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The Book-Dividend for March & April is "My Friend Flicka" and "Thunderhead" by Mary O'Hara

Type:
Printed Materials
Date:
ca. 1940-1946
Topic:
Horses  Search this
Illustrated books, Children's  Search this
Record number:
(DSI-AAA)17544
See more items in:
John Steuart Curry and Curry family papers, 1848-1999
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17544
Additional Online Media:

Photograph of Edmund A. Tarbell on Eaglet, his horse, in New Castle, New Hampshire

Subject:
Tarbell, Edmund Arnold  Search this
Type:
Photographs
Place:
New Castle, N.H.
Date:
circa 1914
Topic:
Horses  Search this
Record number:
(DSI-AAA)21151
See more items in:
Edmund C. Tarbell papers, circa 1855-circa 2000, bulk 1885-1938
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21151
Additional Online Media:

Photograph of Mary Tarbell Shaeffer and Emeline A. Tarbell with Edmund C. Tarbell II on horse, Peanut

Subject:
Schaffer, Mary Tarbell  Search this
Tarbell, Edmund Charles II  Search this
Tarbell, Emeline Arnold Souther  Search this
Type:
Photographs
Date:
circa 1928
Topic:
Horses  Search this
Record number:
(DSI-AAA)21152
See more items in:
Edmund C. Tarbell papers, circa 1855-circa 2000, bulk 1885-1938
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21152
Additional Online Media:

Amory C. Simons photographic materials, circa 1910-circa 1984, bulk circa 1910-1920s

Creator:
Simons, Amory C. (Amory Coffin), 1869-1959  Search this
Subject:
Grafly, Charles  Search this
Topic:
Animal sculptors  Search this
Equestrian artists  Search this
Equestrian statues  Search this
Photographs  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)7457
(DSI-AAA_SIRISBib)209615
AAA_collcode_simoamoc
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209615

Millard Sheets papers, 1907-circa 2000

Creator:
Sheets, Millard Owen, 1907-1989  Search this
Subject:
Sheets, Mary Baskerville  Search this
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Topic:
Muralists  Search this
Horses  Search this
Slides (photographs)  Search this
Watercolorists  Search this
Art and society  Search this
Art  Search this
Designers  Search this
Photographs  Search this
Record number:
(DSI-AAA_CollID)10956
(DSI-AAA_SIRISBib)214738
AAA_collcode_sheemill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214738
Additional Online Media:

Millard Sheets papers

Creator:
Sheets, Millard, 1907-1989  Search this
Names:
Dalzell Hatfield Galleries  Search this
Millard Sheets & Associates Designs  Search this
Sheets, Mary Baskerville  Search this
Extent:
27.6 Linear feet
Type:
Archival materials
Collection descriptions
Slides (photographs)
Photographs
Date:
1907-1990
Summary:
The Millard Sheets papers comprise 27.6 linear feet of material dating from 1907 to 1990 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera.
Scope and Content Note:
The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from 1907-1990, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.
Arrangement:
The collection is arranged into fourteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)
Biographical Note:
"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Millard Sheets papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Art -- California  Search this
Art and society  Search this
Horses -- Breeding  Search this
Watercolorists -- California  Search this
Muralists -- California  Search this
Art -- Philosophy  Search this
Designers -- California  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Millard Sheets papers, 1907-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill
See more items in:
Millard Sheets papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sheemill
Additional Online Media:

Amory C. Simons photographic materials

Creator:
Simons, Amory C. (Amory Coffin), 1869-1959  Search this
Names:
Grafly, Charles, 1862-1929  Search this
Extent:
0.7 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1910-circa 1984
bulk circa 1910-circa 1920s
Summary:
The photographic materials of equestrian sculptor, Amory C. Simons, measure 0.7 linear feet and date from circa 1910 to circa 1984, with the bulk of the material dating from circa 1910 to circa 1920s. The collection includes four letters to Simons, photographic prints, negatives, and glass plate negatives of horses and riders including New York City police and mounted models, and other miscellaneous subjects.
Scope and Contents:
The photographic materials of equestrian sculptor, Amory C. Simons, measure 0.7 linear feet and date from circa 1910 to circa 1984, with the bulk of the material dating from circa 1910 to circa 1920s. The collection includes four letters to Simons, photographic prints, negatives, and glass plate negatives of horses and riders including New York City police and mounted models, and other miscellaneous subjects.
Arrangement:
The collection is arranged as one series.

Series 1: Amory C. Simons Photographic Materials, circa 1910-circa 1984 (0.7 linear feet; Boxes 1-2)
Biographical / Historical:
Born in Charleston, South Carolina, sculptor and educator Amory Coffin Simons (1869-1959), was known for his animal statuettes, and for his equestrian sculpture in particular.

Simons studied at the Pennsylvania Academy of Fine Arts under John J. Boyle, Charles Grafly, and Thomas Eakins, before moving to Paris and studying at the Académie Julian where he was awarded honorable mention in the 1900 and 1906 Paris Salons. He also received the 1922 Speyer Prize in the annual exhibition at the National Academy of Design in addition to other honors.

Simons moved to Santa Barbara, California, where he taught at the Santa Barbara School of the Arts beginning in the 1920s. He died in California in 1959.
Related Materials:
The Archives of American Art also has the Amory C. Simons papers, ca. 1890-1934. This collection comprises 0.2 linear feet of materials related to Simons's activities as a student and sculptor in Paris.
Provenance:
The collection was a 1968 gift of Mrs. Paul Fitchen, Chester Beach's daughter, who found the papers in her basement. Beach and Simons were close friends.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Amory C. Simons photographic materials are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Equestrian artists -- Photographs  Search this
Equestrian statues -- Photographs  Search this
Animal sculptors  Search this
Sculptors  Search this
Genre/Form:
Photographs
Citation:
Amory C. Simons papers, circa 1910-circa 1984, bulk circa 1910-circa 1920s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.simoamoc
See more items in:
Amory C. Simons photographic materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-simoamoc
Additional Online Media:

Amory C. Simons papers, [ca. 1890]-1934

Creator:
Simons, Amory C. (Amory Coffin), 1869-1959  Search this
Subject:
Bartlett, Paul Wayland  Search this
Du Pont, A. Felix (Alexis Felix),  Search this
Flannagan, John Bernard  Search this
Topic:
Equestrian statues  Search this
Photographs  Search this
Sculptors  Search this
Animal sculptors  Search this
Equestrian artists  Search this
Record number:
(DSI-AAA_CollID)7458
(DSI-AAA_SIRISBib)209616
AAA_collcode_simoamor
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209616

Edward Clark Potter papers, 1903-1933

Creator:
Potter, Edward Clark, 1857-1923  Search this
Subject:
Britton, James  Search this
French, Daniel Chester  Search this
Potter, Nathan D.  Search this
Topic:
Equestrian statues  Search this
Photographs  Search this
Sculptors  Search this
Sculpture, American  Search this
Animal sculpture  Search this
Record number:
(DSI-AAA_CollID)8187
(DSI-AAA_SIRISBib)210358
AAA_collcode_pottedwa
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210358

Browne and his children above timber line, with a finished 30 x 40 canvas tied on the white-horse

Subject:
Browne, Belmore  Search this
Type:
Photographs
Date:
ca. 1932
Topic:
Horses  Search this
Landscape painters  Search this
Painters  Search this
Plein air painting  Search this
Record number:
(DSI-AAA)17975
See more items in:
Macbeth Gallery records, 1838-1968, bulk 1892-1953
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17975
Additional Online Media:

Geckler family postcard to Rockwell Kent

Creator:
Kent, Rockwell, 1882-1971  Search this
Type:
Correspondence
Place:
Winona, Minn.
Date:
1913
Topic:
Horses  Search this
Record number:
(DSI-AAA)14669
See more items in:
Rockwell Kent papers, [circa 1840]-1993, bulk 1935-1961
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14669
Additional Online Media:

Sketch of horse and rider

Creator:
Klement, Vera, 1929-  Search this
Type:
Artworks
Date:
between 1946 and 2001
Topic:
Horses  Search this
Record number:
(DSI-AAA)18456
See more items in:
Vera Klement papers, 1946-2015
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18456
Additional Online Media:

Frederick William MacMonnies with equestrian statue

Creator:
Peter A. Juley & Son  Search this
Subject:
MacMonnies, Frederick William  Search this
Type:
Photographs
Date:
ca. 1900
Topic:
Artists at or with their work  Search this
Equestrian statues  Search this
Record number:
(DSI-AAA)12834
See more items in:
Frederick William MacMonnies papers, 1874-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12834
Additional Online Media:

Katherine Thayer Hobson working on Dr. Fager's head at Belmont Stakes

Photographer:
Schafer, Paul  Search this
Subject:
Hobson, Katherine Thayer  Search this
Type:
Photographs
Date:
circa 1968
Topic:
Animal sculpture  Search this
Artists at or with their work  Search this
Horses  Search this
Record number:
(DSI-AAA)15694
See more items in:
Katherine Thayer Hobson papers, 1930-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15694
Additional Online Media:

Marjorie Martinet painting a horse

Subject:
Martinet, Marjorie D.  Search this
Type:
Photographs
Date:
circa 1910
Topic:
Artists' models  Search this
Horses  Search this
Plein air painting  Search this
Record number:
(DSI-AAA)15710
See more items in:
Beatrice Fenton papers, 1836-1984, (bulk 1890-1978)
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15710

Stallion modeling for Frederick William MacMonnies The horse Tamers

Subject:
MacMonnies, Frederick William  Search this
Type:
Photographs
Date:
1894
Topic:
Animal sculpture  Search this
Artists' models  Search this
Horses  Search this
Record number:
(DSI-AAA)15785
See more items in:
Frederick William MacMonnies papers, 1874-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15785
Additional Online Media:

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