Words of the true peoples anthology of contemporary Mexican indigenous-language writers edited by Carlos Montemayor and Donald Frischmann ; photography by George O. Jackson, Jr. = Palabras de los seres verdaderos : antología de escritores actuales en lenguas indígenas de México / editado por Carlos Montemayor and Donald Frischmann ; fotografía de George O. Jackson, Jr
Manual para administrar los santos sacramentos de penitencia, eucharistia, extrema-uncion, y matrimonio dar gracias despues de comulgar, y ayudar a bien morir a los indios de las naciones: Pajalates, Orejones, Pacaos, Pacóas, Tilijayas, Alasapas, Pausanes, y otras muchas diferentes, que se hallan en las missiones del Rio de San Antonio, y Rio Grande, pertenecientes à el Colegio de la Santissima Cruz de la ciudad de Queretaro, como son: los Pacuâches, Mescâles, Pampôpas, Tâcames, Chayopi...
Programa de revitalización, fortalecimiento y desarrollo de las lenguas indígenas nacionales, 2008-2012 PINALI Instituto Nacional de Lenguas Indígenas
Title:
PINALI
Author:
Mexico Secretaría de Educación Pública Search this
Photographs assembled circa 1942-1948, probably as part of the Strategic Index of Latin America, and relating to people and scenery in Latin America. They depict transportation, irrigation, agriculture and industry (including rubber production), cities and villages, and archeological finds. The prints are arranged geographically into the following locations: Argentina, Bolivia, Brazil, British Guiana, British Honduras, Chile, Colombia, Dominican Republic, Ecuador, Guatemala, Honduras, Leeward Islands, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Suriname, Venezuela, Virgin Islands, and Windward Islands. The photographs were copied from published sources (originals circa 1850s-1940s) and are individually labeled with source information and original captions.
Biographical/Historical note:
George Peter Murdock (1897-1985) was an anthropologist of comparative ethnology. Educated at Yale, he received a BA in History (1919) and PhD in Sociology (1925). He taught sociology and anthropology at the University of Maryland for two years before returning to Yale in 1928 as an assistant professor of physical anthropology. In 1931, Murdock was granted a joint appointment with Yale's newly formed anthropology department, in which he served as department chair (1938-1960) and full professor (1939-1960). During his time at Yale, Murdock embarked on his most notable project, the Cross Cultural Survey in 1937. Positioned within the Institute of Human Relations, the CCS was a catalog of anthropological data, indexed according to Murdock's Outline of Cultural Materials (1938) to enable quick reference of cultures and analyses of a unified theory of behavior. During the Second World War, the Strategic Index of Latin America, an auxiliary arm of the CCS, was created to focus on Latin American cultural questions and strategic decision making. After the war, the CCS was reorganized by a consortium of universities as the Human Relations Area Files, with Murdock at the head. Murdock left Yale in 1960 and served as Mellon Professor of Anthropology at the University of Pittsburgh until 1973.
Local Call Number(s):
NAA Photo Lot 4632
Location of Other Archival Materials:
The National Anthropological Archives also holds Murdock's Pacific Survey File.
Correspondence with Murdock held in the National Anthropological Archives in MS 7027, MS 4821, American Ethnological Society records, Handbook of South American Indians Records, and collections of personal papers.
Photo Lot 4632, Photographs copied by George Peter Murdock's Strategic Index of Latin America, National Anthropological Archives, Smithsonian Institution
Studio portraits of Indigenous people of Mexico and one image of a coffee plantation. The photographs were probably collected by Edward William Nelson during his field studies in Mexico with Edward Alphonso Goldman, 1892-1906.
Biographical/Historical note:
Edward William Nelson (1855-1934) was an explorer and naturalist for the United States government known for his studies in Alaska, California and Mexico. Born near Manchester, New Hampshire, Nelson grew up with an ardent interest in birds and the outdoors. With the help of Henry W. Henshaw and Smithsonian Assistant Secretary Spencer F. Baird, he gained a post as a weather observer with the Signal Corps in 1877. Nelson was stationed in St. Michael, Alaska, for the next four years, during which time he collected ethnological data and natural history collections for the Smithsonian Institution. In 1890, Nelson joined the Bureau of Biological Survey of the United States Department of Agriculture as a Special Field Agent on the Death Valley Expedition of Clinton Hart Merriam. After this Expedition disbanded in 1891, Nelson continued to work in California under orders from the Bureau and met his future expedition partner Edward Alphonso Goldman. A three month field survey in Mexico in 1892 evolved into fourteen years of research by the pair, during which they made extensive investigations of Mexican mammalogy, ornithology, and ethnology. Following these studies, Nelson moved into an administrative role in the Bureau, holding appointments as Chief Field Naturalist, 1907-1912; Assistant in Charge of Biological Investigations, 1913-1914; Assistant Chief, 1914-1916; Chief, 1916-1927; and Senior Biologist, 1927-1929.
Local Call Number(s):
NAA Photo Lot 171
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 123.
Additional photographs by Nelson are held in National Anthropological Archives Photo Lot 89-8, Photo Lot 133, Photo Lot 24, and the BAE historical negatives.
The Smithsonian Institution Archives holds the Edward William Nelson and Edward Alphonso Goldman Collection, circa 1873-1946 (SIA RU007364) and a registry to their additional field notes.
Photo Lot 171, Edward William Nelson photograph collection relating to Indigenous peoples of Mexico, National Anthropological Archives, Smithsonian Institution.
Images consist mostly of portraits of the indigenous people in the Mexican states of Michoacán, Guerrero, Nayarit, Sinaloa, Oaxaca, Chiapas and Veracruz. The collection primarily contains images of Wikarika (Huichol) people, but includes images of the Purepecha (Tarasco), Guerrero Nahua, Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec peoples.
Scope and Contents:
The Donald Bush Cordry collection primarily contains photographic prints and negatives made by Cordry while he collected objects from 1935 to 1938 on behalf of the Museum of the American Indian, Heye Foundation. Photographic materials from his private 1933 trip to Guerreo and a few taken around 1940 are also housed in the collection. The photographs depict the native peoples of the Mexican states of Chiapas, Guerrero, Michoacán, Nayarit, Oaxaca, Sinaloa, and Veracruz and represent people preparing food, making masks, pottery and textiles, and dressing for and participating in ceremonies. In addition there are village scenes and informal portraits of individuals. Series 1: Michoacán and Guererro States, includes images shot within the Purepecha (Tarasco) and Guererro Nahua communities between 1935 and 1936. (Negatives: N21118-N21126; Prints: P11986- P12008; Copy Negatives: N36725-N36731) Series 2: Nayarit and Sinaloa States, is the largest series and includes images shot in various Wixarika (Huichol) villages in 1937 and depicts many ceremonial functions. (Prints: P12659-P12672, P12880-P12887, P13273-P13275, P13386-P13414; Copy Negatives: N36855-N36863, N41431-N41432) Series 3: Oaxaca, Chiapas, Sonora and Mexico States, includes images from various culture groups from around 1940. These include Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec. (Prints: P15052-P15053, P15202-P15203, P15347-P15348, P16553-P16562; Copy Negatives: N37306-N37307, N37335-N37336, N37506-N37507)
The photographic prints are all silver gelatin (DOP) and are a range of sizes. The majority of the negatives are copy negatives made by the Museum of the American Indian, Heye Foundation during a photo conservation project in the 1960s.
Arrangement note:
Arranged into three series by date and geographical location. Series 1: Michoacán and Guererro States: Purepecha (Tarasco), Guererro Nahua, 1933, 1935-1936; Series 2: Nayarit and Sinaloa States: Wixarika (Huichol), 1937; Series 3: Oaxaca, Chiapas, Sonora States: Various communities, circa 1940. Within each series the prints and negatives are physically arranged by catalog number.
Biographical/Historical note:
Starting in high school, Donald Bush Cordry was deeply committed to theatrical set design and puppetry and while attending the Minneapolis Institute of Art began to carve his own wooden marionettes and hand puppets. In 1931, Cordry made his first trip to Mexico (Guerrero) and become fascinated by contemporary Mexican Indian art, especially mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg and soon contacted George G. Heye to learn more about Mexican Indian art. From 1935 to 1938, Cordry collected Mexican masks and other art forms on behalf of the Museum of the American Indian, Heye Foundation. On his first 1935 collecting trip for Heye, Cordry traveled throughout the states of Michoacán and Guerrero and collected carved and painted dance masks.
In 1936, Cordry married fellow artist Dorothy Mann. Shortly after their wedding, the newlyweds traveled by horseback for six months through Nayarit, Jalisco, and southern Sonora and extensively collected among and photographed the Huichol, Cora and Mayo Indians. The couple moved to Mexico in 1938, first settling in Oaxaca; in the mid-1940s, no longer working for Heye, they relocated to Mexico City. There Cordry established his own design business and produced decorative Mexican folk art-style crafts. His business was highly successful and his work was featured in House and Garden magazine. The couple moved to Cuernavaca, where in 1953 Cordry suffered a stroke and was forced to close his workshop. His stroke also put an end to his traveling and collecting activities. Deeply interested in the history and traditions of Mexican Indians, Cordry assembled an extensive reading library of pre- and post-conquest Mexico materials and together with his wife published "Costumes and Textiles of the Aztec Indians of the Cuetzalan Region, Puebla, Mexico" (1940); "The Costumes and Weaving of the Zoque Indians of Chiapas, Mexico" (1941); and, most importantly, "Mexican Indian Costumes" (1968). Cordry's monumental "Mexican Masks" (1980) was published shortly after his death. Cordry died in Cuernavaca, Mexico, at the age of 71.
Related Materials:
There are around 900 ethnographic items collected by Donald Cordry in Mexico in the National Museum of American Indian's ethnology collections. For more information about these materials contact NMAI Collections.
The National Anthropological Archives (National Museum of Natural History) holds several collections of Donald B. Cordry photographs. See: NAA Photo Lot 87-38, NAA Photo Lot 82-14, and NAA Photo Lot 80-3. The Donald Cordry Mexican mask collection at Natural History can be found in the Department of Anthropology in accession 355867.
Provenance:
The majority of the Donald Cordry photographs came to the Museum of the American Indian, Heye Foundation along with field collections in 1936 and 1938. There were additional donations of photographs made by Cordry in 1937, 1940, 1941 and 1943.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of Mexico -- Social life and cutoms Search this
Indians of Mexico -- Rites and ceremonies Search this
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This collection contains 50 black-and-white photographic prints and 7 negatives taken by George W. Avery during his time as an agent for the Museum of the American Indian. Taken in 1910 in the states of Sonora, Chihuahua and Sinaloa, Mexico, the images depict members of the Seri, Mayo and Tarahumara tribes.
Arrangement note:
Negatives: organized in individual sleeves; arranged by negative number.
Prints: organized in folders; arranged by print number.
Biographical/Historical note:
George W. Avery (1880-1927) was a collector and agent for the Heye Foundation/Museum of the American Indian. In 1926, Avery collected for the museum in Mexico, possibly in the company of E.H. Davis. He also purchased pieces for Heye/MAI in Alaska.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Copyright: National Museum of the American Indian.
Genre/Form:
Black-and-white negatives
Photographs
Citation:
George W. Avery photographs and negatives, National Museum of the American Indian Archives, Smithsonian Institution (photograph or negative number).
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Indian languages of Mexico and Central America and their geographical distribution by Cyrus Thomas, assisted by John R. Swanton ; accompanied with a linguistic map
