint at his upper class rank
Photographer unidentified
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 photographic print; image 21 x 27 cm., on mount 24 x 29.5 cm
Type:
Photographs
Photographic prints
Place:
Japan
Asia
Date:
1860 - ca 1900
[1860 - ca. 1900]
19th century
Topic:
Photography
Architecture
Bridges
Local number:
FSA A1999.35.R016
Notes:
Title devised by Henry and Nancy Rosin
This image is on verso of Rosin number 015
Summary:
Outdoor image of brick and cable bridge. A single man stands near the middle of bridge. A plaque on the bricks explains rules such as the number of people allowed on the bridge, whether horses and carriages are allowed, etc
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 photographic print; image 21 x 26.5 cm., on mount 23.5 x 29 cm
Type:
Photographs
Photographic prints
Place:
Japan
Asia
Date:
1860 - ca 1900
[1860 - ca. 1900]
19th century
Topic:
Photography
Natural landscapes
Villages
Local number:
FSA A1999.35.R017
Notes:
Title devised by Henry and Nancy Rosin
Summary:
Rows of crops line the foreground, while a dirt path begins from the left foreground and continues to the village. Two figures walk along the dirt path, and houses, leafy trees and mountain are visible in the background
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 photographic print: albumen with hand coloring; image 20.5 x 26.3 cm., on mount 21.7 x 27.6 cm
Type:
Photographs
Photographic prints
Place:
Japan
Asia
Date:
1860 - ca 1900
[1860 - ca. 1900]
19th century
Topic:
Photography
Natural landscapes
Fishing boats
Snow
Local number:
FSA A1999.35.R018
Notes:
Rosin number 018
Title devised by Henry and Nancy Rosin
Mastering photography under Shimooka Renjo, Ogawa opened a studio in Tokyo in 1884. In 1888, he established Japan's first collotype printing business, and in the following year he formed the Nihon Shashin-kai (Japanese Photographic Association) with Tokyo Imperial University professor William Burton. Ogawa was often commissioned to photograph the Imperial family, and was the first to establish dry-plate technology in Japan. His first name can also be read as Isshin and Kazuma
Summary:
Numerous long, narrow boats line the left of the print, while a house and trees are visible on the right. Outdoor setting with snow
Photographer unidentified
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 photographic print: hand coloring; image 21 x 26.6 cm., on mount 34.5 x 50 cm
Type:
Photographs
Photographic prints
Place:
Japan
Asia
Date:
1860s
Ca. 1860 - 1869
19th century
Topic:
Photography
Transportation
Litters
Local number:
FSA A1999.35.R019
Notes:
Title devised by Henry and Nancy Rosin
Felice Beato was born in Venice around 1825. During his lifetime, he accompanied the British troops in India, recording images of the Indian Mutiny in 1857, and the Franco-British troops in China to cover the end of the Second Opium War in 1859. With his friend Charles Wirgman, Beato opened a photography studio in Yokohama, Japan in the early 1860s, and produced many images of the Japanese and their lifestyle, as interpreted by the Westerners. Selling his studio to Baron von Stillfried in 1877, Beato eventually died in Burma around 1908
Summary:
Three carriers transport a seated young woman in a kago (carrier). Outdoor setting with shrubbery in the background
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001
1 photographic print; image 21 x 26.5 cm., on mount 23.3 x 29 cm
Type:
Photographic prints
Place:
Japan
Asia
Date:
1860 - ca 1900
[1860 - ca. 1900]
19th century
Topic:
Photography
Natural landscapes
Torii
Trees
Paths
Religion
Local number:
FSA A1999.35.R017.5
Notes:
Title devised by cataloger
This image is appears on verso of Rosin number 017
Summary:
A dirt path begins in the foreground and continues into the print. A Shinto Torii flanked by two upright lanterns stand in the path, surrounded by trees. Outdoor setting
Photographer unidentified
Cite as:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Partial purchase and gift of Henry and Nancy Rosin, 1999-2001