Mary Stevenson Cassatt: Visual Arts\Artist\Printmaker\Etcher
Mary Stevenson Cassatt: Visual Arts\Artist\Painter
Mary Stevenson Cassatt: Visual Arts\Artist\Painter\Portraitist
Mary Stevenson Cassatt: Business and Industry\Businessman\Dealer\Art
Mary Stevenson Cassatt: Visual Arts\Artist\Painter\Pastelist
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Morris and Gwendolyn Cafritz Foundation and the Regents' Major Acquisitions Fund, Smithsonian Institution
Object number:
NPG.84.34
Exhibition Label:
The American impressionist Mary Cassatt spent her career in Europe, settling in Paris. Stifled by tradition, she regarded her exposure to the work of Edgar Degas in 1874 as a "turning point in my artistic life." After her rejection by the Paris Salon of 1877, Cassatt welcomed Degas's invitation to exhibit with the impressionists in 1879. Cassatt shared their interest in the depiction of modern life and their commitment to developing innovative methods to capture fleeting moments. A lifelong friend of Degas, she served as model for him on a number of occasions. Despite her high regard for his work, Cassatt later dismissed this portrayal, commenting: "It has artistic qualities but is so painful and represents me as a person so repugnant that I would not wish it to be known that I posed for it."
Mary Cassatt, born Allegheny City, PA 1844-died Mesnil-Theribus, France 1926
Sitter:
unidentified
Medium:
oil on canvas
Dimensions:
25 5/8 x 19 3/4 in. (65.2 x 50.1 cm)
Type:
Painting
Date:
1873
Topic:
Dress\ethnic\Spanish dress
Ethnic\Spanish
Performing arts\dance
Dress\accessory\scarf
Dress\accessory\fan
Portrait female\Ida
Credit Line:
Smithsonian American Art Museum, Gift of Victoria Dreyfus
Object number:
1967.40
Description:
Mary Cassatt spent a few months in Spain in the early 1870s. She went first to Madrid, where she copied the paintings of the Spanish masters, then established a studio in Seville. She made a series of paintings of Spanish life that emphasized the beauty and dress of the local women. This piece was exhibited at the 1874 Paris Salon under the title Ida, where it attracted the attention of French impressionist Edgar Degas. On seeing the work of Cassatt for the first time, Degas commented, “C’est vrai. Voilá quelqu’un qui sent comme moi” (It is true. There is someone who feels as I do).
Portrait of Mrs. Currey; Sketch of Mr. Cassatt, (painting)
Painter:
Cassatt, Mary 1844-1926
Subject:
Currey
Cassatt
Medium:
Oil
Culture:
African American
Type:
Paintings
Date:
Ca. 1871
Topic:
Portrait female--Bust
Ethnic
Portrait male--Head
Control number:
IAP 80170011
Notes:
Breeskin, Adelyn Dohme, "Mary Cassatt: A Catalogue Raisonne of the Oils, Pastels, Watercolors, and Drawings," Washington, D.C.: Smithsonian Institution Press, 1970, no. 11
Summary:
Portrait sketch of Mrs. Currey, a black woman wearing a white kerchief on her head. Below and upsidedown is a sketch of the artist's father, Mr. Cassatt
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums